À propos des auteurs

Louise Malherbe est une programmatrice/commissaire de films et une critique de cinéma basée à Berlin. Elle a travaillé comme programmatrice de films pour l’association Metropolis Cinema à Beyrouth et coordonne aujourd’hui le projet Reel Streams qui vise à soutenir la diffusion du cinéma indépendant dans la région arabe. Elle est responsable de la programmation du Soura Film Festival, un festival de films queer centré sur la région S.W.A.N.A., écrit des critiques de films pour Manifesto XXI et est depuis peu commissaire de films et de festivals pour Cinema Akil.

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التعبير عن الرغبة وغيرها من الممارسات السياسيّة الأيديولوجيّة المجسَّدة

مع منال التميمي وليديوي راسيكوالا ولويز ماليرب حقوق ملكيّة المدوّنة الصوتية: زهور محمود

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Ester Lopes est une danseuse et une écrivaine dont les recherches portent sur le corps, le genre, la race et les rapports de classe. Elle est professeure de Pilates et enseigne l’art. Ester est diplômée en théâtre contemporain – processus créatifs (à la FAINC) et en danse et conscience du corps (à l’USCS). Parmi ses spécialisations musicales figurent le chant populaire et les percussions. Elle a suivi une formation à Novos Brincantes avec Flaira Ferro, Mateus Prado et Antonio Meira à l’Institut Brincante en 2015 et 2016.

AWID began preparing this annual report just as the global pandemic began to unravel how we gather, organize and live our lives. It is impossible to review what we have done without COVID-19 tinting our assessment. 

Download the full 2019 Annual review

Co-Creating Feminist Realities is no longer just an AWID Forum theme - it is a rallying cry in response to a pandemic that has laid bare the failures of social, political and economic systems.

It is an urgently needed affirmation that there are other, more just ways of organizing our lives. During 2019 hundreds of groups shared their experiences and proposals for feminist realities with us, ranging from radical networks of community support in Latin America facilitating self-managed abortion, to practices of community-centered economies in Indonesia and community-centered food systems in India and the US, to a  re-imagination and new practice of harm-free rites of passage in Sierra Leone. These are the experiences that will chart a path forward for a “new normal”. 
Yet long histories of oppression and violence can make it difficult to imagine the possible. A key part of our work in 2019 was to spark these explorations through a toolkit AWID launched to support groups interested in unearthing the stories and aspirations that are the building blocks of feminist propositions.

While we focus on our proposals for a different world, we recognize the challenging context around us.

Through the Observatory on the Universality of Rights, Feminists for a Binding Treaty, Count Me In! and other alliances, AWID has continued to push back against unfettered corporate power and fascist and fundamentalist agendas that undermine women’s rights and gender justice. With dim prospects for transformative change through multilateral processes  and limited responsiveness from most states, we are redoubling our efforts  to ensure that feminist movements, in all their diversity, are resourced in ways that match the critical roles they play - supporting their communities, demanding rights and responding to crises. In 2019 we introduced feminist principles and approaches to ground-breaking funds like the Spotlight Initiative and the Equality Fund, and succeeded in leveraging resources through feminist reality seed grant funding from feminist funders.

As we look ahead, it is clear that the context is calling for a transformation of our organizing strategies:

• we are learning to navigate global advocacy confined to online channels,
• we grapple with the uncertainty of when and how we can convene in person, and
• we use the tools at our disposal to tighten connections across local to global spheres.

AWID is embarking on a new membership model that lowers barriers to access and emphasizes opportunities for engagement and cross-member connection. We will continue to experiment with different online tools and processes for building community. Cross-movement engagement will stay at the center of our work. AWID’s actions in solidarity with oppressed movements and identities, even and especially where these are marginalized in feminist movements, are important to drive change and support broad and inclusive movements for all.

Crisis is not new to feminist and social movements.

We are resilient, we adapt, and we show up for each other. And we have to keep doing better. Thank you to all who are part of the journey with us.

Download the full 2019 Annual review

Download the full 2019 Annual review

Sí, por favor. El mundo ha cambiado desde 2021, y te invitamos a proponer una actividad que refleje tus realidades y prioridades actuales.

Desintegración

 El miércoles llega una nota con una dirección en el reverso.

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“Now might be a good time to rethink what a revolution can look like. Perhaps it doesn’t look like a march of angry, abled bodies in the streets. Perhaps it looks something more like the world standing still because all the bodies in it are exhausted—because care has to be prioritized before it’s too late.” 
- Johanna Hedva (https://getwellsoon.labr.io/)

Hospitals are institutions, living sites of capitalism, and what gets played out when somebody is supposed to be resting is a microcosm of the larger system itself. 

Institutions are set out to separate us from our care systems – we find ourselves isolated in structures that are rigidly hierarchical, and it often feels as if care is something done to us rather than given/taken as part of a conversation. Institutional care, because of its integration into capitalist demand, is silo-ed: one person is treating your leg and only your leg, another is treating your blood pressure, etc. 

Photographer Mariam Mekiwi had to have surgery last month and documented the process. Her portraits of sanitized environments – neon white lights, rows after rows of repetitive structures – in a washed-out color palette reflect a place that was drained of life and movement. This was one of the ways Mariam kept her own spirit alive. It was a form of protest from within the confines of an institution she had to engage with.

The photos form a portrait of something incredibly vulnerable, because watching someone live through their own body’s breakdown is always a sacred reminder of our own fragility. It is also a reminder of the fragility of these care systems, which can be denied to us for a variety of reasons – from not having money to not being in a body that’s considered valuable enough, one that’s maybe too feminine, too queer or too brown.  

Care experienced as disembodied and solitary, that is subject to revocation at any moment, doesn’t help us thrive. And it is very different from how human beings actually behave when they take care of each other. How different would our world look like if we committed to dismantling the current capitalist structures around our health? What would it look like if we radically reimagined it?