The Human Rights Council (HRC) is the key intergovernmental body within the United Nations system responsible for the promotion and protection of all human rights around the globe. It holds three regular sessions a year: in March, June and September. The Office of the UN High Commissioner for Human Rights (OHCHR) is the secretariat for the HRC.
The HRC works by:
Debating and passing resolutions on global human rights issues and human rights situations in particular countries
Examining complaints from victims of human rights violations or activist organizations on behalf of victims of human rights violations
Appointing independent experts (known as “Special Procedures”) to review human rights violations in specific countries and examine and further global human rights issues
Engaging in discussions with experts and governments on human rights issues
Assessing the human rights records of all UN Member States every four and a half years through the Universal Periodic Review
AWID works with feminist, progressive and human rights partners to share key knowledge, convene civil society dialogues and events, and influence negotiations and outcomes of the session.
With our partners, our work will:
◾️ Monitor, track and analyze anti-rights actors, discourses and strategies and their impact on resolutions
Rosa Candida Mayorga Muñoz était une travailleuse sociale, leader syndicale et défenseure des droits humains du Guatemala. On la surnommait affectueusement Rosita.
Dans les années 1980, Rosa devient la première femme à siéger au comité exécutif du syndicat de l’Institut d’électrification nationale (STINDE), syndicat qu’elle avait rejoint en premier lieu pour défendre les droits des femmes au travail. Cela signifiait, à ses yeux, de lutter pour l’égalité des chances dans une entreprise où de nombreuses femmes affrontaient un système discriminatoire et violent mis en place par la direction de l’entreprise. Rosa avait également subi du harcèlement sexuel sur son lieu de travail, tant de la part de collègues que de responsables. Elle n’entendait cependant pas rester silencieuse.
Rosa a continué à se battre et fait partie des efforts pour façonner la lutte afin qu’elle prenne la forme du « Pacte collectif pour les conditions de travail du INDE-STINDE ». Ce pacte était le premier du genre et le premier au Guatemala à caractériser le concept de harcèlement (sexuel). Il fait désormais référence dans la loi guatémaltèque pour les questions de travail, et sert d’encouragement aux autres syndicats.
« Elle n’avait d’autres outils pour se battre que ses propres idéaux... Elle a été intimidée à plusieurs reprises, harcelée pour abandonner la lutte, mais son courage a fait naître l’espoir chez les syndicalistes de la base. Rosita a créé une image de respect non seulement au sein de son syndicat mais également face aux autorités de l’institution et au sein du mouvement des femmes. Elle a été reconnue comme une pionnière du mouvement des femmes du syndicat, dans un espace qui avait davantage été dominé par les hommes. » - Maritza Velasquez, ATRAHDOM
Rosa est décédée le 4 avril 2018, elle avait 77 ans.
WITM - Refreshed INFOGRAPHIC 2 EN
How funding falls short for feminist movements
Feminist movements need core and long-term funding - including savings and reserves - to stay focused on systemic change. Reserves aren’t extras; they're essential for sustainability.
By joining AWID, you are becoming part of worldwide feminist organizing, a collective power that is rooted in working across movements and is based on solidarity.
Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.
After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered.
“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020
“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters
“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders
“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019
Snippet - COP30 - Resisting Ecofascisms - EN
Resisting Ecofascisms: A cross-movement dialogue at COP30
How movements are resisting fascist agendas in relation to climate change.
📅 Tuesday, November 11, 2025 📍 Beira Rio Hotel, Belém, Pará
Snippet FEA Sopo Japaridze (ES)
Tenemos el placer de presentarte a Sopo Japaridze, feminista feroz, líder sindical y presidenta del sindicato independiente de servicios Red de Solidaridad.
Dejó el país cuando era muy joven para ir a los Estados Unidos, donde se volvió políticamente muy activa como organizadora laboral. Siempre mantuvo a Georgia en su mente todo ese tiempo, hasta que un día, dos décadas después, decidió regresar.
La confederación sindical georgiana existente en este momento era menos que ideal. Entonces, equipada con sus habilidades, conocimientos y experiencia en organización laboral, Sopo regresó a Georgia y formó su propio sindicato.
También es una apasionada investigadora y escritora. Estudia relaciones laborales y sociales, escribe para varias publicaciones y es una de lxs editorxs de Left East, una plataforma analítica de Europa del Este. También cofundó la iniciativa y el podcast de historia política, Reimaginando la Georgia soviética, donde explora las complejidades y los matices de las experiencias del país bajo la Unión Soviética, para entender mejor su pasado y construir un futuro mejor.
Piensa en grande. Gracias a nuestro alcance internacional, podemos combinar el trabajo analítico con herramientas políticas y prácticas para la incidencia y la transformación, con el objeto de promover la causa de los movimientos feministas en todos los ámbitos.
"No sé mucho sobre la espiritualidad o lo que sucede cuando morimos, pero mi vida de coreana crip queer me hace pensar que nuestros cuerpos terrenales son sólo una fracción de lo que somos, y no considerar a nuestros antepasadxs es quedarse con solo un atisbo de lo que somos". - Stacey Park Milbern
Stacey Park Milbern fue una mujer autodefinida como queer, con discapacidad y de color, además de una pionera. Líder y organizadora respetada y de amplia trayectoria en el movimiento por los derechos y la justicia para las personas con discapacidad, también defendió los derechos de muchas otras comunidades, y no solo los de la suya propia. El activismo de Stacey tenía raíces poderosas en su experiencia personal con las intersecciones del género, la discapacidad, la sexualidad y la raza.
Stacey, junto con algunxs amigxs, co-creó el Club de Cultura de Justicia para la Discapacidad, un grupo dedicado a apoyar a varias comunidades, especialmente aquellas más vulnerables, que, entre otras cosas, está ayudando a las personas sin hogar a acceder a recursos durante la pandemia del COVID-19.
También fue coproductora de una campaña con mucho impacto para el documental de Netflix "Crip Camp", integrante de la junta directiva de la Fundación WITH, y dirigió organizaciones a nivel local, estatal y nacional. Stacey escribió además de manera hermosa y poderosa:
"Mis antepasadxs son personas forzosamente separadas de sus amores a causa de la guerra y el desplazamiento. Es gracias a ellxs que hoy conozco el poder de construir un hogar con lo que tienes, dondequiera que estés, con quien quiera que estés. Mis antepasadxs son queers que vivieron en el sur de América. Es gracias a ellxs que entiendo la importancia de las relaciones, del lugar y de vivir la vida al máximo, aunque sea peligroso. Todxs mis antepasadxs conocen el anhelo. El anhelo es a menudo nuestro lugar de conexión..." - Stacey Park Milbern
Stacey nació en Seúl, Corea, y creció en Carolina del Norte, para después continuar con su viaje en el área de la bahía de San Francisco. Stacey falleció por complicaciones de una cirugía en su cumpleaños número 33, el 19 de mayo de 2020.
"Ella fue, como mucha gente diría, una líder nata. En cierta medida, ella lo abarcó todo. ¿Sabes? Ella supo liderar desde la primera línea, desde el medio y también desde atrás. Era capaz de hacer todo eso de alguna manera." - Andraéa LaVant, activista por los derechos de las personas con discapacidad.
"Qué golpe perder a Stacey cuando nuestras comunidades necesitan de su liderazgo más que nunca, y en un momento en que su fuerza, perspicacia y agallas estaban recibiendo un mayor reconocimiento, más allá de los círculos de las personas con discapacidad, y le ofrecían una plataforma mayor para avanzar con el trabajo de su vida... No tendremos la suerte de aprender hasta dónde su carismático liderazgo nos habría llevado. Pero, sin ningún tipo de dudas: Lo que Stacey nos dio, en un tiempo relativamente corto, continuará beneficiando a otrxs en los próximos años". - Fondo de Educación y Defensa de los Derechos de las Personas con Discapacidad (DREDF, por sus siglas en inglés).
Snippet - COP30 - Global Day of Action - ES
Día Mundial de Acción
Movimientos que marchan en todo el mundo por la justicia climática.
📅 Sábado, 15 de noviembre de 2025
📍 Varias ubicaciones
La plupart des États membres de l'Union européenne ont des lois et des pratiques qui pénalisent ou contrôlent de facon inacceptable le travail des travailleur·euses du sexe. La criminalisation des travailleur·euses du sexe et/ou de leurs client·e·s ne fait que contribuer à accroître la vulnérabilité des travailleur·euses du sexe, qui sont déjà confronté·es quotidiennement à la stigmatisation, à la discrimination et à l'exclusion de l'État et de la société, en particulier les femmes, les personnes trans, les migrant·e·s et/ou les travailleur·euses racialisés. En Espagne par exemple, le gouvernement essaie actuellement de faire passer une Loi pour l'Abolition de la Prostitution, ce qui entraînera plus de marginalisation et de violence. Venez entendre les histoires de travailleuses du sexe et d'organisatrices syndicales qui luttent pour décriminaliser le travail du sexe et promouvoir les droits et conditions de travail décentes pour les travailleur·euses du sexe.
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
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nous croyons en une application complète du principe des droits, y compris ceux établis dans les lois internationales, et affirmons la conviction que tous les droits humains sont indissociables, interdépendants et indivisibles. Nous nous engageons à œuvrer pour l'éradication de toutes les discriminations fondées sur le genre, la sexualité, la religion, l'âge, les capacités, l'ethnicité, la race, la nationalité, la classe sociale ou d'autres facteurs.
