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AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Memory as Resistance: A Tribute to WHRDs no longer with us

AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us. 


In 2020, we are taking a turn

This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.

49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.

This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.

The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.

Visit the online exhibit

The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman

AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.

“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb 


The Tribute was first launched in 2012

It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.

To date, 467 feminists and WHRDs are featured.

Visit the online exhibit

Related Content

Hospital | Content Snippet FR

Hôpital

« C’est peut-être le moment de repenser à ce à quoi peut ressembler une révolution. Peut-être qu’elle ne ressemble pas à une marche de personnes handicapées en colère dans les rues. Peut-être ressemble-t-elle plutôt à un monde qui s’immobilise parce que tous les corps qui le composent sont épuisés – parce qu’il faut donner la priorité aux soins avant qu’il ne soit trop tard. »- Johanna Hedva 

Les hôpitaux sont des institutions, des sites vivants du capitalisme, et ce qui se joue lorsque quelqu’un est censé se reposer est un microcosme du système lui-même.

Les institutions sont conçues pour nous séparer de nos systèmes de soins – nous nous retrouvons isolé.e.s dans des structures rigidement hiérarchisées, et nous avons souvent l’impression que les soins nous sont imposés plutôt que donnés ou pris dans le cadre d’une conversation. Les soins institutionnels, du fait de leur intégration dans la demande capitaliste, sont cloisonnés : une personne s’occupe de votre jambe et uniquement de votre jambe, une autre s’occupe de votre tension artérielle, etc. 

La photographe Mariam Mekiwi a dû subir une opération le mois dernier et documenté le processus. Ses portraits d’environnements aseptisés – néons blancs, rangées et rangées de structures répétitives – dans une palette de couleurs délavées reflètent un lieu vidé de toute vie et de tout mouvement. C’était l’une des façons pour Mariam de garder son esprit vivant. C’était une forme de protestation à l’intérieur des limites d’une institution avec laquelle elle devait s’engager.

Les photos forment le portrait de quelque chose d’incroyablement vulnérable, car regarder quelqu’un·e vivre l’effondrement de son propre corps est toujours un rappel sacré de notre propre fragilité. C’est aussi un rappel de la fragilité de ces systèmes de soins, qui peuvent nous être refusés pour de multiples raisons – allant du manque d’argent au fait de ne pas être dans un corps considéré comme suffisamment précieux, un corps peut-être trop féminin, trop homosexuel ou trop brun.  

Des soins vécus comme désincarnés et solitaires, susceptibles d’être révoqués à tout moment, ne nous aident pas à nous épanouir. Et c’est très différent de la façon dont les êtres humains se comportent réellement lorsqu’iels prennent soin les un.e.s des autres. À quoi ressemblerait notre monde si nous nous engagions à démanteler les structures capitalistes actuelles qui entourent notre santé? À quoi ressemblerait-il, si nous le réimaginions radicalement?

É possível existir várias respostas para o inquérito WITM em nome de um grupo específico?

Não, solicitamos apenas um inquérito completo por grupo.

Isabel Cabanillas de la Torre

Isabel Cabanillas de la Torre fue una activista joven y una artista feminista muy querida de Ciudad Juárez, México, conocida por sus hermosos diseños evocadores de indumentaria pintada a manoen los que los ojos eran una característica emblemática de su trabajo. Sus murales transformaron los edificios abandonados y vacíos del centro de Ciudad Juárez, al sumarles vida y crítica política a sus paredes.

A través de su arte y de su activismo político, Isabel buscó llamar la atención sobre la violencia de género que se extendía por su ciudad natal. Colaboró como voluntaria con la red Mesa de Mujeres en el proyecto «Observatorio Ciudadano de Género», que monitoreaba la actuación de jueces, fiscales y defensorxs públicxs en casos de femicidios y otras violaciones a los derechos basadas en el género. Integró también «Hijas De Su Maquilera Madre», una colectiva feminista cuyo nombre alude a las hijas de madres que son trabajadoras de la maquila. Algunas de estas madres fueron las primeras víctimas de femicidio en Ciudad Juárez.

El último proyecto de Isabel (todavía en curso) fue una instalación artística para protestar contra una compañía canadiense que quería extraer cobre de los Médanos de Samalayuca.

El 18 de enero de 2020 Isabel fue atacada a balazos mientras volvía a su casa del centro de Ciudad Juárez en bicicleta, víctima, aparentemente, de un asesinato selectivo. Su cuerpo fue encontrado junto a su bicicleta.

El asesinato de Isabel desató una nueva ola de indignación contra los femicidios de la región: cientos de personas marcharon hacia el puente de la frontera entre EEUU y México, y lo bloquearon durante horas mientras cantaban «Ni una más», que es la protesta continua de las colectivas feministas contra los asesinatos de las mujeres en todo México. Solamente en 2019, 3.142 mujeres y niñas fueron asesinadas en el país; muchas de ellas fueron atacadas específicamente por su género.

Amaba andar en bicicleta.

«La bicicleta era un símbolo de libertad para ella. Simbolizaba ser libre en las calles.» - Marisol, amiga de Isabel

English article

English body

CREDITS | Content Snippet EN

Credits

Co-editeurices
Chinelo Onwualu
Ghiwa Sayegh (Kohl)

Création graphique et illustration
Sophia Andreazza

Stratège des communications
Zuhour Mahmoud (Kohl)

Editrice de la langue arabe
Sabah Ayoub (Kohl)

Responsable de la traduction
Maya Zebdawi (Kohl)


L’équipe de AWID
Nana Darkoa Sekyiamah
Lola Silva
Kamee Abrahamian
Tanya Lallmon    
Maria Olivo
Marianne Asfaw
Ana Abelenda


Version française
Traduction
Camille Dufour
Morgane Boëdec

Relecture
Nathalie Thériault
 

Traduction arabe
Lina Yahya
Marina Samir
Maya Zebdawi
Nidal Majeed
Rania El-Ghazal
Rola Alaeddine
Viviane Akiki


Version espagnole
Traduction
Verónica Torrecillas
Gabriela Adelstein
Maria Luisa Peralta
Alejandra Sarda
Gabby De Cicco

Relecture
Alejandra Sarda
Gabby De Cicco
María Eugenia Martí


Portuguais vers anglais
Traduction
Luiza Martello

Relecture
Shaina Greiff
 

هل استطيع تعبئة الاستطلاع خارج KOBO ومشاركتكم/ن الأجوبة عن طريق البريد الالكتروني؟

ما لم تكن هناك مشكلات في إمكانية الوصول و/أو إذا كنت تملأ/ئي الاستبيان بلغات أخرى، فإننا نشجعك بشدة على استخدام KOBO لجمع وتحليل البيانات الموحدة للاستطلاع.

Aïssata Kane

Aïssata Kane, surnommée affectueusement “Yaye Kadia” (Mère Kadia), a de tout temps été une féministe engagée dans la défense des droits des femmes africaines, et particulièrement mauritaniennes.

Au cours de sa carrière politique, en 1975, elle fut nommée ministre de la protection de la famille et des affaires sociales et travailla avec ardeur à l’amélioration du statut des femmes dans son pays; c’était la première fois qu'une femme occupait un tel poste.   

Ce travail consista notamment à promouvoir l’éducation des filles et des femmes, à lutter contre la pratique du gavage sur les jeunes femmes, à faire pression pour l’inclusion d’une disposition sur les droits maritaux et à plaider en faveur de la création d’un quota de représentation féminine au Parlement.  

“[Aïssata] a réalisé toutes ses passions avec humilité, courage et détermination. Elle ne voulait déranger personne avec ce combat qu’elle menait sur tous les fronts à la fois.” Ball Halimata Dem, la nièce d’Aïssata

Ayant fondé l'Union nationale des femmes de Mauritanie (UNFM), elle avait cocréé et publié pour elles le magazine Marienou, dédié à l’émancipation des femmes mauritaniennes. Aïssata dirigea également plusieurs organisations sous-régionales et locales, notamment en tant que présidente de l'Association internationale des femmes francophones (AIFF) et, en écologiste résolue, fut présidente de l'Association pour la protection de l'environnement en Mauritanie (APEM). 

En 2018, on lui décerna le Prix de la Femme africaine pionnière. Ce prix honore son engagement à faire progresser le statut de la femme en Mauritanie et reconnaît son grand leadership et son sens de l'innovation.

Aïssata est décédée le 10 août 2019. 

Défendre les droits des personnes LGBT*QI

Une étudiante, une scénariste, une leader, une avocate. Les quatre femmes auxquelles nous rendons hommage ci-dessous avait toutes leur propre façon de vivre leur activisme, mais elles avaient en commun la promotion et la défense des droits des personnes lesbiennes, gaies, bisexuelles, trans*, queer et intersexes. Nous vous invitons à vous joindre à nous pour commémorer ces défenseuses, leur travail et l'héritage qu’elles nous ont laissé. Faites circuler ces mèmes auprès de vos collègues et amis ainsi que dans vos réseaux et twittez en utilisant les hashtags #WHRDTribute et #16Jours.


S'il vous plaît cliquez sur chaque image ci-dessous pour voir une version plus grande et pour télécharger comme un fichier 

 

Sexting Like a Feminist: Humor in the Digital Feminist Revolution | Title Snippet AR

الصياغات النسوية للرسائل النصّية ذات المحتوى الجنسي: الدُّعابة الجنسانيّة في فضاء الثورة النسوية الرقمية

تشينيلو أونوالو


ترجمة مايا زبداوي

Будет ли у меня возможность поделиться мыслями по вопросам, которые не учтены в опросе?

Да, в конце опроса мы попросим вас поделиться более подробной информацией по важным для вас аспектам, ответив на открытые вопросы.

Barbara Allimadi

Barbara Allimadi was a political and human rights activist from Uganda. In 2012, she co-organized a protest against a televised police assault of Ingrid Turinawe, an opposition politician who had her breast squeezed by a police officer.

During the protest, Barbara, along with other fellow activists stripped to their bras in front of the Central Police Station in Kampala. This came to be known as the infamous ‘bra protest’ in Uganda.

“We settled on the bra protest. We thought it would be most appropriate for what had happened. It’s not like we were saying we don’t respect ourselves. We were disgusted by what had been done.” - Barbara Allimadi, 2013 (Daily Monitor)

With a Degree in Electronics and Communications Engineering from the London Metropolitan University, Barbara was a network engineer in the United Kingdom and an avid fan of reggae music. She returned to Uganda In 2007, when her mother passed away.

In 2019, she was appointed Coordinator for International and Diaspora Affairs at the Alliance for National Transformation (ANT), a political party launched that year by an opposition leader.

“We want security of life and property, not pain, injury and even death at the hands of security forces who are meant to protect us. Most importantly, we want a stable and enabling environment where we can realize our dreams and aspirations.” - Barbara Allimadi, ANT video

Barbara passed away on 27 April 2020. 


Tributes:

“I was so proud of my sister for many things but in particular her fearless pursuit of peace, democracy, justice and equality in Uganda. At the height of her activism she led many marches on the streets of Kampala, to police stations, and Parliament.” - Doris Allimadi, Barbara’s sister

“It is with deep sadness that we have learnt of the untimely passing of Barbara Allimadi. She has been a valiant, relentless and courageous force for the liberation movement of Uganda. Our deepest condolences to her family. She will be sorely missed.” - Akina Mama wa Afrika (tweet on 28 April 2020)

“The passing on of Barbara is so sad for us and her entire family. She dedicated herself to fighting for justice, freedom and rights of others while serving in the civil society until she recently joined us at the party.” Maj Gen Mugisha Muntu, ANT national coordinator

“A beautiful, charming, funny, charismatic and inspirational sister. My children lost their aunty. Uganda lost a brave and courageous freedom fighter. Barbara once said, ‘As long as there is still breath in you, keep working towards your dreams.’” - Doris Allimadi, Barbara’s sister

Advancing Movements

6 Women Human Rights Defenders (WHRDs) across Western and Southeastern Europe have in their lifetime researched, campaigned, participated in and advanced peace and women’s rights movements be it through political and social activism or through dance. We are grateful for the legacy they have left. Please join AWID in honoring these women, their activism and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days.


Please click on each image below to see a larger version and download as a file

 

#3 - Sexting like a feminist Tweets Snippet AR

بصراحة…

Image of a tweet with a gif of a man saying "Yes daddy". Text says: No one: (blank). Me: Bae I wanna squeeze your ass like I wanna squeeze misogynists out of corporate hierarchies.

رغبتي في الانقضاض على جسدك تعادل رغبتي بالانقضاض على كراهية النساء المتجذرة في التسلسلات الهرمية للشركات

Como é que os dados recolhidos através do questionário serão divulgados e processados?

Os dados serão processados para fins estatísticos para esclarecer o estado de financiamento dos movimentos feministas globalmente e serão divulgados apenas em forma agregada. A AWID não divulgará informações sobre uma organização específica ou informações que permitam identificar uma organização através da respetiva localização ou características sem o respetivo consentimento comprovado.

2. Frame your research

A framework for your research will guide throughout your research process, and the framing document you develop can also serve as a concept note to advisors and partners, and a funding proposal to potential donors.

Before conducting any research:

Your research framing may evolve over time as you refine your questions and gather new information. However, building an initial research framing will allow you to work from a solid foundation.


Goals

To create a strong foundation for your WITM research, it is important to clarify what you hope to accomplish.

For example, one goal of AWID’s WITM global research was to provide rigorous data to prove what we already knew anecdotally: that women’s rights organizations are discrepantly underfunded. With this data, we felt we would be better positioned to influence funders in their decision-making.

Your goals could be to:

  • Generate hard data on funding realities and trends to prove or disprove existing myths.
  • Gain deeper insight into differences between the perspectives of donors and women’s rights organizations.
  • Influence donors in grant-making.
  • Add crucial input to key funding debates.
  • Explore collaboration between donors and women’s rights organizations on issues that emerge from the research.

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Key questions

Frame your research process with key questions that only your research can answer and limit those questions to a specific time frame (e.g. past five years, past year, etc.).

Consider the following points:

  • What exactly do you want to learn more about and what is the hypothesis you would like to test? Writing this out will assist you in your thought process.
  • Is there existing research on this? If research already exists, it may not make sense to conduct new WITM research unless you feel like the existing research is not extensive or specific enough.  
  • What time frame do you want to cover in your analysis? For example, will your research analyze only the past year, or several previous years, such as the past five years?
  • Are you planning to repeat your survey to collect data in the future?

Choosing a specific timeframe for your research can result in more precise findings than working with an open-ended timeframe. Also, deciding whether you will repeat this research at regular intervals will allow you to set up data collection benchmarks for easy replication and comparison over time.

These were the key questions that guided AWID’s WITM research process:

  • What is the current state of women’s organizations’ financial sustainability across the world?
  • What external and internal trends are impacting donors’ funding decisions to support women’s organizations and movements?

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Type of data

Now that you determined your key questions, you can determine what kind of data will help you answer your key questions. This will allow you to plan the rest of your schedule for your WITM research.

For example, will you conduct a survey that covers an extensive portion of your priority population? Will you analyze the applications that funders are receiving from a certain region? Will you also conduct interviews (recommended)? By determining the types of data you need, you can reach out to external parties who will provide this data early on, and plot out your full schedule accordingly. Some suggested sources of data could be:

  • Surveys you create for women’s rights organizations and donors
  • Application and grantmaking data from donors funding cycles
  • Interviews of prominent activists, organizations, and donors
  • Donor data from membership organizations and networks, such as  the Foundation Center, regional or national donor affinity groups.

Diverse data sets are a great way to create robust and rich analysis.

The data from AWID’s 2011 Global Survey formed the backbone of our analysis in Watering the Leaves, Starving the Roots report. However, we also collected data from interviews and interactions with several actors in the field, ranging from donors to activists and women’s rights organizations.

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Final products

In addition to allowing you to set your schedule, creating an initial plan of what products you will develop will also allow you to work out what resources you need.

For example, will you only produce a long research report or will you also create infographics, brochures and presentations? Depending on your products, you may need to hire a design firm, plan events and so on.

These products will also be the tools you use to achieve your goals, so it is important to keep those goals in mind. For example, is your WITM research exclusively intended as an advocacy tool to influence funders? In that case, your products should allow you to engage with funders at a deep level.

 Some sample products:

  • Long report for dissemination with key funders and organizations.
    Historically, AWID WITM research has centered on a long report, from which AWID distilled other smaller products  - see rest of list.
  • Infographic for viral distribution online
  • Short animation demonstrating key findings
  • Short brochure(s) distilling your findings and messages
  • Articles and blog posts on key findings to draw interest to your larger report
  • Seminars or webinars presenting key findings.

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Conclusion: Framing your research will give you the big picture

Framing your research to cover goals, key questions, types of data, and final products will allow you to create a well-planned schedule, prepare your resources in advance, and plan a realistic budget.

This will make interactions with external partners easier and allow you to be nimble when unexpected setbacks occur.


Previous step

1. Gather your resources

Next step

3. Design your survey

 


Estimated time:

• 1 month

People needed:

• 1 or more Research person(s)

Resources available:

AWID Research Framing: sample 1
AWID Research Framing: sample 2


Previous step

1. Gather your resources

Next step

3. Design your survey


Ready to Go? Worksheet

Download the toolkit in PDF

Upasana Agarwal

Upasana Agarwal

Upasana es unx ilustradorx y artista no binarie de Calcuta, India. Su obra explora narrativas identitarias y personales, que empean restos o evidencias visuales de los contextos con los que trabaja. Le atraen especialmente los diseños en patrones que, para ellx, comunican verdades complejas sobre el pasado, el presente y el futuro. Cuando Upasana no está ilustrando, organiza y dirige un centro de arte comunitario queer y trans de la ciudad. 

Visitar la exposición