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AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Memory as Resistance: A Tribute to WHRDs no longer with us

AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us. 


In 2020, we are taking a turn

This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.

49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.

This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.

The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.

Visit the online exhibit

The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman

AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.

“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb 


The Tribute was first launched in 2012

It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.

To date, 467 feminists and WHRDs are featured.

Visit the online exhibit

Related Content

Snippet - WITM Acknowledgements - PT

Agradecimentos

A AWID agradece sinceramente às várias pessoas cujas ideias, análises e contribuições moldaram a pesquisa e a defesa do “Onde está o dinheiro” ao longo dos anos.

Em primeiro lugar, os nossos mais sinceros agradecimentos aos membres da AWID e às ativistas que participaram nas colaborações com o WITM e testaram este questionário connosco, ao partilhar tão generosamente o seu tempo, análise e espírito.

Agradecemos aos movimentos feministas, aos aliados e aos fundos feministas, incluindo, mas não se limitando ao Black Feminist Fund, Pacific Feminist Fund, ASTREA, FRIDA Young Feminist Fund, Purposeful, Kosovo Women's Network, Human Rights Funders Network, CEECCNA Feminist Fund e PROSPERA, pelas suas investigações rigorosas sobre o estado de financiamento, pela análise perspicaz e pela defesa contínua de mais recursos de melhor qualidade e poder para a organização feminista e de justiça de género em todos os contextos.

Junte-se à comunidade global de feministas que se manifestam sobre o estado de financiamento, e exigem mais recursos de melhor qualidade e poder para feministas globalmente.

Ursula K Le Guin

Ursula fue una novelista estadounidense que trabajó principalmente con los géneros de fantasía y ciencia ficción.

Encontró la fama con La mano izquierda de la oscuridad, novela en la cual imagina una sociedad futura donde la gente es ambisexual: no tienen un sexo fijo. Indaga en los efectos del género y el sexo en la sociedad, y fue uno de los primeros grandes libros feministas de ciencia ficción. Ursula fue una inspiración por su escritura subversiva y original y también por los temas sobre feminismo y libertad a los que les daba tanta importancia.

En un discurso que pronunció en 1983 en el Mills College, en California, les dijo a las graduadas: «¿Por qué una mujer libre con formación universitaria debería o luchar contra el macho o servirlo? ¿Por qué ella debería vivir su vida en los términos de él? Espero que ustedes vivan sin la necesidad de dominar y sin la necesidad de ser dominadas».

 


 

Ursula K Le Guin, USA

Snippet FEA Nadia Echazu (FR)

La Coopérative Textile Nadia Echazú porte le nom d'une pionnière dans la lutte pour les droits des personnes trans en Argentine. À bien des égards, le travail de la coopérative célèbre la vie et l'héritage de Nadia Echazú, qui a eu une carrière militante remarquable.

La Coopérative Textile Nadia Echazú porte le nom d'une pionnière dans la lutte pour les droits des personnes trans en Argentine. À bien des égards, le travail de la coopérative célèbre la vie et l'héritage de Nadia Echazú, qui a eu une carrière militante remarquable.

Peu de temps après sa mort, ses collègues militantes ont fondé la coopérative en son nom, pour honorer la marque profonde qu'elle a laissée sur l'activisme trans et travesti en Argentine.

Defending our land and ourselves from corporate power

These industries 'extract' raw materials from the Earth: mining, timber, gas, oil are some examples

This economical model exploits nature and as it intensifies, so does the inequality between global North with their large corporations, and the global South, where resources are extracted.

Land contamination, water pollution, environmental damage, communities displaced are only some of the consequences.

Find more on our report on EXTRACTIVE INDUSTRIES

There are sustainable alternatives for the environment and women's rights.

 

مجموعتنا، منظمتنا و\أو حركتنا غير مسجلة. هل علينا تعبئة الاستطلاع؟

نعم! نريد أن نسمع منكم/ن عن تجربتكم/ن بالتمويل.

Liliana Bodoc

Liliana était enseignante argentine, tisseuse et également une écrivaine reconnue.

Sa trilogie « La saga des confins » a reçu plusieurs prix. Son œuvre est la seule dans le domaine littéraire fantastique à avoir eu recours et ré-imaginé la mythologie autochtone sud-américaine.

L’engagement de Liliana envers le féminisme s’est exprimé à travers les voix féminines diverses, riches et fortes de ses écrits, et en particulier dans le cadre de ceux à destination du jeune public. Elle a également pris position publiquement en faveur de l'avortement, de la justice économique et de l’égalité de genre.

 


 

Liliana Bodoc, Argentina

Snippet FEA Map of Georgia (EN)

This image is a close-up of Georgia in coral pink with a yellow pin indicating “Georgia Solidarity Network”

Voici votre guide pratique et les infographies «Vers un écosystème de financement féministe»

Как я могу получить доступ к опросу?

Опрос доступен на KOBO – открытой платформе для сбора, управления и визуализации данных. Чтобы принять участие, просто перейдите по ссылке здесь. Следуйте инструкциям, чтобы пройти опрос.

Juana Raymundo

Juana was an Indigenous Mayan Ixil, professional nurse and coordinator of the Farmers’ Development Committee (Comité de Desarrollo Campesino – CODECA).

CODECA is a human rights organisation of Indigenous farmers dedicated to promoting land rights and rural development for Indigenous families) in the Nebaj Quiché micro-region. She first joined CODECA as a member of its youth branch (Juventud de CODECA). At the time of her death had been elected to be part of the Executive Committee of the Movement for the Liberation of Peoples (MLP).

Juana’s body was found by neighbours by a small river on the road near Nebaj and Acambalam Village, Guatemala. According to CODECA, her body showed signs of torture.


 

Juana Raymundo, Guatemala
Body

Snippet FEA collaborator and allies Photo 1 (ES)

La foto muestra a Sopo Japaridze, uno de los cofundadores de Union Solidarity Network. Sopo tiene cabello castaño largo, con flequillo, ojos marrones y usa una máscara roja del Sindicato de la Red de Solidaridad. La foto está tomada de noche.

The AWID Forum Access Fund

We strive to make the AWID Forum a truly global gathering with participation from a diverse array of movements, regions and generations. To this end, AWID mobilizes resources for a limited Access Fund (AF) to assist some participants with the costs of attending the Forum. 

The 14th AWID International Forum will take place 11-14 January 2021, in Taipei, Taiwan. 


How will  the Access Fund be allocated?

For this AWID Forum, there will be no application process. 

Access Fund grants will be allocated by invitation only to:

  • Two  persons per activity selected for the Forum program (decided by those organizations, groups or individuals organizing the activity) 
  • Participants who identify as part of Priority Forum  Constituencies (PFCs) recommended by the organizations, networks and groups who are co-creating the Forum with AWID. 
  • PFCs are those which we consider would strengthen our collective power as movements, are not centered in mainstream feminist movements, and whose Feminist Realities we would like to honor, celebrate and visibilize: 
    - Black feminists 
    - Indigenous feminists
    - Trans, gender non-conforming and intersex feminists
    - Feminists with disabilities 
    - Feminist sex workers and informal workers, including migrant workers
    - Feminists affected by migration 
    - Women affected by drug policy
    - Feminists from the Forum regions (with a focus on the Pacific and mainland China) 

In addition, AWID will fund approximately 100 participants from the Forum’s location. Forum Committee Members (Content and Methodology, Access and Host) as well as those in the Artists Working Group [link] are also granted Access Fund support.

What does the Access Fund cover?

For selected participants, the Access Fund will cover the cost of their:

  • Flight
  • Accommodation
  • Visa
  • Local transportation in Taipei
  • Travel medical insurance

The Access Fund will NOT cover their: 

  • Forum registration fee
  • Transportation to and from the airport in their city of departure
  • Other incidental costs

Apart from the Access Fund, how can I fund my participation at the Forum?

We have listed other ideas on how to fund your participation at the AWID Forum on the Funding Ideas page. 

More Funding Ideas

O inquérito WITM é acessível para pessoas com deficiência?

Sim, é acessível para pessoas com uma variedade diversificada de capacidades auditivas, de movimento, visuais e cognitivas.

Kagendo Murungi

Kagendo es cariñosamente recordada por su familia y amigxs como una férrea activista feminista africana, artista y realizadora cinematográfica

Dedicó más de 20 años a defender los derechos y la dignidad de las personas LGBTIQ y de género no normativo de África. Lxs colegas de Kagendo la recuerdan como alguien con una personalidad jovial, convicciones férreas y amor a la vida. Kagendo murió por causas naturales en su hogar de Harlem, el 27 de diciembre de 2017.

Al producirse su fallecimiento, la escritora y activista keniata Shailja Patel destacó «el compromiso de toda la vida de Kagendo para establecer una relación entre todas las formas de opresión, mostrando de qué manera el colonialismo alentó la homofobia en el continente africano, para convertir así a Kenia en un país donde las personas queer y las mujeres libres puedan vivir y progresar».


 

Kagendo Murungi, Kenya