Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Movement Building

Related Content

From “WID” to “GAD” to Women’s Rights: The First Twenty Years of AWID

In 2002 AWID celebrated its 20th anniversary. Given the challenging political, economic and funding environment in which women's organizations must survive, a milestone such as this is worthy of recognition.

In the past two decades the geo-political landscape has been transformed and development theories have come and gone, but approaches to ensure women benefit from development processes have endured.

In its twenty-year history, AWID grew from a volunteer organization for U.S. "Women in Development" (WID) specialists to an international network striving to support proactive and strategic gender equality research, activism and policy dialogue.

On the occasion of its 20th anniversary, this paper charts not only the changes in AWID's organizational structure and goals but also the shifts in policy approaches to gender equality in a changing global environment, through the lens of a membership organization committed to improving the lives of women and girls everywhere.

WHRDs from Sub-Saharan Africa

In our 2015 Online Tribute to Women Human Rights Defenders No Longer With Us we are commemorating four women from Sub-Saharan Africa, three of whom were murdered due to their work and/or who they were in their gender identity and sexual orientation. Their deaths highlight the violence LGBT persons often face in the region and across the globe. Please join AWID in honoring these women, their activism and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days. 


Please click on each image below to see a larger version and download as a file

 

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5 Major Threats

In the current context, we have identified five major threats to the struggle towards feminist just economies.


1. Financialisation of the world economy.

“Financialisation refers to the increasing importance of financial markets, financial motives, financial institutions, and financial elites in the operation of the economy and its governing institutions both at the national and international levels”. - Gerald Epstein

Epstein Gerald A. 2006: Financialization and the World Economy. Edward Elgar Publishing.

Financial institutions exert a strong influence over economic governance and the direction of development policy. The growing dominance of the corporate sector and international financial institutions in defining local and global public policies, has resulted in the capture of the State in the interest of capital. The current financial system, including controversial credit and debt policies, are integral to the reproduction and expansion of capital accumulation processes.

This raises important questions of how to regulate and re-think the global financial system, not only to avoid serious negative consequences of debt-driven crises,but to allow for sustainable livelihoods and the realization of economic and social rights without retrogression.

For more details, see the article by Balakrishnan and Heintz  “Debt, Power, and Crisis: Social Stratification and the Inequitable Governance of Financial Markets

2. Harmful trade agreements.

For the past 20 years, trade agreements (both bilateral or multilateral) have expanded their role demonstrating increased interest in Intellectual Property Rights (IPR) to be given to corporations.

IPR has clearly benefitted transnational corporations with huge impacts on the ability of poorer nations and peoples to realize human rights, notably:

  • the right to food,
  • the right to conserve,
  • the right to use and sell seeds, and
  • the right to access to essential medicines.

In addition, agriculture import liberalisation resulting in an influx of cheap goods jeopardise women’s self-employed farmers in poor countries and food security. Investment protection clauses included in trade agreements limit the policy space of national governments to create and enforce regulations on issues as crucial as environmental protection, labour rights, and the duration of copyrights.

Feminist movements have been, and are, at the forefront of resistance to these agreements exposing its pitfalls.

(See for example, the reactions by feminist networks around the globe to both the Transatlantic and TransPacific Trade and Investment Partnership Agreement negotiations.)

3. Unprecedented scale of threat to ecosystems and biodiversity.

The commodification of the Earth’s resources and resulting environmental degradation and climate change produced by decades of aggressive industrialisation, plunder and extractivism of the world’s resources, have damaged biodiversity and ecological resilience. These damages are now threatening the existence of human society itself.

The international community has failed to address production and consumption patterns sitting at the root of the problem. Instead, governments –with the support of large corporations interested in making a profit - are leaning towards a “green economy” approach promoting “energy-efficient technologies” (including nuclear energy, biofuels, genetically modified organisms and geo-engineering) and carbon trade schemes as the silver bullet.

4.Commodification of land and accelerating global phenomenon of land and resource grabbing.

While the processes of land and resource appropriation is not new – in fact, they are central struggles in colonial histories- what is new is the advanced means by which land and natural resource wealth are becoming commodities in new markets.

International Financial Institutions play a central role in promoting land markets in developing countries. These institutions finance land reforms that enable powerful actors to use land for speculative gain in exchange of meagre promises of jobs and growth. Land-grabbing has far reaching negative impacts on local peoples’ access to essential goods and services apart from displacement and environmental degradation that are associated with it.

People who are resisting land grabbing, among them women human rights defenders, face diverse forms of violence including physical attacks and sexual abuse, on a daily basis.

5. Entrenched patriarchal foundations that structure the capitalist system

This patriarchal foundation is particularly hegemonic in today’s neoliberal models.

The many ways in which political economy and development are connected to sexuality or gender is evident: think how capitalism defines what can even be characterized as labour and ties human worth to wage-labour productivity.

For the most part, women’s position in the global economy continues to be one of gender-based labour exploitation with women’s work undervalued in precarious jobs, domestic subsistence, reproduction, and in unwaged household production.  Because reproductive labour has been naturalized as women's unpaid work, it has provided an immense subsidy to capitalism at the same time as a source of gender oppression and subjugation.

This situation is aggravated by the fact that as social protection mechanisms begin to dwindle, women’s care burden increases.

Further, the phenomenon of global migration spurred on by thousands of economic refugees escaping oppressive poverty across the globe is not estranged to that of capitalist gender power relations. Remittances become a major source of development financing for the families and communities, but at a major cost for women migrants who struggle to earn a living wage in their new country.

In the same vein, we have seen how patriarchal capitalist systems are using violence and oppression to maintain their status quo. Rising global expenditures in militarism and violence, both perpetrated by state and non-state actors, is increasingly used to control dissent, women’s bodies and voice and settle economic, political and social disputes.

Across the world, violence, incarceration and discrimination disproportionately targets

  • women, communities of colour,
  • indigenous peoples,
  • people with disabilities,
  • sex workers,
  • impoverished people, and
  • LGBTQI people.

An intersectional analysis linking gender, race, ethnicity, age, ability, nationality, sexual orientation and gender identity, among other status is needed to challenge structural violence and its links with a capitalist global system.

A profound crisis in the current global governance system is also evident in the feeble inter-governmental agreements reached and how they often lack the most fundamental accountability mechanisms. The multilateral system that served global governance before is failing to respond to the current multiple crises. The same system continues to be deeply undemocratic, with increasing presence and power by corporations occupying the spaces where States used to be.

Rethinking, Renewing & Reactivating

These threats challenge feminists to re-think our framework and strategies. To renew and reactivate our commitment to movement building with others for a just economy.

They challenge us to consider broad agendas for socio-economic transformations, from a feminist perspective, in ways that address the realities of the majority of the impoverished. Now is the time to bring about change for a just economy and to address the persistent systemic challenges.


See also

Where does the project come from?

Our vision

La industria: peligros para el medioambiente

¿Por qué las industrias como la minería son peligrosas para el medioambiente?

Estas industrias 'extraen' materias primas de la tierra: minería, gas, petróleo y madera son algunos ejemplos.

Este modelo económico explota desenfrenadamente la naturaleza e intensifica las desigualdades norte, donde sus grandes corporaciones se benefician y sur, de donde extraen los recursos.

Contaminación del agua, daño irreparable al medioambiente, deforestación de la amazonia, comunidades forzadas a desplazarse son algunas de las consecuencias inmediatas.

Lee nuestro reporte de INDUSTRIAS EXTRACTIVAS

Hay alternativas sostenibles para el medioambiente y los derechos humanos de la mujer. Empecemos por conseguir un tratado vinculante para que las corporaciones extractivas nos respeten.

 

 


Descubre además cómo nos afecta económicamente

Conoce qué son los FLUJOS FINANCIEROS ILÍCITOS

Freeing the Church, Decolonizing the Bible for West Papuan Women

By Rode Wanimbo (@rodwan986), Jayapura, Papua Province of Indonesia

“Lord, we are unworthy. We are the ones who committed sin for Eve ate the fruit in Eden. We are just women who grow sweet potatoes, look after pigs and give birth to children. We believe you died on the cross to set us free. Thank you, In Jesus’s name Amen.”

This is a typical prayer of women I have heard during my visits to ministries in several villages. Even I said the same prayer for many years.

I was born and grew up in Agamua, the Central Highlands of West Papua. My father belongs to the Lani tribe and my mother comes from Walak.

In Lani and Walak languages - languages spoken in the Central Highlands - tiru means a pillar. There are four tiru (pillars) standing firmly in the middle of the Lani roundhouse (honai), around wun’awe or a furnace. Tiru is always made of the strongest type of wood called a’pe (ironwood tree). The longer the wood gets heated and smoked from the fire in the honai, the stronger it becomes. Without tiru, the honai cannot stand firm. West Papuan women are these tiru.

West Papua is located in the western part of the New Guinea island, containing some of the world’s highest mountains, densest jungle, and richest mineral resources. It is home to over 250 groups and has an incredible biodiversity. Due to its natural wealth, West Papua has, over the centuries, been targeted by foreign occupiers. Until 1963, we were colonized by the Dutch. However in 1969, after a manipulative political act, we were transferred from the Dutch to Indonesia. 

The first German missionaries arrived in Mansinam Island, Manokwari, in 1855. Then, in the 1950s, Christianity was brought to the Central Highlands of West Papua by Protestant missionaries of European descent from America, Canada, Australia and New Zealand.  

According to Scripture in Genesis 1: 26-27, Man and Woman are created in the image of God. It means all humanity is made with the call and capacity to exercise dominion. Radah, the Hebrew word for dominion, means stewardship. Radah is not a call to exercise imperial power as declared by Pope Nicolas V, granting Catholic nations the right to “discover” and claim dominion over non-Christian lands. To diminish the capacity of humans to exercise dominion, is to diminish the image of God on earth (Lisa Sharon Harper, The Very Good Gospel).

The Evangelical Church of Indonesia (GIDI) was established as an institution in 1963. In the Sunday Service liturgy of GIDI, Women are considered unworthy to take any responsibility except collecting offerings. In 2003, after 40 years, the Department of Women was introduced within the structure of the Synod leadership.

In November 2013, I was entrusted to be a chairperson of the Women’s Department of the GIDI Synod.

Together with several other women leaders, we started a cell group that is committed to “decolonizing the Bible.” We learn together how to reconstruct the interpretation of biblical texts to champion women.

A feminist theologian named Elisabeth S Florenza calls it a feminist hermeneutic theory (Josina Wospakrik, Biblical Interpretation and Marginalization of Woman in the Churches of West Papua).

Besides the cell group, we interview our elderly women to collect our ancestors’ wisdom and values. As Bernard Narakobi in his book The Melanesian Way said: “Our history did not begin with contact with the Western explorers. Our civilization did not start with the coming of the Christian missionaries. Because we have an ancient civilization. It is important for us to give proper dignity and place to our history”.

Yum is a knotted net or woven bag handmade from wood fiber or leaves. Yum is highly valued for it symbolizes life and hope. When women of Lani and Walak get married, our maternal aunts put yum on our heads. It means we bear the responsibility for giving life and for providing food. Yum is used to carry garden produce as well as being used as a container to put a baby to sleep in as it gives warmth and a sense of security.

“West Papuan Women are Yum and Tiru” became the prime references as we contextualized women in the eyes of Jesus Christ in seminar and focus group discussions. From 2013 to 2018, we focused on reconstructing the view of women in GIDI and in gaining a healthy self-image. We are still in the process of understanding who we are to Jesus, rather than who we have been told we are by theologians and the fathers of the early Churches. Josina Wospakrik, a West Papuan Theologian said “The Gospel is incredibly rich but it was impoverished due to human ambitions and agendas.”

Since 2018, the GIDI Women Leadership team and I have formulated four priority programs: Decolonizing the Bible, Storytelling in a circle, Training of trainers for Literacy and Gender. The fourth, supported simple bookkeeping and savings groups workshops facilitated by Yapelin and Yasumat, which are faith based organizations established by GIDI leaders to reach the economic, social and health needs of women in the communities.

Storytelling in a Circle

In this programme we create a safe space for women to talk - each woman has a story. We all sit together and learn how to be good listeners.

“I became Christian and was taught that the government is God’s representative. Why did the government do nothing when the army burnt down my village and killed my relatives?” asked one woman in the storytelling circle. “My aunt was raped.” She stopped for a while. Could not talk. She cried. We all did. 

The process of storytelling has driven us into deep conversation. We began to contextualize Biblical texts within our daily realities.

We started asking questions amongst ourselves: Where is God in our toughest times? Does the state government truly represent God on earth? Why does the Creator allow privileged people to destroy His own image in the name of Christianity and Development? During the process, I realized that I have been reading the Bible using somebody else’s glasses.

The church has to be a safe place to share stories and be a place of comfort to be still and rest. As we reflect on the testimonies, those who tell their stories begin the process of recovering from wounds and trauma.


Financial Literacy for Women

 Culturally, West Papuans invest in relationships. The concept of saving is understood as an investment in relations, not in a bank account. And while the Indonesian central government has granted special autonomy to respond to West Papuans’ demand for self-determination, many government policies harm the quality of family life and they do not account for women’s lives. High illiteracy rates amongst women mean most women do not have access to a bank account. With no money saved, access to medical services becomes a struggle. 

Through the priority programmes, Yapelin, with the active involvement and support of women, created saving groups in Bokondini and Jayapura. The saving groups are chaired by women who have access to a bank. 

In coordination with Yayasan Bethany Indonesia (YBI) and Yayasan Suluh, a faith-based organization (FBO) based in Jayapura, we facilitated four literacy workshops. The literacy team facilitated the training of trainers in three different dioceses: Merauke, Sentani, and Benawa. We now have 30 facilitators in different congregations who run literacy programs.

Lack of financial support for our programs will not stop us. Being stigmatized as rebels will not stop us from standing up and speaking in church evaluation meetings and conferences. It is stressful but I am committed together with several women leaders to calling on the power-holders within to free the church.

The Gospel known as Good News should become news that liberates women from a very patriarchal circle of power, liberates women from social stigma and returns women to the original purpose of The Creator.

The Gospel must be a mirror to reflect who we are collectively. As Lisa Sharon Harper, in her book The Very Good Gospel said “The Gospel is not only about an individual’s reconciliation with God, self and communities. But also speaks on systemic justice, peace between people groups and freedom for the oppressed”. 

 

Rode Wanimbo is the chairperson of the Women’s Department of Evangelical Church of Indonesia (GIDI).
 


“Offerings for Black Life”

By Sokari Ekine (@blacklooks), New Orleans

Coming from a place of healing and self-care is a political act that guides us to be focused and to move as one. In New Orleans, we created and will be creating altars in honour of those murdered by police and white supremacists vigilantes!

Sokari Ekine (@blacklooks)
Sokari Ekine (@blacklooks)

 


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My Queer Ramadan >

 

Colectivo Morivivi

Colectivo Moriviví is an all women artistic collective. Our artistic production consists of muralism, community-led muralism, and protest performance/actions. Our work is about democratizing art and bringing the narratives of Puerto Rican communities to the public sphere to create spaces in which they are validated. We believe that through artivism we can promote consciousness on social issues and strengthen our collective memory.  

“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce,
“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce, Puerto Rico

 

“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce, Puerto Rico
“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce, Puerto Rico
Collectivo Moriri Artwork


As part of their participation in AWID’s Artist Working Group, Colectivo Morivivi gathered a diverse group of members, partners and staff to facilitate a collaborative process of dreaming into, informing, and deciding on the content for a community mural through a multi-stage co-creation process. The project began with a remote conceptualization with feminists from different parts of the planet brought together by AWID, and then it evolved to its re-contextualization and realization in Puerto Rico. We were honored to have the input of local artists Las Nietas de Nonó(@lasnietasdenono), the participation of local women in the Community Painting Session, the logistics support from the Municipality of Caguas, and FRIDA Young Feminist Fund’s additional support to the collective.
 
The mural explores the transcendence of borders by presenting bodies like a map, in an embrace that highlights the intersection of the different feminist manifestations, practices and realities. 
 
We also thank Kelvin Rodríguez, who documented and captured the different stages of this project in Puerto Rico:

Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork

About Colectivo Morivivi 

Colectivo Morivivi portrait

Moriviví is a collective of young female artists, working on public art since April 2013. Based in Puerto Rico, we’ve gained recognition for the creation of murals and community led arts.

The group started out in local Urban Art Festivals. As our work became more popular, organizations and community leadership started to reach out to us. We began as eight high schoolers who wanted to paint a mural together. However, in eight years of hard work, we’ve faced many challenges.  Now we are in a period of transition. During this following year, we aim to restructure the collective internally. Our goal is to open new opportunities for collaborators and back-up our decision making process with a new evaluation system.  In the long run, we aspire to become an alternative school of art practice for those interested in immersing themselves in community art production.

استنارة بضوء البدر: تجربة “بي دي إس إم” أفريقية

ترجمة مارينا سمير

Akosua Hanson portrait

أكوسوا هانسون، فنانة وناشطة مقيمة في أكرا في غانا. تشمل أعمالها على ميادين الإذاعة والتلفزيون ووسائل الإعلام المطبوعة والمسرح والأفلام ومعارض القصص المصورة والأعمال الفنية ثُلاثية الأبعاد والروايات المصورة. تتمحور نشاطية أكوسوا حول قضايا الوحدة الأفريقية والنسوية، مع اهتمام خاص بتقاطع الفن مع الثقافة الشعبية والنشاطية. حائزة على ماجستير في الفلسفة في الدراسات الأفريقية، مع التركيز على الدراسات الجندرية والفكر الفلسفي الأفريقي. أكوسوا مبتكرة مود جيرلز، وهي سلسلة روايات مصورة، تتابع مغامرات أربعة أبطال خارقين يقاتلون من أجل إفريقيا خالية من الفساد والاستعمار الجديد والأصولية الدينية، وثقافة الاغتصاب ورهاب المثلية الجنسية وغير ذلك. تعمل كمذيعة في Y 107.9 FM، غانا.

هل اختبرتم من قبل لحظات من الصفاء الذهني العميق أثناء أو بعد ممارسة الجنس؟

 

في هذه الرسومات، تنخرط فتاة القمر وادجيت في ممارسة حميمية مع شيطان ثنائي الجندر. من بين فتيات القمر الأربعة، وادجيت هي المُعالِجة والفيلسوفة ووسيطة العرّافة. هي تقوم بذلك من أجل إطلاق عملية علمية وروحية، تُطلِق عليها تسمية «الاستنارة بضوء البدر». خلال هذه العملية، تشكّل تسلسلاً زمنياً حيّاً بين ذكرياتها وحواسها ومشاعرها ورؤاها وخيالاتها. إنّها أحد أشكال السفر عبر الزمن من خلال الذبذبات، من أجل اكتشاف ما تُسميه «تجلّيات الحقيقة». أثناء التجربة، تتضمّن إحدى رؤى وادجيت الضبابية اقتراب نهاية العالم نتيجة تدمير الناس للبيئة في خدمة الرأسمالية الشرهة؛ وذكرى طفولة حول دخول المستشفى بعد التشخيص بمرض نفسي؛ ورؤية لأصل قصّة فتيات القمر يظهر فيها الرمز التوراتي نوح، كفتاة قمر سوداء من عصر قديم تحذّر من أخطار التلوث البيئي. 

تمتدّ ممارسات الـ»بي دي إس إم» إلى أبعد من كونها كينك مرح يقود لاستكشافات حسّية، فبإمكانها أن تكون طريقة للتعامل مع الألم العاطفي والصدمات. لقد كانت وسيلةً للتعافي الجنسي بالنسبة لي، بتقديمها نمط للتحرّر الجذري. تطهيرٌ ما، يحدث، عند وقوع ألمٍ مادّي على الجسد. يقع هذا الألم في وجود تراضٍ، فيستخرج ألمًا عاطفيًا، كما لو كان «يستدعيه». نزول السوط على جسدي يسمح لي بتحرير مشاعر مكبوتة: توتّر، اكتئاب، شعوري بغياب دفاعاتي في وجه ضغوطاتٍ تُغرقني أحيانًا. عند الانخراط في الـ»بي دي إس إم» كسبيل للتعافي، على العشّاق أن يتعلّموا كيف يكونون شديدي الوعي ببعضهم البعض، ومسؤولين عن بعضهم البعض. فحتى لو كانت الموافقة قد أُعطيت في البداية، علينا أن نكون منتبهين لأيّ تغيّرات قد تطرأ أثناء الممارسة، خاصةً مع احتدام المشاعر. أتعامل مع الـ»بي دي إس إم» بفهمٍ لأنه ينبغي أن يكون الحبّ والتعاطف أساسًا لعملية الاستسلام للألم، وبذلك أخلق مساحة أو أنفتح للحبّ.

إن الاهتمام برعاية ما بعد وقوع الألم يُعَدّ استكمالًا للعملية. يمكن لذلك أن يحدث بطُرُقٍ بسيطة جدًا مثل الاحتضان، التأكّد ممّا إذا كان الآخر يرغب في شرب الماء، مشاهدة فيلمٍ معًا، مشاركة عناق أو حتى مشاركة سيجارة حشيش. يمكن لهذه الرعاية أن تمتثل لأيّ ما كانت عليه لغة حبّك المُختارة. مع إدراك أنّ جروحًا قد فُتِحَت، تُعَدّ هذه المساحة من الاحتواء ضرورية من أجل استكمال عملية التعافي. إنّه أكبر درسٍ في ممارسة التعاطف وتعلّم كيف تحتوي شريكك/ شريكتك حقًا، نظرًا لحساسية تمييع الحدود الفاصلة بين الألم والمتعة. بهذه الطريقة، يصبح الـ»بي دي إس إم» أحد أشكال أعمال الرعاية بالنسبة لي.

بعد ممارسة جنسية فيها ممارسات «بي دي إس إم»، أشعر بصفاء ذهني وهدوء يَضَعاني في مساحة إبداعية عظيمة ويمكّناني روحيًا. مشاهدة الألم يتحوّل آنيّاً لشيء آخر هي أشبه بتجربة سحرية. وبالمثل، تجربة الـ»بي دي إس إم» المحرِّرة على المستوى الشخصي تسمح لوادجيت بالوصول إلى المعرفة المُسبَقة والحكمة والصفاء الذهني مما يساعدها في واجباتها كفتاة قمر في مواجهة الأبوية الأفريقية.


وُلِدَت «فتيات القمر» أثناء عملي كمديرة لـ»دراما كوينز»، وهي منظمة فنّية شبابية ناشطة في غانا. منذ تأسيسنا في 2016، استخدمنا وسائط فنّية مختلفة كجزءٍ من عملنا الناشطي النسوي والبيئي والعموم- أفريقي. استخدمنا الشِعر والقصص القصيرة والمسرح والأفلام والموسيقى لمناقشة قضايا مثل الفساد والأبوية والتدهور البيئي ورهاب المثلية الجنسية. ناقَشَت أعمالنا المسرحية الافتتاحية مثل «خَيّاطة شارع سان فرانسيس» و»حتى يفيق أحدهم» مشكلة ثقافة الاغتصاب في مجتمعاتنا. كما يُزعم أن «مثلنا تمامًا» كانت من أوائل الانتاجات المسرحية في غانا التي تناقش بشكل مباشر قضية رهاب المثلية الجنسية المتغلغلة في البلد. كما ساهمت «جامعات غانا الكويرية»، وهي ورشة لصناعة الأفلام الكويرية لتدريب صنّاع الأفلام الأفارقة، في تدريب صنّاع أفلام من غانا ونيجيريا وجنوب أفريقيا وأوغاندا. وعُرِضَت الأفلام المصنوعة في الورشة في مهرجانات، مثل فيلم «فتاة رضيعة: قصة شخص بيني الجنس». ولذلك، فإنّ الانتقال إلى وسيط الروايات المصوّرة هو تطوّر طبيعي.

منذ حوالي سبع سنوات، بدأتُ بكتابة رواية لم أكملها أبدًا عن حياة أربع نساء. في عام 2018، فتحت «مبادرة المجتمع المفتوح لغرب إفريقيا» (OSIWA) فرصة مِنحة أطلقت إنتاج المشروع وتحوّلت روايتي غير المكتملة إلى فتيات القمر. هناك جزءان من فتيات القمر، يتكوّن كلّ منهما من ستّة فصول. الكُتّاب والمحرّرون المساهمون في الموسم الأول هم سوهايدا دراماني، وتسيدي كان تاماكلوي، وجورج هانسون، ووانلوف كوبولور. كتّاب الموسم الثاني هم يابا أرما ونادية أهيدجو وأنا. قام الفنان الغاني كيسوا وستوديو «أنيماكس إف واي بي»، وهو ستوديو رسوم متحرّكة وتصميمات وتأثيرات بصرية، بالرسوم التوضيحية للشخصيات وصياغتها مفاهيميًا.


لقد كانت كتابة فتيات القمر، بين 2018 و2022، عملَ حبٍّ بالنسبة لي، بل بالأحرى، عمل من أجل التحرّر. أهدف أن أكون مجدِّدة في الشكل والأسلوب: لقد اهتممت بتحويل أنماطٍ أخرى من الكتابة، مثل القصص القصيرة والشِعر، لتلائم بنية القصص المصوّرة. تستهدف فتيات القمر مناقشة القضايا الكبرى وتكريم النشطاء الموجودين في الحياة الحقيقية، من خلال إدماج الرسومات والنصوص، كما يحدث في القصص المصوّرة عادةً. قراري بمركزة النساء الكوير كبطلات خارقات، وهو أمر نادر الحدوث في هذا النوع من الفن، أصبح له معنى أكبر بكثير عندما بدأ يتطوّر أمر خطير في غانا في عام 2021. 

شهد العام الماضي تصاعد في وتيرة العنف ضد مجتمع الميم عين في غانا، والتي بدأت بإغلاق أحد مراكز مجتمع الميم عين. أعقب ذلك اعتقالات تعسفية وسجن أشخاص مشكوك في انتمائهم للطيف الكويري، كذلك أشخاص متّهمين بالدفع بـ»أجندة مثلية». تُوِّج ذلك بتقديم مشروع قانون ضد الميم عين في البرلمان الغاني تحت إسم «حقوق الإنسان الجنسية اللائقة وقِيَم الأسرة الغانية». يُزعم أن هذا المشروع هو أكثر مشاريع القوانين توحشًا ضد الميم عين كان قد صيغ في المنطقة، وقد أتى لاحقًا على محاولات سابقة في بلاد مثل نيجيريا وأوغندا وكينيا. 

Cover Illumination by the Light of the Full Moon

أتذكّر بمنتهى الوضوح أول مرّة قرأت فيها مسودة مشروع القانون. لقد كانت ليلة جمعة، والتي عادةً ما أستريح أو أحتفل فيها بعد أسبوع عمل طويل. لحسن الحظ، سُرِّبت المسودّة وتمّت مشاركتها معي على مجموعة واتساب. أثناء القراءة، تسلّل إليّ شعور عميق بالخوف والتوجّس مما أفسد ليلة استراحتي. 

اقترح المشروع معاقبة أيّة مناصرة للميم عين بالسجن من خمس لعشرة سنوات، وبتغريم وحبس أي شخص يُعرّف نفسه باعتباره مثلي أو مثلية أو عابر أو عابرة جنسيًا أو ينتمي لأية فئات جنسية أو/وجندرية غير نمطية، إلا إذا «تراجع» وقَبِل الخضوع لعلاج تصحيحي. في مسودة مشروع القانون، حتى اللاجنسيين جُرِّموا. انقضّ مشروع القانون على جميع الحرّيات الأساسية: حرّية الفكر وحرّية الوجود وحرّية أن يتمسّك الشخص بحقيقته ويعيش بها. انقضّ مشروع القانون أيضًا على منصّات التواصل الاجتماعي والفنّ. لو مُرِّر هذا المشروع، ستصبح فتيات القمر عملاً أدبياً محظوراً. ما تقدّم به مشروع القانون كان شرًا خالصًا وبعيد المدى، لقد صُدِمت لدرجة الاكتئاب من عمق الكراهية التي صُنِع منها هذا المشروع. أثناء تصفّحي موقع «تويتر» تلك الليلة، وجدتُ انعكاسًا للرعب الذي شعرت به بداخلي. لقد كان هناك بثًا مباشرًا للمشاعر، حيثُ كان يتفاعل الناس فوريًا مع ما يقرأونه: من عدم تصديق إلى رعب إلى خيبة أمل شديدة وشعور بالأسف عندما أدركنا المدى الواسع الذي رغب المشروع في الانقضاض عليه. البعض غرّدوا عن استعدادهم لجمع ما لديهم والرحيل عن البلاد. بعدها، وكعادة الغانيين، تحوّل الأسف والخوف لدعابة. ومن الدعابة أتى الحماس لتصعيد المقاومة. 

لذلك، فالعمل مستمرّ. لقد صنعتُ فتيات القمر لتوفير شكلٍ بديلٍ من التعليم، ولتوفير المعرفة حيثُ قمَعَتها أبوية عنيفة، ولخلق مساحة ظهور لمجتمع الميم عين حيثُ تمّ محوه. من الضروري أيضًا أن يحصل الـ»بي دي إس إم» الأفريقي على منصّة لإظهاره حيثُ أنّ الكثير من الـ»بي دي إس إم» المُمثَّل أبيض. إن المتعة الجنسية، سواء من خلال الـ»بي دي إس إم» أو غيره، مثلها مثل أنماط الحبّ اللامغاير جنسيًا، تتخطى العرق والقارّة، فالمتعة الجنسية وتنوّع خبراتها قديمة بقِدَم الزمن.

Cover image for Communicating Desire
 
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التجسيدات العابرة للحدود

نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.

استكشف المجلة

From the heart of the comuna

Our women ancestors form a circle
Sacred, alive, powerful
We are in the middle
Feeling their strength.
The drum beats a sound of earth  
Our skin dresses in colours
We are green, red, orange, blue, violet, black
The drum beats a sound of earth  
A voice vibrates, a scream emanates, a song rings out, lulling to sleep, awakening consciousness.
The drum beats a sound of earth  
A gaze of complicity, friendship profound.
The drum beats a sound of earth  
Ours is but one heart, beating a rhythm of the soul, inviting us to move, inspiring desire, and showing us a path.
One of communal togetherness, power of the people, self-government, a women’s revolution of subversive communal care.
The drum beats a sound of earth  
And I invite you to join, to be voice, skin, gaze, seed, fire, song, communion.
The drum beats a sound of earth  
And I invite you to discover it, to love it, to know it, and to defend it from the heart of the community
 
For 25 years they have lived along the same dusty streets, at the top of a hill named after a lion. They come from different places, many from traditional farming communities. Their skin is the colour of rebellion, the colour of a cardon cactus, because in them lives the spirit of the semi-arid Lara State, which is where their love for life comes from, their appreciation, care and protection of water and land. They are heiresses of the Gayon and Ayaman lineages, Indigenous communities that lived and live in the northern part of Lara State.

From the time they were very young they learned that maternity is a role from which it is not easy to escape. Caring for children, home and husband, washing, ironing, cooking, cleaning—everything had to be impeccable, people insisted.

And that was life—that and violence, insults, abuse, hitting, scheming, complaints were to be expected. It seemed almost natural, and that is how they spent their days. Everyday life on those dirt streets living in little houses of tin sheet metal without any electricity or running water. That was poverty, the precarity of when a man would arrive, yes, a man, a project. And then, an unusual revolution because it came about without war.

Then they were invited to go out, they were invited to take to the streets and occupy public space. In the process, the women tore down doors and windows, broke chains, let their hair down and they felt free, free like runaway slaves, Caribbean rebels, freedom fighters.

And those concepts of independence and sovereignty are something that those who had the chance to study had read about, but feeling it, feeling like the protagonists of a process of social transformation—that is an important victory that we have to mention and we cannot forget.

At the top of that hill one can feel the complicity, the shared fire, the years of struggle. They tell of how one of them would go around with her parasol in the afternoons from house to house having coffee and conversing with the people she would invite, convincing them
We are going to make a community council!
Let’s move forward together as a community!
Let’s make plans for education, sports, health, nutrition, a women and gender equality committee, the economy.
We can form our own People’s Government so our Neighbourhood can Be Beautiful!

And that is how the houses came, the doctor’s office, daycare, electricity, potable water. These are some of the community’s achievements, some of our common dreams come true.
And you might ask how a cuentera, a storyteller, made her way to a hill with the name of a lion
And I will tell you: it’s that I was born rowdy, always fighting, I was born a wanderer my grandmother would say, born ready Comandante Chavez would add, from so much walking, grumbling, fighting, and doubting that military man, that I would end up becoming convinced by the community project, by the idea of self-government, of the people managing their own resources, of all the power going to the communities, and so I was convinced.

But I knew something was missing because the women, the women of the community kept building up the people’s power and putting our hearts in the anti-imperialist and anti-capitalist fight, but there is something that hurts and continues to affect us. There are wounds from a patriarchy still present.
So one day, I found myself crying and the drum of the earth beat and our women ancestors spoke.
I found myself surrounded by a group of women who held me up, who contained me as I spilled over in front of them, as it both hurt and liberated me at the same time. That is how I discovered that love among women heals you, saves you, and that our friendship is profoundly political and that sisterhood is a way of being, of living life. From that moment on I never felt alone again, I never felt like an island again, because I know there is a group of women who carry me, bring me, love me, care for me and me for them. I know that this way of becoming a feminist with the mysticism of women loving life is an experience of feeling connected and loved by women, even if you never see them again. How not to want this that happened to me, to happen also to other women, this new beginning, this birth of a new heart is a gift from the goddesses that must be shared.  

So I decided to join the women and I began walking from community to community to learn about others’ experiences. We began debating health, education, nutrition, we began preaching the anti-patriarchal word and calling for communities free of machismo. We insisted on recovering ancestral knowledge, intuition, we decided to defend life by talking about abortion and we found ourselves laughing, crying, debating, reflecting. I find myself with Macu, with the China, Yenni, Carolina, Maria, Ramona, Irma, and even with our sister Yenifer who left us not long ago.

This is my homage to them, the women of the hill, the lioness women, the ones who without a doubt have sown a seed in me with so much force it now beats with my heart.
Without a doubt they blaze a path, they are the ones who make caring for a family possible, collective care. They are also a force, a force in a territory that fights to overcome the embargo, the patriarchal violence, the political treason, to overcome the bureaucracy and the corruption.

Without a doubt they blaze a path
Without a doubt they are a compass
Without a doubt they are the heart of the community

Many thanks, I am Maria Bonita, Mharyha Morales from Venezuela. I hope you will continue to enjoy this beautiful festival that brings us women together, in all our diversity, that brings us together from the heart of the community to create, resist, and transform.

Thank you.