Teresa Scalzo, Esq.
Confronting Extractivism & Corporate Power
Women human rights defenders (WHRDs) worldwide defend their lands, livelihoods and communities from extractive industries and corporate power. They stand against powerful economic and political interests driving land theft, displacement of communities, loss of livelihoods, and environmental degradation.
Why resist extractive industries?
Extractivism is an economic and political model of development that commodifies nature and prioritizes profit over human rights and the environment. Rooted in colonial history, it reinforces social and economic inequalities locally and globally. Often, Black, rural and Indigenous women are the most affected by extractivism, and are largely excluded from decision-making. Defying these patriarchal and neo-colonial forces, women rise in defense of rights, lands, people and nature.
Critical risks and gender-specific violence
WHRDs confronting extractive industries experience a range of risks, threats and violations, including criminalization, stigmatization, violence and intimidation. Their stories reveal a strong aspect of gendered and sexualized violence. Perpetrators include state and local authorities, corporations, police, military, paramilitary and private security forces, and at times their own communities.
Acting together
AWID and the Women Human Rights Defenders International Coalition (WHRD-IC) are pleased to announce “Women Human Rights Defenders Confronting Extractivism and Corporate Power”; a cross-regional research project documenting the lived experiences of WHRDs from Asia, Africa and Latin America.
We encourage activists, members of social movements, organized civil society, donors and policy makers to read and use these products for advocacy, education and inspiration.
-
"Women Human Rights Defenders confronting extractive industries: an overview of critical risks and Human Rights obligations" is a policy report with a gender perspective. It analyses forms of violations and types of perpetrators, quotes relevant human rights obligations and includes policy recommendations to states, corporations, civil society and donors.
-
"Weaving resistance through action: Strategies of Women Human Rights Defenders confronting extractive industries" is a practical guide outlining creative and deliberate forms of action, successful tactics and inspiring stories of resistance.
-
The video “Defending people and planet: Women confronting extractive industries” puts courageous WHRDs from Africa, Asia, and Latin America in the spotlight. They share their struggles for land and life, and speak to the risks and challenges they face in their activism.
-
Challenging corporate power: Struggles for women’s rights, economic and gender justice is a research paper outlining the impacts of corporate power and offering insights into strategies of resistance.
Share your experience and questions!
Tell us how you are using the resources on WHRDs Confronting extractivism and corporate power.
◾️ How can these resources support your activism and advocacy?
◾️ What additional information or knowledge do you need to make the best use of these resources?
◾️ How can these resources support your activism and advocacy?
◾️ What additional information or knowledge do you need to make the best use of these resources?
Thank you!
AWID acknowledges with gratitude the invaluable input of every Woman Human Rights Defender who participated in this project. This project was made possible thanks to your willingness to generously and openly share your experiences and learnings. Your courage, creativity and resilience is an inspiration for us all. Thank you!
Related Content
Snippet FEA Unio Otras Photo 3 (EN)
Snippet - WITM about research - EN
About Where is the Money? research
The global survey is a key pillar of the third iteration of our action-oriented research: “Where is the Money for Feminist Organizing?” (in short, Where is the Money or WITM). The results of the survey will be further elaborated and explored through in-depth conversations with activists and funders and cross-referenced with other existing analysis and research on the state of funding for feminists and gender equality globally.
The full “Where is the Money for Feminist Organizing” report will be published in 2026.
To learn more how AWID has been shining a light on money for and against feminist movements check out the work of our Resourcing Feminist Movements Initiative here.
Exposition Pleasure Garden
Cette œuvre est la collaboration photographique et illustrative réalisée par Siphumeze et Katia pendant le confinement. Elle se penche sur les récits de sexe et de plaisir des queers noirs, le bondage, le sexe protégé, les jouets, la santé mentale et le sexe et bien d'autres choses encore. Elle a été créée pour accompagner l'anthologie Touch.
À propos des artistes
Siphumeze Khundayi est une créatrice d'art, photographe et animatrice qui s'intéresse aux moyens créatifs de réunir le dialogue et la pratique artistique en relation avec l'identité queer africaine.
Elle est directrice créative de HOLAAfrica!, un collectif panafricaniste féministe en ligne.
Ses travaux de performance en solo et collaboratifs ont été présentés dans un certain nombre de festivals et d'espaces théâtraux tels que le festival Ricca Ricca au Japon.
Elle a mis en scène deux productions nominées aux Naledi Awards en 2017 et 2018. Elle a aussi mis en scène un spectacle qui a remporté un prix Standard Bank Ovation en 2020.
En tant que photographe, elle a participé à une exposition de groupe intitulée Flowers of my Soul (Fleurs de mon âme) en Italie, organisée par le Misfit Project. Elle a produit trois publications pour HOLAAfrica et a été publiée dans le deuxième volume, pour lequel elle a fourni la couverture: As You Like des Gerald Kraak Anthologies.
Katia Herrera est une artiste visuelle numérique de 21 ans originaire de la ville bruyante de Saint-Domingue, en République dominicaine. Bien que Herrera soit une introvertie autoproclamée, ses œuvres d'art sont remarquablement fortes dans un monde qui tente de faire taire les voix des personnes noires. Avec des titres comme Black Woman (Femme Noire), You Own the Moon (La Lune t’Appartient), Earth Goddess (Déesse de la Terre), Forever (Pour Toujours) et Universe Protector (Protecteur.rice de l’Univers), l'héritage de Herrera sera marqué par sa volonté passionnée de mettre en lumière l'endurance et la persévérance des Noir·e·s d'hier et d'aujourd'hui, afin de contrer le discours selon lequel la peau noire ne devrait être associée qu'à l'esclavage.
L'une de ses œuvres la plus belle et la plus vivante, Universe Protector, dépeint l'âme noire comme une entité divine pleine de force, de puissance et de grandeur. C’est dans sa jeunesse que son amour du graphisme a été stimulé grâce à l'art de ses parents et le Photoshop qu'ils avaient téléchargé sur leur ordinateur pour leur photographie professionnelle.
Membership why page - Kirthi Jayakumar quote
"I participated in a member-only activity and I was particularly moved to see how there was space for everyone to share and that there was no judgment whatsoever. The entire session was energetic and vibrant."
- Kirthi Jayakumar, Founder, The Gender Security Project, India
Rohini Ghadiok
Abby Lippman
Abby était une féministe pionnière, militante des droits humains.
Ancienne épidémiologiste de l'Université McGill, Abby était réputée pour défendre les causes sociales et pour ses critiques perspicaces concernant les technologies de procréation humaine assistée et d'autres sujets médicaux. Plus précisément, elle a fait campagne contre ce qu'elle a appelé la « généticisation » des technologies de procréation, contre l'hormonothérapie substitutive et pour des recherches plus qualitatives et plus longues avant l'approbation de nouveaux vaccins comme celui contre le papillomavirus humain.
À la nouvelle de son décès, ses ami-e-s et collègues l'ont décrite avec affection comme une « ardente défenseure » de la santé des femmes.
Snippet FEA Linda Porn Bio (ES)
Linda Porn es una otra heroína de la organización sindical feminista y del activismo de las trabajadoras sexuales a nivel nacional (en España) y transnacional.
Originaria de México, vive en España desde los años 2000. Es trabajadora sexual, activista, madre soltera y artista multidisciplinar.
Partiendo de estas diferentes identidades, utiliza la performance, el videoarte y el teatro para visibilizar las luchas en las intersecciones del transfeminismo, el trabajo sexual, la migración, el colonialismo y la maternidad. Combina el arte y el trabajo sexual mientras cuida a su hija como madre soltera.
Linda también pertenece a colectivos de trabajadoras sexuales que luchan por sus derechos, como el sindicato OTRAS y CATS Murcia. También cofundó el grupo 'Madrecitas' - que visibiliza y denuncia la violencia institucional racista contra las familias migrantes. Violencia de la que ella y su hija fueron objeto por ser trabajadora sexual y madre soltera migrante.
¡No te pierdas su trabajo artístico aquí!
Snippet - WITM RESOURCES - FR
Ressources
Nicole Barakat
we are infinite
An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum.
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).
About Nicole Barakat
Nicole Barakat is a queer femme, SWANA artist born and living on Gadigal Country (so-called Sydney, Australia). She works with deep listening and intuitive processes with intentions to transform the conditions of everyday life. Her work engages unconventional approaches to art-making, creating intricate works that embody the love and patience that characterises traditional textile practices.
Her works include hand-stitched and hand-cut cloth and paper drawings, sculptural forms made with her own hair, cloth and plant materials as well as live work where she uses her voice as a material.
Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.
Her works include hand-stitched and hand-cut cloth and paper drawings, sculptural forms made with her own hair, cloth and plant materials as well as live work where she uses her voice as a material.
Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.
Forum anchors (Forum page)
El Foro de AWID estará organizado alrededor de 6 tópicos interconectados. Estos «ejes» se centran en las realidades feministas.
Zaitun Kasim
Winnie Madikizela-Mandela
Winnie has been described as a “militant firebrand activist” who fought the apartheid regime in South Africa.
She was imprisoned multiple times, and on many occasions placed in solitary confinement.
Ma’Winnie, as she is affectionately remembered, was known for being outspoken about the challenges Black women faced during and after apartheid, having been on the receiving end of these brutalities herself as a mother, wife and activist during the struggle. She transcended the misconception that leadership is gender, class or race-based. Despite being a controversial figure, she is remembered by many by her Xhosa name, “ Nomzamo”, which means "She who endures trials".
Ma’Winnie continues to be an inspiration to many, particularly young South African women for whom her death has spurred a burgeoning movement, with the mantra: "She didn't die, she multiplied."
Snippet FEA Principles of work Human Rights (FR)
DROITS HUMAINS
Could there be multiple responses to the WITM survey on behalf of a specific group?
No, we are asking for just one completed survey per group.
Informe Anual 2011
Con el propósito de cumplir su misión, AWID trabaja a través de programas multianuales interconectados.
Cada programa comprende diversas estrategias que abarcan desde la generación y difusión de conocimientos, investigación aplicada, incidencia política y formación de alianzas, hasta convocatorias a diálogos estratégicos.
En nuestro Informe Anual 2011 encontrarán una síntesis de los principales logros alcanzados en cada una de los programas de AWID durante el año.
Tendencias anti-derechos en los sistemas regionales de derechos humanos
Chapter 6
En la Comisión Africana y en el Sistema Interamericano, los actores antiderechos impulsan nociones esencialistas de cultura y género para impedir el avance de los derechos y socavar las responsabilidades. Como vemos, los actores anti-derechos están ejerciendo su influencia sobre los sistemas regionales de derechos humanos, así como en los espacios internacionales.
2019 JUN 27 Reunión del Grupo de Revisión de la Implementación de Cumbres en Colombia
La Comisión Africana de Derechos Humanos y de los Pueblos ha comenzado a definir a los derechos sexuales y de las mujeres como un menoscabo a su capacidad de ocuparse de los «derechos reales» y como contrarios a los «valores africanos», con lo cual se establece un precedente anti-derechos preocupante. La anulación del estatus de observador de la Coalición de Lesbianas Africanas es un ejemplo de esta tendencia y muestra la forma en que el espacio para el involucramiento feminista panafricanista está siendo restringido.
En la Organización de Estados Americanos (OEA) y en el Sistema Interamericano de Protección de los Derechos Humanos, las estrategias anti-derechos incluyen la oenegización de grupos religiosos, la utilización de discursos seculares, y la cooptación de marcos de discriminación. La influencia antiderechos se ha materializado de diversas maneras, que incluyen la intimidación de activistas trans y la obstrucción de la introducción de lenguaje progresista en las resoluciones.
Índice de contenidos
- Silenciamiento de feministas en el Sistema Africano de Derechos Humanos
- Grupos anti-derechos en América Latina: Asamblea General de la Organización de Estados Americanos (OEA) y el Sistema Interamericano de Protección de los Derechos Humanos
Priority Areas - Homepage - Fr
Domaines prioritaires
Amanda Castro
Barin Kobane
Barin integraba la unidad de batalla formada íntegramente por mujeres de la Unidad de Protección del Pueblo Kurdo (YPG).
La mataron cuando estaba en servicio activo.
La periodista libanesa Hifaa Zuaiter escribió: «Barin representa todo lo que hemos oído acerca del coraje de las combatientes kurdas, y su muerte es mucho más que el matar a un rival o el resultado de una lucha política o étnica. El horror de exhibir su cuerpo sólo porque es una mujer surge del hecho de que ella se atrevió a amenazar la hegemonía masculina al convertirse en una combatiente en un campo de batalla que se suponía era solo para hombres».
