Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Movement Building

Related Content

Snippet FEA LINES OF ACTION (EN)

What are they working on?

Illustration of a hand with a pencil writing on white paper

Human and ethnic-territorial rights

Ensuring the defense of human rights and Nature’s rights through alliance-building with local, national, regional and global actors and organizations.

A person holding a plant in a pink pot in their hands

Sustainable development

Ensuring all economic, cultural and environmental activities contribute to sustainable development, food security and income generation, while respecting the self-determination and self-government of Afro-descendant communities.

Three women sitting next to each other

Education and training

Carrying out training for women and empowering them to carry out women’s rights advocacy in different political, social and economic spaces.

For more information, see here!

Our values - Justice and systemic change

Justice and systemic change

We work towards a world based on social, environmental, and economic justice; and interdependence, solidarity, and respect. We work towards dismantling systems of oppressive power and against all its manifestations, including patriarchy, fundamentalisms, militarisms, fascisms and corporate power that threaten our lives and our world. We want a just world where resources and power are shared in ways that enable everyone to thrive.

Snippets FEA EoS The Cover (EN)

Illustration of a pink house with a yellow background

The Cover
Care and healing environment

FRMag - Anatomy of a survivor's story

Anatomy of a Survivor's Story

by Maryum Saifee

When you do a search for “Female Genital Mutilation” or “FGM” online, an image of four line-drawings of the female anatomy pop up next to its Wikipedia entry. (...)

Read

artwork: “Dreams” by Neesa Sunar > 

Snippet FEA Objectives NSS - Traditional Knowledge (EN)

TRADITIONAL KNOWLEDGE

Brown hands with yellow seeds in the palms
To use and promote traditional knowledge and practices transmitted from generation to generation, which supports food sovereignty and the preservation of peasant seed.

FRMag - Resistance Series

Feminist Resistance Series

See artwork series

Snippet FEA Life expectancy of a trans and travesti (EN)

This illustration depicts a faceless person with long dark hair and a burgundy shirt, with the number 37 written across the image (37 being the life expectancy of a trans and travesti person in Argentina)

Life expectancy of a trans and travesti person in Argentina is 37 years old - the average age for the general population is 77.

OURS 2021 - Chapter 1

Chapter 1

Advancing Feminist Agendas: Key Progressions on Gender and Sexuality

While fundamentalisms, fascisms and other systems of oppression shapeshift and find new tactics and strategies to consolidate power and influence, feminist movements continue to persevere and celebrate gains nationally and in regional and international spaces.

Read more 

Snippet FEA Georgia this is only the beginning (EN)

Georgia

Solidarity Network

 

THIS IS ONLY THE

BEGINNING

Crear | Résister | Transform: A Walkthrough of the Festival! | Content Snippet EN

As heteropatriarchal capitalism continues to force us into consumerism and compliance, we are finding that our struggles are being siloed and separated by physical as well as virtual borders.

And with the additional challenges of a global pandemic to overcome, this divide-and-conquer strategy has been favorable for the proliferation of exploitation across many areas.

Yet, From September 1 to September 30, 2021, Crear | Résister | Transform: a festival for feminist movements! took us on a journey of what it means to embody our realities in virtual spaces. At the festival, feminist activists from across the world came together, not only to share experiences of hard-won freedoms, resistances, and cross-borders solidarities, but to articulate what a transnational form of togetherness could look like. 

It is this togetherness that has the potential to defy borders, weaving a vision for a future that is transformative because it is abolitionist and anti-capitalist. Spread out over a month, across digital infrastructures that we occupied with our queerness, our resistance, and our imaginaires, the festival showed a way to deviate from the systems that make us complicit in the oppression of others and ourselves. 

Though Audre Lorde taught us that the master’s tools will never dismantle the master’s house, Sara Ahmed showed us that we can misuse them. Because we had to make space for assembly, in spite of all the other demands on our time, it became possible to imagine a disruption to the reality of heteropatriarchal capitalism.

Now, if we understand assembly as a form of pleasure, then it becomes possible to make the link between transgressive pleasure and transnational/transdigital resistance. Between the kinds of pleasure that challenges borders on the one hand, and queerness, campiness, land and indigenous struggle, anti-capitalism, and anti-colonial organizing on the other. 

This issue attempted to capture a sense of how the festival’s exercise in assembly took on multiple shapes and imaginations. Beyond direct collaborations with some of its speakers and dreamers, we brought on a plethora of other voices from the Global South to be in conversation with many of its themes and subjects. Below is a map of some of the festival’s panels that most inspired us.

Snippet FEA Workers Persecution S4 (EN)

A law enforcement agent in pink riot gear holding a stick

WORKERS PERSECUTION

#9 - Sexting like a feminist Tweets Snippet EN

Always good to establish ground rules.

Leave your biases, preconception, and your clothes at the door!

Snippet FEA Unio Otras Photo 3 (EN)

Photo of Sabrina Sanchez speaking next to a screen on Ilga World meeting

Celluloid Ishtar | Small Snippet

Celluloid Ishtar

When I was 6, I learned that my grandfather owned a movie theater. My mother recounted to me how it had opened in the early 1960s, when she was also about 6 years old. She remembered that they screened The Sound of Music on the first night...

Read more

Illustration of film reel