AWID in the media

News compilation regarding AWID's work and organization.

• Is #MeToo a West-only movement?. Aljazeera, Jan 2018
• The principles of self-care. Sur Conectas, Dec 2017
• Change Through Humour! Meet Nidhi Goyal, India’s First-Ever Disabled Woman Comedian. The better India, Sep 2017
• Women are still targeted over fighting for human rights. Egypt today, Dec 2017
• Egypt: Hunting out Feminists in Egypt – Azza Soliman and Mozn Hassan Embody the State’s Refusal of Feminist Activism in both Private and Public Spheres. World Organization Against Torture, Jan 2017
• Access to land for indigenous women: an essential condition for eradicating gender violence. Intercontinental cry, Dec 2016
• Get Bangladesh women in unions to improve worker rights: campaigner. Reuters, Sep 2016
• Funding for women’s rights groups in poor countries falls by more than half. The Guardian, Sep 2016
• Men are 'allies to the cause' of equality for women, says campaigner. Reuters, Sep 2016
• Violent Extremist Groups Take Special Aim at Women, UN Official Says. Voa news, Sep 2016
• At a global forum of feminists, one thing is clear: it's where you live that counts. The Guardian, Sep 2016
• To End Malnutrition, Empower Women, Say Experts. News deeply, Jun 2016
• Gloria Steinem supports Salvadoran women in their fight against femicide. PR Newswire, Jun 2016
• Every hour, five women are killed by partners or family members. Left foot forward, Mar 2016
• Combatting Violence Against Women in Algeria: Mobilizing and Challenges. Reuters, Dec 2015
• When women human-rights activists are in danger, it’s women who come to their rescue. Vanity Fair, Jul 2015
• Another World Is Possible, Without the 1 Percent. Huffington Post, Mar 2015
• Use the power of the people to challenge the people in power!. New internationalist, Mar 2015
• Brazil: Sexual and Reproductive Health Rights (SRHRs) Challenged by Religious-Based Political Parties. Reuters, Oct 2013
• Why Economic Justice Is Central to LGBT Rights. Huffington Post, Jul 2012

Press releases

Press kits and statements

Social Media Kits

• A tribute to WHRDs who are no longer with us
• “Movements Matter” digital visual art series
• Brazil 2016 Forum Social Media Kit

Videos

Conferences, talks, seminars video recordings

Media contact

Contact email

+1 416 594 3773

About the authors

Louise Malherbe is a film programmer/curator and a film critic based in Berlin. She worked as a film programmer for the Metropolis Cinema Association in Beirut and is now coordinating the Reel Streams project aiming at supporting the dissemination of independent cinema in the Arab region. She is Head of Programming for Soura Film Festival, a queer film festival focusing on the S.W.A.N.A. region, writes film critics for Manifesto XXI, and recently started curating films and festivals for Cinema Akil.

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Ishtar de celuloide

A los seis años, me enteré de que mi abuelo tenía una sala de cine. Mi madre me contó que la había abierto a principios de la década de 1960, cuando ella también tenía unos seis años. Recordaba que la primera noche proyectaron La novicia rebelde / Sonrisas y lágrimas...

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• The information contained in this communication is confidential and is intended solely for the addressee. 

• This communication may contain information proprietary to the Association for Women’s Rights in Development (AWID), and may not be reproduced or disseminated in whole or in part without AWID's written consent. 

• AWID does not warrant that any information contained herein is complete or correct. This communication is not an offer to enter into any agreement and is not a confirmation of any agreement described herein unless the context clearly indicates the contrary. 

• AWID is not acting as your adviser in any agreement that may be proposed herein, and this communication does not constitute a recommendation, guidance or proposal to enter into any agreement. 

• AWID does not guarantee or otherwise assure the expected results of any agreement. This communication may contain views or opinions that are not necessarily those of AWID. 

• You shall not be entitled to place any reliance on the information contained in this communication for the purposes of entering into any proposed agreement or otherwise.

You are welcome to submit up to 2 activities as the organizer. You can still be a partner on other applications.

Ester Lopes is a dancer and writer whose research focuses on the body, gender, race, and class relations. She is a Pilates instructor and art educator. Ester graduated in Contemporary Theater – Creative Processes (at FAINC) and in Dance and Body Consciousness (at USCS). Her musical specialization includes popular singing and percussion. She received training in Novos Brincantes with Flaira Ferro, Mateus Prado, and Antonio Meira at Brincante Institute in 2015 and 2016.

Our thoughts are with the many people all around the world who are most affected by the repercussions of the global COVID-19 pandemic, especially marginalised communities that are historically oppressed.

This is an invitation for artists and creative activists to join a virtual space to connect, build community, and support each other through these challenging times. For this we have created a new Slack community to safely share insights, learnings, life-hacks, resources, advice, fears and anxieties, hopeful and joyful reminders, and in general chat about how we’re doing.

Join us on Slack

After filling out the form, we will send you a personal invitation to the community.

About this community:

For those who are new to Slack, we’ll have orientation sessions and materials available after you sign up.

Since we are working in three languages (English, Spanish, French) we invite you to write in the language you are the most comfortable with and use online translation tools (Google Translate or others) to participate in discussions.

Co-creating welcoming and safe spaces:

Please refer to the Community Guidelines

The co-creation of our feminist realities starts with ourselves and how we treat each other. We are dedicated to creating and protecting safe and supportive spaces for our communities both online and in person.  We also consider that safe and welcoming spaces are co-owned and co-created. We expect our members to act in a manner that is ethical, responsible and consistent with the values of AWID and assume collective responsibility to ensure an atmosphere of mutual respect and solidarity.

Weekly Prompts: 

As part of our ongoing discussions, we will offer weekly prompts in Slack with the intention to gently facilitate dialogue and inspire art-making processes. This can be an introspective process, but to make the most out of this community, we welcome you to interact with other community members and share thoughts as part of our discussions. The intention is to invite folks to respond freely and gradually by writing or making art in whatever way feels best. 

We hope to have relevant and timely discussions with you, so we invite your suggestions and feedback. In general, the themes will center the experiences and perspectives of artists, writers, and creators -- and they will make space for folks to vision into and beyond the current global climate through the lens of feminist realities.

Join us on Slack

Es exactamente el mismo proceso, con la misma fecha límite. Por favor utiliza el mismo formulario para presentar tu propuesta de actividad, ya sea esta presencial, en línea o híbrida (presencial y en línea).

وصلتني رسالة يوم الأربعاء
مصحوبة بعنوانٍ على ظهرها. 

الخامسة مساءً، اليوم

خطّ كتابة الدعوة –
متحفّظ وجاف – 
رأيته خمس مرّات في خمس سنوات. 

جسدي مُستنفَر، 
محموم. 

أحتاج لمضاجعة نفسي أوّلًا. 

المدُّ عالٍ الليلة 
وأنا 
أنتشي. 

أريدُ إبطاءَ كلَّ شيء، 
واستطعام الوقت والفراغ، 
أن أحفرهما 
في الذاكرة. 

*

لم آتِ أبدًا إلى هذا الجزء من البلدة. 
الأماكن المجهولة تثيرني،
[كذلك] الطريقة التي تقاوم بها الأشلاء والعروق والعظام 
الاضمحلال،
مصيرهم غامض. 
عند الباب أعيدُ التفكير. 
الرواق قاتم السواد
يجعلني أتوقّف. 

على الناحية الأخرى، 
مثل اللعنة، يُفتَح باب 
من الروائح والألوان 
على عَصْرٍ مُشمس. 

النسيم 
يجعل شعري يرقص، 
يثير فضوله، 
يدفعه للحركة. 

أسمعُ أزيزَ الكرسي المتحرّك، 
يشكّل الظلال. 
عندها أراهم: 
وجه فهد
وجسدٌ مثل جسدي 
وأجِدني راغبة بكليهما
مرّة أخرى. 

يقترب المخلوق منّي. 

إيماءاتهم تكتب جملة؛ 
كلّما اقتربت منهم، 
أتبيّن تفاصيلها: 

       ذبول، لحم، غِبطة

بأمر ٍمنهم، تزحف الكرمة 
التي تغطّي الرُواق 
مُعانقةً الصخور الدافئة
وتتسلّق الحائط كالأفعى.

لقد أصبح فعلًا، 
«أن تقفز»، 
أُعيدَ توجيهي عندما أشارت مخالبهم 
نحو سرير الكرم في المنتصف. 
أسمع العجلات خلفي، 
ثم أسمع ذلك الصوت. 
يُدوي 
بشكلٍ لا مثيل له. 
أجنحتهم الطويلة السوداء
ترتفع نحو السقف
ثم تندفع للأمام. 

عينا الهرّة تفحص كلّ تفصيلة، 
كلّ تغيّر، 
كلّ تَوق. 

هل يمكن أن تُذيب الرغبة عضلاتك؟ 

          هل يمكن أن تكون أحلى من أقوى المهدّئات؟

فهدٌ يخيط العالم، 
عبرَ اختلافاتنا، 
غازلًا الدانتيل حول ركبتيَّ. 

هل يمكن للرغبة أن تسحق تباعُد العالم، 
أن تكثّف الثواني؟ 

مازالوا يقتربون، 
تلتقي عين الفهد بعين الإنسان، 
تتنشّق الهواء، 
تُحوِّل الجسد إلى 
إلحاح. 

يخفقون بأجنحتهم للأسفل. 
هائجة، 
تلتفّ الكرمة حول خصري/ خسارتي. 

لسانهم يرقّق الوقت، 
تتبدّل الآراء، 
يُسكِّن، بسحرهم، 
ما يشتعل أسفل [السطح]. 

        أرى العالم فيك، والعالم مُنهَك. 

ثم يتوسّلون: 

        دعيني أقتات عليك.