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About the authors

Louise Malherbe is a film programmer/curator and a film critic based in Berlin. She worked as a film programmer for the Metropolis Cinema Association in Beirut and is now coordinating the Reel Streams project aiming at supporting the dissemination of independent cinema in the Arab region. She is Head of Programming for Soura Film Festival, a queer film festival focusing on the S.W.A.N.A. region, writes film critics for Manifesto XXI, and recently started curating films and festivals for Cinema Akil.

Inscripción

Une étudiante, une scénariste, une leader, une avocate. Les quatre femmes auxquelles nous rendons hommage ci-dessous avait toutes leur propre façon de vivre leur activisme, mais elles avaient en commun la promotion et la défense des droits des personnes lesbiennes, gaies, bisexuelles, trans*, queer et intersexes. Nous vous invitons à vous joindre à nous pour commémorer ces défenseuses, leur travail et l'héritage qu’elles nous ont laissé. Faites circuler ces mèmes auprès de vos collègues et amis ainsi que dans vos réseaux et twittez en utilisant les hashtags #WHRDTribute et #16Jours.

S'il vous plaît cliquez sur chaque image ci-dessous pour voir une version plus grande et pour télécharger comme un fichier 

Visitez notre hommage en ligne 2015

Ishtar de celuloide

A los seis años, me enteré de que mi abuelo tenía una sala de cine. Mi madre me contó que la había abierto a principios de la década de 1960, cuando ella también tenía unos seis años. Recordaba que la primera noche proyectaron La novicia rebelde / Sonrisas y lágrimas...

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Como organizadorx, puedes proponer hasta dos (2) actividades, y también puedes asociarte en otras propuestas.

6 Women Human Rights Defenders (WHRDs) across Western and Southeastern Europe have in their lifetime researched, campaigned, participated in and advanced peace and women’s rights movements be it through political and social activism or through dance. We are grateful for the legacy they have left. Please join AWID in honoring these women, their activism and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days.

Please click on each image below to see a larger version and download as a file

See Our 2015 WHRD Tribute

Ester Lopes is a dancer and writer whose research focuses on the body, gender, race, and class relations. She is a Pilates instructor and art educator. Ester graduated in Contemporary Theater – Creative Processes (at FAINC) and in Dance and Body Consciousness (at USCS). Her musical specialization includes popular singing and percussion. She received training in Novos Brincantes with Flaira Ferro, Mateus Prado, and Antonio Meira at Brincante Institute in 2015 and 2016.

Le processus et la date limite de soumission sont exactement les mêmes. Merci d’utiliser le même formulaire, que l’activité proposée ait lieu en personne, en ligne ou un mélange des deux (format hybride).

A framework for your research will guide throughout your research process, and the framing document you develop can also serve as a concept note to advisors and partners, and a funding proposal to potential donors.

Before conducting any research:

• Set the goals of your research
• List the key questions you want your research to answer
• Write out the type of data you will need to obtain and review to answer your key questions
• Define the final products you will produce with your research

Your research framing may evolve over time as you refine your questions and gather new information. However, building an initial research framing will allow you to work from a solid foundation.

Goals

To create a strong foundation for your WITM research, it is important to clarify what you hope to accomplish.

For example, one goal of AWID’s WITM global research was to provide rigorous data to prove what we already knew anecdotally: that women’s rights organizations are discrepantly underfunded. With this data, we felt we would be better positioned to influence funders in their decision-making.

Your goals could be to:

• Generate hard data on funding realities and trends to prove or disprove existing myths.
• Gain deeper insight into differences between the perspectives of donors and women’s rights organizations.
• Influence donors in grant-making.
• Add crucial input to key funding debates.
• Explore collaboration between donors and women’s rights organizations on issues that emerge from the research.

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Key questions

Frame your research process with key questions that only your research can answer and limit those questions to a specific time frame (e.g. past five years, past year, etc.).

Consider the following points:

• What exactly do you want to learn more about and what is the hypothesis you would like to test? Writing this out will assist you in your thought process.
• Is there existing research on this? If research already exists, it may not make sense to conduct new WITM research unless you feel like the existing research is not extensive or specific enough.  
• What time frame do you want to cover in your analysis? For example, will your research analyze only the past year, or several previous years, such as the past five years?
• Are you planning to repeat your survey to collect data in the future?

Choosing a specific timeframe for your research can result in more precise findings than working with an open-ended timeframe. Also, deciding whether you will repeat this research at regular intervals will allow you to set up data collection benchmarks for easy replication and comparison over time.

These were the key questions that guided AWID’s WITM research process:

• What is the current state of women’s organizations’ financial sustainability across the world?
• What external and internal trends are impacting donors’ funding decisions to support women’s organizations and movements?

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Type of data

Now that you determined your key questions, you can determine what kind of data will help you answer your key questions. This will allow you to plan the rest of your schedule for your WITM research.

For example, will you conduct a survey that covers an extensive portion of your priority population? Will you analyze the applications that funders are receiving from a certain region? Will you also conduct interviews (recommended)? By determining the types of data you need, you can reach out to external parties who will provide this data early on, and plot out your full schedule accordingly. Some suggested sources of data could be:

• Surveys you create for women’s rights organizations and donors
• Application and grantmaking data from donors funding cycles
• Interviews of prominent activists, organizations, and donors
• Donor data from membership organizations and networks, such as  the Foundation Center, regional or national donor affinity groups.

Diverse data sets are a great way to create robust and rich analysis.

The data from AWID’s 2011 Global Survey formed the backbone of our analysis in Watering the Leaves, Starving the Roots report. However, we also collected data from interviews and interactions with several actors in the field, ranging from donors to activists and women’s rights organizations.

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Final products

In addition to allowing you to set your schedule, creating an initial plan of what products you will develop will also allow you to work out what resources you need.

For example, will you only produce a long research report or will you also create infographics, brochures and presentations? Depending on your products, you may need to hire a design firm, plan events and so on.

These products will also be the tools you use to achieve your goals, so it is important to keep those goals in mind. For example, is your WITM research exclusively intended as an advocacy tool to influence funders? In that case, your products should allow you to engage with funders at a deep level.

 Some sample products:

• Long report for dissemination with key funders and organizations.
  Historically, AWID WITM research has centered on a long report, from which AWID distilled other smaller products  - see rest of list.
• Infographic for viral distribution online
• Short animation demonstrating key findings
• Short brochure(s) distilling your findings and messages
• Articles and blog posts on key findings to draw interest to your larger report
• Seminars or webinars presenting key findings.

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Conclusion: Framing your research will give you the big picture

Framing your research to cover goals, key questions, types of data, and final products will allow you to create a well-planned schedule, prepare your resources in advance, and plan a realistic budget.

This will make interactions with external partners easier and allow you to be nimble when unexpected setbacks occur.

Previous step

1. Gather your resources

Next step

3. Design your survey

Estimated time:

• 1 month

People needed:

• 1 or more Research person(s)

Resources available:

• AWID Research Framing: sample 1
• AWID Research Framing: sample 2

Previous step

1. Gather your resources

Next step

3. Design your survey

Ready to Go? Worksheet

Download the toolkit in PDF

وصلتني رسالة يوم الأربعاء
مصحوبة بعنوانٍ على ظهرها. 

الخامسة مساءً، اليوم

خطّ كتابة الدعوة –
متحفّظ وجاف – 
رأيته خمس مرّات في خمس سنوات. 

جسدي مُستنفَر، 
محموم. 

أحتاج لمضاجعة نفسي أوّلًا. 

المدُّ عالٍ الليلة 
وأنا 
أنتشي. 

أريدُ إبطاءَ كلَّ شيء، 
واستطعام الوقت والفراغ، 
أن أحفرهما 
في الذاكرة. 

*

لم آتِ أبدًا إلى هذا الجزء من البلدة. 
الأماكن المجهولة تثيرني،
[كذلك] الطريقة التي تقاوم بها الأشلاء والعروق والعظام 
الاضمحلال،
مصيرهم غامض. 
عند الباب أعيدُ التفكير. 
الرواق قاتم السواد
يجعلني أتوقّف. 

على الناحية الأخرى، 
مثل اللعنة، يُفتَح باب 
من الروائح والألوان 
على عَصْرٍ مُشمس. 

النسيم 
يجعل شعري يرقص، 
يثير فضوله، 
يدفعه للحركة. 

أسمعُ أزيزَ الكرسي المتحرّك، 
يشكّل الظلال. 
عندها أراهم: 
وجه فهد
وجسدٌ مثل جسدي 
وأجِدني راغبة بكليهما
مرّة أخرى. 

يقترب المخلوق منّي. 

إيماءاتهم تكتب جملة؛ 
كلّما اقتربت منهم، 
أتبيّن تفاصيلها: 

       ذبول، لحم، غِبطة

بأمر ٍمنهم، تزحف الكرمة 
التي تغطّي الرُواق 
مُعانقةً الصخور الدافئة
وتتسلّق الحائط كالأفعى.

لقد أصبح فعلًا، 
«أن تقفز»، 
أُعيدَ توجيهي عندما أشارت مخالبهم 
نحو سرير الكرم في المنتصف. 
أسمع العجلات خلفي، 
ثم أسمع ذلك الصوت. 
يُدوي 
بشكلٍ لا مثيل له. 
أجنحتهم الطويلة السوداء
ترتفع نحو السقف
ثم تندفع للأمام. 

عينا الهرّة تفحص كلّ تفصيلة، 
كلّ تغيّر، 
كلّ تَوق. 

هل يمكن أن تُذيب الرغبة عضلاتك؟ 

          هل يمكن أن تكون أحلى من أقوى المهدّئات؟

فهدٌ يخيط العالم، 
عبرَ اختلافاتنا، 
غازلًا الدانتيل حول ركبتيَّ. 

هل يمكن للرغبة أن تسحق تباعُد العالم، 
أن تكثّف الثواني؟ 

مازالوا يقتربون، 
تلتقي عين الفهد بعين الإنسان، 
تتنشّق الهواء، 
تُحوِّل الجسد إلى 
إلحاح. 

يخفقون بأجنحتهم للأسفل. 
هائجة، 
تلتفّ الكرمة حول خصري/ خسارتي. 

لسانهم يرقّق الوقت، 
تتبدّل الآراء، 
يُسكِّن، بسحرهم، 
ما يشتعل أسفل [السطح]. 

        أرى العالم فيك، والعالم مُنهَك. 

ثم يتوسّلون: 

        دعيني أقتات عليك.