AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
In 2020, we are taking a turn
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
The Tribute was first launched in 2012
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
Lorena Borjas, femme trans et activiste latino-américaine, travaillait et vivait dans le quartier de Jackson Heights dans le Queens, à New York. Dans ces rues, pendant des années, elle s’est occupée de sa communauté à plaider en faveur des droits des personnes trans et immigrées, soutenir les individus ayant survécu à la traite des êtres humains et à la maltraitance et défendre les droits des travailleures du sexe et des personnes vivant avec le VIH et le sida.
Lorena se battait avec force, sans relâche, afin d’aider, de défendre et de soutenir les personnes les plus marginalisées et discriminées par la transphobie, la misogynie et le racisme.
« Elle nous a poussé·e·s à briller avec authenticité, à devenir le cri subversif qui affirme “ je suis là et je mérite moi aussi d’être heureux·se ” » - Cecilia Gentili, activiste trans et ami·e de Lorena
Ayant elle-même fait face à de nombreux traumatismes et difficultés en tant qu'immigrée transgenre et victime de la traite des êtres humains, Lorena a puisé dans le puits de ses expériences des connaissances et d’une mémoire émotionnelle afin d'aider à construire et à renforcer la communauté dont elle faisait partie, et qui faisait partie d'elle. Pour ce faire, elle a notamment organisé et mobilisé des aides allant de la fourniture de préservatifs à la mise en relation de femmes trans avec différents services, en passant par la création d'une clinique de dépistage du VIH à son propre domicile.
« C’était une si belle âme qui aidait les autres alors que son parcours d’immigrée, et d’immigrée trans, était difficile et douloureux. Elle était convaincue que la communauté trans avait besoin d’amour, d’acceptation et de compassion, et elle a tout donné. » - Luchia Dragosh, superviseuse de production chez QPTV dans le cadre d’un documentaire sur Lorena
En plus de 25 ans d'activisme, elle a également fondé le Fonds communautaire Lorena Borjas avec Chase Strangio (avocat et activiste des droits des trans), qui aide les nombreux·ses membres de sa communauté (et en particulier les personnes trans) confronté·e·s aux problèmes d'immigration à éviter le cycle arrestation-prison-expulsion.
Lorena est décédée en mars 2020 des suites de complications liées à la COVID-19.
Son oeuvre, gigantesque et merveilleuse, sera poursuivie dans les rues du Queens par le réseau et la communauté qu’elle a cocréés.
« Nous reprendrons son travail là où elle l’a laissé, travail essentiel au bien-être de ses “ pajaras ” (oiselles), comme elle aimait appeler les filles trans du Queens qu’elle avait prises sous son aile. » - Cecilia Gentili
Hommages :
« Lorena nous a apporté de la lumière alors que nous vivions une période très sombre ici à New York. Elle nous a apporté sa lumière alors que nous faisions face à l’ ”épidémie de crack ”, à la crise du sida, aux changements dans les politiques d’immigration. » - Cristina Herrera, fondatrice et directrice générale de Translatina Network et amie de Lorena
« Lorena a fait plus que quiconque pour faire la lumière sur l’épidémie de traite dans les communautés transgenres et permettre à d’autres femmes trans d’échapper à l’exploitation. » - Lynly Egyes (a représenté Borjas pour le compte du Transgender Law Center)
by Marta Plaza Fernández, Madrid, Spain (@gacela1980)
The feminist reality that I want to share is about weaving networks in which we uphold one another. Networks which come together in different ways, which emerge from our shared vulnerability, and which make all of us stronger.
The streets of Chamberí, my neighbourhood in Madrid, became much more of a home following the gatherings in the plazas organized by the citizens movement that originated in a rally on May 15, 2011. I think about how, during those years, we met each other and were able to associate faces, voices, smiles with so many neighbours who previously were only silhouettes without names or pasts, and who we passed by without seeing or hearing each other. I think about how we’ve become involved and dedicated; how we’ve woven a palpable, tangible community; how we’ve been advancing hand in hand towards building a new more inhabitable world, which we want and that we urgently need to create.
A group of activists and utopian neighbours, (in the best sense of the word utopian) – that moves us to action to do something real – that group for me was practically the first that reacted differently when I shared a part of my history and identity with them. With these women I shared my psychiatric diagnosis, my multiple hospital stays, the number of daily pills that accompanied me, my disability certificate, my difficulty in preserving that vital link that periodically disintegrates in my hands.
These neighbours, friends, comrades, links, loves –did not only not distance themselves from me once they got to know someone who many others had labelled as problematic, manipulator, egotistical – but became my principal network of affection and mutual support. They decided to navigate with me when the sea became agitated with storms. These people have given a different meaning to my days.
Building our feminist reality also encompasses carrying the “I believe you, sister” that we use when a friend has suffered a macho attack to the violence experienced by psychiatrized women at the hands of the very psychiatric system and institutions that are supposed to help us (and instead are often the new abuser who traumatizes and hurts us all over again). And this reality must include respect for our decisions, without taking away our agency and capacity to direct our own steps to one space or another; to listen to our narratives, desires, needs…without trying to impose others that are alien to us. It means not delegitimizing our discourse, not alluding to the label of our diagnosis, nor our madness.
With these transformation, each stay in the psychiatric institute did erase the ties that we had been able to build, but instead this network stayed by my side, its members took turns so that each day there would be no lull in calls, in visits, so that I could feel them as close as one can feel another person separated by locked doors (but unfortunately open for abuse) within the confines of the psychiatric ward. Through the warmth and kindness from my people I could rebuild that vital link that had once again been broken.
The even bigger leap happened when I was already aware of the numerous violent acts and abuse (where among other assaults, I spent days strapped to a bed, relieving myself where I lay), I decided that I would not go back to being interned.
This network of care, these women neighbours-friends-loves-comrades, they respected my refusal to return to the hospital and supported me through each crisis I’ve been through since then. Without being interned, without violence.
They took turns accompanying me when my link to life was so broken that I felt such a huge risk which I couldn’t handle on my own. They organized WhatsApp group check-ins. They coordinated care and responsibilities so that no one would feel overwhelmed - because when an individual feels overloaded, they make decisions based on fear and the need for control instead of prioritizing accompaniment and care.
That first crisis that we were able to surmount together in this way – without being admitted to the psychiatric institute, represented a dramatic change in my life. There were months when my life was at risk, of intense suffering and of so much fear for my people and for me. But we overcame it together, and all that I thought was that if we could get over that crisis, then we could also find ways to face all the difficulties and crises that may come.
These feminist realities that we’re building day by day keep expanding, growing and taking different forms. We’re learning together, we’re growing together. Distancing ourselves from a welfare mentality, one of the first lessons was that, in reality, there wouldn’t be anyone receiving care (because of a psychiatric label) or anyone helping, from the other side of the sanity/insanity line. We learnt – we’re learning – to move to a different key – that of mutual support, of providing care and being cared for, of caring for each other.
We’ve also explored the limits of self care and the strength of collectivizing care and redistributing it so it’s not a burden that paralyzes us; we learnt – and we keep learning today – about joy and enjoying care that is chosen.
Another recent learning is about how difficult it was to start integrating money as another component of mutual support that we all give and receive. It was hard for us to realize how internalized capitalism kept on reverberating in our relationship with money, and that even though no one expected any payment for the containers of lentils we cooked amongst us when eating and cooking were difficult tasks, our expectation regarding money was different. Phrases like “how much you have is how much you’re worth” become stuck inside of us without critically analyzing them. It’s easy to keep thinking that the money each one has is related to the effort made to earn it, and not due to other social conditioning distant from personal merit. In fact, within this well-established mutual support network – redistributing money based on needs without questioning – was still a remote reality for our day to day. That’s why this is something that we’ve recently started to work on and think through as a group.
We want to get closer to that anti-capitalist world where mutual support is the way that we have chosen to be in the world; and that entails deconstructing our personal and collective relationship with money and internalized capitalism.
In these feminist realities we also know that learning never stops, and that the road continues to be shaped as we travel upon it. There is still much to do to keep caring for ourselves, to keep expanding perspectives and to make ourselves more aware of the persistent power imbalances, of privileges that we hold and continue to exercise, without realizing the violence that they reproduce.
Though we’ve already travelled so far, we still have a long way to go to get closer to that new world that we hold in our hearts (and for some within our crazy little heads too). Racism, classism, adult-centrism, fat-phobia, and machismo that persists among our partners.
Among the pending lessons, we’ve needed for a long time already to build a liveable future in which feminism is really intersectional and in which we all have space, in which the realities and oppressions of other sisters are just as important as our own. We also need to move forward horizontally when we build collectively – getting rid of egos, of protagonisms, to live together and deal with the need for recognition in a different way. And to also keep making strides grounded in the awareness that the personal is always, always political.
How we relate to and link with each other cannot be relegated to the private domain, nor kept silent: other loves are possible, other connections and other families are necessary, and we are also inventing them as we go.
This new world which we want to create, and that we need to believe in – is this kind world – in which we can love, and feel pride in ourselves – and in which all worlds will fit. We’ll keep at it.
Looking at activists and feminists as healers and nourishers of the world, in the midst of battling growing right wing presence, white supremacy and climate change. This piece highlights how our feminist reality puts kindness, solidarity, and empathy into action by showing up and challenging the status quo to liberate us all.
Upasana Agarwal (@upasana_a)
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Snippet FEA Unio Otras Photo 3 (ES)
Membership why page - Kirthi Jayakumar quote
Participé en una actividad solo para afiliadxs, y lo que me conmovió en particular fue ver cómo había espacio para que todas compartieran, y que no había ningún juicio al respecto. Toda la sesión fue enérgica y vibrante.- Kirthi Jayakumar, fundadora de The Gender Security Project, India
Rosane Santiago Silveira was affectionately known as Rô Conceição. A Brazilian environmental and human rights activist, she fervently fought to protect the environment where it was most threatened.
This included defending it on the island of Barra Velha, where it was endangered by oil exploration, as well as safeguarding it by campaigning against land-grabbing and expansion of eucalyptus plantations in Bahia State, where Rosane was a member of the Cassurubá Extractivist Reserve Council.
“Extractive Reserve is a protected area where resident families make their living off natural products extracted from the forest. These activities help maintain the forest integrity.” - Global Justice Ecology Project (original source: Rede Brasil Atual)
She was part of trade union activities, human rights and cultural movements. Rosane dedicated much of herself to causes that were not only close to her but are also of concern to land, forests, rivers, and communities whose rights and lives are continuously at risk.
She was tortured and murdered on 29 January 2019 in Nova Viçosa, a city in southern Bahia.
“Unfortunately, today there is a feeling of total insecurity, because of the State’s absence in prosecuting these crimes. We were with her at Christmas, and everyone realised that she was worried and now we know that she had received three death threats,” - Tuian, Rosane’s son in an interview with Rádio Brasil Atual (original source: Rede Brasil Atual)
Cette œuvre est la collaboration photographique et illustrative réalisée par Siphumeze et Katia pendant le confinement. Elle se penche sur les récits de sexe et de plaisir des queers noirs, le bondage, le sexe protégé, les jouets, la santé mentale et le sexe et bien d'autres choses encore. Elle a été créée pour accompagner l'anthologie Touch.
Mental Health (Santé mentale)Sex and Spirtuality (Sexe et spiritualité)Orgasm (Orgasme)
À propos des artistes
Siphumeze Khundayi est une créatrice d'art, photographe et animatrice qui s'intéresse aux moyens créatifs de réunir le dialogue et la pratique artistique en relation avec l'identité queer africaine.
Elle est directrice créative de HOLAAfrica!, un collectif panafricaniste féministe en ligne.
Ses travaux de performance en solo et collaboratifs ont été présentés dans un certain nombre de festivals et d'espaces théâtraux tels que le festival Ricca Ricca au Japon.
Elle a mis en scène deux productions nominées aux Naledi Awards en 2017 et 2018. Elle a aussi mis en scène un spectacle qui a remporté un prix Standard Bank Ovation en 2020.
En tant que photographe, elle a participé à une exposition de groupe intitulée Flowers of my Soul (Fleurs de mon âme) en Italie, organisée par le Misfit Project. Elle a produit trois publications pour HOLAAfrica et a été publiée dans le deuxième volume, pour lequel elle a fourni la couverture: As You Like des Gerald Kraak Anthologies.
Katia Herrera est une artiste visuelle numérique de 21 ans originaire de la ville bruyante de Saint-Domingue, en République dominicaine. Bien que Herrera soit une introvertie autoproclamée, ses œuvres d'art sont remarquablement fortes dans un monde qui tente de faire taire les voix des personnes noires. Avec des titres comme Black Woman (Femme Noire), You Own the Moon (La Lune t’Appartient), Earth Goddess (Déesse de la Terre), Forever (Pour Toujours) et Universe Protector (Protecteur.rice de l’Univers), l'héritage de Herrera sera marqué par sa volonté passionnée de mettre en lumière l'endurance et la persévérance des Noir·e·s d'hier et d'aujourd'hui, afin de contrer le discours selon lequel la peau noire ne devrait être associée qu'à l'esclavage.
L'une de ses œuvres la plus belle et la plus vivante, Universe Protector, dépeint l'âme noire comme une entité divine pleine de force, de puissance et de grandeur. C’est dans sa jeunesse que son amour du graphisme a été stimulé grâce à l'art de ses parents et le Photoshop qu'ils avaient téléchargé sur leur ordinateur pour leur photographie professionnelle.
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Snippet FEA Linda Porn Bio (FR)
Linda Porn est une autre héroïne de l'organisation syndicale féministe et de l'activisme des travailleur·euses du sexe au niveau national (en Espagne) et transnational.
Originaire du Mexique, elle vit en Espagne depuis les années 2000. Elle est travailleuse du sexe, militante, mère célibataire et artiste multidisciplinaire.
Puisant dans ces différentes identités, elle utilise la performance, l'art vidéo et le théâtre pour rendre visibles les luttes aux intersections du transféminisme, du travail du sexe, de la migration, du colonialisme et de la maternité. Elle combine l'art et le travail du sexe tout en prenant soin de sa fille en tant que mère célibataire.
Linda appartient également à des groupes de travailleur·euses du sexe qui luttent pour leurs droits, comme le syndicat OTRAS et CATS Murcia. Elle a également cofondé le groupe 'Madrecitas' - qui rend visible et dénonce la violence institutionnelle raciste contre les familles migrantes. Violence à laquelle elle et sa fille ont été soumises en tant que travailleuse du sexe et mère célibataire migrante.
«Soy una maravilla... ¡Por lo tanto, he nacido de una madre! Cuando comienzo a balbucear, Mi vida ha sido como ninguna otra...» - Ayanda Denge (lee el poema completo más abajo)
Ayanda Denge fue unx mujer trans, trabajadorx sexual, activista, poeta. Era una xhosa de Puerto Elizabeth, en el Cabo Oriental de Sudáfrica. Después de viajar por diferentes ciudades del país, se mudó a Ciudad del Cabo.
Como comprometida y ferviente activista por la justicia social, luchó por los derechos de lxs trabajadorxs sexuales, de las personas trans y de quienes viven con VIH y SIDA. Era también conferencista motivacional para concientizar sobre el cáncer, y hacía campaña por viviendas sociales económicas, en especial, para la gente pobre y de clase trabajadora. Ayanda se erguía, alta como una montaña, contra los distintos y, a menudo, abusivos rostros de la discriminación.
«Ser transgénero no es una dosis doble, sino una dosis triple de estigmatización y discriminación. Te discriminan por tu identidad sexual, te discriminan por tu trabajo, y te discriminan por tu estatus de VIH.» - Ayanda Denge, 2016
Ayanda presidía la organización Sex Workers Education and Advocacy Taskforce (SWEAT) [ Grupo de Trabajo para la Educación y la Defensa de Trabajadorxs Sexuales], y trabajaba también como coordinadora de promoción comunitaria en Sisonke, un movimiento nacional de trabajadorxs sexuales de Sudáfrica.
«Desde nosotrxs, desde nuestra sede regional, hasta SWEAT, de la que integro la Junta Directiva, o hasta Sisonke, un movimiento de trabajadorxs sexuales de Ciudad del Cabo, todxs nos amalgamamos, tenemos un solo grito y es un grito que ha sido reconocido internacionalmente por lxs trabajadorxs sexuales internacionales. Queremos la descriminalización del trabajo sexual.» - Ayanda Denge, 2016
Vivía en la Ahmed Kathrada House, que estaba siendo ocupada por la campaña Reclaim the City [Recuperar la Ciudad] en favor de las viviendas sociales. En 2018, Ayanda fue elegida líder de la casa. El 24 de marzo de 2019 fue apuñalada en su habitación. El año anterior, otrx residente había sido asesinadx.
Reclaim the City señala una conexión entre la seguridad de lxs residentes de la casa, el corte del servicio de electricidad por parte del gobierno provincial, y el derecho humano al agua:
«No podemos separar la seguridad de las mujeres y de las personas LGBTQI que están viviendo en la casa ocupada de la negativa a reestablecer los servicios de electricidad y agua en la Ahmed Kathrada House por parte del gobierno de la Provincia del Cabo Occidental.
De noche, la casa está completamente oscura. Necesitamos luces para protegernos unxs a otrxs. Es como si la Provincia quisiera castigar a la gente pobre y de clase trabajadora, cuyo único crimen es necesitar un hogar. Si bien pueden estar en desacuerdo con nuestros motivos por ocuparla, deberían avergonzarse de priorizar la política en detrimento de la seguridad y la dignidad de lxs residentes de esta ciudad.
Descansa en paz, camarada Ayanda Denge. Te recordaremos mientras mantenemos viva la llama de la lucha por una vivienda decente y bien ubicada.»
Poema de Ayanda:
Soy una maravilla…
¡Por lo tanto, nací de una madre!
Cuando comienzo a balbucear,
Mi vida ha sido como ninguna otra.
Nacida en el dolor
Nutrida por la lluvia
Para mí ganar
Era vivir en un desagüe.
Mientras se me cae una lágrima
Me pongo de pie y empuño mi lanza.
Las voces hacen eco, no temas
Habrá desafíos dentro del año,
Desafíos de daño se ciernen sobre mí;
La comunidad aplaude porque asume que he ganado mi carrera;
Pero en realidad mi trabajo avanza a paso de tortuga;
De rodillas me inclino y pido gracia.
Porque el Señor
Es mi espada
Para recordar a la humanidad
Que Él brinda cordura.
¿Por qué Señor soy esta maravilla?
El Señor me responde con la lluvia y el trueno,
Por cuestionar a mi padre
Que tiene en el libro de los corderos
Un nombre llamado Ayanda.
Desde las calles mi vida nunca fue dulce
La gente que tenía que encontrar;
A veces yo nunca saludaba,
Aun a pesar de que tenía que comer;
Optaba por inclinarme
En lugar de sentarme
«Porque mi vida representa la de una flor de loto, ya que de las turbias y turbulentas aguas florecí para ser hermosa y fuerte...» - Ayanda Denge, mira y escucha
Tributos:
«Ayanda, quiero decirte que todavía eres una sobreviviente, en nuestros corazones y nuestras mentes. Te has ido, pero estás en todas partes, porque eres amor. Qué hermoso es ser amadx, y dar amor. Y Ayanda, ese es el regalo que nos has dado. Gracias por todo el amor, verdaderamente te necesitábamos. De ahora en adelante, te prometo que todxs nos comprometeremos a continuar la lucha a la que tanta energía y tiempo dedicaste. Y nos comprometeremos a buscar justicia por este horrible final de tu vida.» - transcripción de un mensaje en un tributo de despedida a Ayanda
«Ayanda era una activista por naturaleza. Sabía cuáles eran sus derechos y no le importaba pelear por los derechos de otrxs. Para mí, no fue una sorpresa que se involucrara en muchas organizaciones, y era sabido que era una persona de la gente. Ella representaba no solo los derechos de las personas LGBTI, representaba los derechos de todxs.» - hermana de Ayanda
We transcend time and place, Hand cut found paper (2017)We will remember who we are and We will persist Cotton embroidered hand cut lamé on wool silk cloth (2018)We will return home, Silk embroidered hand cut lamé on cotton velveteen (2018)We will heal in the now, Hand cut silk, wool, lamé, cotton, direct digital print silk satin on linen (2018)
we are infinite
An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum.
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).
About Nicole Barakat
Nicole Barakat is a queer femme, SWANA artist born and living on Gadigal Country (so-called Sydney, Australia). She works with deep listening and intuitive processes with intentions to transform the conditions of everyday life. Her work engages unconventional approaches to art-making, creating intricate works that embody the love and patience that characterises traditional textile practices.
Her works include hand-stitched and hand-cut cloth and paper drawings, sculptural forms made with her own hair, cloth and plant materials as well as live work where she uses her voice as a material.
Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.
Snippet - Blog post Quote_FR
« Poursuivons notre dynamique de solidarité, d’espoir et d’imagination radicale. »
- Beijing+30 et la CSW : adopter une lecture féministe des multiples défis de notre époque
