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Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Protection of the Family

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The Issue

Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.

The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.

“Protection of the Family” efforts stem from:

  • rising traditionalism,
  • rising cultural, social and religious conservatism and
  • sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.

Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.

This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.

Our Approach

AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.

In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs).  OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like  “Protection of the Family”.

Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.   

The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN.  It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”

 

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Laurie Carlos

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Category
Economic, Social and Cultural Rights
Region
North America
Date of birth
Date of death / disappearance
Cause of death / disappearance

Disease

Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others. 

“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth 

She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.

In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto. 

“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos

Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.


Tributes:  

“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre

“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune 

Read a full Tribute by Sharon Bridgforth

FRMag - Ghosts Of Girlhood

Ghosts Of Girlhood

by Akua Antiwiwaa

There is an old, hazy picture laying in front of me. In it I am dressed in all white, from the pearl beads fastened into my hair and tucked against my ears, to the ones that trail loosely around my tiny wrists. (...)

Read

artwork: “Cultura Negra” [Black Culture] by Astrid Milena González Quintero

Love letter to Feminist Movements #1

Dear gorgeous beings,

I know you are so close. You can feel it can't you? How things need to shift and you need to centre yourself. 

Love letter to feminist movements from Your dramatically cloaked jungle nymph.

This is a letter to tell you to do it. Choose your healing. Choose to be OK. Better than OK. Choose to be whole, to be happy. To cry tears for yourself and no one else. Choose to shut out the world and tell them that 'you will be back in 5 mins'. Or five days. Or five years. 

Or never.

Choose to not take it all on. Choose to take none of it on. Because none of it is yours. It was never yours. They told you since you were born that it was yours. Your family's problems. Your lovers' problems. Your neighbours' problems. The globe's problems. The constant whisper that these problems belong to you. They are yours. Yours to hold, yours to shoulder. Yours to fix. 

That was a lie.
A bamboozle 
            A long con.
                          A scam.

The problems of the universe are not yours.

The only problems that are yours are your own. Everyone else can take a hike. 

Allow yourself to drop everything and sprint off into the jungle. Befriend a daisy clad nymph, start a small library in the roots of a tree. Dance naked and howl at the moonlight. Converse with Oshun at the river bed. 

                          Or simply drink a cup of tea when you need to take a moment to breathe.

Give yourself permission to disappear into the mist and reappear three countries over as a mysterious chocolatier with a sketchy past and penchant for dramatic cloaks and cigars. 

                          Or stop answering work calls on weekends.

Let yourself swim to deserted island with a lover and dress only in the coconut shells from coconut rum that you make and sip at sunset. 

Or say no when you don't have the capacity to create space for someone.

The options for holding yourself are endless. 

Whatever you do, know the world will always keep spinning. That's the beauty and the pain of it. No matter who or what you choose over yourself and your soul the world will always keep spinning. 

Therefore, choose you. 

In the morning when that first light hits, choose you. When it’s lunchtime and it’s time to cry on company time, choose you.  In the evening, when you are warming up leftovers because you didn’t have time to cook again, choose you. When anxiety wakes you up and existence is silent at 3:45 am. 

Choose you.

Because the world will always keep twirling on a tilt and you deserve to have someone always trying to make it right side up for you. 

Love,
Your dramatically cloaked jungle nymph.

Snippet2 - WCFM Explore and share - EN

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Snippet Forum Quoate Jac s m Kee, Malaysia (EN)

There is nothing like being in a shared space, exchanging body energies,... seeing the world and doing something together. Events like the Forum are among the strongest of the global feminist movement.
- Jac s m Kee, Malaysia

Fadila M.

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Category
Derechos económicos, sociales y culturales
Region
África
África del Norte
Date of death / disappearance
Cause of death / disappearance

Asesinato probable

Fadila M. fue una activista tribal soulaliyate de Azrú, en la región Ifrane de  Marruecos. Luchó contra una forma específica de discriminación territorial dirigida a  las mujeres tribales.

Como parte del Movimiento de Mujeres Soulaliyate por el Derecho a la Tierra, trabajó para reformar el marco legislativo relacionado con la administración de la propiedad comunitaria, a través de la adopción, en 2019, de tres proyectos de ley que garantizan la igualdad de mujeres y varones.

Según las leyes consuetudinarias vigentes, las mujeres no tenían derecho a beneficiarse de la tierra, en especial aquellas que eran solteras, viudas o divorciadas. En Marruecos, los derechos a las tierras colectivas eran transmitidos tradicionalmente entre los varones de la familia mayores de 16 años. Desde 2007, Fadila M. ha sido parte del movimiento de mujeres, la primera movilización nacional de base por los derechos a la tierra. Una de sus conquistas ha sido que, en 2012, las mujeres soulaliyate pudieron registrarse por primera vez en las listas de beneficiarixs, y recibir compensaciones relacionadas con la cesión de tierras. El movimiento también logró la enmienda del dahir (decreto del Rey de Marruecos) de 1919, para garantizar el derecho a la igualdad de las mujeres.

Fadila M. falleció el 27 de septiembre de 2018. Las circunstancias de su muerte no son claras. Participó en una marcha de protesta relacionada con el tema de las tierras colectivas y, si bien las autoridades informaron que su muerte fue accidental y que tuvo un paro cardíaco camino al hospital, la sección local de la Asociación de Derechos Humanos de Marruecos (AMDH) señaló que Fadila fue sofocada por un miembro de la fuerza policial utilizando una bandera marroquí. Su familia solicitó una investigación, pero los resultados de la autopsia no fueron dados a conocer.

Más información sobre el Movimiento de Mujeres Soulaliyate por el Derecho a la Tierra (en inglés)

Nota: Como no ninguna fotografía/imagen de Fadila M. disponible, la obra de arte (en lugar de un retrato) pretende representar por lo que luchó y trabajó: la tierra y los derechos a vivir y tener acceso a esa tierra y lo que crece en ella.

Film club - outrun

Out Run (2016) Inglés | Tagalo con subtítulos en inglés

Mediante la movilización de peluquerxs y reinas de belleza transgénero de clase trabajadora, lxs dinámicxs líderes del único partido político LGBT del mundo libran una cruzada histórica para elegir a una mujer trans al Congreso filipino.

Conversación en vivo con S. Leo Chiang y Johnny Symons, directores de “Out Run”

Clone of Clone of Carta de amor a los movimientos feministas #5

Feministas sudanesas: «Una revolución dentro de la revolución»

«Mientras estaba en la primera línea de la protesta, fui sometida a violencia sexual, a lesiones físicas y a otras formas de violencia. Pero no me detendré hasta que logremos pleno gobierno civil en Sudán. Debemos impedir la militarización del Estado. Nuestros cuerpos no deben seguir siendo tratados como campos de batalla»

dijo Amal,1 una manifestante de 23 años.2 

Durante los últimos cuatro años, las mujeres lideraron la revolución en Sudán. Su liderazgono fue solo callejero, sino que constituyó el poder que impulsó la resistencia constante en todos los niveles. Las mujeres y las jóvenes feministas se convirtieron en la conciencia alerta del movimiento de cambio y democratización sudanés. Desde la primera protesta del 13 de diciembre de 2018 contra el régimen anterior, en la ciudad de Aldmazein, en el área de conflicto del Nilo Azul, las jóvenes estudiantes fueron las voces que demandaron el fin de la dictadura de los militares y los Hermanos Musulmanes, que ya lleva treinta años en el poder.

Love letter to feminist movements from Your dramatically cloaked jungle nymph.

El movimiento feminista, liderado por mujeres de entre 16 y 35 años, ha entablado una revolución dentro de la revolución en Sudán durante los últimos cuatro años de lucha ininterrumpida. Las potentes voces de las jóvenes que ocupan espacios en las calles, las redes sociales, la sociedad civil y las organizaciones políticas se elevaron lo suficiente como para reconfigurar la opinión pública y desafiar las normas sociales. Por primera vez en la historia de Sudán, las discusiones sobre violencia sexual y de género y sobre los tabúes de la violencia doméstica y los procesos de toma de decisiones dominados por los hombres se convirtieron en debates generalizados. Los equipos de fútbol de mujeres designaron voceras ante los comités de resistencia, y los sindicatos profesionales liderados por mujeres son parte de la expresión de la nueva ola del movimiento feminista de Sudán. El logro más importante es que las jóvenes se identifican como feministas en forma orgullosa y pública, en un país regido por el fundamentalismo islámico durante tres décadas. Los jóvenes varones que apoyan el activismo feminista -y se identifican como feministas- son otra señal de progreso notable.

Bajo el actual régimen del golpe militar, las jóvenes que lideran estas iniciativas y los grupos de mujeres que trabajan en el territorio no pueden mencionarse aquí debido a varios problemas de seguridad. Pero su resiliencia, su fuerza y su valentía serán incluidas en los libros de historia. Las audaces jóvenes que encabezan la resistencia en las calles y detrás de las pantallas, y que trabajan en diferentes profesiones y áreas de activismo están dando forma al futuro de Sudán. Las jóvenes feministas de Sudán están creando nuevos espacios para que las narrativas y los discursos feministas reestructuren la distribución del poder a nivel político, económico y social.

A pesar de la inmensa violencia, del resurgimiento del islamismo fundamentalista, de la militarización y de la reducción de los espacios cívicos, las activistas feministas de Sudán se mantienen arraigadas en su sororidad. Siguen siendo una gran inspiración para los movimientos feministas de todo el mundo.

 

Nazik Awad

1 «Amal» es un seudónimo utilizado para proteger a la joven activista citada.
2 Desde 2018, Sudán vive en una revolución constante. Una nueva ola opositora arrancó a partir del golpe militar del 25 de octubre de 2021.

Clone of Snippet - Intro WITM - FR

Where is the Money for Feminist Organizing? Survey Results

Thanks to our global feminist community! From May to August 2024, nearly 1,200 organizations working for Women's rights, gender justice, and LBTQI+ equality shared their experiences in the WITM survey. The results offer a unique picture of how feminist movements are resourced and where gaps remain.

Stay tuned for the upcoming report for more analysis!
 

Learn more about the insights

¿Cuándo y dónde será el Foro?

¡Del 2 al 5 de diciembre de 2024 en Bangkok, Tailandia! Nos reuniremos en el Centro Nacional de Convenciones Queen Sirikit (QSNCC) y también de forma virtual en línea.

Rosa Candida Mayorga Muñoz

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Category
Droits économiques, sociaux et culturels
Region
Amérique latine
Date of birth
Date of death / disappearance
Cause of death / disappearance

Naturelle

Rosa Candida Mayorga Muñoz était une travailleuse sociale, leader syndicale et défenseure des droits humains du Guatemala. On la surnommait affectueusement Rosita. 

Dans les années 1980, Rosa devient la première femme à siéger au comité exécutif du syndicat de l’Institut d’électrification nationale (STINDE), syndicat qu’elle avait rejoint en premier lieu pour défendre les droits des femmes au travail. Cela signifiait, à ses yeux, de lutter pour l’égalité des chances dans une entreprise où de nombreuses femmes affrontaient un système discriminatoire et violent mis en place par la direction de l’entreprise. Rosa avait également subi du harcèlement sexuel sur son lieu de travail, tant de la part de collègues que de responsables. Elle n’entendait cependant pas rester silencieuse. 

Rosa a continué à se battre et fait partie des efforts pour façonner la lutte afin qu’elle prenne la forme du « Pacte collectif pour les conditions de travail du INDE-STINDE ». Ce pacte était le premier du genre et le premier au Guatemala à caractériser le concept de harcèlement (sexuel). Il fait désormais référence dans la loi guatémaltèque pour les questions de travail, et sert d’encouragement aux autres syndicats.

« Elle n’avait d’autres outils pour se battre que ses propres idéaux... Elle a été intimidée à plusieurs reprises, harcelée pour abandonner la lutte, mais son courage a fait naître l’espoir chez les syndicalistes de la base. Rosita a créé une image de respect non seulement au sein de son syndicat mais également face aux autorités de l’institution et au sein du mouvement des femmes. Elle a été reconnue comme une pionnière du mouvement des femmes du syndicat, dans un espace qui avait davantage été dominé par les hommes. » - Maritza Velasquez, ATRAHDOM

Rosa est décédée le 4 avril 2018, elle avait 77 ans.

Feminist film club - holding up the skies

Découvrez le programme du Club de cinéma féministe de l’AWID  « Porter le ciel » - une série de films sur les réalités féministes d’Afrique et de la diaspora africaine sélectionnés par Gabrielle Tesfaye.

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The 2023 Feminist Calendar

Image of a calendar on a flat surface. The images decorating each month change every second: first there is a naked person sitting enjoying a hot drink in relaxation, then we see two pink hands over a blue background and finally a couple riding a motorcycle. This looks indefinitely.

AWID is a part of an incredible ecosystem of feminist movements working to achieve gender justice and social justice worldwide. With our 40th anniversary, we are celebrating all that we’ve built over these last 40 years. As a global feminist movement support organization we know that working with fierce feminisms is our way forward, acknowledging both the multiplicity of feminisms and the value of fierce and unapologetic drive for justice. The state of the world and of feminist movements calls for brave conversations and action. We look forward to working together with our members, partners and funders in creating the worlds we believe in, celebrating the wins and speaking truth to power in service of feminist movements globally.

The 2023 Feminist Calendar is our gift to movements. It features the artwork of some of our amazing AWID members.

This is the cover for the 2023 Feminist Calendar. It shows a diverse group of people of all ages embracing and holding hands.

Use it. Print it. Share it. 

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Snippet - COP30 Intro

Join the feminist movement reclaiming climate action from corporate capture

With 1,773 fossil fuel lobbyists at last year's COP29, we're heading alongside other feminists to Belém, Brazil for COP30, from 10 November – 21 November 2025, where we will continue to denounce false solutions, call out corporate capture, demand that States uphold their commitments under the Common but Differentiated Responsibilities and Respective Capabilities and push for feminist economic alternatives.

$2.7 trillion for the military. $300 billion for climate justice. We're here to flip the script.

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Quand pourrai-je m'inscrire au Forum ? Combien coûte l'inscription ? Que comprennent les frais d'inscription ?

Les inscriptions commenceront début 2024. Nous annoncerons bientôt la date exacte et les tarifs d'inscription. L'inscription comprendra la participation au Forum, et inclura le déjeuner et les collations (le petit-déjeuner sera fourni par les hôtels), ainsi qu’un dîner sur place.