Joan Kagezi
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When you come to the center of São Paulo, you will see the building of the Ocupação 9 de Julho - a landmark in the struggle for social housing and an important cultural site. This is the work of The Homeless Workers Movement (Movimento dos Sem-Teto do Centro, MSTC) a movement of over 2000 people that operates in the city center and converts abandoned spaces into housing for low-income workers, children, women, adults, the elderly, migrants and refugees. In this particular building, they provide food and shelter to 122 families.
FRMag - Anatomy of a survivor's story
Anatomy of a Survivor's Story
by Maryum Saifee
When you do a search for “Female Genital Mutilation” or “FGM” online, an image of four line-drawings of the female anatomy pop up next to its Wikipedia entry. (...)
artwork: “Dreams” by Neesa Sunar >
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Metzineres provides the following kinds of support, known as
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Feminist Resistance Series
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Snippet FEA We are living in a world (EN)
We are living in a world where the destruction of Nature fuels our current global economy. |
Even in times of climate crisis, governments continue to encourage large-scale agriculture industries to expand. These activities poison the land, threaten biodiversity, and destroy local food production and livelihoods. Meanwhile, while women produce the majority of our food in the world, they own almost none of the land. |
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What if we perceived land and Nature not as private property to exploit, but as a whole to live in, learn from, and harmoniously coexist with? What if we repaired our relationships with the land and embraced more sustainable alternatives that nurture both the planet and its communities? Nous Sommes la Solution (We Are the Solution, NSS) is one of many women-led movements striving to do this. This is their story. |
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ours chapter 5
Chapter 5
Anti-Rights Tactics, Strategies, and Impacts
Anti-rights actors adopt a double strategy. As well as launching outright attacks on the multilateral system, anti-rights actors also undermine human rights from within. Anti-rights actors engage with the aim of co-opting processes, entrenching regressive norms, and undermining accountability.
Dolorosa Mubvumbi
Snippet FEA NSS Quote (EN)
“It’s the indigenous knowledge and the practices that have always supported food sovereignty and this knowhow is in the hands of the women … Ecofeminism for me is the respect for all that we have around us.”
Mariama Sonko
Interview to The Guardian
Crear | Résister | Transform: A Walkthrough of the Festival! | Content Snippet EN
As heteropatriarchal capitalism continues to force us into consumerism and compliance, we are finding that our struggles are being siloed and separated by physical as well as virtual borders.
And with the additional challenges of a global pandemic to overcome, this divide-and-conquer strategy has been favorable for the proliferation of exploitation across many areas.
Yet, From September 1 to September 30, 2021, Crear | Résister | Transform: a festival for feminist movements! took us on a journey of what it means to embody our realities in virtual spaces. At the festival, feminist activists from across the world came together, not only to share experiences of hard-won freedoms, resistances, and cross-borders solidarities, but to articulate what a transnational form of togetherness could look like.
It is this togetherness that has the potential to defy borders, weaving a vision for a future that is transformative because it is abolitionist and anti-capitalist. Spread out over a month, across digital infrastructures that we occupied with our queerness, our resistance, and our imaginaires, the festival showed a way to deviate from the systems that make us complicit in the oppression of others and ourselves.
Though Audre Lorde taught us that the master’s tools will never dismantle the master’s house, Sara Ahmed showed us that we can misuse them. Because we had to make space for assembly, in spite of all the other demands on our time, it became possible to imagine a disruption to the reality of heteropatriarchal capitalism.
Now, if we understand assembly as a form of pleasure, then it becomes possible to make the link between transgressive pleasure and transnational/transdigital resistance. Between the kinds of pleasure that challenges borders on the one hand, and queerness, campiness, land and indigenous struggle, anti-capitalism, and anti-colonial organizing on the other.
This issue attempted to capture a sense of how the festival’s exercise in assembly took on multiple shapes and imaginations. Beyond direct collaborations with some of its speakers and dreamers, we brought on a plethora of other voices from the Global South to be in conversation with many of its themes and subjects. Below is a map of some of the festival’s panels that most inspired us.
Berta Cáceres Flores
Snippet FEA Financial Precarities (EN)
is constant
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Always good to establish ground rules.
Gladys Lanza Ochoa
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Celluloid Ishtar | Small Snippet
Celluloid Ishtar
When I was 6, I learned that my grandfather owned a movie theater. My mother recounted to me how it had opened in the early 1960s, when she was also about 6 years old. She remembered that they screened The Sound of Music on the first night...
Audette Salem
Snippet FEA Sopo Japaridze Quote (EN)
"We know everything is against us and there is very little chance to change that. But we believe in intervention and I do think we have a chance and should use it. That’s why we're doing everything we're doing. We're willing to push for things that are unheard of."
Sopo Japaridze to OpenDemocracy
Photo @სოლიდარობის ქსელი / Solidarity Network
El Nemrah | Snippet AR
النمرة.