The “Where is the Money?” #WITM survey is now live! Dive in and share your experience with funding your organizing with feminists around the world.
Learn more and take the survey
Around the world, feminist, women’s rights, and allied movements are confronting power and reimagining a politics of liberation. The contributions that fuel this work come in many forms, from financial and political resources to daily acts of resistance and survival.
AWID’s Resourcing Feminist Movements (RFM) Initiative shines a light on the current funding ecosystem, which range from self-generated models of resourcing to more formal funding streams.
Through our research and analysis, we examine how funding practices can better serve our movements. We critically explore the contradictions in “funding” social transformation, especially in the face of increasing political repression, anti-rights agendas, and rising corporate power. Above all, we build collective strategies that support thriving, robust, and resilient movements.
Create and amplify alternatives: We amplify funding practices that center activists’ own priorities and engage a diverse range of funders and activists in crafting new, dynamic models for resourcing feminist movements, particularly in the context of closing civil society space.
Build knowledge: We explore, exchange, and strengthen knowledge about how movements are attracting, organizing, and using the resources they need to accomplish meaningful change.
Advocate: We work in partnerships, such as the Count Me In! Consortium, to influence funding agendas and open space for feminist movements to be in direct dialogue to shift power and money.
As we are submitting the application almost one year before the actual event.
Yes! Currently the form requests to list presenters even if they are not confirmed yet. We understand that changes are likely to occur within a year.
some text some text some text some text some text some text some text some text some text some text some text some text
some text some text some text some text some text some text some text some text some text some text some text some text
Florence was a disability rights activist who worked with several disabled women’s organizations in Uganda.
She also held the position of Chairperson of the Lira District Disabled Women Association, as well as the Lira District Women Councilors’ caucus. Trained as a counsellor for persons with disabilities and parents of children with disabilities, she supported many projects that called for greater representation of persons with disabilities.
She died of a motorcycle accident.
เราขอเชิญชวนให้คุณติดต่อเราเพื่อสามารถสร้างการมีส่วนร่วมอย่างมีความหมายต่อฟอรัม
When our embodied labor becomes profit in the hands of the systems we seek to dismantle, it is no wonder that our sexualities and pleasures are once again relegated to the sidelines – especially when they are not profitable enough. In many instances during the production of this issue, we asked ourselves what would happen if we refused to accommodate the essential services of capitalism.
Known as the New York Drag queen of color, Silvia was fierce and tireless in her advocacy, in defense of those who were marginalized and excluded as the “gay rights” movement mainstreamed in the United States in the early 1970’s.
In a well-known speech on Christopher Street Day in 1973, Sylvia, shouted through a crowd of LGBT community members:
“You all tell me, go and hide my tail between my legs.
I will no longer put up with this shit.
I have been beaten.
I have had my nose broken.
I have been thrown in jail.
I have lost my job.
I have lost my apartment.
For gay liberation, and you all treat me this way?
What the fuck’s wrong with you all?
Think about that!”
In 1969, at age 17, Silvia took part in the iconic Stonewall Riots by allegedly throwing the second Molotov cocktail to protest the police raid of the gay bar in Manhattan. She continued to be a central figure in the uprisings that followed, organizing rallies and fighting back police brutality.
In 1970, Sylvia worked together with Marsha P. Johnson to establish Street Transvestite Action Revolutionaries (S.T.A.R.), a political collective and organisation that would set up projects of mutual support for trans people living on the streets, those struggling with drug addiction and in prisons and in particular for trans people of color and those living in poverty.
Defiant of labels, Silvia lived life in a way that challenged people in the gay liberation movement to think differently. She said:
“I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn't really come out as a drag queen until the late 60s. when drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn't even in full drag. I was walking down the street and the cops just snatched me. People now want to call me a lesbian because I'm with Julia, and I say, "No. I'm just me. I'm not a lesbian." I'm tired of being labeled. I don't even like the label transgender. I'm tired of living with labels. I just want to be who I am. I am Sylvia Rivera.
Through her activism and courage, Sylvia offered a mirror that reflected all that was wrong within society, but also the possibility of transformation. Sylvia was born in 1951 and passed away in 2002.
จากงบประมาณในส่วนของการสร้างการเข้าถึงของเราจะสามารถมีทุนจำกัดจำนวนสำหรับสนับสนุนการเข้าร่วมของนักกิจกรรมที่ไม่สามารถหาทางอื่นๆได้และอีกทั้งยังไม่มีความสัมพัยธ์กับแหล่งทุนที่สามารถสนับสนุนการเข้าร่วมของพวกเขา โดยหากคุณมีหนทางเป็นไปได้อื่นๆกรุณาลองติดต่อประสานงานดูก่อน ส่วนพวกเราจะพยายามอย่างสุดความสามารถที่จะจัดให้มีทุนสนับสนุนให้มากที่สุดเท่าที่จะมากได้ และเราจะแจ้งรายละเอียดของกระบวนการสมัครเพื่อรับทุนนี้ในช่วงต้นปี 2567
Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others.
“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth
She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.
In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto.
“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos
Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.
“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre
“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune
กรุณาสมัครใหม่อีกครั้ง โลกได้เปลี่ยนไปจากปี 2564 และเราขอเชิญชวนให้คุณเสนอกิจกรรมที่ถ่ายทอดความจริงและสิ่งที่คุณให้ความสำคัญในปัจจุบัน
Manal Tamimi is a Palestinian activist and human rights defender. She is a mother of four who holds a master’s degree in international humanitarian law. Due to her activism, she was arrested three times and got wounded more than once, including with live explosive bullets which are banned internationally. Her family is also a target: her children have been arrested and wounded with live ammunition more than once. The last incident was an assassination attempt of her son Muhammad who was shot in the chest, near the heart, a few weeks after his liberation from the occupation prisons where he had spent two years. Her philosophy on life: if I have to pay the price for being a Palestinian and not for a crime I have committed, I refuse to die in silence.
Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.
After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered.
“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020
“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters
“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders
“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019
Mariam Mekiwi is a filmmaker and photographer from Alexandria and living and working in Berlin.
This year, we, alongside feminist activists from across the world, will be at CSW68 in New York, to challenge capitalist, neoliberal narratives and false solutions around poverty, development and financing. Through in-person events, lives on our socials, an exhibit booth and more; we are showing up to convene, amplify and support the voices and participation of our members, partners and allies.
Learn more about our program this year below.
“Now might be a good time to rethink what a revolution can look like. Perhaps it doesn’t look like a march of angry, abled bodies in the streets. Perhaps it looks something more like the world standing still because all the bodies in it are exhausted—because care has to be prioritized before it’s too late.”
- Johanna Hedva (https://getwellsoon.labr.io/)
Hospitals are institutions, living sites of capitalism, and what gets played out when somebody is supposed to be resting is a microcosm of the larger system itself.
Institutions are set out to separate us from our care systems – we find ourselves isolated in structures that are rigidly hierarchical, and it often feels as if care is something done to us rather than given/taken as part of a conversation. Institutional care, because of its integration into capitalist demand, is silo-ed: one person is treating your leg and only your leg, another is treating your blood pressure, etc.
Photographer Mariam Mekiwi had to have surgery last month and documented the process. Her portraits of sanitized environments – neon white lights, rows after rows of repetitive structures – in a washed-out color palette reflect a place that was drained of life and movement. This was one of the ways Mariam kept her own spirit alive. It was a form of protest from within the confines of an institution she had to engage with.
The photos form a portrait of something incredibly vulnerable, because watching someone live through their own body’s breakdown is always a sacred reminder of our own fragility. It is also a reminder of the fragility of these care systems, which can be denied to us for a variety of reasons – from not having money to not being in a body that’s considered valuable enough, one that’s maybe too feminine, too queer or too brown.
Care experienced as disembodied and solitary, that is subject to revocation at any moment, doesn’t help us thrive. And it is very different from how human beings actually behave when they take care of each other. How different would our world look like if we committed to dismantling the current capitalist structures around our health? What would it look like if we radically reimagined it?
Shines a light on the financial status of diverse feminist, women’s rights, gender justice, LBTQI+ and allied movements in all regions and all contexts
حلقة نقاش | الأرض والمناطق المُحرَّرة: محادثة عموم أفريقية
مع لوام كيدان ومريامة سونكو ويانيا صوفيا غرسون ڤالنسيا ونوسمة سيزاني
1 |
Provide AWID members, movement partners and funders with an updated, powerful, evidence-based, and action-oriented analysis of the resourcing realities of feminist movements and current state of the feminist funding ecosystem. |
2 |
Identify and demonstrate opportunities to shift more and better funding for feminist organizing, expose false solutions and disrupt trends that make funding miss and/or move against gender justice and intersectional feminist agendas. |
3 |
Articulate feminist visions, proposals and agendas for resourcing justice. |
أفضّل المقاربة التقاطعيّة لما تشتمل عليه من مداعبة ممنهجة باللسان والأصابع