Heike Jensen
Resourcing Feminist Movements
The “Where is the Money?” #WITM survey is now live! Dive in and share your experience with funding your organizing with feminists around the world.
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Around the world, feminist, women’s rights, and allied movements are confronting power and reimagining a politics of liberation. The contributions that fuel this work come in many forms, from financial and political resources to daily acts of resistance and survival.
AWID’s Resourcing Feminist Movements (RFM) Initiative shines a light on the current funding ecosystem, which range from self-generated models of resourcing to more formal funding streams.
Through our research and analysis, we examine how funding practices can better serve our movements. We critically explore the contradictions in “funding” social transformation, especially in the face of increasing political repression, anti-rights agendas, and rising corporate power. Above all, we build collective strategies that support thriving, robust, and resilient movements.
Our Actions
Recognizing the richness of our movements and responding to the current moment, we:
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Create and amplify alternatives: We amplify funding practices that center activists’ own priorities and engage a diverse range of funders and activists in crafting new, dynamic models for resourcing feminist movements, particularly in the context of closing civil society space.
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Build knowledge: We explore, exchange, and strengthen knowledge about how movements are attracting, organizing, and using the resources they need to accomplish meaningful change.
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Advocate: We work in partnerships, such as the Count Me In! Consortium, to influence funding agendas and open space for feminist movements to be in direct dialogue to shift power and money.
Related Content
Snippet FEA EoS Artisana (EN)
Artisana
Art and creativity
Freeing the Church, Decolonizing the Bible for West Papuan Women
By Rode Wanimbo (@rodwan986), Jayapura, Papua Province of Indonesia
“Lord, we are unworthy. We are the ones who committed sin for Eve ate the fruit in Eden. We are just women who grow sweet potatoes, look after pigs and give birth to children. We believe you died on the cross to set us free. Thank you, In Jesus’s name Amen.”
This is a typical prayer of women I have heard during my visits to ministries in several villages. Even I said the same prayer for many years.
I was born and grew up in Agamua, the Central Highlands of West Papua. My father belongs to the Lani tribe and my mother comes from Walak.
In Lani and Walak languages - languages spoken in the Central Highlands - tiru means a pillar. There are four tiru (pillars) standing firmly in the middle of the Lani roundhouse (honai), around wun’awe or a furnace. Tiru is always made of the strongest type of wood called a’pe (ironwood tree). The longer the wood gets heated and smoked from the fire in the honai, the stronger it becomes. Without tiru, the honai cannot stand firm. West Papuan women are these tiru.
West Papua is located in the western part of the New Guinea island, containing some of the world’s highest mountains, densest jungle, and richest mineral resources. It is home to over 250 groups and has an incredible biodiversity. Due to its natural wealth, West Papua has, over the centuries, been targeted by foreign occupiers. Until 1963, we were colonized by the Dutch. However in 1969, after a manipulative political act, we were transferred from the Dutch to Indonesia.
The first German missionaries arrived in Mansinam Island, Manokwari, in 1855. Then, in the 1950s, Christianity was brought to the Central Highlands of West Papua by Protestant missionaries of European descent from America, Canada, Australia and New Zealand.
According to Scripture in Genesis 1: 26-27, Man and Woman are created in the image of God. It means all humanity is made with the call and capacity to exercise dominion. Radah, the Hebrew word for dominion, means stewardship. Radah is not a call to exercise imperial power as declared by Pope Nicolas V, granting Catholic nations the right to “discover” and claim dominion over non-Christian lands. To diminish the capacity of humans to exercise dominion, is to diminish the image of God on earth (Lisa Sharon Harper, The Very Good Gospel).
The Evangelical Church of Indonesia (GIDI) was established as an institution in 1963. In the Sunday Service liturgy of GIDI, Women are considered unworthy to take any responsibility except collecting offerings. In 2003, after 40 years, the Department of Women was introduced within the structure of the Synod leadership.
In November 2013, I was entrusted to be a chairperson of the Women’s Department of the GIDI Synod.
Together with several other women leaders, we started a cell group that is committed to “decolonizing the Bible.” We learn together how to reconstruct the interpretation of biblical texts to champion women.
A feminist theologian named Elisabeth S Florenza calls it a feminist hermeneutic theory (Josina Wospakrik, Biblical Interpretation and Marginalization of Woman in the Churches of West Papua).
Besides the cell group, we interview our elderly women to collect our ancestors’ wisdom and values. As Bernard Narakobi in his book The Melanesian Way said: “Our history did not begin with contact with the Western explorers. Our civilization did not start with the coming of the Christian missionaries. Because we have an ancient civilization. It is important for us to give proper dignity and place to our history”.
Yum is a knotted net or woven bag handmade from wood fiber or leaves. Yum is highly valued for it symbolizes life and hope. When women of Lani and Walak get married, our maternal aunts put yum on our heads. It means we bear the responsibility for giving life and for providing food. Yum is used to carry garden produce as well as being used as a container to put a baby to sleep in as it gives warmth and a sense of security.
“West Papuan Women are Yum and Tiru” became the prime references as we contextualized women in the eyes of Jesus Christ in seminar and focus group discussions. From 2013 to 2018, we focused on reconstructing the view of women in GIDI and in gaining a healthy self-image. We are still in the process of understanding who we are to Jesus, rather than who we have been told we are by theologians and the fathers of the early Churches. Josina Wospakrik, a West Papuan Theologian said “The Gospel is incredibly rich but it was impoverished due to human ambitions and agendas.”
Since 2018, the GIDI Women Leadership team and I have formulated four priority programs: Decolonizing the Bible, Storytelling in a circle, Training of trainers for Literacy and Gender. The fourth, supported simple bookkeeping and savings groups workshops facilitated by Yapelin and Yasumat, which are faith based organizations established by GIDI leaders to reach the economic, social and health needs of women in the communities.
Storytelling in a Circle
In this programme we create a safe space for women to talk - each woman has a story. We all sit together and learn how to be good listeners.
“I became Christian and was taught that the government is God’s representative. Why did the government do nothing when the army burnt down my village and killed my relatives?” asked one woman in the storytelling circle. “My aunt was raped.” She stopped for a while. Could not talk. She cried. We all did.
The process of storytelling has driven us into deep conversation. We began to contextualize Biblical texts within our daily realities.
We started asking questions amongst ourselves: Where is God in our toughest times? Does the state government truly represent God on earth? Why does the Creator allow privileged people to destroy His own image in the name of Christianity and Development? During the process, I realized that I have been reading the Bible using somebody else’s glasses.
The church has to be a safe place to share stories and be a place of comfort to be still and rest. As we reflect on the testimonies, those who tell their stories begin the process of recovering from wounds and trauma.
Financial Literacy for Women
Culturally, West Papuans invest in relationships. The concept of saving is understood as an investment in relations, not in a bank account. And while the Indonesian central government has granted special autonomy to respond to West Papuans’ demand for self-determination, many government policies harm the quality of family life and they do not account for women’s lives. High illiteracy rates amongst women mean most women do not have access to a bank account. With no money saved, access to medical services becomes a struggle.
Through the priority programmes, Yapelin, with the active involvement and support of women, created saving groups in Bokondini and Jayapura. The saving groups are chaired by women who have access to a bank.
In coordination with Yayasan Bethany Indonesia (YBI) and Yayasan Suluh, a faith-based organization (FBO) based in Jayapura, we facilitated four literacy workshops. The literacy team facilitated the training of trainers in three different dioceses: Merauke, Sentani, and Benawa. We now have 30 facilitators in different congregations who run literacy programs.
Lack of financial support for our programs will not stop us. Being stigmatized as rebels will not stop us from standing up and speaking in church evaluation meetings and conferences. It is stressful but I am committed together with several women leaders to calling on the power-holders within to free the church.
The Gospel known as Good News should become news that liberates women from a very patriarchal circle of power, liberates women from social stigma and returns women to the original purpose of The Creator.
The Gospel must be a mirror to reflect who we are collectively. As Lisa Sharon Harper, in her book The Very Good Gospel said “The Gospel is not only about an individual’s reconciliation with God, self and communities. But also speaks on systemic justice, peace between people groups and freedom for the oppressed”.
Rode Wanimbo is the chairperson of the Women’s Department of Evangelical Church of Indonesia (GIDI).
“Offerings for Black Life”
By Sokari Ekine (@blacklooks), New Orleans
Coming from a place of healing and self-care is a political act that guides us to be focused and to move as one. In New Orleans, we created and will be creating altars in honour of those murdered by police and white supremacists vigilantes!
< Anatomy of a Survivor's Story
Dolorosa Mubvumbi
Snippet FEA NSS Quote (EN)
“It’s the indigenous knowledge and the practices that have always supported food sovereignty and this knowhow is in the hands of the women … Ecofeminism for me is the respect for all that we have around us.”
Mariama Sonko
Interview to The Guardian
Colectivo Morivivi
Colectivo Moriviví is an all women artistic collective. Our artistic production consists of muralism, community-led muralism, and protest performance/actions. Our work is about democratizing art and bringing the narratives of Puerto Rican communities to the public sphere to create spaces in which they are validated. We believe that through artivism we can promote consciousness on social issues and strengthen our collective memory.
As part of their participation in AWID’s Artist Working Group, Colectivo Morivivi gathered a diverse group of members, partners and staff to facilitate a collaborative process of dreaming into, informing, and deciding on the content for a community mural through a multi-stage co-creation process. The project began with a remote conceptualization with feminists from different parts of the planet brought together by AWID, and then it evolved to its re-contextualization and realization in Puerto Rico. We were honored to have the input of local artists Las Nietas de Nonó(@lasnietasdenono), the participation of local women in the Community Painting Session, the logistics support from the Municipality of Caguas, and FRIDA Young Feminist Fund’s additional support to the collective.
The mural explores the transcendence of borders by presenting bodies like a map, in an embrace that highlights the intersection of the different feminist manifestations, practices and realities.
We also thank Kelvin Rodríguez, who documented and captured the different stages of this project in Puerto Rico:
About Colectivo Morivivi
Moriviví is a collective of young female artists, working on public art since April 2013. Based in Puerto Rico, we’ve gained recognition for the creation of murals and community led arts.
The group started out in local Urban Art Festivals. As our work became more popular, organizations and community leadership started to reach out to us. We began as eight high schoolers who wanted to paint a mural together. However, in eight years of hard work, we’ve faced many challenges. Now we are in a period of transition. During this following year, we aim to restructure the collective internally. Our goal is to open new opportunities for collaborators and back-up our decision making process with a new evaluation system. In the long run, we aspire to become an alternative school of art practice for those interested in immersing themselves in community art production.
Berta Cáceres Flores
كلمة العدد | التجسيدات العابرة للحدود
فقدان الكلامترجمة رولا علاء الدين |
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| تشينيلو أونوالو | غوى صايغ |
«لمّا نكون مُستَقتِلين للتغيير، لِكوننا في حالة مرضٍ وتمرّدٍ في آنٍ واحد، تخلو لغتنا من التعقيد وتنصقل لتعكس أبسط ركائزها. (...) لكن، ومع استمرار المرض والثورة، تصبح اللغة المُصاغة في هذه الحالة وعنها أكثرَ عمقاً وأكثرَ تعبيراً عن الفوارق الدقيقة، وتكون منغمسة انغماساً شديداً في التجربة الإنسانية التي يواجه فيها المرءُ حدودَه عند نهاية العالم».
بدأنا التخطيط لعدد المجلّة هذا مع نانا داركوا قُبيل مهرجان «ابدعي، قاومي، غيٍّري: مهرجان للحراكات النسوية» لجمعية «حقوق المرأة في التنمية» AWID، وانطلقنا وقتها من سؤالٍ هو بالأحرى ملاحظة حول حالة العالم، ورغبة في تغيير الاعتقادات السائدة: لماذا لا تزال جنسانيّاتنا وملذّاتنا تخضع للترويض والتجريم مع أنّه يتمّ تذكيرنا مراراً وتكراراً بأنّها لا تأتي بأيّ قيمة أو تطوّر؟ واستنتجنا أنّ جنسانيّاتنا، لمّا تتجسّد، فيها ما يتعارض مع النظام العالمي الذي ما زال يتجلّى من خلال ضوابط الحدود، والتمييز العنصري في توزيع اللقاح، والاستعمار الاستيطاني، والتطهير العرقي، والرأسمالية المُستشرية. هل يمكننا إذاً القول إنّ لجنسانيّاتنا قدرةٌ تعطيليّة؟ وهل يصحّ هذا القول عندما ننظر إلى واقع حركاتنا التي يتمّ الاستيلاء عليها ومأسستها في سعيها للتزوّد بالموارد؟
عندما يصبح عملنا المتجسّد مادةً ربحية في أيدي الأنظمة التي نسعى إلى إزالتها فلا عجب أنّ جنسانيّاتنا وملذّاتنا توضَع جانباً من جديد، لا سيّما أنّها ليست مُربِحة بما فيه الكفاية. لقد تساءلنا، في مواقف عدّة خلال إنتاج هذا العدد، ما الذي سيحدث إذا رفضنا مراعاة خدمات الرأسمالية الأساسية؟ لكن هل نجرؤ على هذا التساؤل وقد أنهكنا العالم؟ ربما يتمّ تجاهل جنسانيّاتنا بهذه السهولة لأنها لا تُعتَبَر أشكالاً من أشكال الرعاية. ربما ما نحتاجه هو أن نعيد تصوّر الملذّة كشكلٍ من أشكال الرعاية الجذرية، تكون أيضاً مناهضة للرأسمالية وللمؤسساتية.
بدأنا العام الثاني على التوالي لحالة الجائحة العالمية وكان لا بدّ أن تركّز مقاربتنا للتجسيدات العابرة للحدود القومية على ملاحظة سياسيّة واحدة: أنّ الرعاية هي شكل من أشكال التجسيد. وبما أنّ جزءاً كبيراً من عملنا يتمّ حالياً من دون أيّ اعتبار للحدود بيننا وفينا فنحن جميعاً متجسّدون بشكلٍ عابرٍ للحدود القومية، ونحن جميعاً نفشل. نحن نفشل في رعاية ذاتنا، والأهمّ أننا نفشل في رعاية الآخرين.
هذا الفشل ليس من صنع أيدينا.
إنّ الكثير من أهالينا اعتبروا العملَ مقايضةً، أي أنّه شيءٌ يُعطى مقابل أجرٍ وضمانة بالحصول على الرعاية. صحيحٌ أنّه تمّ الإخلال بهذه المقايضة أحياناً، لكنّ أهالينا ما كانوا يأملون أنّ عملهم سيوفّر لهم الرِضا الذاتي، وكانوا يعتمدون لهذا الغرض على نشاطهم الترفيهي وهواياتهم ومجتمعاتهم. أمّا اليوم، فنحن، أولادهم الذين تمّت تهيأتنا لنعتبر العمل متشابكاً مع الشغف، توقّعاتنا مختلفة تماماً. نحن لا نفرّق بين العمل والترفيه ونعتبرهما عنصراً واحداً، وبالنسبة للكثيرين بيننا، العمل بات يجسّد الذات بكاملها.
إنّ الرأسمالية القائمة على الأبويّة والمغايَرة الجنسية لا ترى لنا أيّ قيمة، ناهيك عن عملنا وجنسانيّاتنا. إنّه نظامٌ سيستمر في طلب المزيد والمزيد منك إلى يوم مماتك، وبعدها سيستبدلك بشخصٍ آخر. يُنتَظَر منّا أن نكون على اتصال بالإنترنت في كلّ الأوقات، ما يعني أنّه لا يمكننا الانصراف عن العمل حتى لو شئنا ذلك. إنّ هذا التَتْجير للعمل وفصله تماماً عن الشخص قد تسلّل إلى كلّ ناحية من نواحي حياتنا، ويتمّ ترسيخ هذا التَتْجير حتى في الأوساط الأكثر نسويّة والأكثر تمرّداً وتشدّداً.
لطالما حمَلَت تطلّعات الرأسمالية ضرراً كبيراً بالأجساد التي لا تتوافق مع النموذج المثالي، وأولئك الذين يسعون إلى ترسيخ سلطتهم استغّلوا الجائحة كفرصة لاستهداف النساء والأقلّيات الجنسية وكلّ مَن يعتبرونه دون المستوى.
تمّ إعداد هذا العدد الخاص بفعل هذا الواقع، وطبعاً، رغماً عن هذا الواقع.
لقد قدّم المساهمون/ المساهمات والعاملون/ العاملات كلّهم تقريباً مجهوداً يفوق طاقاتهم، وكلٌّ من الأعمال الواردة هنا هو نتاجُ سعيٍ شغوف ولكن أيضاً نتاج حالة إنهاكٍ شديد. يشكّل هذا العدد، بطريقة غايةً في الواقعية، تجسيداً للعمل العابر للحدود القومية، علماً أنّ أيّ عمل في عصرنا الرقمي أصبحَ عابراً لتلك الحدود. وفيما فُرِضَ علينا تقبّل حدود جديدة، وهي حدود لا تخالف النظام القائم سابقاً بل تعزّزه، اختبرنا مباشرةً، إلى جانب مساهمينا، كيف تستنزف الرأسمالية طاقاتنا القصوى – كيف يصبح من الصعب بناء الحجج المتماسكة لا سيّما حينما تكون خاضعة لموعد التسليم. إننا نعاني بشكلٍ جَماعي من فقدان الكلام لأننا أساساً نعاني من فقدان العوالم.
الشعور بالضياع والوحدة في عالم الرأسمالية القائمة على الأبوية والمغايَرة الجنسية هو بالتحديد ما يجعل من الضروري أن نعيد تقييم أنظمة الرعاية التي نتّبعها وأن نُعيد النظر فيها. لقد حوّلنا هذا العدد بوسائل عدّة إلى مهمّة لإيجاد الملذّة في الرعاية. فبما أنّه بات من الصعب بناء الحجج المتماسكة، برزت الوسائط البصرية والمبتكرة وقد لجأ كثرٌ ممن اعتادوا الكتابة إلى هذه الوسائط كطرقٍ لإنتاج المعرفة واختراق الضباب الفكريّ الذي أحاط بنا. لقد ضمّينا في هذا العدد أصواتاً أخرى، بالإضافة إلى أصواتٍ عدّة استمعتم إليها في المهرجان، كوسيلة لإطلاق حوارات جديدة وتوسيع آفاقنا.
بما أنّ كلماتنا قد سُرِقَت منّا، يقضي واجبنا السياسي بأن نستمر في إيجاد الوسائل للحفاظ على أنفسنا والآخرين والاهتمام بأنفسنا وبالآخرين. بالتالي، يصبح تجسّدنا نوعاً من المقاومة إذ هو بداية إيجادنا لسبيل الخروج من الذات ودخولها.
Phyllis Ntantala-Jordan
Snippet FEA Workers demonstrations in Georgia 1 (EN)
40 Years of AWID: The Scrapbook
Gather, Seed, and Disrupt.
In 2022, AWID celebrates 40 years since our founding. We’re using this moment to reflect on our past and learn from the road traveled as we prepare to look forward, and to forge the journey ahead. As we move through cycles of progress and pushback, we know that struggles for women’s rights and gender justice are iterative and non-linear. In collaboration with artist Naadira Patel, we created a scrapbook that highlights a handful of snapshots from AWID’s last four decades of feminist movement support.
We have not done all this on our own. We share this with deep appreciation for the constellation of feminist activists and groups that have made this work possible. In this context of so many converging crises, we embrace the opportunity to celebrate the power and resilience of feminist movements around the world.
Explore our scrapbook below:
You can also explore in full-screen mode.
Download the Scrapbook
Serena Shim
Snippet FEA HEALTH CONDITIONS (EN)
HEALTH CONDITIONS
رسالة حب إلى الحركات النسوية # 6
عن الحب لحركة
هكذا تبدأ الحركات
أشباحا تطردنا من البيت والعائلة والوطن
فنصل متعبات إلى مساحة (أيضا مكان) وغالبا حالة
وصلت إليها قبلنا نجمة سقطت
ربما نصل أكثر من متعبات
مذعورات
ربما أكثر من مذعورات نصل
غاضبات
من أمور لا تنفك تعيد نفسها
طعنة في القلب (أيضا كسور)
رصاصة في الظهر (أيضا خيانة)
اختفاء قسري
جسد محكوم عليه بزواج أو تشويه أو تعب مزمن
لكننا حين نصل نتجمع ونهمس ونبوح وننوح
هكذا تبدأ حركاتنا، حين نصل إلى الأخريات
فنصبح بذورا
هكذا تبدأ الحركات، حين نزرع بعضا زهورا وأيضا أشواكا وأيضا ثمارا
نحن واحات
لنا كلنا نصنع منها ما نشاء
أغنيات للمعارك
وصفات للشفاء
مخازن لوجوه عشيقاتنا وشكل ابتسامتهن وضحكة انتصاراتهن اليومية
السر لتحويل الصمت الى لغة
تعاليم كل الساحرات
هكذا تكون حركاتنا: لنا كلنا
حين نصل بذورا فنزهر.
سرى أبو غزال
www.badiya.blog
Brenda Marleni Estrada Tambito
Snippet FEA Linda Porn Bio (EN)
Linda Porn is yet another heroine of feminist union organizing and sex worker activism nationally (in Spain) and transnationally.
Originally from Mexico, she has been living in Spain since the 2000s. She is a sex worker, an activist, a single mother and a multidisciplinary artist. Drawing from these different identities, she uses performance, video art and theater to vizibilize struggles at the intersections of transfeminism, sex work, migration, colonialism and motherhood.
She combines art and sex work while caring for her daughter as a single mother.
Linda also belongs to sex workers collectives that fight for their rights, such as the OTRAS union and CATS Murcia. She also co-founded the group 'Madrecitas' - that visibilises and denounces racist institutional violence against migrant families. Violence to which she and her daughter were subjected as a sex worker and migrant single mother.
You can follow her art work here.
Coming Out at the Highest Point in My Life: The Black Feminisms Forum
Many participants experience the AWID Forums as a unique space of freedom where they are embraced and celebrated as they are. In a world where even the most privileged feminists often find themselves not fully fitting in, for those whose identities are criminalized or otherwise condemned in their everyday contexts this experience of freedom and celebration can be deeply transformative (and restorative). The story of how OluTimehin Kukoyi – a first time participant – experienced the Black Feminist Forum (BFF) and the AWID Forum in Bahia (2016) powerfully illustrates this.
In their own voice: watch the interview with OluTimehin
Micaela García
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Snippet - That Feminist Fire Logo (EN)
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