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AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Memory as Resistance: A Tribute to WHRDs no longer with us

AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us. 


In 2020, we are taking a turn

This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.

49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.

This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.

The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.

Visit the online exhibit

The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman

AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.

“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb 


The Tribute was first launched in 2012

It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.

To date, 467 feminists and WHRDs are featured.

Visit the online exhibit

Related Content

CREDITS | Content Snippet EN

Credits

Co-editeurices
Chinelo Onwualu
Ghiwa Sayegh (Kohl)

Création graphique et illustration
Sophia Andreazza

Stratège des communications
Zuhour Mahmoud (Kohl)

Editrice de la langue arabe
Sabah Ayoub (Kohl)

Responsable de la traduction
Maya Zebdawi (Kohl)


L’équipe de AWID
Nana Darkoa Sekyiamah
Lola Silva
Kamee Abrahamian
Tanya Lallmon    
Maria Olivo
Marianne Asfaw
Ana Abelenda


Version française
Traduction
Camille Dufour
Morgane Boëdec

Relecture
Nathalie Thériault
 

Traduction arabe
Lina Yahya
Marina Samir
Maya Zebdawi
Nidal Majeed
Rania El-Ghazal
Rola Alaeddine
Viviane Akiki


Version espagnole
Traduction
Verónica Torrecillas
Gabriela Adelstein
Maria Luisa Peralta
Alejandra Sarda
Gabby De Cicco

Relecture
Alejandra Sarda
Gabby De Cicco
María Eugenia Martí


Portuguais vers anglais
Traduction
Luiza Martello

Relecture
Shaina Greiff
 

Brenda Salas Neves

Biography

Brenda Salas Neves is a feminist queer strategist born and raised in the southern Andes. They organize to shift narratives and mobilize resources to support racial and climate justice movements around the world. They have produced media projects to uplift migrant power and rise against U.S. military intervention across Latin America, with Deep Dish TV and the Portland Central America Solidarity Committee. They are a proud member of the Audre Lorde Project and a graduate of the United World Colleges (UWC) movement.

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CFA 2023 - breadcrumbs Menu _ FAQ-fr

Sexting Like a Feminist: Humor in the Digital Feminist Revolution | Title Snippet AR

الصياغات النسوية للرسائل النصّية ذات المحتوى الجنسي: الدُّعابة الجنسانيّة في فضاء الثورة النسوية الرقمية

تشينيلو أونوالو


ترجمة مايا زبداوي

Rachel Mabaudi

Biography

Rachel is a financial professional with over two decades of experience. She has overseen financial affairs and projects for private and public entities, non-profits, and international non-governmental organizations. A Chartered Accountant with a Global Master’s in Business Administration, she is also a member of the South African Institute of Chartered Accountants. In her spare time, Rachel designs typography art, enjoys traveling and spending time with family and friends over a bottle of wine.

Position
Finance Manager
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Snippet - CSW68 - Follow the Money Post - EN

Image to promote the event Follo the Money for AWID at CSW68

#3 - Sexting like a feminist Tweets Snippet AR

بصراحة…

Image of a tweet with a gif of a man saying "Yes daddy". Text says: No one: (blank). Me: Bae I wanna squeeze your ass like I wanna squeeze misogynists out of corporate hierarchies.

رغبتي في الانقضاض على جسدك تعادل رغبتي بالانقضاض على كراهية النساء المتجذرة في التسلسلات الهرمية للشركات

¿Qué labor realiza AWID?

Snippet - CSW68 - Challenging Corporate Power - EN

Challenging Corporate Power

to Reduce Poverty & Strengthen Human Rights

📅Wednesday, March 13 🕒10.30am-12pm EST
Organisers: AWID, ESCR-Net, Franciscan International, Womankind Worldwide as part of Feminists For a Binding Treaty
🏢 Church Center of the United Nations, 777 United Nations Plaza, New York, 11th Floor

Upasana Agarwal

Upasana Agarwal

Upasana es unx ilustradorx y artista no binarie de Calcuta, India. Su obra explora narrativas identitarias y personales, que empean restos o evidencias visuales de los contextos con los que trabaja. Le atraen especialmente los diseños en patrones que, para ellx, comunican verdades complejas sobre el pasado, el presente y el futuro. Cuando Upasana no está ilustrando, organiza y dirige un centro de arte comunitario queer y trans de la ciudad. 

Visitar la exposición

Les organisations peuvent-elles devenir membres de l’AWID ?

Oui, nous encourageons l’adhésion institutionnelle.

Nous comptons actuellement parmi nos membres plusieurs centaines d’organisations parmi les plus connues et novatrices. Les critères d’adhésion sont les mêmes que pour les personnes, mais les cotisations diffèrent et les services proposés tentent de répondre à leurs besoins particuliers.

En savoir plus sur l’adhésion à l'AWID

Snippet - Shines light - EN

Shines a light on the financial status of diverse feminist, women’s rights, gender justice, LBTQI+ and allied movements in all regions and all contexts