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Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Young Feminist Activism

Organizing creatively, facing an increasing threat

Young feminist activists play a critical role in women’s rights organizations and movements worldwide by bringing up new issues that feminists face today. Their strength, creativity and adaptability are vital to the sustainability of feminist organizing.

At the same time, they face specific impediments to their activism such as limited access to funding and support, lack of capacity-building opportunities, and a significant increase of attacks on young women human rights defenders. This creates a lack of visibility that makes more difficult their inclusion and effective participation within women’s rights movements.

A multigenerational approach

AWID’s young feminist activism program was created to make sure the voices of young women are heard and reflected in feminist discourse. We want to ensure that young feminists have better access to funding, capacity-building opportunities and international processes. In addition to supporting young feminists directly, we are also working with women’s rights activists of all ages on practical models and strategies for effective multigenerational organizing.

Our Actions

We want young feminist activists to play a role in decision-making affecting their rights by:

  • Fostering community and sharing information through the Young Feminist Wire. Recognizing the importance of online media for the work of young feminists, our team launched the Young Feminist Wire in May 2010 to share information, build capacity through online webinars and e-discussions, and encourage community building.

  • Researching and building knowledge on young feminist activism, to increase the visibility and impact of young feminist activism within and across women’s rights movements and other key actors such as donors.

  • Promoting more effective multigenerational organizing, exploring better ways to work together.

  • Supporting young feminists to engage in global development processes such as those within the United Nations

  • Collaboration across all of AWID’s priority areas, including the Forum, to ensure young feminists’ key contributions, perspectives, needs and activism are reflected in debates, policies and programs affecting them.

Related Content

Snippet FEA Life expectancy of a trans and travesti (ES)

This illustration depicts a faceless person with long dark hair and a burgundy shirt, with the number 37 written across the image (37 being the life expectancy of a trans and travesti person in Argentina)

La expectativa de vida de una persona trans y travesti en Argentina es de 37 años - la edad promedio de la población general es de 77 años.

Eni Lestari

Biography

Eni Lestari est travailleuse domestique indonésienne à Hong Kong et militante des droits des migrant·e·s. Après avoir échappé à son employeur abusif, elle est passée de victime à mobilisatrice de travailleurs·ses domestiques en particulier, et de travailleurs·ses migrant·e·s plus globalement. En 2000, elle a fondé l'Association of Indonesian Migrant Workers (Association des travailleurs·ses migrant·e·s indonésien·ne·s, ATKI-Hong Kong) qui s'est ensuite étendue à Macao, à Taïwan et en Indonésie. Elle a été coordonnatrice et porte-parole de l'Asia Migrants Coordinating Body (Instance de coordination des migrant·e·s en Asie, AMCB) - une alliance d'organisations de terrain de migrant·e·s à Hong Kong venant d'Indonésie, des Philippines, de Thaïlande, du Népal et du Sri Lanka. Elle est également l'actuelle présidente de l’International Migrants Alliance (Alliance internationale des migrant·e·s), la toute première alliance mondiale de migrant·e·s, d'immigré·e·s, de réfugié·e·s et d'autres personnes déplacées.

Elle a occupé des postes importants dans diverses organisations, en tant que membre actuelle du conseil régional de l’Asia Pacific Forum on Women, Law and Development (Forum Asie-Pacifique sur les femmes, le droit et le développement, APWLD), ancienne membre du conseil d'administration de Global Alliance Against Traffic in Women (Alliance mondiale contre la traite des femmes, GAATW), porte-parole du Network of Indonesian Migrant Workers (Réseau des travailleurs·ses migrant·e·s indonésien·ne·s, JBMI), conseillère d’ATKI-Hong Kong et Macao ainsi que de l’Association of Returned Migrants and Families in Indonesia (Association des migrant·e·s et des familles retourné·e·s en Indonésie, KABAR BUMI). Elle a été une personne-ressource impliquée dans des forums organisés par des universitaires, des groupes interreligieux, des sociétés civiles, des syndicats et bien d'autres, à l’échelle nationale, régionale et internationale.

Elle a aussi participé activement aux assemblées/conférences des Nations Unies sur le développement et les droits des migrant·e·s et été choisie comme intervenante pour l'ouverture de l'Assemblée générale des Nations Unies sur les mouvements massifs de migrant·e·s et de réfugié·e·s en 2016 à New York, aux États-Unis. Des nominations et des prix lui ont par ailleurs été décernés, dont celui d’Inspirational Women de BBC 100 Women, ainsi que le prix Public Hero de RCTI, l’Indonesian Club Award et le Non-Profit Leader of Women of Influence de la Chambre américaine de Hong Kong, et celui de Changemaker de Cathay Pacific.

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Snippet - CSW69 On autonomous resourcing - FR

Sur les alternatives de financement autonome

Binta Sarr

Binta Sarr fue una activista por la justicia social, económica, cultural y política, y una ingeniera hidráulica en Senegal. Después de 13 años en la administración pública, Binta dejó ese camino para trabajar con mujeres rurales y marginadas.

Fue de este compromiso que surgió la Association for the Advancement of Senegalese Women [Asociación para el Avance de las Mujeres Senegalesas] (APROFES, por sus siglas en inglés), un movimiento y organización de base que Binta fundó en 1987. Uno de sus principales enfoques fue la formación de dirigentes, en relación no solo con las actividades económicas, sino también con los derechos de las mujeres y el acceso a los puestos de toma de decisiones.

"Las poblaciones de base deben organizarse, movilizarse, asumir el control ciudadano y exigir la gobernabilidad democrática en todos los sectores del espacio público. La prioridad de los movimientos sociales debe ir más allá de la lucha contra la pobreza y debe centrarse en programas de desarrollo articulados y coherentes en consonancia con los principios de los derechos humanos, teniendo en cuenta al mismo tiempo sus necesidades y preocupaciones tanto a nivel nacional como subregional y desde una perspectiva de integración africana y mundial". - Binta Sarr

Partiendo de la convicción de Binta de que el cambio fundamental de la condición de la mujer requiere una transformación de las actitudes masculinas, APROFES adoptó un enfoque interdisciplinario,  al utilizar la radio, los seminarios y el teatro popular, además de proporcionar una educación pública innovadora y  brindar apoyo cultural a las acciones de sensibilización. Su compañía de teatro popular representó piezas originales sobre el sistema de castas en el Senegal, el alcoholismo y la violencia conyugal. Binta y su equipo también analizaron la conexión crucial entre la comunidad y el mundo en general.

"Para APROFES, se trata de estudiar y tener en cuenta las interacciones entre lo micro y lo macro, lo local y lo global y también, las diferentes facetas del desarrollo. Desde la esclavitud hasta la colonización, el neocolonialismo y la mercantilización del desarrollo humano, la mayor parte de los recursos de África y del Tercer Mundo (petróleo, oro, minerales y otros recursos naturales) están todavía bajo el control de carteles financieros y las otras multinacionales que dominan este mundo globalizado". - Binta Sarr

Binta fue una de las integrantes fundadoras de la sección femenina de la Asociación Cultural y Deportiva Magg Daan. Recibió distinciones del Gobernador Regional y del Ministro de Hidrología por su "devoción por la población rural".

Nacida en 1954 en Guiguineo, un pequeño pueblo rural, Binta falleció en septiembre de 2019.


Tributos:

"La pérdida es inconmensurable, el dolor es pesado y profundo, pero resistiremos para no llorar a Binta; no lloraremos a Binta, mantendremos la imagen de su amplia sonrisa en todas las circunstancias, para resistir e inspirarnos en ella, para mantener, consolidar y desarrollar su obra..." - Página de Facebook de Aprofes, 24 de septiembre de 2019.

"¡Adiós Binta! Creemos que tu inmenso legado será preservado." - Elimane FALL , presidente de ACS Magg-Daan

Key opposition discourses

Ultra conservative actors have developed a number of discourses at the international human rights level that call on arguments manipulating religion, culture, tradition, and national sovereignty in order to undermine rights related to gender and sexuality.

Anti-rights actors have increasingly moved away from explicitly religious language. Increasingly, we see regressive actors - who may previously have derided human rights concepts - instead manipulating and co-opting these very concepts to further their objectives.


Protection of the family

This emerging and successful discourse appears innocuous, but it functions as a useful umbrella theme to house multiple patriarchal and anti-rights positions. The ‘protection of the family’ theme is thus a key example of regressive actors’ move towards holistic and integrated advocacy.

The language of ‘protection of the family’ works to shift the subject of human rights from the individual and onto already powerful institutions.

It also affirms a unitary, hierarchical, and patriarchal conception of the family that discriminates against family forms outside of these rigid boundaries. It also attempts to change the focus from recognition and protection of the rights of vulnerable family members to non-discrimination, autonomy, and freedom from violence in the context of family relations.

The Right to Life

The Holy See and a number of Christian Right groups seek to appropriate the right to life in service of an anti-abortion mission.  Infusing human rights language with conservative religious doctrine, they argue that the right to life, as set out in the Universal Declaration of Human Rights and the International Covenant on Civil and Political Rights, applies at the moment of conception.

The discourse has no support in any universal human rights instrument. Yet this is an appealing tactic for anti-rights actors, because the right to life cannot be violated under any circumstances and is a binding legal standard.

Sexual rights

Anti-rights actors use a number of rhetorical devices in their campaign to undermine sexual rights: they argue that sexual rights do not exist or are ‘new rights,’ that they cause harm to children and society, and/or that these rights stand in opposition to culture, tradition or national laws.

Conservative actors engaged in advocacy at the UN attack the right to comprehensive sexuality education from several directions. They claim that CSE violates ‘parental rights’, harms children, and that it is not education but ideological indoctrination. They also claim that comprehensive sexuality education is pushed on children, parents, and the United Nations by powerful lobbyists seeking to profit from services they provide to children and youth.

Attempts to invalidate rights related to sexual orientation and gender identity have proliferated. Ultra conservative actors argue that application of long-standing human rights principles and law on this issue constitutes the creation of ‘new rights’; and that the meaning of rights should vary radically because they should be interpreted through the lens of ‘culture’ or ‘national particularities.’

Reproductive Rights

Christian Right organizations have been mobilizing against reproductive rights alongside the Holy See and other anti-rights allies for several years. They often argue that reproductive rights are at heart a form of Western-imposed population control over countries in the global South. Ironically, this claim often originates from U.S. and Western Europe-affiliated actors, many of whom actively work to export their fundamentalist discourses and policies.

Regressive actors also cite to ‘scientific’ arguments from ultra-conservative think tanks, and from sources that rely on unsound research methodologies, to suggest that abortion causes an array of psychological, sexual, physical, and relational side effects.

Protection of children and parental rights

Just as anti-rights actors aim to construct a new category of ‘protection of the family,’ they are attempting to construct a new category of ‘parental rights,’ which has no support in existing human rights standards.

This discourse paradoxically endeavours to use the rights protections with which children are endowed, as articulated in the Convention on the Rights of the Child, to support the rights of parents to control their children and limit their rights.

Violence against women

Increasingly, anti-rights actors are attempting to infiltrate and subvert standards and discourses developed by women human rights defenders, such as violence against women (VAW).

At the Commission on the Status of Women and other spaces, one rhetorical move is to treat VAW as a concept in which to embed anti-reproductive rights and patriarchal arguments. Ultra conservative actors, for example, have argued that non-heteronormative or traditional intimate partner relationships are a risk factor for violence, and emphasize that fathers are necessary to protect families from violence.

Gender and ‘gender ideology’

The Holy See has set off a sustained critique of gender, ‘gender ideology’, ‘gender radicals,’ and gender theory, and anti-rights actors often read the term as code for LGBTQ rights. Gender is used by the religious right as a cross-cutting concept that links together many of their discourses. Increasingly, the hysteria on this subject fixates on gender identity and trans rights.

Complementarity and human dignity

Complementarity of the sexes is a discourse employed by a number of ultra-conservative actors today. Its rhetoric is structured around an assumption of difference: men and women are meant to have differing but complementary roles in marriage and family life, and with respect to their engagement in the community and political and economic life.

Reference to ‘natural’ roles is meant to fundamentally reject universal human rights to equality and non-discrimination.

It is also used to justify State and non-State violations of these rights, and non-compliance with respect to State obligations to eliminate prejudices and practices based on stereotyped roles for men or women.

National sovereignty and anti-imperialism

This discourse suggests that national governments are being unjustly targeted by UN bodies, or by other States acting through the UN. This is an attempt to shift the subject of human rights from the individual or marginalized community suffering a rights violation to a powerful and/or regressive institution - i.e. the state, in order to justify national exceptions from universal rights or to support state impunity. 

Religious freedom

Anti-rights actors have taken up the discourse of freedom of religion in order to justify violations of human rights. Yet, ultra-conservative actors refer to religious freedom in a way that directly contradicts the purpose of this human right and fundamentally conflicts with the principle of the universality of rights. The inference is that religious liberty is threatened and undermined by the protection of human rights, particularly those related to gender and sexuality.

The central move is to suggest that the right to freedom of religion is intended to protect a religion rather than those who are free to hold or not hold different religious beliefs.

Yet under international human rights law, the right protects believers rather than beliefs, and the right to freedom of religion, thought and conscience includes the right not to profess any religion or belief or to change one’s religion or belief.

Cultural rights and traditional values

The deployment of references to culture and tradition to undermine human rights, including the right to equality, is a common tactic amongst anti-rights actors. Culture is presented as monolithic, static, and immutable, and it is is often presented in opposition to ‘Western norms.’

Allusions to culture by anti-rights actors in international policy debates aim to undermine the universality of rights, arguing for cultural relativism that trumps or limits rights claims. Regressive actors’ use of cultural rights is founded on a purposeful misrepresentation of the human right. States must ensure that traditional or cultural attitudes are not used to justify violations of equality, and human rights law calls for equal access, participation and contribution in all aspects of cultural life for all, including women, religious, and racial minorities, and those with non-conforming genders and sexualities.

Subverting ‘universal’

Anti-rights actors in international policy spaces increasingly manipulate references to universal or fundamental human rights to reverse the meaning of the universality of rights.

Rather than using the term universal to describe the full set of indivisible and interrelated human rights, ultra conservative actors employ this term to instead delineate and describe a subset of human rights as ‘truly fundamental.’ Other rights would thus be subject to State discretion, ‘new’ rights or optional. This discourse is especially powerful as their category of the truly universal remains unarticulated and hence open to shifting interpretation.


Other Chapters

Read the full report

Snippet FEA Financial Precarities (FR)

Cette image représente une personne sans visage aux cheveux noirs, aux lunettes jaunes et à la chemise bleu canard à col en V, qui écrit sur une feuille de papier bordeaux avec un crayon jaune.
LA PRÉCARITÉ FINANCIÈRE
est constante

Jemimah Naburri-Kaheru

Biography

Jemimah Naburri-Kaheru es una consumada estratega internacional en recursos humanos con gran influencia en la región del Cuerno de África. Anteriormente, se desempeñó como gerente regional de Oficina y Recursos Humanos en Strategic Initiative for Women in the Horn of Africa (SIHA, Iniciativa Estratégica para las Mujeres del Cuerno de África). Su influencia se extiende a la dirección de los recursos humanos de más de 70 empleades regionales, debido a que los ingresos anuales de la organización registraron un veloz crecimiento del 40%. A lo largo de su carrera, Jemimah ha organizado iniciativas de reclutamiento sumamente fructíferas, introducido sistemas de desempeño basados en el mérito, y supervisado las relaciones entre el personal y las políticas de recursos humanos. Desempeñó una función crucial brindando apoyo a las estrategias de fuerzas de trabajo globales. Con antecedentes académicos en Estudios sobre el Desarrollo de la Universidad de Makerere (Uganda) y una maestría en Gestión de Recursos Humanos en curso, el compromiso de Jemimah con el desarrollo profesional es más que evidente. Su contribución al alto rendimiento de la fuerza laboral y liderazgo internacional en materia de recursos humanos la convierte en un activo invaluable en cualquier empresa global.

Position
Directora Adjunta de Recursos Humanos
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Snippet - if the positions have closed

If the positions advertised have closed, or just don’t match your area of interest and expertise, we suggest the following resources for your job search.

Laurie Carlos

Laurie Carlos était une comédienne, réalisatrice, danseuse, dramaturge et poétesse aux États-Unis. Artiste hors pair et visionnaire, c’est avec de puissants modes de communication qu’elle a su transmettre son art. 

« Laurie entrait dans la pièce (n’importe quelle pièce/toutes les pièces) avec une perspicacité déroutante, un génie artistique, une rigueur incarnée, une féroce réalité – et une détermination à être libre... et à libérer les autres. Une faiseuse de magie. Une devineresse. Une métamorphe. Laurie m’a dit un jour qu’elle entrait dans le corps des gens pour trouver ce dont ils et elles avaient besoin. » - Sharon Bridgforth

Elle a employé plusieurs styles de performance alliant les gestes rythmiques au texte. Laurie encadrait les nouveaux·elles comédien·ne·s, performeur·euse·s et dramaturges, et a contribué à développer leur travail dans le cadre de la bourse Naked Stages pour les artistes émergent·e·s. Associée artistique au Penumbra Theatre, elle a participé à la sélection de scripts à produire, dans l’objectif « d’intégrer des voix plus féminines dans le théâtre ». Laurie faisait également partie des Urban Bush Women, une compagnie de danse contemporaine reconnue qui contait les histoires de femmes de la diaspora africaine.

Elle fit ses débuts à Broadway dans le rôle de Lady in Blue, en 1976, dans la production originale et primée du drame poétique For colored girls who have considered suicide / when the rainbow is enuf de Ntozake Shange. L’oeuvre de Laurie inclut White Chocolate, The Cooking Show et Organdy Falsetto

« Je raconte les histoires à travers le mouvement – les danses intérieures qui se produisent spontanément, comme dans la vie – la musique et le texte. Si j’écris une ligne, ce n’est pas forcément une ligne qui sera dite ; ce peut être une ligne qui sera bougée. Une ligne à partir de laquelle de la musique est créée. Le geste devient phrase. Tant de ce que nous sommes en tant que femmes, en tant qu’êtres, tient aux gestes que nous exprimons les un·e·s par rapport aux autres, tout le temps, et particulièrement dans les moments d’émotion. Le geste devient une phrase, ou un état de fait. Si j’écris “quatre gestes” dans un script, cela ne signifie pas que je ne dis rien;cela veut dire que j’ai ouvert la voie à ce que quelque chose soit dit physiquement. » Laurie Carlos

Laurie est née et a grandi à New York, a travaillé et vécu à Minneapolis-Saint-Paul. Elle est décédée le 29 décembre 2016, à l’âge de 67 ans, après un combat contre le cancer du côlon. 


Hommages :

« Je pense que c’était exactement l’intention de Laurie. De nous sauver. De la médiocrité. De l’ego. De la paresse. De la création artistique inaboutie. De la paralysie par la peur.
Laurie voulait nous aider à briller pleinement.
Dans notre expression artistique.
Dans nos vies. » - Sharon Bridgforth pour le Pillsbury House Theatre

« Quiconque connaissait Laurie aurait dit que c’était une personne singulière. Elle était sa propre personne. Elle était sa propre personne, sa propre artiste ; elle mettait en scène le monde tel qu’elle le connaissait avec un vrai style et une compréhension fine, et elle habitait son art. » – Lou Bellamy, Fondatrice de la Penumbra Theatre Company, pour le Star Tribune 

Lire un hommage complet par Sharon Bridgforth (seulement en anglais)

When development initiatives, religious fundamentalisms and the state of women’s rights collide

Nuestro nuevo documento de investigación El diablo se esconde en los detalles aborda la falta de conocimientos sobre los fundamentalismos religiosos en el sector del desarrollo, y se propone comprender mejor de qué manera estos fundamentalismos inhiben el desarrollo y, en particular, los derechos de las mujeres. Propone recomendaciones para que quienes trabajan en temas de desarrollo desafíen la labor de los fundamentalismos y eviten fortalecerlos inadvertidamente. [CTA download link: Leer el documento completo]

 

Seven pointers to consider

 

Graphic1 1. Control of women’s bodies, sexuality, and choice are “warning signs” of rising fundamentalisms.
2. Neoliberal economic policies have a particularly negative impact on women, and fuel the growth of religious fundamentalisms. Graphic2
Graphic3 3. Choosing religious organizations as default for partnerships builds their legitimacy and access to resources, and supports their ideology, including gender ideology.
4.Everyone has multiple identities and should be defined by more than just their religion. Foregrounding religious identities tends to reinforce the power of religious fundamentalists. Graphic4
Graphic5 5. Religion, culture, and tradition are constantly changing, being reinterpreted and challenged. What is dominant is always a question of power.
6. Racism, exclusion, and marginalization all add to the appeal of fundamentalists’ offer of a sense of belonging and a “cause”. Graphic6
Graphic7 7. There is strong evidence that the single most important factor in promoting women’s rights and gender equality is an autonomous women’s movement.

 

Auge global de los fundamentalismos religiosos.

El Diablo se esconde en los detalles proporciona detalles de las graves violaciones a los derechos humanos y, en particular, de las violaciones a los derechos de las mujeres, causados por los fundamentalismos auspiciados por los Estados, así como por actores fundamentalistas no estatales como milicias, organizaciones comunitarias confesionales e individuos. La profundización fundamentalista de normas sociales atávicas y patriarcales está provocando el aumento de la violencia contra las mujeres, las niñas y las defensoras de derechos humanos (WHRDs). El informe propuesta estas ideas clave para abordar el problema:

  • [icon] Fundamentalismos religiosos están ganando terreno en el seno de las comunidades
  • [icon] Sistemas políticos
  • [icon] Escenarios internacionales, con efectos devastadores para la gente común y para las mujeres en particular.

 

Los agentes de desarrollo deben actuar urgentemente.

Quienes trabajan en el desarrollo están de capacidad de asumir una posición más firme. Su capacidad colectiva para reconocer y enfrentar conjuntamente a los fundamentalismos religiosos resulta crucial para promover la justicia social, económica y de género y los derechos humanos de todas las personas en el marco del desarrollo sostenible.   Resulta fundamental promover que el poder y los privilegios se entiendan desde la óptica del feminismo interseccional y aplicar esta comprensión a los interrogantes sobre religión y cultura. Las organizaciones de mujeres ya poseen conocimientos y estrategias para oponerse a los fundamentalismos. Quienes trabajan en el desarrollo deberían apoyarse en estos e invertir en coaliciones enfocadas en múltiples temáticas. Lo anterior, les ayudará a alcanzar nuevos horizontes.

Snippet FEA Audio Story 3 (EN)

Listen to the story here:

Brenda Salas Neves

Biography

Originaire de la cordillère des Andes, Brenda Salas est un·e stratège féministe queer. Iel œuvre à changer les discours et mobiliser les ressources pour soutenir les mouvements de justice raciale et climatique dans le monde entier. Brenda a produit de nombreux projets de communication pour exalter le pouvoir des migrant·e·s et dénoncer les interventions militaires américaines en Amérique latine avec Deep Dish TV et le Portland Central America Solidarity Committee (Comité de Solidarité avec l’Amérique centrale de Portland). Fier·ère d’être membre de l’Audre Lorde Project, iel est titulaire d’un diplôme du mouvement United World Colleges (UWC).

Position
Secrétaire
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Snippet - WCFM Registration status - EN

icon-registration status

Registration status:

Search for funders based on their requirements for groups to be registered.

Roxana Reyes Rivas

Roxana Reyes Rivas, philosopher, feminist, lesbian, poet, politician and LGBT and women’s rights activist from Costa Rica. Owner of a sharp pen and incisive humour, a laugh a minute. She was born in 1960 and raised in San Ramón of Alajuela, when it was a rural town, and her whole life she would break away from the mandates of what it meant to be a woman.   

With El Reguero (Costa Rican lesbian group) she organized lesbian festivals for over a decade, fun-filled formative spaces to come together at a time when the Costa Rican government and society persecuted and criminalized the lesbian existence. For hundreds of women the lesbian festivals where the only place they could be themselves and come together with others like them.  

Roxana would often say founding political parties was one of her hobbies. “It’s important for people to understand there are other ways to do politics, that many issues need to be solved collectively”. She was one of the founders of the New Feminist League and VAMOS, a human rights focused political party.

“The philosophical trade is meant to jab, to help people ask themselves questions. A philosopher who doesn’t irritate anyone is not doing her job”. For 30 years Roxana taught philosophy at several Costa Rican public universities. Through her guidance, generations of students reflected about the ethical dilemmas in science and technology.  

Roxana’s favourite tool was humour, she created the Glowing Pumpkin award, an acknowledgement to ignorance that she would bestow upon public figures, through her social media channels, mocking their anti-rights expressions and statements.  

An aggressive cancer took Roxana at the end of 2019, before she could publish a compilation of her poems, a departing gift from the creative mind of a feminist who always raised her voice against injustice.

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Snippet FEA how important essential workers are (ES)

La pandemia de COVID-19 le mostró al mundo la importancia de lxs trabajadorxs esenciales. Estamos hablando de limpiadorxs, enfermerxs, paramédicxs, trabajadorxs del hogar, transportistxs, las personas que trabajan en los supermercados, entre muchísimas otras. Su trabajo es atender y garantizar el bienestar de lxs demás y hacer funcionar nuestras economías.

Pero mientras ellxs nos cuidan…

Rachel Mabaudi

Biography

Rachel est une experte en finance, avec plus de vingt ans d’expérience. Elle a supervisé des opérations financières et des projets pour des entités privées et publiques, des organisations à but non lucratif et des organisations non gouvernementales internationales. Comptable agréée et titulaire d’un master global en administration des affaires, elle est également membre de l’Institut sud-africain des comptables agréés. Pendant son temps libre, Rachel conçoit des œuvres d’art typographiques, elle aime voyager et passer du temps avec ses proches autour d’une bouteille de vin.

Position
Finance Manager
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