Jean-Marc Ferré | Flickr (CC BY-NC-ND 2.0)
A general view of participants at the 16th session of the Human Rights Council in Geneva, Switzerland.

Análisis Especiales

AWID es un organización feminista internacional de membresía, que brinda apoyo a los movimientos que trabajan para lograr la justicia de género y los derechos de las mujeres en todo el mundo.

Consejo de Derechos Humanos (CDH)

El Consejo de Derechos Humanos (CDH) es el cuerpo intergubernamental del sistema de las Naciones Unidas responsable de la promoción y protección de todos los derechos humanos en todo el mundo. El HRC se reúne en sesión ordinaria tres veces al año, en marzo, junio y septiembre.  La La Oficina del Alto Comisionado para los Derechos Humanos (ACNUDH) es la secretaría del Consejo de Derechos Humanos.

El CDH  trabaja de la siguiente forma:

  • Debate y aprueba resoluciones sobre cuestiones mundiales de derechos humanos y el estado de los derechos humanos en determinados países

  • Examina las denuncias de víctimas de violaciones a los derechos humanos o las de organizaciones activistas, quienes interponen estas denuncias representando a lxs víctimas.

  • Nombra a expertos independientes que ejecutarán los «Procedimientos Especiales» revisando y presentado informes sobre las  violaciones a los derechos humanos desde una perspectiva temática o en relación a un país específico

  • Participa en discusiones con expertos y  gobiernos respecto a cuestiones de derechos humanos.

  • A través del Examen Periódico Universal, cada cuatro años y medio, se evalúan los  expedientes de derechos humanos de todos los Estados Miembro de las Naciones Unidas

Aprende más sobre el CDH


La Sesión actual - CDH44

Se está llevarando a cabo en Ginebra, Suiza del 30 de junio al 17 de julio de 2020.

AWID trabaja con socios feministas, progresistas y de derechos humanos para compartir conocimientos clave, convocar diálogos y eventos de la sociedad civil, e influir en las negociaciones y los resultados de la sesión.

Con nuestrxs socixs, nuestro trabajo será:


◾️ Monitorear, rastrear y analizar actores, discursos y estrategias anti-derechos y su impacto en las resoluciones

◾️ Desarrollar conjuntamente una labor de promoción conjunta para contrarrestar a los actores anti-derechos y debatir más a fondo las conclusiones del Informe de Tendencias de OUR de 2017

◾️ Apoyar, coordinar y desarrollar de manera colaborativa el Caucus feminista emergente en el CDH

 

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Liberar a la Iglesia, descolonizar la Biblia para las mujeres de Papúa Occidental

por Rode Wanimbo

«Señor, somos indignas. Somos las que pecaron, porque Eva comió el fruto en el Edén. Solo somos mujeres que cultivan batatas, cuidan cerdos y dan a luz niñxs. Creemos que tú moriste en la cruz para liberarnos. Gracias, en el nombre de Jesús, amén». (...)

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< arte: «Offerings for Black Life» [Ofrendas para las vidas negras], Sokari Ekine

Snippet - CSW69 On feminist resourcing today - ES

Sobre la dotación de recursos feministas de hoy

The Crear, Résister, Transform Story by Coumba Toure

A magical experience of feminist story telling led by pan-African feminist Coumba Toure, performing in the age old tradition of West African griots.

And we gathered again 
We gathered our stories our strength 
our songs
our tears 
our rage 
our dreams 
our success
our failures
And we pull them all together 
In one big bowl to share 
for a moon of thoughts 
And we stay in touch 
We shake each others minds 
we caress each other souls
While our hands still are tied 
And our kisses and hugs are banned 
Yet we grow stronger by the hour 
Weaving together our voices
Crossing the sound barriers 
as we speak in tongues 

We are getting louder and louder 
We know about differences from others 
and from each other so we are stitching our beauties into patchwork or thoughts
From our deepest learnings from our powers 
Sometimes we are surrounded by terror 
by confusions by dishonesty
But we wash out in the Ocean of love 
We are weavers of dreams 
To clothes or new world 
Thread after thread
As small as we are
Like little ants building our movement
Llike little drops building our rivers
 We take steps forward and steps backward 
Dancing our way back to sanity 
Sustain to the rhythm of our hearts keep 
Beating please don't not stop
And we are here transmitter of forgotten generosity 
drop after drop growing like the ocean 
growing like the river flowing from our souls .
showing our strength  to be  the  water 
that will clean this world
and we are gathering again can you feel us 
I would lie if I say I said I am 
Ok not to see you I do miss my people 
I miss your touch and
You unfiltered and unrecorded voices 
I miss our whispers and our screams 
Our cries of the aborted revolution 
We only want to give birth to new worlds 
 So fight to erase the borders between us 


And we gathered again 
We gathered our stories our strength 
our songs
our tears 
our rage 
our dreams 
our success
our failures
And we pull them all together In one big bowl to share 
For a moon of thoughts 
And we stay in touch 
We shake each others minds 
we caress each other souls
While our hands still are tied 
And our kisses and hugs are banned 
Yet we grow stronger by the hour 
Weaving together our voices
Crossing the sound barriers 
as we speak in tongues 
We are getting louder and louder 
We know about differences from others 
and from each other so we are stitching our beauties into patchwork or thoughts
From our deepest learnings from our powers Sometimes we are surrounded by terror by Confusions by dishonesty
But we watch out in the Ocean of love 
We are weavers of dreams 
To clothes or new world 
Thread after thread 
As small as we are like little ants building our movements
 like little drops building our rivers We take steps forward and steps backward 
dancing our way back to sanity 
Sustain to the rhythm of our hearts
keep beating please don't not stop
And we are here transmitter of forgotten generosity 
Drop after drop growing like the ocean 
growing like the river flowing from our souls 
showing our strength to be  the  water 
that will clean this world  
and we are gathering again can you feel us 
I would lie if I I said I am Ok
not to see you
I do miss my people
I miss your touch and
You unfiltered and unrecorded voices  
I miss  our  whispers  and  our screams 
Our cries over the aborted revolutions 
We only want to give birth to new worlds 
So fight to erase the borders between us 
Please don’’t stop

María Digna Montero

María Digna Montero was a Garifuna (Afro-descendent and indigenous) land defender and a member of the National Black Fraternal Organization of Honduras (OFRANEH), a grassroots organization working to protect the Garifuna communities, their ancestral rights, culture, resources and territory.

María also taught in the local school and was a member of the OFRANEH Intercultural Bilingual Education working group.

On the Day of Indigenous Resistance, October 12, 2019, unknown assailants shot María multiple times in the backyard of her house.  

She was one of six Garifuna women defenders murdered between September and October 2019 and according to OFRANEH, there was no investigation by the authorities into these crimes. In an official statement, the organization also highlighted the connection between the violence against Garifuna leaders and the increase in extractive industries which exploit natural resources in their communities calling this violence part of a “strategy of intimidation and systematic expulsion” by the Honduran State. 

“The heightened tension and growing risks to the security and human rights of the leaders in the communities and ancestral territories is a product of the dispossession, displacement and criminalization of the communities and of the extractive mega projects promoted by the State together with the national and international corporations.” - OFRANEH communique, October 12, 2019

Snippet - Podcast Intro (FR)

Nous sommes ravi.es d'annoncer le lancement du nouveau podcast de l'AWID, NOTRE FLAMME FÉMINISTE. Notre série narrative dévoile plus de 40 ans de mouvements féministes et réinvente une voie à suivre.

Dans notre saison pilote, vous entendrez cinq histoires captivantes qui font partie d'une constellation d'activisme féministe aujourd'hui. Animé par Gopika Bashi, notre directrice adjointe des programmes à l'AWID, chaque épisode explore des réalités féministes uniques mais interconnectées qui améliorent la justice de genre et les droits humains.

Produit par notre partenaire de podcast Webby Hueman Group Media, vous pouvez vous abonner à NOTRE FLAMME FÉMINISTE et écouter notre premier épisode ici.

Retrouvez-nous sur Apple Podcasts, Spotify ou partout où vous obtenez vos podcasts. Partagez avec votre réseau ! Aidez-nous à diffuser des histoires qui allument notre feu féministe et nous poussent à l'action.

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FRMag - Our neighbourhood, our network

Notre quartier, nos réseaux, notre force

par Marta Plaza Fernández 

Le pouvoir de tisser des réseaux où nous nous soutenons les unes les autres: telle est la réalité féministe dont je veux vous faire part.  (...)

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illustration : « Guérir ensemble », par Upasana Agarwal >

Snippet - CSW69 - What Can Feminist Movements Learn - EN

What Can Feminist Movements Today Learn from Beijing 1995?

✉️ By registration only. Register here 

📅 Wednesday, March 12, 2025
🕒 6.30–8:00pm EST

🏢 Church Center of the United Nations, 777 United Nations Plaza, New York, NY 10017

🎙️Co-facilitated by: Inna Michaeli, Co-Executive Director

Organizer: Jass, Gender at Work, and Count Me In! Consortium

Dorothy Masuka

«Yo no planeaba ser una cantante, el canto planeó estar en mí.» - Dorothy Masuka (entrevista de Mail & Guardian)

Dorothy Masuka, nacida en 1935 en Bulawayo (en ese momento Rodesia del Sur, ahora Zimbabue), creció en Sudáfrica, y se convirtió en una reconocida compositora, cantante de jazz, activista, y defensora ferviente de  la lucha contra el apartheid. Definida como «una arquitecta del discurso de la música popular africana de liberación», Dorothy a menudo cantaba sobre política en lenguas indígenas africanas y, a través de todo su trabajo, confrontó las políticas racistas del gobierno sudafricano.

Una de estas canciones, titulada «Dr. Malan» (por el político pro-apartheid D.F. Malan) fue prohibida. Luego, en 1961, grabó «Lumumba», una canción sobre el asesinato del líder anticolonial Patrice Lumumba. El trabajo y el activismo de Dorothy atrajeron la atención de la División Especial de la policía sudafricana, y fue forzada a un exilio político que se prolongaría durante tres décadas. Durante ese tiempo, trabajó con grupos independentistas, incluido el Congreso Nacional Africano. En 1992, cuando el apartheid comenzó a desmoronarse y Nelson Mandela fue liberado de prisión, Dorothy regresó a Sudáfrica.

Su trabajo incluye la primera canción que grabó, en 1953, titulada «Hamba Notsokolo», que fue un éxito durante la década de 1950, y hoy es un clásico muy valorado. También escribió «El Yow Phata Phata», una canción que fue adaptada por Miriam Makeba, quien hizo de «Pata, Pata» un hit internacional.

Arraigados en la resistencia, la música y el activismo de Dorothy (popularmente conocida como «Auntie Dot» [«Tía Dot»]) estaban entretejidos, y dejaron un legado magnífico e inspirador.

Dorothy falleció en Johannesburgo el 23 de febrero de 2019 a la edad de 83 años, por problemas de salud.


Entrevista a Dorothy Masuka de Mail & Guardian (en inglés)

Escucha su música:

Hamba Nontsokolo
El Yow Phata Phata
 

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FRMag - Looking at me Looking at Safe Spaces

Looking at me Looking at Safe Spaces

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October last year I left for Kenya to begin what I have come to think of as my most important work yet. (...)

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Regional focus:

Filter for funders that support initiatives in your geographical area.

Moving Conversation

Thank you, Ángela and Pilar.
 

Decorative Element


Yannia Sofía Garzón Valencia Portrait

Yannia Sofía Garzón Valencia I am a Black woman and a community weaver. I live in Santander de Quilichao in Cauca, Colombia. I am interested in the creative processes that organize sustainable collective life. I like exchanging thoughts and cooking, investigating and analyzing, planting seeds and learning from plants, reading and playing. I am currently coordinating the observatory of gender-based violence against afro-descendant communities in Colombia (@VigiaAfro).


Decorative element in yellow
Cover image for Article Moving Conversation

The three of us were “sharing” the afternoon in a neighborhood south of Bogota. 

 There was an unusually large green playing area and we sat on little wooden stools under an elderberry tree. We were finally experiencing that other form of love – that pleasure of being together and listening to each other. For me, these kinds of chats are among the expressions of love that life had only recently allowed me to enjoy. I had not known this other form of love – the kinds found outside workshops, activist spaces, classrooms, or workplaces – to be possible. Yet we three friends spent the afternoon amongst ourselves and we did not pretend to be blind to the color of our respective skins. Rather, it was a lived factor that allowed us to intimately discuss the similarities and differences in our childhood and youthful experiences.
 
Those chats were unrelated to any upcoming activities of the Black movement in Colombia, but they still nourish me and acquire new meanings. Our closeness was woven through coming together, recognizing each other, and identifying the uniqueness of our liberations. And by realizing there is not just one but many paths to liberation – those paths we inhabited every time we said “no” and rebelled. Far from feeling discomfort, we met in an authenticity made of weakness and strength, one which brought us closer instead of separating us.
 
Our purpose on that beautiful afternoon was to just be – to have an awareness of simply being amongst ourselves. We walked through our pasts so that the memories that stayed with us were those we decided to keep as ours, and not those that fear let through and found a place for. We remembered exact fragments of TV shows, and sang songs written by artists who had taught us about loving well, hating well, cursing like the worst villain, and suffering like the best leading lady. 
 
We told each other about our school pranks, and what remained in our subconscious after being exposed to the many ways the media repeats the same thing – after the teachers and nuns at school overexposed us to stories so that we would identify with and appropriate Cinderella’s aspirations for our own lives. This would set the tone for the rest of our story: the drama of the impoverished and diminished girl who is yet to achieve her full value through an act that redeems her condition. And that act can only be brought about by the gaze of a male who, at the very least, is white, hence deserving of what is between our thighs – his “main aspiration” – and the “perfect realization of our dreams,” which we are told should then be our main aspiration.
 
There were three of us there that afternoon. Each had been brought up in a different part of the country, but it was fascinating that we could all still quote fragments and situations from songs and soap operas that often – as we realized by getting to know each other – shared codes or symbols that were replicated, with a few variations, in our homes, in our first relationships, and in our neighborhoods and schools. Brought up by “dramas” (is that what that very successful genre is called?) where the more you suffer, the more you deserve, the issue of “how and in which situations it is acceptable and legitimate to suffer” becomes an important mandate on how the person who suffers should be seen, what they should do, and whom they should be. Some of us managed to liberate ourselves and “learn” a definition of love that could only be learnt in adulthood, shattering illusions, and accepting natural sin. And becoming aware of the industrial production of a virgin, which we may refuse to look like as she has no place in our understanding, and the disappointment this alienation brings.
 

After singing, we reviewed our early sexual explorations. I never thought that most people experienced them before the age of nine and that even in adulthood, those experiences, those memories, remain a heavy burden. Even today, in thousands of places, millions of girls and boys see their innocence curtailed by lack of trust and the ignorance we present them with when they try to explore their bodies. Blaming curiosity is a most efficient control mechanism. We went back to the brief conversations we had when we changed the history of our lives from cursed Black beings to a perspective that rebirthed us. We remembered how many of our aunts and female cousins left their homes, their core, their roots, to seek a future outside, elsewhere.
 

The future comes with a price: it demands that those relationships that marked our childhood are reshaped and confined to oblivion. They are our foundations, but they are not relevant if we want to move ahead. For us, advancing was to learn by heart what we do to ourselves with the opportunities we find elsewhere. That it is elsewhere, and not within us, that opportunities lie, that we are available, that we need to be outside. However, for many of our aunts and female cousins, the few opportunities to enroll and stay in an evening class or take a sabbatical from domestic work were paid for by becoming the first sexual experience of relatives living in the future. A future for which others before them had also paid for, and whose price they had already forgotten. The demand for this payment arrived with the same inevitability as a public utility service bill. We will not take up that legacy.
 
In Colombia and Latin America, there was an etiquette manual called La urbanidad de Carreño (Carreño’s Etiquette Manual). It was mandatory reading until the 90s in both public and private schools. The manual conditioned how bodies were perceived and my mother, taken in and brought up by Carmelite nuns, knew it by heart. The first time I read it I had to stop more than once to rub my stomach, which hurt from laughing so much. It has ridiculous instructions such as: take a shower with your eyes closed and turn off the lights to wear your nightclothes. Different chapters address how one is to behave at home, in the street, and during a dinner or lunch party – in short, the norms of good taste and etiquette. The ethical core of good citizens was the urbanity that allowed one to distance oneself from rural life. The same manual indicated that shouting a greeting to an acquaintance on the other side of the street was indecorous; good manners dictate that you must cross the street. By the same token, men must remove their coats and place them over puddles of water if accompanying a woman whose shoes should not get wet. I thought about greeting someone across a river, and how it is so hot where we live that we don’t require coats. 
 

"She learned that to care for her belly, she needed to keep her tissues warm, to avoid the cold that comes through the soft spot on the top of the head, through the feet, the ears, so it would not hurt particularly at moontime. For that, you need to be careful about what you eat and what you don’t eat, how you dress and how you walk, as all that has to do with girls’ health. The woman elder says that, from her devoted grandfather, she learnt that cramps became more common when houses no longer had floors made of mud and/or wood. When concrete and tiles came, when the material making up the house allowed the cold to come in through the feet, tension also grew in the belly tissue."

The manual’s author, Mr. Carreño is the opposite of the grandfather of a woman elder born in Turbo. She told me once that her grandfather was a wise man, that he told her about birthing and how to take care of her body. She learned that to care for her belly, she needed to keep her tissues warm, to avoid the cold that comes through the soft spot on the top of the head, through the feet, the ears, so it would not hurt, particularly at moontime. For that, you need to be careful about what you eat, how you dress, and how you walk, as all that has to do with a girl’s health. The woman elder said that, from her devoted grandfather, she learnt that cramps became more common when houses no longer had floors made of mud and/or wood. When concrete and tiles came, when the material making up the house allowed the cold to come in through the feet, tensions in the belly tissue also grew.
 
Surprised again. Such a distance between Don Carreño and the wise grandfather in terms of being aware of life – as distant as the mandates of proper behavior that stifle your impulses and senses, even the most common sense that values health. At that moment, I was able to understand one of the many ways that concrete obstructs the earth’s breathing, and our own as part of her. I had not realized there was, and still is, the architecture and materials for taking care of our bodies. In Colombia, as well as in other countries, the materials used to make houses are taken as indicators of multidimensional poverty. A house built with concrete moves the home away from being considered poor. This is just one disappointing example of how progress pushes us to abandon the relationship between our environment and our body. Good taste and urbanity pushes us outside: to move forward, they lie, you have to go out there.
 
It bothered us to realize that neither our mothers nor fathers had spoken to us about menstruation, except when the brown stain had already smeared our knickers. They failed to preserve us from the shame that was supposed to be a natural feeling once menstruation had come. Along with menstruation came the belly cramps often endured in silence, because there was work to be done; some cramps were due to cysts, hematomas, or fibroids that killed the grandmothers who had discovered and forgotten the healing treatments, and then were forgotten themselves. That our mothers and fathers’ breaths turned colder and colder, but the Outside froze familiarity and, instead of warming our bellies, passed judgment with advice similar to warnings of the only thing men care about. This was applied to all men – legitimizing the plundering role of the phallus, as if its only option was to take what we have between our legs. The multiple versions of that truth were replaced by an unmovable and deeply-set naturalization: telling all women that we must preserve ourselves for one of them, for the one that will first introduce his penis inside us, for the one that will give us something in exchange, and that we are women only because we aspire to and let him put it inside us. As a girl I explored little penises and clitorises and, in between games among girls, the question was whispered: whose turn is it to play man and whose turn is it to play woman? And the answer: the beginnings of little orgasms, regardless of with whom. I guess the same must happen among male bodies.
 
The experiences and explorations of our aunts, female cousins, and acquaintances focused on the body and its nudity as taboo. They avoided expressing and naming it, to the point of covering it up, assigning new names to its excreting, expelling, procreating, and, just for us women, its receiving functions. Once I heard a woman elder in a workshop say that when she was living with her grandmother, her memory was of this old woman sleeping with one eye open, the other closed, and a rifle by the mattress. The softest night sound was enough for her to grab the rifle and aim. This is a common situation in the Colombian Pacific, where some harmful behaviors are normalized. Married and single men who like a young woman would enter her room at night – we call it gateada. It was a risk: if those with authority in the home realized what was happening, abuse or not, the man could be hurt or even killed.
 
This practice of taking the law into one’s own hands has failed to put an end to gateadas, even today. In that same workshop – as I kept telling my sisters – other participants said that neither they nor their mothers would leave their daughters alone with their fathers at bath time, unless the girls were wearing underwear. I remembered then my father’s voice saying, when I was seven, your mother never let me bathe you. After sharing this, another woman responded that, in contrast, her father would give her a bath naked in the courtyard of her childhood home until she turned seven, and then her eldest brother did it until she turned nine. She never felt anything strange in the way they looked at her; for them, it was just another task in caring for the most spoiled child in the home. She remembered being seen for what she was: a daughter child, a sister child, who did not like the water.
 
Once again childhoods, yesterday and today. We were surprised by that story, and it comforted us. Even I had seen things being different elsewhere; my daughter’s father bathed her in the tub until she was almost two. Even before turning two, he would give her a few soft slaps upwards on her bum, to make it bigger, as he said. Here, we could also speak of other dimensions of how we construct our bodies, but that is a different story. For me, it was one care task, among many, that we agreed to divide between ourselves before the baby was born. And the decision to not see every man as a lurking rapist does not mean they are not rapists, but instead that they can stop being so. There are also men and male bodies that have been brought up to never be rapists.
 
This is still happening. It happened to a friend of ours and to my own daughter. I thought: how can it be that some women are coupled with men they cannot trust to care for their daughters? I am sure that my mum loved my dad. And even though we seldom speak about the woman she was before becoming my mum, I know her experiences of abuse cannot be compared to the brutality and over-tolerance of those of today. But that is still a decision many women in many places make, and that leads to other questions. How often, how repeated were cases of abuse in our extended families to make women openly, or in indiscernible ways, forbid their partners from bathing their daughters? Is it related to the media overexposure we are subject to almost from birth? What makes family ties blur and turn into just bodily-satisfaction exchanges? Is it the proximity to urban values that cares so much about the right shapes of female bodies as objects of desire, and pushes male bodies to behave like owners and conquerors, fulfilling the mandate to mimic media representations so they feel safe in their identity? Is it concrete and other codes, like the Carreño etiquette, that sustain it? Is it encouraged by the need to forget certain relationships as the price of progress, that insistence on “doing for the outside?” What happens to what we learned in our times, those of us who, in secret or not, undertook sexual explorations as children? Were they erased by guilt? Were they the seeds of mistrust and shame in nudity? Were they the seeds of mistrust and shame of being inside oneself? Indeed, aren’t these learnings possibilities to trust in, understand the nudity of bodies as part of respecting oneself and others? These questions emerge in trusted spaces, where the fear to say what one thinks and feels is driven away by the intention of accompaniment. I imagine how many of us there are in all corners of this planet and I am certain these are not new questions, that messages in them are repeated, and that we find ourselves living the answers.

Decorative Element

Cover image for Communicating Desire
 
Explore Transnational Embodiments

This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.

Explore

Cover image, woman biting a fruit
 

التجسيدات العابرة للحدود

نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.

استكشف المجلة

Esther Mwikali

Esther Mwikali habitait dans le village de Mithini, dans le comté de Murang’a au Kenya. Activiste des droits fonciers, importante et appréciée, elle travaillait sur les abus à l’égard de squatters vivant sur des terres revendiquées par des magnats. Esther a participé à une enquête qui comprenait également des violations de droits fonciers à Makaya par de puissants individus.  

Suite à l’absence d’Esther lors d’une réunion de village, une équipe de patrouille est partie à sa recherche. Le 27 août 2019, deux jours après sa disparition, on retrouva son corps dans une ferme proche de sa propriété, montrant des signes de torture. Elle fut sauvagement assassinée. 

« Esther était reconnue pour son travail auprès des membres de la communauté, empêchant les évictions de terres revendiquées des magnats. Les activistes du coin n’ont aucun doute sur le lien entre son meurtre et les luttes constantes pour les terres dans la région. C’est un tragique rappel de la fréquence alarmante d’assassinats extrajudiciaires régulièrement menés au Kenya » - Global Wittness Report, juillet 2020

« Nous associons la mort de Mwikali aux luttes pour les terres par ici. Nous demandons au gouvernement de mener une enquête sur ce sujet au plus tôt. » - James Mburu, porte-parole des squatters

« Des mesures devraient être prises à l’égard des individus suspectés d’avoir menacé les squatters, et notamment la famille Mwikali. » - Alice Karanja, National Coalition of Human Rights Defenders (coalition nationale des défenseur·e·s des droits humains)

« L’impact de son travail et sa ténacité demeureront encore en vie pour les prochaines décennies au Kenya. CJGEA console avec les personnes endeuillées et appelle à la justice. » - Center for Justice and Governmental Action (Centre pour la justice et l’action gouvernementale, CJGEA) communiqué de presse, 13 septembre 2019

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FRMag - Resistance Series

Serie Resistencia Feminista

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