Memory as Resistance: A Tribute to WHRDs no longer with us
AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
In 2020, we are taking a turn
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
The Tribute was first launched in 2012
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
To date, 467 feminists and WHRDs are featured.
Related Content
Snippet - CSW69 - Feminist Solidarity Space - FR
Espace de solidarité féministe
✉️ Sur inscription pour les grands groupes. Espace ouvert pour les petits groupes. Inscrivez-vous ici
📅 Mardi 11 mars 2025
🕒12.00h-14.00h et 16.00h-18.00h EST
🏢 Chef's Kitchen Loft with Terrace, 216 East 45th St 13th Floor New York
Organisé par : AWID
Snippet - That Feminist Fire Logo (FR)

Jaitun
Jaitun, commonly referred to as ‘Amma’, was committed to ensuring the reproductive rights of women and girls in India. She was particularly dedicated to advocating for those living in poverty and who are most marginalized, including Dalit and Muslim women and girls.
Jaitun was the vital force behind the case Jaitun v Janpura Maternity Home & Ors. Her perseverance for justice led to a ground-breaking judgment issued by the High Court of Delhi, holding the Indian government accountable for failing to deliver a number of its legally-binding obligations such as reproductive health care and the right to food.
Her daughter Fatema who was living under the poverty line was denied reproductive services and had to deliver her child in public, under a tree. At the time, both Jaitun and Fatema were homeless as a result of their home being demolished by the government as part of redevelopment and gentrification in New Delhi.
“The judgment has since been used by countless lawyers and activists globally, including the Former United Nations Special Rapporteur on the Right to Health, not only as a source of inspiration but as a solid springboard to further justice.” - Jameen Kaur
Jaitun has inspired many other women living in poverty to claim their rights. She passed away in 2017.
“In Jaitun’s death, we have now lost an inimitable warrior for justice, but her spirit of defiance lives on.” - Jameen Kaur
“In my 18 years as a human rights advocate, I have not met a woman that has inspired and moved my spirit in the same way Amma did. Her roaring courage; her imitable humour - we used to compare her to the Bollywood actress Hema Melini - as she would be upset we had spent so much time away from her - she would say, with a twinkle in her eye, ‘You have forgotten Amma, Amma is not speaking to you’ and then with great dramatics turn her back, only to turn around laughing and stretching her arms out for a hug. Her kindness and ultimately her love and joy for love and the right for all of us to live with dignity. I miss her terribly.” - Jameen Kaur
FRMag - Ashawo Work na Work
« Ashawo Work na Work » : Comment les jeunes féministes ghanéennes transforment des horizons féministes en réalité
par Fatima B. Derby
En 2017, la campagne #ManifestezVotreSolidarité a mis en évidence la manière dont les jeunes féministes pouvaient construire un avenir féministe en étant là les unes pour les autres, en participant à des conversations transrégionales, en marchant en solidarité avec d'autres activistes et en collaborant entre les mouvements. (...)
< illustration : « Laisse-les pousser », par Gucora Andu
#MeToo in China
The #MeToo movement in China was ignited in January 2018, impelled by the momentum of the #MeToo movement around the globe. The movement was a response to cultural and systemic problems in relation to gender and power within China. The foundation of the movement was laid over decades, with many years of debate and advocacy for gender equality finally erupting into a tremendous force across society. #MeToo has been driven mainly by young people, among whom are countless anonymous women and their allies, and they search for opportunities to realize the ultimate “Chinese Dream”: to transform China into a country with gender equality.
The environment for #MeToo movement is extremely adverse in China: the rule of law, the fairness and transparency of government action, and freedom of speech cannot be taken for granted by the movement in China but are the very goals it fights for. From the beginning, it has been an intense struggle, with every victim or activist who comes forward running tremendous risks. From being silenced, humiliated, or retaliated against, to having their safety jeopardized, every success of the #MeToo movement has been won by those who are courageous enough to bear the costs of speaking out and defying censorship.
#MeToo in China Exhibition was first held in 2019 and toured in 5 cities. The aim of the exhibition is to bring the personal experiences of the victims and activists to greater prominence and, through engagement with these stories, to inspire our audience to join in the fight. The exhibition has itself become a part of the #MeToo struggle—the exhibition has been beset by challenges on its tour throughout China, on more than one occasion even facing closure.



Safia Ahmed-Jan
Snippet - Resources to rally - FR
Ressources à mobiliser en vue de la CSW69
Snippet Forum Stories Story 1 (EN)
Case study 1 - Three Boats, a Horse and a Taxi: Pacific Feminists at the AWID Forums
This story is about how an increasingly diverse group of feminists from the Pacific organized through the years to attend the AWID Forums and how that process changed them personally, as organizations, and as a movement through what they learned, discovered and experienced. It illustrates the importance of the Forums as a space through which a region that tends to be marginalized or ignored at the global level can build a strong presence in the feminist movement that is then replicated at other international women’s rights spaces.
Isabel Cabanillas de la Torre
Isabel Cabanillas de la Torre fue una activista joven y una artista feminista muy querida de Ciudad Juárez, México, conocida por sus hermosos diseños evocadores de indumentaria pintada a manoen los que los ojos eran una característica emblemática de su trabajo. Sus murales transformaron los edificios abandonados y vacíos del centro de Ciudad Juárez, al sumarles vida y crítica política a sus paredes.
A través de su arte y de su activismo político, Isabel buscó llamar la atención sobre la violencia de género que se extendía por su ciudad natal. Colaboró como voluntaria con la red Mesa de Mujeres en el proyecto «Observatorio Ciudadano de Género», que monitoreaba la actuación de jueces, fiscales y defensorxs públicxs en casos de femicidios y otras violaciones a los derechos basadas en el género. Integró también «Hijas De Su Maquilera Madre», una colectiva feminista cuyo nombre alude a las hijas de madres que son trabajadoras de la maquila. Algunas de estas madres fueron las primeras víctimas de femicidio en Ciudad Juárez.
El último proyecto de Isabel (todavía en curso) fue una instalación artística para protestar contra una compañía canadiense que quería extraer cobre de los Médanos de Samalayuca.
El 18 de enero de 2020 Isabel fue atacada a balazos mientras volvía a su casa del centro de Ciudad Juárez en bicicleta, víctima, aparentemente, de un asesinato selectivo. Su cuerpo fue encontrado junto a su bicicleta.
El asesinato de Isabel desató una nueva ola de indignación contra los femicidios de la región: cientos de personas marcharon hacia el puente de la frontera entre EEUU y México, y lo bloquearon durante horas mientras cantaban «Ni una más», que es la protesta continua de las colectivas feministas contra los asesinatos de las mujeres en todo México. Solamente en 2019, 3.142 mujeres y niñas fueron asesinadas en el país; muchas de ellas fueron atacadas específicamente por su género.
Amaba andar en bicicleta.
«La bicicleta era un símbolo de libertad para ella. Simbolizaba ser libre en las calles.» - Marisol, amiga de Isabel
FRMag - Between Two Worlds
Between Two Worlds: The Double Consciousness of Women in The Gambia
by Haddy Jatou Gassama
The Mandinka tribe of The Gambia has a custom of measuring the first wrapa used to carry a newborn baby on its mother's back. (...)
artwork: “Sacred Puta” by Pia Love >
Nicole Barakat




somos infinitxs
Una exposición de Nicole Barakat que encarna su reconexión con los objetos de la diáspora de sus tierras ancestrales en la región del Sudoeste Asiático y África del Norte (SWANA, por sus siglas en inglés).
Barakat presenta una colección de obras textiles como manifestaciones de su práctica de conectarse con los objetos desplazados, y a menudo robados, que son exhibidos en colecciones de museos occidentales que incluyen el Museo del Louvre de París, el Museo Británico de Londres y el Nicholson Museum de Sydney.
Para burlar a los guardianes y fisurar las vitrinas que retienen estos objetos ancestrales, Barakat recupera formas de conocimiento precoloniales, no lineales y receptivas que son, a menudo, devaluadas y desestimadas por las instituciones coloniales y patriarcales, utilizando la adivinación con la borra del café, el trabajo con los sueños, la escucha intuitiva y las conversaciones con los objetos mismos (fuente).
Sobre Nicole Barakat

Sus trabajos incluyen dibujos en papel y en tela cortados y cosidos a mano, esculturas realizadas con su propio cabello, tela y materiales vegetales, así como obras en vivo en las que utiliza su voz como material.
La práctica creativa de Nicole está arraigada en el re-cuerdo y la re-colección de sus conocimientos ancestrales, incluyendo la adivinación con la borra del café y, más recientemente, el trabajo con esencias de plantas y flores para el cuidado y la sanación comunitaria.
Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.
Rachel Bhagwan
Snippet - CSW69 - Transfeminist Alliances - EN
Transfeminist Alliances Against Fascism
✉️ By registration only. Register here
📅 Thursday, March 13, 2025
🕒 09.30-11.30am EST
🏢 Outright International Office, 17th Floor, 216 E 45th Street, New York
🎙️AWID speaker: Inna Michaeli, Co-Executive Director
Organizer: Outright International
Snippet Forum Location Announcement Body (EN)
The AWID Forum is the world’s largest event that wholeheartedly centers feminist and gender justice movements in all their diversity. It is a transformative space created by and for the movements - where Global South feminists and historically marginalized communities take centerstage, strategize to shift power, and connect with allied movements, funders and policy-makers. And so it is with full and fiery hearts that we share…
The 15th AWID International Forum will take place from December 2-5, 2024 in Bangkok, Thailand!
We hope to gather 2,500 in-person and 3,000 online/hybrid participants. When thousands of feminists come together, we create a sweeping force of solidarity that has the power to change the world! We’re excited, and we know you’re excited too - so stay tuned for more
Aïssata Kane
Aïssata Kane, surnommée affectueusement “Yaye Kadia” (Mère Kadia), a de tout temps été une féministe engagée dans la défense des droits des femmes africaines, et particulièrement mauritaniennes.
Au cours de sa carrière politique, en 1975, elle fut nommée ministre de la protection de la famille et des affaires sociales et travailla avec ardeur à l’amélioration du statut des femmes dans son pays; c’était la première fois qu'une femme occupait un tel poste.
Ce travail consista notamment à promouvoir l’éducation des filles et des femmes, à lutter contre la pratique du gavage sur les jeunes femmes, à faire pression pour l’inclusion d’une disposition sur les droits maritaux et à plaider en faveur de la création d’un quota de représentation féminine au Parlement.
“[Aïssata] a réalisé toutes ses passions avec humilité, courage et détermination. Elle ne voulait déranger personne avec ce combat qu’elle menait sur tous les fronts à la fois.” Ball Halimata Dem, la nièce d’Aïssata
Ayant fondé l'Union nationale des femmes de Mauritanie (UNFM), elle avait cocréé et publié pour elles le magazine Marienou, dédié à l’émancipation des femmes mauritaniennes. Aïssata dirigea également plusieurs organisations sous-régionales et locales, notamment en tant que présidente de l'Association internationale des femmes francophones (AIFF) et, en écologiste résolue, fut présidente de l'Association pour la protection de l'environnement en Mauritanie (APEM).
En 2018, on lui décerna le Prix de la Femme africaine pionnière. Ce prix honore son engagement à faire progresser le statut de la femme en Mauritanie et reconnaît son grand leadership et son sens de l'innovation.
Aïssata est décédée le 10 août 2019.
Film club - swana
Ya puedes mirar el programa «Feminist Embodiments of Hope and Power» [«Corporizaciones feministas de esperanza y poder»] del Club de Cine Feminista de AWID, una serie de películas sobre realidades feministas de la región del Sudoeste Asiático y África del Norte, curada por Esra Ozban.
Les tendances antidroits au sein des systèmes régionaux des droits humains
Chapter 6
À la Commission africaine et au Système interaméricain, les antidroits promeuvent les notions essentialistes de culture et de genre pour miner les avancées en matière de droits et décrédibiliser la redevabilité. Les antidroits gagnent en influence dans les systèmes de protection des droits humains régionaux et internationaux.

2019 JUIN 27 Réunion du Groupe d'examen de la mise en œuvre du Sommet en Colombie
La Commission africaine des droits de l’Homme et des peuples commence à présenter les droits des femmes et droits sexuels comme mettant en danger sa capacité à adresser les « droits réels » et contraires aux « valeurs africaines », un précédent inquiétant à l’égard des droits. Le retrait de son statut d’observatrice à la Coalition des lesbiennes africaines est un exemple de cette tendance, et traduit la répression de l’engagement féministe panafricaniste.
Au sein de l’Organisation des États américains (OEA) et du Système interaméricain de protection des droits humains, les stratégies antidroits incluent l’ONGisation de groupes religieux, l’adoption d’un langage séculier et la prise de contrôle de cadres discriminatoires. L’influence antidroits a pris plusieurs formes, et notamment l’intimidation d’activistes trans et l’entrave à l’introduction d’un langage progressif dans les résolutions.
Sommaire
- Réduire les féministes au silence au sein du Système africain de protection des droits humains
- Les groupes antidroits en Amérique latine : l’Assemblée générale de l’Organisation des États américains (OEA) et le Système interaméricain de protection des droits humains
Yolanda Ordaz
Snippet - WCFM smart filtering - EN
With smart filtering for both databases, you can connect with funders based on:
| Nature of funding: Due to global funding cuts and freezes |
|
|
|
Recipient type: Filter for organizations or individual funding opportunities |
|
|
Preferred languages: Boil them down to communications language preferences |
| Funding type: Be it rapid response, grantmaking, seed, direct aid and more |
|
|
|
Movement and Struggle: Connect with funders that speak to your movement |


