Safia Ahmed-Jan
Memory as Resistance: A Tribute to WHRDs no longer with us
AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
In 2020, we are taking a turn
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
The Tribute was first launched in 2012
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
To date, 467 feminists and WHRDs are featured.
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Yes! Please read the Call for Activities and apply here. Deadline is February 1st, 2024.
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Sara Hegazy
Sara Hegazy, a bold Egyptian LGBTQI+ rights activist, lived in a society where the members of her community, their bodies and lives often face lethal prejudice. The roots of Sara’s resistance were in the deconstruction of a dominant, oppressive and patriarchal system, and its anti-rights actors.
"[In Egypt], every person who is not male, Muslim, Sunni, straight, and a supporter of the system, is rejected, repressed, stigmatized, arrested, exiled, or killed. This matter is related to the patriarchal system as a whole, since the state cannot practice its repression against citizens without a pre-existing oppression since childhood." - Sara Hegazy wrote on March 6, 2020
The suppression of Sara’s voice by the Egyptian government reached its violent peak in 2017, when she was arrested for raising a rainbow flag at the Mashrou’ Leila (Lebanese band whose lead vocalist is openly gay) concert in Cairo. What followed were charges of joining an illegal group along with “promoting sexual deviancy and debauchery”.
"It was an act of support and solidarity — not only with the [Mashrou' Leila] vocalist but for everyone who is oppressed...We were proud to hold the flag. We wouldn't have imagined the reaction of society and the Egyptian state. For them, I was a criminal — someone who was seeking to destroy the moral structure of society." - Sara Hegazy
Sara was jailed for three months, where she was tortured and sexually assaulted. In January 2018, after being released on bail, she sought asylum in Canada where she was safe but imprisoned by the memories of the abuse and violence her body and soul had gone through.
"I left this experience after three months with a very intense, serious case of PTSD [post-traumatic stress disorder]. Prison killed me. It destroyed me." - Sara Hegazy told NPR
Sara took her own life on 14 June 2020, leaving a handwritten note in Arabic:
“To my siblings – I tried to find redemption and failed, forgive me.”
“To my friends – the experience [journey] was harsh and I am too weak to resist it, forgive me.
“To the world – you were cruel to a great extent, but I forgive.”
Her legacy and courage will be carried forward by those who love her and believe in what she fought for.
Tributes:
“To Sarah: Rest, just rest, spared from this relentless violence, this state-powered lethal patriarchy. In rage, in grief, in exhaustion, we resist.” - Rasha Younes, an LGBT rights researcher at Human Rights Watch. Read the complete text
Mashrou’ Leila’s lead vocalist sings tribute to Sara Hegazy
Annual Report 2009
Our 2009 Annual Report includes highlights of another busy year of action and reflection at AWID as we implement our commitment to boldly, creatively and effectively contribute to the advancement of women’s rights and gender equality worldwide.
In the report you can find out about our programmatic achievements, membership, finances, what to watch out for in 2010, as well as information about our Board and Staff.
Elenoa Lavetiviti
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If your funding institution is already a part of the Database and you would like to contact us to update your record, or if you would like to leave some feedback for us, please use the form above.
¿Es necesario ser afiliadx de AWID para participar en el Foro?
No, no es necesario ser afiliadx de AWID para participar, pero lxs afiliadxs de AWID reciben una tarifa de inscripción con descuento, así como otros beneficios.
Obtén más información sobre cómo sumarte a la membresía de AWID.
Welcome to the Rights at Risk Resource Library
Rights at Risk Resource Library
A living collection of resources to support feminist movements, policy-makers, and allies to resist fascisms, fundamentalisms, and anti-rights trends.
2023: Fierce Feminisms: Together We Rise
For us at AWID, 2023 was the first year of our new Strategic Plan, “Fierce Feminisms: Together We Rise”, which speaks to the unapologetic drive needed to change the world, and the plurality of feminisms and movements in our ecosystem.
In the course of 2023, the volatile situation in Sudan has escalated greatly. The unspeakable genocide in Gaza, in the context of ongoing colonization and occupation of Palestine, continues as we write these lines. Climate crises, militarization, and extractivism all persist as threats to people and the planet. Building stronger movements and people power is a vision to which we contribute daily, through AWID membership, teach-ins, resourcing advocacy and more.
Download the full 2023 Annual Report
From centering climate in feminist economies to advocating for resourcing feminist movements - an urgent task, given the chronic underfunding of feminist, indigenous and Global South movements who are on the frontlines of climate crisis - we are finding solutions.
Ana Lucia Herrera Aguirre
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In 2023, feminist and
women's rights organizations
had a median annual budget of $22,000
In contrast, over $1 billion went to three anti-rights groups 2021-2022, with funding for anti-gender networks still rising.1
1 Global Philanthropy Project, 2024
Que se passe-t-il si je ne peux pas participer en personne ? S'agira-t-il d'un format hybride ?
Oui ! Nous explorons actuellement des technologies innovantes qui permettront une connexion et une participation considérables.
Metodología de talleres
Próximamente
Metodología de talleres
¿Quieren juntar a distintas personas para fortalecer la resistencia? Esta metodología de talleres ofrece ejercicios grupales para incrementar el conocimiento y el poder colectivos, con opciones para adaptarlos a las distintas necesidades.
Inna Michaeli
Biography
Inna est une activiste et sociologue féministe queer comptant de nombreuses années d'engagement profond dans les luttes féministes et LGBTQI+, l'éducation politique et l'organisation par et pour les femmes migrantes, ainsi que la libération de la Palestine et la solidarité avec cette dernière. Inna a rejoint l'AWID en 2016 et occupé différents postes, dont celui de directrice des programmes plus récemment. Basée à Berlin, en Allemagne, elle a grandi à Haïfa, en Palestine/Israël, et est née à Saint-Pétersbourg en Russie. Elle porte ces territoires politiques et cette résistance au passé et au présent colonial dans son féminisme et sa solidarité transnationale.
Inna est l'auteure de « Women's Economic Empowerment: Feminism, Neoliberalism, and the State » (« L'autonomisation Économique des Femmes : Féminisme, Néolibéralisme et l’État », Palgrave Macmillan, 2022), un ouvrage basé sur une thèse qui lui a valu un doctorat de l'Université Humboldt de Berlin. En tant qu'universitaire, elle a enseigné des cours sur la mondialisation, la production de connaissances, l'identité et l'appartenance. Inna est titulaire d'un master en études culturelles de l'Université hébraïque de Jérusalem. Elle a été membre du conseil d'administration de +972 Advancement of Citizen Journalism, et l’est actuellement pour Jewish Voice for a Just Peace in the Middle East (en Allemagne). Auparavant, Inna a travaillé avec la Coalition des Femmes pour la Paix et est une passionnée de la mobilisation des ressources pour l'activisme populaire.
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Codirectrice Exécutive
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WITM - Refreshed INFOGRAPHIC 3 ES
¿Cómo se autofinancian las organizaciones feministas?
Las organizaciones feministas y por los derechos de las mujeres no solo dependemos del financiamiento institucional, también nos autofinanciamos. Son la pasión, el compromiso político, la solidaridad y el cuidado colectivo lo que empuja a nuestras organizaciones.
Estos recursos se autogeneran y son autónomos y, aunque a menudo no se reflejan en nuestros presupuestos, son la columna vertebral de las organizaciones.
Will there be a young feminist space? A disability justice space? A digital/tech hub? Funder coffee hours? Wellbeing and healing spaces?
We will share information about the program, the spaces, and the way for everyone to participate in shaping them, as soon as we can, and ways for you to participate in shaping them - on the road to the Forum, and during the Forum. Please stay tuned!
Crear | Résister | Transform: un recorrido por el Festival
Mientras el capitalismo heteropatriarcal continúa forzándonos al consumismo y el acatamiento, observamos que nuestras luchas están siendo compartimentadas y separadas por fronteras tanto físicas como virtuales.
Y con los desafíos adicionales presentados por una pandemia global que todavía deben ser superados, esta estrategia de «divide y vencerás» ha sido favorable para la proliferación de la explotación en muchas áreas.
No obstante esto, desde el 1° hasta el 30 de septiembre de 2021, un festival para movimientos feministas! de AWID nos llevó a un viaje sobre lo que significa encarnar nuestras realidades en espacios virtuales. En el Festival se reunieron activistas feministas de todo el mundo, no solo para compartir experiencias de libertades duramente conquistadas, de resistencias y de solidaridades más allá de las fronteras, sino para articular lo que podría ser una forma transnacional de compañerismo.
Esta solidaridad tiene el potencial de desafiar las fronteras, tejiendo una visión del futuro que es transformadora, porque es abolicionista [del complejo industrial carcelario] y anticapitalista. A lo largo de un mes, a través de las infraestructuras digitales que ocupamos con nuestra cuiridad / queeridad, nuestra resistencia y nuestros imaginarios, el Festival nos mostró una forma de desviarnos de los sistemas que nos hacen cómplices de la opresión de otras personas y de nosotrxs mismxs.
Si bien Audre Lorde nos enseñó que las herramientas del amo nunca desarmarán la casa del amo, Sara Ahmed nos demostró que podemos utilizarlas en forma indebida. Dado que teníamos que dar espacio a la asamblea, y a pesar de todas las otras demandas sobre nuestro tiempo, fue posible imaginar una disrupción de la realidad del capitalismo heteropatriarcal.
Ahora bien, si entendemos la asamblea como una forma de placer, entonces, se hace posible establecer el vínculo entre el placer transgresor y la resistencia transnacional/transdigital: entre las clases de placer que desafían las fronteras por un lado, y la cuiridad / queeridad, lo camp, las luchas por la tierra y los movimientos indigenistas, el anticapitalismo y la organización política anticolonial por el otro.
Esta edición intentó captar un sentido de cómo el ejercicio de la asamblea en el Festival adoptó múltiples formas e imaginaciones. Además de contar con las colaboraciones directas de algunxs de sus conferencistas y soñadorxs, trajimos a una plétora de otras voces del Sur global para que conversaran sobre muchos de sus temas y sujetxs. Lo que sigue es una muestra de algunos de los paneles del Festival que más nos inspiraron.