Luz Yeni Montaño
Memory as Resistance: A Tribute to WHRDs no longer with us
AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
In 2020, we are taking a turn
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
The Tribute was first launched in 2012
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
To date, 467 feminists and WHRDs are featured.
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Our group, organization and/or movement has not taken or mobilized funding from external funders, should we take the survey?
Yes! We recognize and appreciate different reasons why feminists, in their respective contexts, don’t have external funding: from being ineligible to apply for grants and/or receive money from abroad, to relying on resources generated autonomously as a political strategy in its own right. We want to hear from you regardless of your experience with external funding.
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ممنوع الدخول قبل التخلّص من أي شكل من أشكال التحيّز و/أو الأحكام المُسبقة و/أو الاحتشام!
¿Cuáles son los idiomas oficiales de ¿Dónde está el dinero?
Por el momento, la encuesta en KOBO está disponible en árabe, español, francés, inglés, portugués y ruso. Tendrás oportunidad de seleccionar el idioma de preferencia al inicio de la encuesta.
Leticia Eulalia Mary Mukasa- Kikonyogo
Leticia fue una abogada y jueza de Uganda.
Antes de retirarse, ocupó muchas posiciones de alto perfil, como por ejemplo miembrx de la Corte de Apelaciones de Uganda y Presidenta Adjunta de la Corte Suprema de Uganda. Fue la primera mujer ugandesa en ocupar el cargo de Primera Magistrada entre 1973 y 1986, y la primera mujer en ser nombrada jueza de la Corte Suprema en 1986.
Fue una de las primeras mujeres investidas como “Caballero Papal” de la historia de la Iglesia Católica en África. Murió de un paro cardíaco.
Alberta "Betty" Cariño
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Feminist Art Walk
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As part of our commitment to engage more deeply with artists and the practice of co-creating Feminist Realities, AWID collaborated with an Artist Working Group to advance and strengthen feminist agendas and realities in their communities and movements through their creative expression. Our intention here is to bring feminist creatives together in a powerful and brave space where they grow and live freely, and where they shatter toxic narratives to replace them with transformative alternatives.
This exhibition gathers the work of artists and collectives from across the globe, those who are actively creating the difference that we want to see in the world. These feminist creatives include Upasana Agarwal, Nicole Barakat, Siphumeze Khundayi, Katia Herrera, Ali Chavez Leeds, Colectivo Morivivi, Ika Vantiani, and the curators behind the #MeToo in China exhibition. Their voices stand strong in their refusal to accept the limitations imposed by patriarchy, and amplify their commitments to the communities they are working in and with. In their own way, each artwork represents daily acts of resistance, untold stories and identities, connections to land and ancestry, and most importantly, the solidarity that exists within and amongst feminist movements and struggles. These artists are both inspired by and inspire creative strategies of feminist resistance and initiatives that show us how we can all live in a more just world - a world that centers care and healing.
Y a-t-il une préparation particulière à suivre avant de répondre aux questions de l’enquête?
L’enquête WITM portant sur les réalités du financement des organisations féministes, la plupart des questions traitent du financement de votre groupe entre 2021 et 2023. Vous aurez besoin de disposer de ces informations pendant que vous répondez aux questions de l’enquête (vos budgets annuels et principales sources de financement, par exemple)
Mona Chemali Khalaf
Mona était économiste et consultante indépendante sur les questions de genre et de développement.
Elle a été professeure d'économie et directrice de l'Institut d'études féminines du monde arabe à l'Université libanaise américaine. Elle est décédée subitement le 6 janvier 2018.
Des amis et d'anciens collègues disent de Mona: « Pour lui rendre hommage, la meilleure chose à faire est de continuer à faire ce qu'elle a commencé: l'égalité de genre, à tout prix.
Cynthia Nicole
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Why are you asking for the name of the group, organization and/or movement completing the survey and our contact information?
We are asking for this data to facilitate the review of responses, avoid duplication and be able to contact your group in case you have been unable to complete the questionnaire and/or you have doubts or further questions. You can learn more about how we use the personal information we collect through our work here.
Olivia Arévalo Lomas
Olivia was the spiritual leader of the Shipibo Konibo indigenous peoples.
A wise Indigenous woman and grandmother, she was known for cultivating traditional medicine and the sacred songs of her people (Íkaros). Olivia Arevalo was an active defender of the cultural and environmental rights of her people. Olivia’s murder occurred in a context of territorial conflict between the Shipibo community and companies that desire to take over their land to cultivate palm oil.
Members of her community have said: “Her death is an aggression against the entire Shipibo community. She was the living memory of her people”.
Dora Alicia Recinos Sorto
