Leyla Seylemez
Movement Building
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Snippet Opening Dance Performance EN
Adaluz Monterrey Eden
Snippet Festival In Review - Presentation (EN)
A Festival For Feminist Movements
Do you want to be inspired by the creative resistance strategies of feminists from all over the world? Do you want to discover feminist initiatives that show us how we can all live in a more just world? Do you want to learn about models of feminist care and healing to bring to your own community? Is that a resounding yes that we hear? YES!
Then check out Crear | Résister | Transform: a festival for feminist movements. This festival took place virtually throughout the month of September 2021 across all of AWID’s platforms, and now you can experience it on your own time.
The Festival was a multicultural and multilingual experience.
The panelists participated in their preferred language and at AWID we included subtitles on the videos for your accessibility.
Dicle Kogacioglu
Nan Robertson
Yusdiana
Vicky HernaÌndez Amador
Wangari Maathai
2021: Feminist Power in Action
In 2021, AWID, along with many other organizations, was coming to grips with the implications of the on-going global pandemic for how we work and our role in this particular time. The year taught us three critical lessons about navigating this moment as a global feminist movement-support organization.
Download the full 2021 Annual review
Through dialogue and exchanges critical to their work, AWID connected thousands to feminists from around the world.
Our experience in 2021 reaffirmed the importance of building and sustaining a global feminist community, and AWID’s core mission to support feminist movements as a whole. We believe that at this moment, a strong community bound by a shared vision and collective care is the foundation of all social change and transformation.
Domitila Barrios de Chungara
Marta Musić
Biography
Marta is a queer, transfeminist non-binary activist-researcher from ex-Yugoslavia, currently based in Barcelona. They work as a transnational movement organizer, a feminist economist and a weaver of systemic alternatives. They are the co-founder and one of the coordinators of the Global Tapestry of Alternatives, a global process that seeks to identify, document and connect alternatives on local, regional and global levels. Locally, they are engaged in anti-racist, transfeminist, queer, migrant organizing. They also hold a doctoral degree in Environmental Science and Technology from the Autonomous University of Barcelona, dedicated to decolonial feminist perspectives of a pluriverse of systemic alternatives and the creation of feminist alternative systems based on care and the sustainability of life. During their free time, they enjoy boxing, playing the guitar and the drums as part of a samba band, photography, hiking, cooking for loved ones and spoiling their two cats.
Position
Building Feminist Economies Lead
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Nellys Palomo
Ȃurea Mouzinho
Biography
Ȃurea Mouzinho is a feminist economic justice organizer from Luanda, Angola, with a 10-year career in research, grant-making, advocacy, and movement-building for women's rights and economic justice across Africa and the global south. Currently the Program Manager for Africa at Thousand Currents, she also serves on the Feminist Africa Editorial Board and is a member of Ondjango Feminista, a feminist collective she co-founded in 2016. A new mom to a Gemini boy, urea enjoys slow days with her young family and taking long strolls by the beach.
She occasionally tweets at @kitondowe.
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Farida Afridi
What is AWID?
The Association for Women's Rights in Development (AWID) is an international feminist membership organization.
We work to achieve gender justice and women’s human rights by strengthening the collective voice, impact and influence of global women’s rights advocates, organizations and movements.
Tuğçe Albayrak
I have written a paper about an issue related to Women’s Rights and Development. How can I share it with AWID’s members?
Snippet FEA Ocupação 9 de Julho is more than just a building (EN)
But Ocupação 9 de Julho is more than just a building.
It is a community hub, where one can take courses and train in creative income-generation activities like local hairdressing, cooking and artmaking. Children can also enjoy cultural and educational activities. The MSTC doesn't work alone. It collaborates with institutions and art collectives to produce cultural, athletic and educational experiences, alongside critical access to health care. Since its inception, this participatory project has been led and carried out by mostly women, under the leadership of Afro-Brazilian activist Carmen Silva, who was once a homeless person herself.
Angiza Shinwari
