AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
To date, 467 feminists and WHRDs are featured.
This economical model exploits nature and as it intensifies, so does the inequality between global North with their large corporations, and the global South, where resources are extracted.
Find more on our report on EXTRACTIVE INDUSTRIES
There are sustainable alternatives for the environment and women's rights.
Razan était une infirmière palestinienne bénévole âgée de 21 ans.
Elle a été tuée par balle à l'est de la ville de Khan Younis, au sud de Gaza, alors qu'elle courait vers une clôture de la frontière fortifiée dans le but de porter secours à une victime.
Dans son tout dernier post sur Facebook, Razan avait déclaré : « J’y retourne et ne reculerai pas », ajoutant: « Frappez-moi de vos balles. Je n'ai pas peur ».
Ya está disponible nuestro primer programa del Club de Cine Feminista: «Tenderness is the Sharpest Resistance» [«La ternura es la resistencia más intensa»], que es una serie de películas sobre realidades feministas de Asia-Pacífico curada por Jess X. Snow.
El Quinto Diálogo de Alto Nivel sobre la Financiación para el Desarrollo, realizado el 7 y 8 de diciembre de 2011, marcó el comienzo de las conversaciones en torno a la Agenda de Desarrollo Post-2015 y sus relaciones con la financiación para el desarrollo. Esta conferencia puso especial énfasis en incrementar la ayuda para financiar los ODM. En sus observaciones finales, el Presidente en Funciones de la Asamblea General pidió a los Estados Miembros que comenzaran a pensar en el marco para el desarrollo post-2015.
Los movimientos feministas han cambiado y se han adaptado enormemente desde la última vez que nos reunimos de esta manera - así que para recordar por qué son importantes los Foros de AWID, pedimos a activistas de todo el mundo que reflexionaran y compartieran sus historias, impresiones y recuerdos. Esto es lo que aprendimos.
Cliquez sur l'image pour ouvrir le rapport complet en PDF
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Téléchargez le rapport PDF «Vers un écosystème de financement féminist» |
Où en sommes -nous aujourd'hui ? |
Où nous voulons être |
Financement actuel, par secteur |
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Jacqueline was a pioneering Malian/Burkinabe feminist, nationalist and educator.
She taught English in Senegal, before being recruited in 1961 as an English teacher at the Lycée Philippe Zinda Kaboré in Ouagadougou, Burkina Faso. Through her activism, she was involved in the popular uprising of January 3, 1966. Between 1961 and 1966, Jacqueline was also responsible for the trade union press, Voices of the Teachers. She was appointed as the head of the Normal Course for Young Girls (now known as Nelson Mandela High School) until 1974, and dedicated herself to girls’ education and advancing women’s rights.
In 1984 she was awarded the Paul G. Hoffmann Award for outstanding work in national and international development.
LA CARAPACE DE MON PÈRE raconte l'histoire d'un homme mystérieux dont la vie a été modelée par la fuite, l’expulsion, la vie en exil et un retour raté en Palestine. Le film comporte la quête d’une fille cherchant à obtenir des réponses de la part de son père.
✉️ Inscripción presencial cerrada. Regístrate para la transmisión en vivo aquí
Evento en inglés
📅 Miércoles 12 de marzo de 2025
🕒 De 12:00 a 01:30 pm, EST
🏢 PNUD, 304 E 45th St. Doha Room, 11th Floor (FF Building)
Organizan: PNUD, Femena, SRI y AWID
Nous surveillons attentivement ce risque parmi d'autres, et nous publierons des informations détaillées concernant la santé et la sécurité dès l'ouverture des inscriptions afin que vous puissiez prendre une décision en toute connaissance de cause. En outre, le format hybride est conçu de façon à offrir une expérience de participation significative aux personnes qui préféreront ne pas voyager ou qui ne sont pas en mesure de le faire.
We strive to make the AWID Forum a truly global gathering with participation from a diverse array of movements, regions and generations. To this end, AWID mobilizes resources for a limited Access Fund (AF) to assist some participants with the costs of attending the Forum.
The 14th AWID International Forum will take place 11-14 January 2021, in Taipei, Taiwan.
For this AWID Forum, there will be no application process.
In addition, AWID will fund approximately 100 participants from the Forum’s location. Forum Committee Members (Content and Methodology, Access and Host) as well as those in the Artists Working Group [link] are also granted Access Fund support.
We have listed other ideas on how to fund your participation at the AWID Forum on the Funding Ideas page.
Lara fue una muy conocida y querida DJ de radio en la FM Motsweding, en Sudáfrica.
Fue una de las primeras conductoras abiertamente transgénero en una estación de radio comercial. Trabajó mucho para echar luz sobre los temas LGTBI.
El activismo de Lara comenzó a temprana edad, cuando defendía vivamente su derecho a vestirse y comportarse de una forma que le resultara cómoda y lo hacía frente a integrantes de su comunidad que todavía no entendían qué significaba ser transgénero.
Other useful links to stay informed:
