Rebecca Masika Katsuva
Memory as Resistance: A Tribute to WHRDs no longer with us
AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
In 2020, we are taking a turn
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
The Tribute was first launched in 2012
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
To date, 467 feminists and WHRDs are featured.
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Clara Luper
Will there be any support for materials or other preparatory costs for workshops?
You can expect all the standard materials for workshops and presentations: flip charts, markers, sticky notes, in addition to projectors and audio-visual equipment. Any additional materials are the responsibility of the activity organizers. AWID’s logistics team will be available to answer questions and advise.
Janet Benshoof
Janet Benshoof was a human rights lawyer from the United States and an advocate for women’s equality, sexual and reproductive rights.
She campaigned to broaden access to contraceptives and abortions across the world, and battled anti-abortion rulings and in the American territory of Guam. She was arrested in 1990 for opposing her country’s most restrictive abortion law, but won an injunction at the local court in Guam that blocked the law and eventually won at the Ninth Circuit Court of Appeals, striking down the law for good.
“The women in Guam are in a very tragic situation. I never intend to be quiet about that.” - Janet Benshoof for People Magazine
Janet established landmark legal precedents including the US Food and Drug Administrations’ approval of emergency contraception, as well as the application of international law to ensure the rights of rape victims in the Iraqi High Tribunal’s prosecution of Saddam-era war crimes.
Janet was President and founder of the Global Justice Center, as well as founder of the Center for Reproductive Rights, the world’s first international human rights organization focused on reproductive choice and equality. She served 15 years as Director of the American Civil Liberties Union’s Reproductive Rights Project, where she spearheaded litigation shaping US constitutional law on gender equality, free speech, and reproductive rights.
“Janet was known for her brilliant legal mind, her sharp sense of humor, and for her courage in the face of injustice.” - Anthony D. Romero
Named one of the “100 Most Influential Lawyers in America” by the National Law Journal, Janet was the recipient of numerous awards and honors.
She was born in May 1947 and passed away in December 2017.
Seismic shifts: A year of completion, transition and reflection | Annual report 2017
The past five years have been huge for AWID.
We have contributed to some major victories, like expanding the women’s rights funding landscape with ground-breaking, far-reaching research and advocacy. At the same time, we have experienced some devastating setbacks, including the assassination of Women Human Rights Defenders (WHRDs) like Berta Cacares of Honduras, Gauri Lankesh of India and Marielle Franco of Brazil, as well as the rise of anti-rights mobilizing in human rights spaces.
Five years ago, we committed to our movement-building role by producing knowledge on anti-rights movement trends, as well as on issues that feminists often engage with less, like illicit financial flows. We advocated side by side with our movement partners, strengthening young feminist and inter-generational activism, and expanding the holistic protection of WHRDs. As we close out the strategic plan, we are proud of our accomplishments and our growth as an organization. We end 2017 with renewed commitment, insights and learning for the continued struggle ahead!
Disintegration | Small Snippet AR
Sherly Montoya
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Lieutenant Nigar
Juli Dugdale
Juli Dugdale fue una feminista australiana que practicaba un liderazgo intergeneracional arraigado en los principios del feminismo, la inclusión y la igualdad. Fue líder, colega y mentora para muchas mujeres, especialmente, para las mujeres jóvenes de todo el mundo.
Juli fue una integrante comprometida del equipo del movimiento Young Women's Christian Association [Asociación Cristiana de Mujeres Jóvenes] (YWCA, por su siglas en inglés), una voluntaria y una ferviente defensora del liderazgo de las mujeres jóvenes por más de 30 años.
Se convirtió en un vínculo fuerte entre el movimiento australiano y la Oficina de la YWCA Mundial. Su confianza en la capacidad de liderazgo de las mujeres jóvenes llevó a establecer una asociación de varios años con el Departamento de Asuntos Exteriores y Comercio de Australia y a la creación del manual Rise Up (Rebélate), una guía global para el liderazgo transformador de las mujeres jóvenes, lanzada en 2018.
Juli falleció en Ginebra el 12 de agosto de 2019.
Tributos:
"Para quienes llegaron a trabajar con Juli, fue un privilegio. Quienes no lo hicieron, pueden tener la certeza de que su legado continúa en el trabajo que hacemos cada día y en la misión del movimiento de la YWCA". - YWCA Australia
"Juli Dugdale siempre ocupará un lugar profundo en el corazón de muchas personas en el movimiento de la YWCA, especialmente aquí, en Aotearoa, y a través del Pacífico. Juli tenía una relación especial con el Pacífico y fue un apoyo increíble para las mujeres jóvenes de allí. Ella era humilde, amable, cariñosa, dedicada, apasionada y tenía un corazón generoso. Ella encarnó la visión de la YWCA de "liderazgo transformador" con una extraordinaria visión y previsión de futuro, y ayudó a empoderar a generaciones de mujeres jóvenes líderes de todo el mundo". - YWCA Nueva Zelanda
2020: Annual Report
For many of us, 2020 was an especially challenging year due to the global health pandemic. Feminists and activists rose to the new challenges meeting community needs in innovative ways. Here are 5 highlights of how AWID contributed to feminist co-creation and resistance.
Watch our Annual Report Video below
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Hôpital
« C’est peut-être le moment de repenser à ce à quoi peut ressembler une révolution. Peut-être qu’elle ne ressemble pas à une marche de personnes handicapées en colère dans les rues. Peut-être ressemble-t-elle plutôt à un monde qui s’immobilise parce que tous les corps qui le composent sont épuisés – parce qu’il faut donner la priorité aux soins avant qu’il ne soit trop tard. »- Johanna Hedva
Les hôpitaux sont des institutions, des sites vivants du capitalisme, et ce qui se joue lorsque quelqu’un est censé se reposer est un microcosme du système lui-même.
Les institutions sont conçues pour nous séparer de nos systèmes de soins – nous nous retrouvons isolé.e.s dans des structures rigidement hiérarchisées, et nous avons souvent l’impression que les soins nous sont imposés plutôt que donnés ou pris dans le cadre d’une conversation. Les soins institutionnels, du fait de leur intégration dans la demande capitaliste, sont cloisonnés : une personne s’occupe de votre jambe et uniquement de votre jambe, une autre s’occupe de votre tension artérielle, etc.
La photographe Mariam Mekiwi a dû subir une opération le mois dernier et documenté le processus. Ses portraits d’environnements aseptisés – néons blancs, rangées et rangées de structures répétitives – dans une palette de couleurs délavées reflètent un lieu vidé de toute vie et de tout mouvement. C’était l’une des façons pour Mariam de garder son esprit vivant. C’était une forme de protestation à l’intérieur des limites d’une institution avec laquelle elle devait s’engager.
Les photos forment le portrait de quelque chose d’incroyablement vulnérable, car regarder quelqu’un·e vivre l’effondrement de son propre corps est toujours un rappel sacré de notre propre fragilité. C’est aussi un rappel de la fragilité de ces systèmes de soins, qui peuvent nous être refusés pour de multiples raisons – allant du manque d’argent au fait de ne pas être dans un corps considéré comme suffisamment précieux, un corps peut-être trop féminin, trop homosexuel ou trop brun.
Des soins vécus comme désincarnés et solitaires, susceptibles d’être révoqués à tout moment, ne nous aident pas à nous épanouir. Et c’est très différent de la façon dont les êtres humains se comportent réellement lorsqu’iels prennent soin les un.e.s des autres. À quoi ressemblerait notre monde si nous nous engagions à démanteler les structures capitalistes actuelles qui entourent notre santé? À quoi ressemblerait-il, si nous le réimaginions radicalement?
Micaela García
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Sahib Khatoon
Sarah Maldoror
“Je n’adhère pas au concept de ‘tiers-monde’. Je fais des films pour que les gens puissent les comprendre indépendamment de leur race ou de leur couleur. Pour moi, il n’y a que des exploiteurs et des exploités, c’est tout. Faire un film, c’est prendre position.” - Sarah Maldoror
Sarah Maldoror, cinéaste française d’origine antillaise, fut une pionnière du cinéma panafricain. Elle plaça ses préoccupations politiques et son engagement de longue date dans les mouvements de décolonisation au coeur de son oeuvre.
Son film révolutionnaire Sambizanga (1972), avec son “image révolutionnaire”, retrace la lutte de libération anticoloniale des activistes angolais et retranscrit le point de vue d’une femme qui se trouve dans ce moment historique.
“Pour beaucoup de cinéastes africains, le cinéma est un outil de la révolution, une éducation politique pour transformer les consciences. Il s’inscrivait dans l’émergence d’un cinéma du Tiers-Monde cherchant à décoloniser la pensée pour favoriser des changements radicaux dans la société.” - Sarah Maldoror
Au cours de sa carrière, Sarah a fondé, aux côtés d’un certain nombre d’artistes africain·e·s et caribéen·ne·s, la première compagnie de théâtre noire en France (1956). Elle a réalisé une quarantaine de films, y compris d’importants documentaires qui mettent en valeur les vies et l’oeuvre d’artistes noir·e·s, notamment celles de son ami et poète Aimé Césaire qui lui écrivit ceci:
“À Sarah Maldoror qui, caméra au poing,
combat l’oppression, l’aliénation
et défie la connerie humaine”.
Sarah a également voulu permettre aux femmes africaines de s'approprier davantage le processus de réalisation des films. Dans une interview, elle faisait remarquer :
"La femme africaine doit être partout. Elle doit être à l'image, derrière la caméra, au montage, à toutes les étapes de la fabrication d'un film. C'est elle qui doit parler de ses problèmes…”
Sarah a laissé un héritage incroyablement puissant qui doit être transmis.
Née le 19 juillet 1929, Sarah est décédée le 13 avril 2020 des suites de complications liées au coronavirus.
Regardez Sambizanga et lisez la critique de film parue dans le New York Times en 1973 (seulement en anglais)
Isabel Marler
Biography
Isabel is a feminist from the United Kingdom with over a decade of experience in feminist responses to fascisms, fundamentalisms, and anti-rights trends. At AWID, her work centers on knowledge-building and has included leading the production of the Rights at Risk series in collaboration with the Observatory on the Universality of Rights (OURs). She holds a Master’s degree in Gender Studies from the School of Oriental and African Studies (SOAS) and previously worked with Women Living Under Muslim Laws (WLUML). She is passionate about cross-movement work, movement-centered knowledge-building, and the use of creative expression to disrupt systems of oppression. Outside of work, Isabel is active in various disability justice spaces for collective care, learning, and advocacy.
Position
Advancing Universal Rights and Justice Lead
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CREDITS | Content Snippet EN
Credits
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Co-editeurices Création graphique et illustration Stratège des communications Editrice de la langue arabe Responsable de la traduction
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Traduction arabe
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Leonela Tapdasan Pesadilla
Venecia Natinga
Gloria Chicaiza
Gloria Chicaiza, an Ecuadorian social and environmental activist, was a fervent defender of land and water. She defied the status quo, fighting against a model of development based on extraction and worked tirelessly for ecological justice and the rights of communities affected by mining.
In diverse areas of Ecuador, Gloria was part of resistance actions in favour of protecting the ecosystem. With passion and dedication, Gloria supported the indigenous and environmental movement, its communities and organizations who oppose mining projects and protect their territories and collective life projects. She spoke out, in local and international foras, against the criminalization of dissent and resistance, the pressure and violence being enacted against community activists, in particular, women human rights defenders and in support of community led efforts for food sovereignty and sustainability.
She was the Mining Justice Coordinator at Acción Ecológica, member of the Latin American Network of Women Defenders of the Social and Environmental Rights and a Board member at the Observatory of Mining Conflicts of Latin America.
In October 2010, Gloria was accused by the mining company Curimining / Salazar Resources S.A. (with Headquarters in Vancouver, Canada) of sponsoring an act of terrorism, sabotage and illegal association to commit a crime. Acción Ecológica believed this to be “in retaliation for her work of denouncing the impacts of mining activities in the country.”
In 2014, Gloria supported the coordination of a delegation to the UN COP 20 Dialogue on Climate Change. The group consisted of 25 Indigenous women from Latin America.
Gloria passed away due to complications from a lung transplant on December 28, 2019. She is remembered for her resistance and tireless work.
"The fastest way to achieve sustainability is still resistance." - Gloria Chicaiza (2010 interview)
Tributes:
“Para GLORIA. GLORIA Agua. GLORIA Tierra. GLORIA Madre. GLORIA Revolución. GLORIA Hermana. GLORIA Cielo. GLORIAmiga. GLORIAstral. Thank you for weaving us together.” -Liliana Gutierrez
“Thank you Glorita, for sustaining hope, for keeping the fabric strong, for connecting the community, for the united hands, for solidarity, thank you Glorita for standing with us in the most difficult moments. Thank you for teaching us that throughout life, nobody gets tired.” (Chakana News)
“Gloria Chicaiza cherished and flourished in being one of many. And as humble as she was, she had an uncanny ability to lead and maintain a steady and thunderous beat, a life-affirming pulse that guided, mobilized, and inspired communities and networks in the protection of Mother Earth. She denounced all forms of violence against cuerpos-territorios. She endorsed el buen vivir.” - Gabriela Jiménez, Latin America Partnerships Coordinator, KAIROS
“Thank you Gloria Chicaiza from infinity we are sure that you will continue to support our struggle. You who continued to struggle with us despite your failing health. You will live on in the forests and the water that you defended with such courage. You will live on in our hearts.”- The community of Intag in Ecuador
Marianne Mesfin Asfaw
Biography
Marianne Mesfin Asfaw es una feminista panafricana dedicada a la justicia social y la construcción de comunidad. Es Licenciada en Estudios de Género y Relaciones Internacionales de la Universidad de Columbia Británica (UBC) y posee una maestría en Estudios de Género y Derecho de la Escuela de Estudios Orientales y Africanos de la Universidad de Londres. Anteriormente, trabajó en administración académica y apoyo para estudiantes internacionales. Asimismo, se desempeñó como investigadora y facilitadora en espacios feministas y sin fines de lucro. También ha trabajado como voluntaria en organizaciones no gubernamentales, incluida Plan International, donde cumplió funciones administrativas. Antes de asumir sus funciones actuales, se desempeñó en logística y apoyo administrativo para AWID. Marianne nació en Etiopía, se crió en Ruanda y, actualmente, reside en Tkaronto/Toronto (Canadá). Le encanta leer, viajar y pasar el tiempo con su familia y amistades. En los meses más cálidos, se la puede ver paseando por barrios conocidos y buscando cafés y librerías desconocidas donde pasar el tiempo.
Position
Coordinadora, Construcción de Economías Feministas
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