Confronting Extractivism & Corporate Power
Women human rights defenders (WHRDs) worldwide defend their lands, livelihoods and communities from extractive industries and corporate power. They stand against powerful economic and political interests driving land theft, displacement of communities, loss of livelihoods, and environmental degradation.
Why resist extractive industries?
Extractivism is an economic and political model of development that commodifies nature and prioritizes profit over human rights and the environment. Rooted in colonial history, it reinforces social and economic inequalities locally and globally. Often, Black, rural and Indigenous women are the most affected by extractivism, and are largely excluded from decision-making. Defying these patriarchal and neo-colonial forces, women rise in defense of rights, lands, people and nature.
Critical risks and gender-specific violence
WHRDs confronting extractive industries experience a range of risks, threats and violations, including criminalization, stigmatization, violence and intimidation. Their stories reveal a strong aspect of gendered and sexualized violence. Perpetrators include state and local authorities, corporations, police, military, paramilitary and private security forces, and at times their own communities.
Acting together
AWID and the Women Human Rights Defenders International Coalition (WHRD-IC) are pleased to announce “Women Human Rights Defenders Confronting Extractivism and Corporate Power”; a cross-regional research project documenting the lived experiences of WHRDs from Asia, Africa and Latin America.
We encourage activists, members of social movements, organized civil society, donors and policy makers to read and use these products for advocacy, education and inspiration.
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"Women Human Rights Defenders confronting extractive industries: an overview of critical risks and Human Rights obligations" is a policy report with a gender perspective. It analyses forms of violations and types of perpetrators, quotes relevant human rights obligations and includes policy recommendations to states, corporations, civil society and donors.
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"Weaving resistance through action: Strategies of Women Human Rights Defenders confronting extractive industries" is a practical guide outlining creative and deliberate forms of action, successful tactics and inspiring stories of resistance.
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The video “Defending people and planet: Women confronting extractive industries” puts courageous WHRDs from Africa, Asia, and Latin America in the spotlight. They share their struggles for land and life, and speak to the risks and challenges they face in their activism.
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Challenging corporate power: Struggles for women’s rights, economic and gender justice is a research paper outlining the impacts of corporate power and offering insights into strategies of resistance.
Share your experience and questions!
◾️ How can these resources support your activism and advocacy?
◾️ What additional information or knowledge do you need to make the best use of these resources?
Thank you!
AWID acknowledges with gratitude the invaluable input of every Woman Human Rights Defender who participated in this project. This project was made possible thanks to your willingness to generously and openly share your experiences and learnings. Your courage, creativity and resilience is an inspiration for us all. Thank you!
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Kunyit Asam: The Roots of Love and Resilience
By Prinka Saraswati, Gianyar, Bali
The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation.
In traditional Javanese culture, this is the moment for women to rest and take care of themselves. During this moment, a woman would take Kunyit Asam, a jamu or herbal drink to soothe the inflammation. This elixir consists of turmeric and tamarind boiled together in a pot.
I still remember my first period - it was one day before graduation day in elementary school. I remember pedaling my bike feeling something warm running between my thighs. When I arrived home I did all I could to clean myself and then put on a menstrual pad. My mother came home from work about four hours later. I told her what had happened. She looked me in the eye and asked how I felt. I told her that it was painful, that my body was swollen in every place. Then she asked me to go with her to the backyard. I followed her to our little jungle, my mother sat down on the soil and smiled.
“See this slender leaf? This is the leaf of Kunyit, *empon-empon that leaves the yellow stain on your fingers. What’s most important is not the leaf, but the roots. You dig the soil and slowly grab the roots.”, my mother showed me how to pick Kunyit or Turmeric roots. Then we went to the kitchen where she boiled water along with some tamarind. While waiting for it to boil, she showed me how to wash and grate the orangey-yellow root. Then, we put the grated turmeric into the boiling tamarind water. “Tomorrow, you can make it for yourself. This will help you to feel better!”.
I remember the first time I tasted it - a slightly bitter taste but also sour. My mother always served it warm. She would also put some in a big bottle which I would place on my stomach or lower back for further relief. For days after, my mother’s hands and mine were yellow. My friends could always tell every time I got period because my hands would be yellow.
A year after my first period, I found out that you could get the bottled version in convenience stores. Still, I made my own Kunyit Asam every time I had my period because the one in the convenience stores was cold. It did not smell of wet soil and warm kitchen.
Fast forward, I am a 26 year old woman who casually makes this drink for friends when they have their periods. I’ve made some for my housemates and I’ve delivered some for friends who live in different towns. I do not grow turmeric roots in my garden, but I have grown and shared the love from my mom. What was once from garden to cup is now from *pasar to cup.
A couple of days ago, I asked my mother who taught her how to make the jamu.
“Who else? Yang Ti*! Your grandmother was not just a teacher”, said my mom. I was never close to my grandmother. She passed away when I was eight. All I knew from my mom was that she was a math teacher who had to teach courses after work. I had this image of my grandmother as a hard worker who was kind of distant with her children. My mom did not disagree with that but explained it came from her survival instinct as a mother. “She tried to make time. She tried. She taught me how to make jamu so I could take care of myself and my sisters”.
My mother is the second child out of seven, six of whom are girls. The reason my grandmother taught her is so that all of her children could take care of each other. While my mother was taught how to make the drink, my mother’s older sister was taught how to plant turmeric. Yang Ti knew which one loved the smell of soil more and which one loved the smell of the kitchen. My mother was the latter. She learned how to plant from my aunt, her older sister.
My grandfather worked in a bank but he got laid off when he was in his 40s. So, my grandmother had to do a side-hustle to support their children. My mother was in high school at that time when Yang Ti woke her and her older sister up at dawn. “Would you help me to pick some roots?”. Of course nobody said no. Especially if it was your mother, especially if you were born in Javanese culture where saying “no” sounded like a bad word. Together, the three of them went to the backyard, and they harvested empon - empon, rhizome, that was buried inside the soil. She grew many kinds of rhizome; temu lawak, temu putih, ginger, galangal, kunci, kencur, and kunyit. That was the day where my mother realized that her mother was never far away from her.
That was the day where she could spend more time with her mother. There, in the garden. There, in the kitchen.
“We’re sending these for Ibu Darti, the lady who lives across the river. Kunyit Asam for her and her daughters.”, said my grandmother to my mother and my aunt that day. They poured the Turmeric-Tamarind warm drink into a tall thermos and later my grandmother would deliver it on the way to school.
Over time, my grandmother got more orders for jamu. Everybody in the family helped her to make and deliver her jamu. The small business lasted only a few years, but that was what paid for my mother and her siblings’ education.
Today, my mother, who got laid off just a few days before I wrote this piece, harvested Turmeric and other roots. She’s making her Turmeric Tamarind drink from her kitchen.
My phone rang in the middle of this afternoon, a couple minutes after I boiled the rest of my grated turmeric. Today is one day after my period.
“Ingka, have you washed your pot after boiling those turmeric? It would forever be yellow if you don’t wash it right away!”
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*empon-empon = roots like ginger, turmeric, etc. coming from the Javanese word “Empu” which means, something or someone that has deep knowledge.
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*jamu = Indonesia’s traditional elixir made of roots, barks, flowers, seeds, leaves, and fruits.
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*Yang Ti = Javanese term for grandmother, taken from the term “Eyang Putri” the female you look up to.
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*pasar = the word for traditional market in Indonesian.
“Feminist Movement”
by Karina Tungari, Hamburg, Germany (@_katung_)
The more women support other women, the quicker we’ll see progress. Together we are stronger and make even more impact.

Diana Isabel Hernández Juárez
Diana Isabel Hernández Juárez was a Guatemalan teacher, human rights defender and environmental and community activist. She was the coordinator of the environmental program at Our Lady of Guadalupe Parish on the South coast of the country.
Diana dedicated her life to co-creating environmental awareness, working especially closely with local communities to address environmental issues and protect natural resources. She initiated projects such as forest nurseries, municipal farms, family gardens and clean-up campaigns. She was active in reforestation programmes, trying to recover native species and address water shortages, in more than 32 rural communities.
On 7 September 2019, Diana was shot and killed by two unknown gunmen while she was participating in a procession in her hometown. Diana was only 35 years old at the time of her death.
Snippet FEA Union Otras Photo Panel (ES)

Miembrxs del sindicato OTRAS
Join the Feminist Realities journey (Forum page)
Únete al viaje por las Realidades feministas
Este Foro de AWID celebrará y difundirá las realidades feministas que nos rodean en diferentes etapas de desarrollo.
Naseeb Miloud Karfana
AWID Community Blurb - FR
Rejoignez notre communauté en ligne !
La communauté AWID est une plateforme en ligne de réseautage social conçue tout spécialement pour l’AWID. Espace féministe ayant vocation à connecter, résister et célébrer, c’est un endroit où les conversations féministes critiques, le pouvoir et la puissance du collectif et la solidarité sont à l’œuvre. Cet espace est également ouvert pour dialoguer après les différents événements, pour penser, assimiler, digérer les apprentissages politiques difficiles, et pour prendre soin de la communauté.
Devenez membre de l’AWID pour pouvoir faire partie de la Communauté AWID dès aujourd’hui.
Pleasure Garden Exhibition
The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.



About the Artists:

She is creative director of HOLAAfrica! a pan-Africanist womanist online collective.
Her solo and collaborative performance work has been featured in a number of festivals and theatre spaces such as Ricca Ricca Festival in Japan
She directed two Naledi nominated productions in 2017 and 2018. She directed a show that won a Standard Bank Ovation award in 2020.
As a photographer she was part of a group exhibition titled Flowers of my Soul in Italy organised by the Misfit Project. Produced three publications for HOLAAfrica and was published in and provided the cover for volume two: As You Like of the Gerald Kraak Anthologies.

One of her most lovely and vivaciously titled works, Universe Protector, portrays the black soul as a divine entity full of strength, power, and greatness. In her youth, her love of graphic design was stimulated by her parents’ artistry and the Photoshop they had downloaded on their computer for their professional photography.
Jaitun
Jaitun, comúnmente conocida como «Amma», estaba comprometida con garantizar los derechos reproductivos de las mujeres y niñas de India. Se dedicó, particularmente, a abogar por quienes viven en la pobreza y son más marginadas, incluidas las mujeres y niñas dalit y musulmanas.
Jaitun fue la fuerza vital detrás del caso Jaitun versus Janpura Maternity Home & Ors. Su perseverancia por la justicia llevó a que la Corte Suprema de Delhi emitiera una sentencia innovadora, que obligó al gobierno indio a hacerse responsable del incumplimiento de cierto número de obligaciones legalmente vinculantes, tales como la atención a la salud reproductiva y el derecho a la alimentación.
A su hija Fatema, quien vivía por debajo de la línea de pobreza, se le negaron los servicios reproductivos, y tuvo que dar a luz en público, bajo un árbol. En ese momento, tanto Jaitun como Fatema estaban en situación de calle, ya que su casa había sido demolida por el gobierno como parte del programa de reurbanización y gentrificación de Nueva Delhi.
«Desde entonces, esta sentencia ha sido utilizada por innumerables abogadxs y activistas de todo el mundo, incluyendo al ex-Relator Especial de la ONU sobre el derecho a la salud, no solamente como fuente de inspiración, sino como una sólida plataforma para promover la justicia.» - Jameen Kaur
Jaitun ha sido una inspiración para que muchas otras mujeres que viven en la pobreza reclamen sus derechos. Falleció en 2017.
«Con la muerte de Jaitun, hemos perdido una incomparable guerrera de la justicia, pero su espíritu de desafío pervive.» -Jameen Kaur
«En mis dieciocho años como defensora de los derechos humanos, nunca he encontrado una mujer que me inspirara ni que conmoviera mi espíritu de la forma en que lo hacía Amma. Su sonora valentía, su inimitable humor (solíamos compararla con la actriz de Bollywood, Hema Melini) cuando se sentía molesta porque habíamos pasado tanto tiempo lejos de ella... con un brillo en los ojos, decía “Ustedes se han olvidado de Amma, Amma ahora no les habla”, y luego con gran dramatismo se ponía de espaldas para darse vuelta enseguida riendo y estirando los brazos para un abrazo. Su bondad y, en definitiva, su amor y su alegría por el amor y el derecho de todxs nosotrxs a vivir con dignidad. La extraño terriblemente.» - Jameen Kaur
Snippet FEA Principles of work Transparency (FR)

TRANSPARENCE
Contributors of toolkit (WITM landing page)
Nous tenons à remercier les personnes qui ont contribué à ce projet et qui ont fourni de précieux conseils :
- Angelika Arutyunova
- Cindy Clark
- Kamardip Singh
- Martin Redfern
- Pei Yao Chen
- Srilatha Batliwala
- Veronica Vidal
Heike Jensen
Snippet - Join CSW69 Conversations Intro_EN
Join us through the #FreezeFascisms conversations!
As we navigate the global polycrisis, movements are tirelessly building power beyond traditional power structures. The wave of US presidential executive orders is intended to scare us, but no amount of fascist ideology can erase our existence and resistance.
We invite you to be a part of the solidarity-building campaign to expose and resist fascist forces undermining feminist and gender justice movements in your contexts!
- Spark conversations in a brave space: Share stories of struggles and resistance to fascisms in your contexts on the AWID Community Platform. Not a member yet? Join here
- Support movements that have been impacted: Amplify fundraisers, resourcing opportunities, mutual aid efforts using the #FreezeFascisms (we’re still on X, Instagram, LinkedIN, and we’re also on Bluesky)
- Organize around alternatives: We’ve been building our community of practice on feminist economic alternatives & autonomous resourcing. Sign up to be part of it here.
Colectivo Morivivi
El Colectivo Moriviví es una colectiva de solo mujeres. Nuestra producción artística consiste en muralismo, muralismo comunitario y acciones/performances de protesta. Nuestro trabajo tiene como objetivo democratizar el arte y llevar a la esfera pública las narrativas de las comunidades de Puerto Rico, para generar espacios en donde sean validadas. Creemos que, a través del artivismo, podemos promover conciencia sobre temas sociales y fortalecer nuestra memoria colectiva.





En el marco de su participación en el Grupo de Trabajo Artístico de AWID, el Colectivo Moriviví convocó a un grupo diverso de afiliadxs, asociadxs y personal de AWID y facilitó un proceso colaborativo de imaginación, configuración y decisión sobre el contenido para la creación de un mural comunitario, a través de un proceso de creación conjunta en múltiples etapas. El proyecto comenzó con una conceptualización remota con feministas de diferentes zonas del planeta reunidxs por AWID, y luego evolucionó hacia su recontextualización y realización en Puerto Rico. Nos honra haber contado con la contribución de las artistas locales Las Nietas de Nonó (@lasnietasdenono), la participación de mujeres locales en la Sesión de Pintura Comunitaria, el apoyo logístico de la Municipalidad de Caguas, y el apoyo adicional al colectivo, brindado por FRIDA Young Feminist Fund.
El mural explora la trascendencia de las fronteras, al presentar cuerpos como un mapa en un abrazo que realza la intersección de las distintas manifestaciones, prácticas y realidades feministas.
Agradecemos también a Kelvin Rodríguez, quien documentó y captó las diferentes etapas de este proyecto en Puerto Rico:









Sobre el Colectivo Moriviví

Moriviví es un colectivo de jóvenes artistas mujeres que trabajan en arte público desde abril de 2013. Con sede en Puerto Rico, hemos obtenido reconocimiento por la creación de murales y de arte comunitario.
El grupo se inició en festivales locales de arte urbano. A medida que nuestro trabajo se fue haciendo más conocido, algunas organizaciones y líderes comunitarias comenzaron a contactarnos. Al principio éramos solo ocho estudiantes de secundaria que querían pintar juntas un mural. Y en estos ocho años de duro trabajo hemos enfrentado muchos desafíos. Ahora estamos en un período de transición. Queremos reestructurar internamente el colectivo durante el próximo año. Nuestro objetivo es abrir nuevas oportunidades de colaboración y respaldar nuestro proceso de toma de decisiones con un nuevo sistema de evaluación. Aspiramos, en el largo plazo, a convertirnos en una escuela alternativa para la práctica artística, destinada a aquellas personas interesadas en sumergirse en la producción de arte comunitario.
Isabel Cabanillas de la Torre
Isabel Cabanillas de la Torre était une jeune artiste et activiste féministe très appréciée de Ciudad Juárez, au Mexique. Elle était connue pour ses belles peintures textiles, très expressives. Les yeux faisaient partie des représentations emblématiques de son travail. Ses peintures murales ont métamorphosé les immeubles décrépis et laissés à l’abandon du centre-ville de Ciudad Juárez, ornant leurs façades de messages de vie et de commentaires politiques.
Isabel voulait, à travers son art et son activisme politique, attirer l’attention sur les violences basées sur le genre omniprésentes dans sa ville natale. Elle était bénévole dans le réseau Mesa de Mujeres pour l’Observatoire citoyen sur le genre, qui supervise le travail des juges, procureurs et avocats de la défense dans les affaires de féminicides et autres violations basées sur le genre. Elle était également membre de Hijas de su Maquilera Madre, un collectif féministe dont le nom fait référence aux filles de mères qui travaillent dans les maquiladoras, ou zones de traitement pour l’exportation. Certaines de ces mères ont figuré parmi les premières victimes de féminicide dans la ville.
Le dernier projet d’Isabel, toujours en cours, était une installation artistique pour protester contre une entreprise canadienne qui cherchait à extraire du cuivre dans le désert de Samalayuca.
Le 18 janvier 2020, Isabel a été tuée par balle alors qu’elle rentrait chez elle à vélo dans le centre de Juárez, dansce qui semble avoir été un acte ciblé, son corps ayant été retrouvé à côté de son vélo.
Le meurtre d’Isabel a déclenché une nouvelle vague d’indignation contre les féminicides dans la région, des centaines de personnes ont manifesté jusqu’au pont frontalier entre le Mexique et les États-Unis, le bloquant pendant des heures et scandant « Ni Una Menos » (pas une de plus) alors que des collectifs féministes continuaient de manifester contre les meurtres de femmes dans tout le pays. Au cours de la seule année 2019, 3 142 femmes et filles ont été tuées au Mexique. Un grand nombre ont été spécifiquement ciblées du fait de leur genre.
Elle adorait faire du vélo.
« Le vélo était son symbole de liberté. Il symbolisait le fait d’être libre dans les rues. » - Marisol (une amie d’Isabel)
Snippet FEA Audio Story 4 (EN)
Listen to this story here: