Lines of work:

FOR

This section highlights key resources recommended by AWID so you can conduct your own WITM research.

In this section

• People needed
• Potential expenses
• Estimated time
• Resources needed
• Resources available

People needed

• 1 or more person(s) to lead overall implementation of research methodology and ensure all key pieces are on track (Sections 2-11)
• 1 or more person(s) to conceptualize the key research objectives and guiding questions
• 1 or more person(s) to refine and conduct the research methodology, including collecting data
• 1 or more person(s) to conduct relevant qualitative and quantitative analysis of collected data
• 1 or more person(s) to document and package research findings for desired audience(s)
• 1 or more person(s) to serve as an editor to your final products
• 1 or more person(s) to conduct outreach to spread the word about your survey and advocacy using your research results

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Potential expenses

1. Staff and/or consultant salaries
2. Data analysis software if conducting analysis of large dataset in-house. Options:
   - SPSS
   - Stata
   - R (this is free)
3. Cost of producing publications and research products
4. If desired, incentive prize that survey participants can win if they complete the survey
5. If desired, incentives to offer your advisors

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Estimated time

• For research process: 6 to 18 months, depending on size of dataset(s) and staff capacity
• For advocacy: 1-2 years, as determined by your organizational goals

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Resources needed

• List of advisor organizations, donors and activists
• List of online spaces and events/networks to distribute your survey and present your survey results
• List of donors, activists, and women’s rights organizations to interview
• Prepared interview questions
• List of publication sources to use for desk research

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Resources available

• Sample 1 of Research Framing
• Sample 2 of Research Framing
• Example: 2011 WITM Global Survey
• Sample WITM Global Survey
• Sample letter to grantmakers requesting access to databases
• AWID Sample Interview Questions: Donors
• AWID Sample Interview Questions: Activists & Women’s Rights Organizations
• Sample Advocacy Plan

Online tools

• Survey Monkey: Free
• Survey Gizmo: Converts to SPSS for analysis very easily
• Tutorial: Gentle Introduction to Cleaning Data
• Visualization Tools
• “Ready to Go?” Worksheet

Once you gather these resources, you can estimate the costs for your research using our “Ready to Go? Worksheet”

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Previous step

Before you begin

Next step

2. Frame your research

Previous step

Before you begin

Next step

2. Frame your research

The Ready to Go? Worksheet helps you estimate resources, staff and budget needed for your research

Download the toolkit in PDF

Context

Today, many community knowledge systems are at risk.

Fast-paced economic, political, and cultural changes are bulldozing environments, practices and livelihoods. Various forms of knowledge are being erased from practice, commodified and colonized in the massive swallow of globalisation and in the promise of short-term gains or band aid solutions.

Definition

Buen Vivir, a concept adapted from Andean Indigenous peoples’ knowledges, is described as the collective achievement of a life in fulfillment, based
on harmonic and balanced relations among human beings and all living beings, in reciprocity and complementarity. It means acknowledging that human beings are a part
of nature, we depend on nature and are inter-dependent among ourselves.

Inherent in Buen Vivir is a vision that integrates production and reproduction as inseparable processes of the economy, of wealth production and living conditions.

Feminist perspective

In this sense, a broad understanding of Buen vivir from a feminist lens values relationships and resources mobilized in production and reproduction cycles—favouring equilibrium of not just the market kind—to guarantee continuity and changes as long as they are compatible with economic justice and life sustainability.

From a feminist perspective there have also been criticisms of the binary conceptions of gender and complementary of men and women. Binary conceptions leave little space for a deeper discussion on heteropatriarchy and non-conforming gender relationships.

Nevertheless, one of the main contributions of centralizing the principle of Buen Vivir to political, economic and social frameworks, is that equality is no longer the paradigm of individual rights, but the transformation of society as a whole.

Learn more about this proposition:

• Buen Vivir: An introduction from a women’s rights perpective in Boliva by Martha Lanza challenges the notion that Buen Vivir is gender neutral and calls for the dismantling of patriarchal power structures that persist. In the same publication, Magdalena León takes a look through a gender lens at how the cosmovision of Buen Vivir seeks to overcome ideals of permanent expansion and growth and sheds light on gender biases that need to be addressed.
• Buen Vivir: Today's tomorrow, by Eduardo Gudynas
• Indigenous Women's Visions of an Inclusive Feminism by Myrna Cunningham highlights the contributions from indigenous women in building a more diverse, inclusive and ultimately stronger feminist movement are key.

Even in times of climate crisis, governments continue to encourage large-scale agriculture industries to expand. These activities poison the land, threaten biodiversity, and destroy local food production and livelihoods. Meanwhile, while women produce the majority of our food in the world, they own almost none of the land.

What if we perceived land and Nature not as private property to exploit, but as a whole to live in, learn from, and harmoniously coexist with? What if we repaired our relationships with the land and embraced more sustainable alternatives that nurture both the planet and its communities?

Nous Sommes la Solution (We Are the Solution, NSS) is one of many women-led movements striving to do this. This is their story.

This bibliography intends to contribute to the desire for learning and engagement identified by activists in the Middle East and North Africa region when reflecting on the aftermath of fast unfolding transitions in the region. Such transitions, while specific to the context of MENA, are not unique in their occurrences around the world. Experiences and practices of feminists from around the world engaged in similar, even if not identical, struggles towards the democratization of their countries with a gendered lens and a feminist politics constitute an important knowledge bank that activists can draw upon, learn from, and engage with. This resource mapping aims to fill the gap realized in various convenings and conversations of a lack of information sharing and knowledge bridging among feminists across the regions that experienced similar uprisings; particularly along south-south and east-south lines.

This publication represents a research mapping of key resources, publications and materials on transitions to democracy and women’s rights in different countries of the world that have undergone such processes, such as: Indonesia, Chile, South Africa, Nepal, Mexico, Argentina, Poland, Ukraine, as well as within the Middle East and North Africa (MENA). It provides bibliographic information and short summaries of resources which succinctly identify the contextual changes and challenges facing women in those particular transitional moments, as well as clearly delineates the ways in which women’s rights activists sought to confront those challenges and what lessons were learned.

We hope that this collection of ideas, research, analysis and experiences provides the kind of rich ingredients needed to create new recipes for confronting old and new challenges. By sharing these texts, our goal is to make links across borders, expand possibilities and knowledge, and invite debate, reflection, and inspiration for women’s rights organizations and activists in the MENA region. While every moment and space has its own unique flavor and history, highlighting connections to similar challenges and aspirations allows us all to bring things in conversation with one another, imagine a new vantage point into a problem, and increase our sense of belonging and purpose and thus our capacity to stay strong in the face of the seemingly impossible. It is the collective strength of a movement that gives it the power to create change. The goal with this publication is not that one specific text will necessarily help illuminate new solutions, but that the combined knowledge and analysis from a variety of sources will provide readers with an opportunity to expand their horizons and foster connections. In our small way, we hope to contribute to furthering the democratization of knowledge, and supporting women’s rights movements in the MENA to continue building an inclusive transition process that will result in advancements of social justice and gender equality.

The Forum is a live example of what the bigger WE can do. We go to the Forum, we are seeds, we then get sowed. This we have to celebrate.
- Sara Abu Ghazal, Lebanon

If you have received emails from any staff members at AWID, we would like you to understand the following:

• The information contained in this communication is confidential and is intended solely for the addressee. 

• This communication may contain information proprietary to the Association for Women’s Rights in Development (AWID), and may not be reproduced or disseminated in whole or in part without AWID's written consent. 

• AWID does not warrant that any information contained herein is complete or correct. This communication is not an offer to enter into any agreement and is not a confirmation of any agreement described herein unless the context clearly indicates the contrary. 

• AWID is not acting as your adviser in any agreement that may be proposed herein, and this communication does not constitute a recommendation, guidance or proposal to enter into any agreement. 

• AWID does not guarantee or otherwise assure the expected results of any agreement. This communication may contain views or opinions that are not necessarily those of AWID. 

• You shall not be entitled to place any reliance on the information contained in this communication for the purposes of entering into any proposed agreement or otherwise.

Our Access Fund will offer a limited number of scholarships to fund the participation of activists who cannot otherwise make it, and don’t have relationships with funders who could cover their participation. So if you have other possibilities, please explore them. We will do our best to offer as many scholarships as we can, and will share more information about this process and how to apply in early 2024.

Chapter 2

Understanding the Context of Anti-Rights Threats

The rising power of anti-rights actors is not happening in a vacuum. Understanding the rise of ultra-nationalism, unchecked corporate power, growing repression, and diminishing civic space is key to contextualize the anti-rights threats we face today.

Read more

A Film Series on Feminist Realities from the SWANA region

by Esra Ozban

In a product-obsessed world, prioritizing process is a fundamental feminist method. Processes matter, and curation is no exception. While figuring out which of the films from the SWANA region would speak the loudest to the Feminist Realities theme, the global pandemic we are still facing shifted our everyday lives tremendously. Even to think, write, or express myself has become an everyday struggle. I kept missing all of my deadlines and sending apology emails to Kamee Abrahamian, whom I was working with as an independent curator for AWID’s Feminist Film Club. Kamee’s invaluable support, understanding, and suggestions reminded me that even in two different parts of the world, as colleagues who never met in person, we can co-create micro versions of the Feminist Realities for which we live and yearn. 

Feminist Realities for me have a lot to do with sisterhoods. Sisterhoods that help womxn clearing mines in Artsakh/Nagorno-Karabakh. Sisterhoods baked in Vegan Inclusive Trans Cake by young trans feminists in Ankara that remind cis-ters that they are not welcomed by the Z generation. Sisterhoods that are growing into the mint on Dragica Alafandi’s rooftop in the Dheisheh Refugee Camp in Occupied Palestine in Sowing seeds of resistance. Sisterhoods that embrace intimate, sexual, and revolutionary proximities in Gezi Park in #resistayol. Sisterhoods that unearth an imagined encounter between two generations of womxn in exile in the streets of Haifa in Your father was born 100 years old and so was the Nakba. Cross-species sisterhoods that build in a fictional (brave) space created by Mounia Akl in Submarine for her rebel character Hala, who refuses to evacuate from a city full of garbage and is left behind with a dog friend.
 
This selection gathers bits and pieces of many Feminist Realities that have been realized in the SWANA region over the last couple of years. We will continue to imagine, learn, and share feminist embodiments of hope and power. In the meantime, let’s immerse ourselves in the powerful alternatives brought to life by the filmmakers and protagonists of these films. We may co-create every step, every act, and every attempt as we continue to cohabitate this world with others who are living Feminist Realities and continue to dream more of them into existence. 

MOTHERLAND 

By Emily Mkrtichian& Jesse Soursourian

“With beautiful visuals paired with compelling verité scenes, Motherland is a show of female camaraderie and strength… The film is a testament of women around the world who are willing to work harder to overcome any obstacle they meet.”
    - Nosarieme Garrick, award winning filmmaker

“Motherland is an inspiring visualization of solidarity, courage, and grit…”
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Motherland from jesse soursourian on Vimeo.

Emily Mkrtichian on Feminist Realities and Artsakh/NKR:
We shot the short film, Motherland, in the Republic of Artsakh in 2018. I was drawn to each of these women for their strength, their resilience and their humor -- despite the context in which they lived. In 2018, that context was the aftermath of a brutal war in the 1990’s, after which their country remained an unrecognized (or, in the international community, disputed) territory that was not given the autonomy and independence so many other countries enjoy. Artsakh was also deeply affected by the consequences we see in almost all places that go through violent conflict -- consequences that so often fall on women to bear: PTSD, high rates of alcoholism, high rates of domestic abuse, less equality and freedoms granted to women, little to no representation of women in politics and civil service. In the face of all these challenges, this film tries to capture the fire and power of the women of Artsakh, one that might not fit the traditional Western feminist paradigm, but one they have created for themselves through deep community ties, care for their families, hard work, and the ability to laugh with eachother through it all. Today, the Republic of Artsakh has been newly devastated by another war that left it without 70% of the lands these women grew up understanding were theirs. Yet, I can promise you that these women, and thousands of others, continue to pull their families, communities, and culture together through the same networks of care, commitment to hard work, and deep riotous laughter in the face of an uncertain future. 

SOWING SEEDS OF RESISTANCE

By Baladi-Rooted Resistance

“A timely film to watch after having born witness to the latest bombardment of Gaza by Israeli Defence Forces. A glimpse into the way that women in Palestinian communities survive structural oppression, through the story of a library of traditional seeds.. and the women that sustain them as a form of nourishing rebellion.”

    - Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin

“Watching women coming together and working collectively for food autonomy is both therapeutic and empowering for me.”
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Baladi-Rooted Resistance Team on Feminist Realities:
How to talk about Feminist Realities when you live in Deheisheh, a Palestinian refugee camp, built 70 years ago to serve 3000 refugees, but now home to 15000 people, in the occupied West Bank? Or when the land you farm is under constant threat by illegal settlers.
If you’re a woman in occupied Palestine you will have to struggle not only against patriarchy but also against colonialism and a brutal military occupation. 

Dragiča and Vivien are fighting these multiple systems of domination in their own way. 
Vivien uses native seeds to help Palestinians maintain their identity. Growing traditional food in traditional ways has great significance: “If you’re not a producer anymore, you’re a consumer, and what better way to enslave someone than turning them into your consumer. This is happening all around the world, but here you have it doubled with the military occupation.”

31.5% of households in the West Bank are food insecure. Through a rooftop edible garden, Dragiča managed to increase her family’s food autonomy. In the crowded camp, where the Israeli army conducts regular nighttime incursions to arrest and harass residents, Dragiča’s rooftop garden not only nourishes her family, but it especially nourishes her soul.

#RESISTAYOL

By Ruzgar Buski

Ruzgar Buski on Feminist Realities:
I don’t know what to say about Feminist Realities but as a trans artist, an activist from Turkey, I know our realities are harsh. We live with violences- physical, emotional, economical, sexual! That is why we have to build our own networks, and co-creating micro realities for each other is a Feminist Reality for me. #resistayol is my first film, and at the beginning I was planning to make a film by/for/with trans people that does not try to convince anyone to the fact that trans people are human or focuses on raising awareness on trans issues. However, Gezi Uprising, one of the biggest uprising in the history of Turkey, happened and the film became something different. 

I believe the production process really affects what the film is. We tried very hard for women, trans and non-binary people to work on every step of the film. This film is made by people who gathered with camaraderie and friendship. Kanka Productions is founded on transfeminist comradeship. I want the film to give hope, to heal because we carry a lot of traumas in our bodies- this is what makes us and what bonds us. Healing is a never-ending process and we have to create spaces to breath. #resistayol is an hour of breathing collectively.

Boysan Yakar in #resistayol:
Well lubunyas (queers) were sitting in the park, all of a sudden bulldozers arrived and everyone got pissed off. Actually in summary this is it. It's Lubunya's park,and we had thirty days to explain that to this huge city. Everyone acknowledged that at night ibnes (faggots) fuck in that park...LGBTI Block carried our commune there. We already didn't trust the state and police  and didn't have any security, we've established our own ways of doing things, our own laws and customs to survive... We carried our law to Gezi rapidly...With an effort to establish some common language and understanding among all these groups, the LGBT language of togetherness spread all through the park. Every day was a Pride march, everyone was continuously saying ‘ayol’. We spruced up the stinky, fusty language of the left. I guess we had such an impact because we've been disowned for all these years. From the most radical ones to the most conservative and nationalist ones, they all needed us, because everyone got used to being confronted with everything. Τhey were not used to such energy, our energy. That’s why it was a great political space for us. Every day, we actualized our biggest and main struggle there, that is, a struggle for visibility and recognition. That’s why we left Gezi with a huge gain.

VEGAN INCLUSIVE TRANS CAKE

By Pembe Hayat

“...a multifaceted statement, showing the joy that exists in the friendships within the queer  community in Turkey as a display of rebellion and resistance.”
 
    - Nosarieme Garrick, award winning filmmaker

“...fun, light, and random. In a world constantly marked and scarred by violence against the trans community, nothing, no action, is (unfortunately) deprived of meaning. So to more joy, love, and meaningful randomness!”
 

    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Cayan Azadi in Vegan Inclusive Trans Cake:
Hello Barbies, Kens, porcelain dolls,  Olive Oyls, cabbage dolls. Brides of Chucky, sisters of Chucky, brother-in-laws of Chucky and last but not least, esteemed brother-in-law lovers.

So why did we make this cake. 

Now we got the news that a trans woman sex worker has attempted suicide due to the violence from street-guards and police on the street. She’s being kept at a police station now and that’s exactly why we made this cake. This transvestite cake is baked to show that we exist in every part of life, that we exist persistently and this cake shows that won’t be wiped off or ignored in this society. 

Yes, there is violence in our lives, yes there is a lot of shade as well but despite all of that, we can still have fun, enjoying life as much as we can. Bon appetit, sis! 

YOUR FATHER WAS BORN 100 YEARS OLD AND SO WAS THE NAKBA  ابوكي خلق عمره ١٠٠ سنة، زي النكبة

By Razan AlSalah

SUBMARINE

By Mounia Akl

“It is directed as a poem is written… simple, a touch abstract, and moving.” 
 
    - Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival

Esra Ozban:
Esra Ozban is a film programmer and filmmaker from Turkey. Their artistic, curatorial, and scholarly work intersects critical archival practices, sex work, pornography, feminist/queer film cultures among others.

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