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Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Women Human Rights Defenders

WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.

WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.

The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.


Risks and threats targeting WHRDs  

WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.

By defending rights, WHRDs are at risk of:

  • Physical assault and death
  • Intimidation and harassment, including in online spaces
  • Judicial harassment and criminalization
  • Burnout

A collaborative, holistic approach to safety

We work collaboratively with international and regional networks and our membership

  • to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
  • to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk

We work to promote a holistic approach to protection which includes:

  • emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
  • documenting the violations targeting WHRDs using a feminist intersectional perspective;
  • promoting the social recognition and celebration of the work and resilience of WHRDs ; and
  • building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles

Our Actions

We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.

  • Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to  strengthen  responses concerning safety and wellbeing of WHRDs.

  • Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa  Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;

  • Increasing the visibility and recognition of  WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:

  • Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.

Related Content

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Snippet FEA EoS Artisana (EN)

A pink paint palette with a pink brush with yellow details

Artisana
Art and creativity

Our group, organization and/or movement is not registered, should we take the survey anyway?

Absolutely, we want to hear about your experience with resourcing.

Mechthild "Mel Hired" Möhring

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We all can dance
by Mechthild Möhring (aka serialmel)

How I punt myself at the narrow hard knitting I once retrieved. I'm dancing in the kitchen when I'm alone. Gracile and powerful. When I'm in company I'm clumsy. My body scandalizes, scandalizes the laws of look I feel, scandalizes the words which banished me. "Of course she can dance, it's in her blood as a Black person." "If she is able to dance nicely she is good in bed" they whisper, they murmur, no - they say it openly into my face. They smirk and rub themselves against me and let me move back. I stumble and fall. My feet reject their duty. Bearish I get out of breath. Smiling I place myself out of events and notice how my face freezes into a mask.

Translated into English by Tsepo Bollwinkel
 


Original in German

Tanzen können wir alle
Von Mechthild Möhring (aka serialmel)

Wie ich mich stosse an den engen, harten Maschen, in die ich mich einst zurückgezogen habe. Ich tanze in der Küche, wenn ich allein bin. Grazil und kraftvoll. Wenn ich in Gesellschaft bin, bin ich unbeholfen. Mein Körper eckt an, an die Gesetze des Blicks, den ich spüre, an die Worte, die mich bannten. „Natürlich kann sie tanzen, als Schwarze hat sie das im Blut.“ „Wenn sie gut tanzen kann, dann ist sie auch gut im Bett“ flüstern sie, raunen sie, nein, sie sagen es mir laut ins Gesicht. Sie grinsen und reiben sich an mir und lassen mich zurückweichen. Ich stolpere und falle. Meine Füsse verweigern ihren Dienst. Tollpatschig gerate ich ausser Atem. Lächelnd setze ich mich an den Rand des Geschehens und bemerke, wie mein Gesicht zur Maske erstarrt.

My Queer Ramadan 

by Amal Amer, California, US

I pray with my family for the first time in six years while wrapped in a keffiyah I scavenged from a dumpster.

Since coming into myself, I have refused to pray in jamaat with my family. Joining in the ranks of hierarchy, “women” behind “men” irks me. It grates my skin and teeth to the degree where I can’t focus, and the standing, bowing, and kneeling feels like a battle against my true being. Each second listening, a betrayal of my nature. Instead, I pray by myself in my own way. 

Yet this Ramadan, I feel different. Back in my childhood home after many years, I am choosing to fast. I choose suhoor with my family, and praying together feels like a natural extension of eating together. After eating, my mother, father, brother and I line up for fajr. 

I pray behind Baba, but my prayer is my own. I close my eyes, staying with my breath and my body. 

My eyes closed, I open my inner sight to a wide open window on a vista of mountains, bright sun spreading over a light mist of clouds. This was the view I had while praying in jamaat at a queer Muslim wedding I attended in the mountains of the South of France last September. 

I lined up with the wedding guests, queer and trans folks of North and West African, Arab, and European descent. Folks of all faiths joined while some chose to stand in respect at the sides or behind. The groups did not fall along fault lines of “Muslim” or “non-Muslim,”  “religious” or “non religious.” The two lovers marrying each led us in prayer, and so did the Muslim woman officiating the nikkah. Each of the three led us in two rounds of prayers, two raqat.

I showed up as I was, my body uncovered. I had not washed. I only passed my camera to a friend who chose to stand at the side. 

In the first sujood, I broke down crying. I wore a jean dress that loves my body, one found at a thrift store my ex-girlfriend pointed me to.

The sobs come through my whole body during the prayer, and I put my head to the earth with my community like a homecoming. A return to the embrace of love both intensely personal and communal, and I am held.

It feels like swimming in the sea with multiple people:  joyful togetherness. But when you go beneath the water, it’s just you and the current. 

Like a dozen people buried in the same graveyard. Separate, but sharing the same soil. Becoming one with the growing earth. 

That was how it felt to pray in communion at a queer Muslim wedding.

I welcomed the light of acceptance while showing up as myself that day, with a group of people who had also chosen to claim all the parts of themselves in love. That light made a home in me, and it illuminates my heart in the dark living room at fajr this Ramadan morning. Though I pray with my birth family who do not accept all of me, I see myself praying in jamaat at that glorious wedding with all of my queer Muslim ancestors, my queer angels, my lineage, my soul family, my queer Muslim family, all standing in prayer. Bowing as one. 

My family’s home does not always feel like my own, though I am here now. I take the bukhoor from room to room, barefoot. Smolder from the censer, an incense that says, “Here I am.” Baraka, blessings from the source of all, Allah and the Goddess to each room in the house, bidding good and dispersing the unbidden. 

As I write this the sky turns the same royal blue I am familiar with from exiting the club and pulling all-nighters. It is the gradient of morning I step into as I go to sleep. 

Word meanings:

  • Ramadan: the Muslim holy month, traditionally observed with 29 days of fasting without food or water during daylight hours

  • Keffiyah: a patterned scarf common in the SWANA region. The black and white version referred to here is associated with the Palestinian liberation movement 

  • Pray in jamaat: Islamic ritual prayer in a group. Participants follow one person, traditionally male, who calls the prayer aloud.

  • Suhoor: the meal before the fast starts at dawn

  • Fajr: the dawn prayer

  • Baba: father

  • Raqat: one round of prayer consisting of standing, bowing, kneeling, and pressing the head to the ground

  • Sujood:the prayer position when one presses one’s head to the earth

  • Nikkah: the religious marriage ceremony 

  • Bukhoor: an Arabic incense, woodchips soaked in resin

  • Baraka: blessing

 


“Angels go out at night too”

by Chloé Luu (@Electrichildren), France

Pictures of angels in my life, just some women and non-binary people of color hanging out, taking care of themselves and expressing love to each other. It's these simplest moments that are the most empowering.

Chloé Luu (@Electrichildren)
Chloé Luu (@Electrichildren)
Chloé Luu (@Electrichildren)
Chloé Luu (@Electrichildren)
Chloé Luu (@Electrichildren)

 


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Snippet FEA NSS has a vision of an Africa (EN)

Nous Sommes la Solution has a vision of an Africa where, in solidarity, rural women involved in decision-making can grow, process, sell and consume family farming products  while preserving the environment, for a harmonious and sustainable development.”

¿Qué entienden por financiamiento externo?

El financiamiento externo incluye donaciones y otras formas de financiamiento provenientes de fundaciones filantrópicas, gobiernos, donantes bilaterales, multilaterales y corporativos y de donantes individuales, ya sea que estos se encuentren radicados en tu país o en el exterior. Excluye aquellos recursos que las agrupaciones, organizaciones o movimientos generan de manera autónoma como, por ejemplo, cuotas de membresía, contribuciones voluntarias del personal, afiliadxs o adherentes, colectas comunitarias, alquiler de espacios propios o venta de servicios. Para consultar más referencias, en la propia encuesta se encuentran incluidas las definiciones de los distintos tipos de financiamiento y descripciones breves de distintos tipos de donantes.

Principes d'engagement

Bienvenue à Crear | Résister | Transform : un festival dédié aux mouvements féministes !

Principes d'engagement

L'AWID s'engage à créer un espace en ligne qui nous invite et nous pousse tou·te·s à faire preuve de courage, de curiosité, de générosité et de responsabilité partagée. 

Nous vous invitons à créer à nos côtés des espaces sans harcèlement ni violence, où chacun·e est respecté·e dans son identité et son expression de genre, sa race, ses capacités, sa classe, sa religion, sa langue, son ethnicité, son âge, sa profession, son type d'éducation, sa sexualité, sa taille et son apparence physique. Des espaces où nous reconnaissons les inégalités de notre monde et où nous nous efforçons de les transformer au gré de nos propres interactions avec les autres.


Nous voulons créer un espace qui permette à tout·te·s :

  • d’être présent·e·s:

Soyez là les un·e·s pour les autres en étant activement à l’écoute. Essayons de nous sentir proches, même si tout est virtuel. Pour cela, vous aurez accès à l’interprétation de la discussion et à des moyens de communications ouverts (comme la boîte de dialogue et autres outils) pour réagir et échanger. Nous vous recommandons de porter des écouteurs ou un casque pendant la séance pour mieux entendre les autres et vous faire entendre. Dans la mesure du possible, essayez de fermer votre messagerie électronique ou toute autre distraction pendant que vous prenez part à la discussion.

  • de valoriser toutes les formes de savoirs:

Célébrons les multiples façons dont le savoir se manifeste dans nos vies. Nous vous invitons à aborder la conversation avec curiosité et ouverture d’esprit pour apprendre des autres, en se permettant de désapprendre et de réapprendre à travers ces  échanges, comme une manièrede commencer à construire collectivement des connaissances.

  • de se sentir accueillie·s: 

Nous nous engageons à adopter une approche holistique de l'accessibilité en tenant compte des différents besoins physiques, linguistiques, mentaux et de sécurité. Nous voulons un espace qui accueille des personnes d'origines, de croyances, de capacités et d'expériences différentes. Nous anticiperons au mieux mais vous demanderons également de nous communiquer vos besoins, et nous ferons de notre mieux pour y répondre.

  • de se sentir en sécurité et respecté·e·s :

Nous nous engageons tou·te·s individuellement et collectivement à respecter la vie privée de chacun·e· et à demander le consentement des autres avant de partager des images ou du contenu qui les concerne,  générés au cours de la conversation.


Créer un environnement sécurisé, respectueux et agréable durant ces conversations est la responsabilité de  tou·te·s .


Signalement

Si vous remarquez qu'une personne a un comportement discriminatoire ou offensant, veuillez contacter la personne de référence qui vous sera indiquée en début de session. 

Tout·e participant·e qui utilisera un langage ou des images abusives sera exclu·e de la conversation et ne sera pas réadmis·e. Nous n’aurons plus de relations avec cette personne de quelque manière que ce soit. 

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Snippet FEA Objectives NSS - Traditional Knowledge (ES)

CONOCIMIENTOS TRADICIONALES

Brown hands with yellow seeds in the palms
Utilizar y promover los conocimientos y prácticas tradicionales transmitidos de generación en generación, que apoyen la soberanía alimentaria y la preservación de las semillas campesinas

Ma langue ne fait pas partie des langues officielles de l’enquête, et j’ai du mal à y répondre - que puis-je faire?

L’AWID est engagée en faveur de la justice linguistique, et nous regrettons que l’enquête WITM ne puisse, à l’heure actuelle, être accessible dans d’autres langues. Cependant, si vous avez besoin d’une aide à la traduction ou que vous souhaitez participer à l’enquête dans une autre langue, n’hésitez pas à nous contacter à l’adresse witm@awid.org.

María Verónica Reina

María était reconnue au niveau mondial pour son leadership extraordinaire au sein de la communauté des personnes handicapées.

Elle a représenté l'International Disability and Development  Consortium (consortium international sur le développement et le handicap) lors de la négociation de la Convention des Nations Unies relative aux droits des personnes handicapées (2001-2006). Son travail a été consacré à la réalisation de l'objectif de la Convention, à savoir la réalisation des droits humains  universels par, pour et avec les personnes handicapées pour un monde inclusif, accessible et durable.

Selon ses propres mots, son leadership consistait à « … servir la communauté des personnes handicapées, en commençant par de petites tâches que d'autres pourraient ne pas vouloir faire».

Elle est décédée le 27 octobre 2017 dans sa ville natale de Rosario, en Argentine.

Pour en savoir plus sur María Verónica Reina, retrouvez son témoignage.

 


 

María Verónica Reina, Argentina

Colectivo Morivivi

Colectivo Moriviví is an all women artistic collective. Our artistic production consists of muralism, community-led muralism, and protest performance/actions. Our work is about democratizing art and bringing the narratives of Puerto Rican communities to the public sphere to create spaces in which they are validated. We believe that through artivism we can promote consciousness on social issues and strengthen our collective memory.  

“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Cacibajagua” 2017, Mural Project. Jiangxi, China
“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce,
“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce, Puerto Rico

 

“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce, Puerto Rico
“Paz para la Mujer” 2015, collaboration with Coordinadora Paz para la Mujer Organization. Santurce, Puerto Rico
Collectivo Moriri Artwork


As part of their participation in AWID’s Artist Working Group, Colectivo Morivivi gathered a diverse group of members, partners and staff to facilitate a collaborative process of dreaming into, informing, and deciding on the content for a community mural through a multi-stage co-creation process. The project began with a remote conceptualization with feminists from different parts of the planet brought together by AWID, and then it evolved to its re-contextualization and realization in Puerto Rico. We were honored to have the input of local artists Las Nietas de Nonó(@lasnietasdenono), the participation of local women in the Community Painting Session, the logistics support from the Municipality of Caguas, and FRIDA Young Feminist Fund’s additional support to the collective.
 
The mural explores the transcendence of borders by presenting bodies like a map, in an embrace that highlights the intersection of the different feminist manifestations, practices and realities. 
 
We also thank Kelvin Rodríguez, who documented and captured the different stages of this project in Puerto Rico:

Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork
Collectivo Moriri Artwork

About Colectivo Morivivi 

Colectivo Morivivi portrait

Moriviví is a collective of young female artists, working on public art since April 2013. Based in Puerto Rico, we’ve gained recognition for the creation of murals and community led arts.

The group started out in local Urban Art Festivals. As our work became more popular, organizations and community leadership started to reach out to us. We began as eight high schoolers who wanted to paint a mural together. However, in eight years of hard work, we’ve faced many challenges.  Now we are in a period of transition. During this following year, we aim to restructure the collective internally. Our goal is to open new opportunities for collaborators and back-up our decision making process with a new evaluation system.  In the long run, we aspire to become an alternative school of art practice for those interested in immersing themselves in community art production.

Snippet FEA NSS Quote (FR)

« Les savoirs et pratiques indigènes ont toujours soutenu la souveraineté alimentaire, et ce savoir-faire est entre les mains des femmes [...] L'écoféminisme pour moi, c'est le respect de tout ce que nous avons autour de nous » -

Mariama Sonko