Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.
The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation.
In traditional Javanese culture, this is the moment for women to rest and take care of themselves. During this moment, a woman would take Kunyit Asam, a jamu or herbal drink to soothe the inflammation. This elixir consists of turmeric and tamarind boiled together in a pot.
I still remember my first period - it was one day before graduation day in elementary school. I remember pedaling my bike feeling something warm running between my thighs. When I arrived home I did all I could to clean myself and then put on a menstrual pad. My mother came home from work about four hours later. I told her what had happened. She looked me in the eye and asked how I felt. I told her that it was painful, that my body was swollen in every place. Then she asked me to go with her to the backyard. I followed her to our little jungle, my mother sat down on the soil and smiled.
“See this slender leaf? This is the leaf of Kunyit, *empon-empon that leaves the yellow stain on your fingers. What’s most important is not the leaf, but the roots. You dig the soil and slowly grab the roots.”, my mother showed me how to pick Kunyit or Turmeric roots. Then we went to the kitchen where she boiled water along with some tamarind. While waiting for it to boil, she showed me how to wash and grate the orangey-yellow root. Then, we put the grated turmeric into the boiling tamarind water. “Tomorrow, you can make it for yourself. This will help you to feel better!”.
I remember the first time I tasted it - a slightly bitter taste but also sour. My mother always served it warm. She would also put some in a big bottle which I would place on my stomach or lower back for further relief. For days after, my mother’s hands and mine were yellow. My friends could always tell every time I got period because my hands would be yellow.
A year after my first period, I found out that you could get the bottled version in convenience stores. Still, I made my own Kunyit Asam every time I had my period because the one in the convenience stores was cold. It did not smell of wet soil and warm kitchen.
Fast forward, I am a 26 year old woman who casually makes this drink for friends when they have their periods. I’ve made some for my housemates and I’ve delivered some for friends who live in different towns. I do not grow turmeric roots in my garden, but I have grown and shared the love from my mom. What was once from garden to cup is now from *pasar to cup.
A couple of days ago, I asked my mother who taught her how to make the jamu.
“Who else? Yang Ti*! Your grandmother was not just a teacher”, said my mom. I was never close to my grandmother. She passed away when I was eight. All I knew from my mom was that she was a math teacher who had to teach courses after work. I had this image of my grandmother as a hard worker who was kind of distant with her children. My mom did not disagree with that but explained it came from her survival instinct as a mother. “She tried to make time. She tried. She taught me how to make jamu so I could take care of myself and my sisters”.
My mother is the second child out of seven, six of whom are girls. The reason my grandmother taught her is so that all of her children could take care of each other. While my mother was taught how to make the drink, my mother’s older sister was taught how to plant turmeric. Yang Ti knew which one loved the smell of soil more and which one loved the smell of the kitchen. My mother was the latter. She learned how to plant from my aunt, her older sister.
My grandfather worked in a bank but he got laid off when he was in his 40s. So, my grandmother had to do a side-hustle to support their children. My mother was in high school at that time when Yang Ti woke her and her older sister up at dawn. “Would you help me to pick some roots?”. Of course nobody said no. Especially if it was your mother, especially if you were born in Javanese culture where saying “no” sounded like a bad word. Together, the three of them went to the backyard, and they harvested empon - empon, rhizome, that was buried inside the soil. She grew many kinds of rhizome; temu lawak, temu putih, ginger, galangal, kunci, kencur, and kunyit. That was the day where my mother realized that her mother was never far away from her.
That was the day where she could spend more time with her mother. There, in the garden. There, in the kitchen.
“We’re sending these for Ibu Darti, the lady who lives across the river. Kunyit Asam for her and her daughters.”, said my grandmother to my mother and my aunt that day. They poured the Turmeric-Tamarind warm drink into a tall thermos and later my grandmother would deliver it on the way to school.
Over time, my grandmother got more orders for jamu. Everybody in the family helped her to make and deliver her jamu. The small business lasted only a few years, but that was what paid for my mother and her siblings’ education.
Today, my mother, who got laid off just a few days before I wrote this piece, harvested Turmeric and other roots. She’s making her Turmeric Tamarind drink from her kitchen.
My phone rang in the middle of this afternoon, a couple minutes after I boiled the rest of my grated turmeric. Today is one day after my period.
“Ingka, have you washed your pot after boiling those turmeric? It would forever be yellow if you don’t wash it right away!”
*empon-empon = roots like ginger, turmeric, etc. coming from the Javanese word “Empu” which means, something or someone that has deep knowledge.
*jamu = Indonesia’s traditional elixir made of roots, barks, flowers, seeds, leaves, and fruits.
*Yang Ti = Javanese term for grandmother, taken from the term “Eyang Putri” the female you look up to.
*pasar = the word for traditional market in Indonesian.
The more women support other women, the quicker we’ll see progress. Together we are stronger and make even more impact.
Karina Tungari, Hamburg, Germany (@_katung_)
Snippet - COP30 - Ecozine card - EN
📰 Feminist Transnational Solidarity: an Antidote to Ecocide
This collaborative zine originated from a series of sharing circles that brought together feminists from around the world throughout 2022. The purpose was to exchange ideas and mutually learn how communities are responding to the climate crisis in various local contexts.
Curated by Jess X. Snow With assistance from Kamee Abrahamian and Zoraida Ingles
Across Asia and the Pacific, and all of it’s vast diaspora, fierce women and trans folks have been fighting for a future where they can all be free. As rising sea levels threaten the Pacific islands, and the coasts of continental Asia, the fight to protect other Earth and the Ocean intensifies all over the globe. Our planet stores a geologic memory of everything that it has experienced. The rise of colonization, industrialization, and environmental destruction is connected to the rise of the binary patriarchal nation state. The power within the Earth, to reincarnate, heal, and bloom in the face of violence, must then be connected to the woman, to motherhood, to indigeneity and all forces that are expansive, sacred and queer. It is no coincidence that Feminist Realities unite the fight to protect the rights of women, trans and LGBTQ+ people with the fight to protect the Earth. From mother-daughter protectors of Mauna Kea in the Kingdom of Hawaii, to the complex mother-child relationships of Vietnamese refugees, to queer sexual awakenings in conservative India, the reclaimation of home in Inner Mongolia, to the struggle toward LGBTQ liberation in the Phillipines -- this collection of films is a cosmology of the ways current-day Asian Pacific women and queer and trans folks champion the journey to our collective liberation across oceans and borders.
All of these films have a strong sense of place: indigenous activists protect their sacred lands, youth peel back colonial narratives of their homeland to uncover hidden truths, complex motherhood and relations of care are explored, and characters turn to their own bodies and sexuality as sanctuary when the family and city that surrounds them threaten their safety.
AFTEREARTH
By Jess X. Snow
“A haunting film with stunning shots invoking feminist environmental resistance and how deeply rooted this is in connection to cultural history and land…”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
In the experimental documentary, Afterearth, four women fight to preserve the volcano, ocean, land and air for future generations. Through music, poetry, and heartfelt testimonial that honors locations touched by the Pacific Ocean–Hawaiʻi, the Philippines, China, and North America, Afterearth is a poetic meditation on four women’s intergenerational and feminist relationship to the lands and plants they come from.
STANDING ABOVE THE CLOUDS
By Jalena Keane Lee
In Standing Above the Clouds, Native Hawaiian mother-daughter activists stand together to protect their sacred mountain, Mauna Kea from being used as a site to build one of the world’s largest telescopes. As protectors of Mauna Kea, this film highlights the interconnected relationship between Aloha ʻĀina (love of the land) and love for one’s elders and the future generations to come.
NƯỚC (WATER/HOMELAND)
By Quyên Nguyen-Le
In the experimental narrative short, Nước (Water/Homeland) a Vietnamese-American genderqueer teen challenges dominant narratives of the Vietnam War in Los Angeles, California. Through striking dream sequences and breaks from reality, this film follows their journey to piece together and understand their mother's experience as a Vietnam War refugee.
KAMA’ĀINA
By Kimi Lee
In Kama’āina, a queer sixteen-year-old girl must navigate life on the streets in Oahu, until she eventually finds refuge by way of guidance from an auntie at Pu’uhonua o Wai’anae–Hawaiʻi’s largest organized homeless encampment.
DEVI
By Karishma Dev Dube
In Devi (goddess in Hindi) a young closeted lesbian, Tara risks both family and tradition to embrace her attraction to her family’s maid. Set in New Delhi, Devi is a coming of age story, as it is a commentary on the social and class lines that divide women in contemporary India today.
HEADING SOUTH
By Yuan Yuan
In Heading South, Chasuna, an 8 year old girl, raised by her mother in the Inner Mongolian Plateau, visits her abusive father in the big city. While at her father’s house, she is introduced to a new addition to the family, and must come to terms with the fact that her true home is inseparable from her mother and land.
Outrun
By Johnny Symons & S. Leo Chiang
In the feature film, Outrun, we follow the journey of the first transgender woman in the Philippine Congress. Facing oppression in a predominantly Catholic nation, her triumphant journey becomes an outcry for the rights of LGBTQ+ people globally.
Spanning documentary, narrative, and experimental forms, these films illustrate that community care, self-love, and deep transformative listening between our loved ones is a portal to the Feminist Realities we are bringing into existence today. From all across the Asia Pacific and it’s diaspora, these stories teach us that in the face of violence, tenderness is the sharpest force of resistance.
Jess X. Snow is a film director, artist, pushcart-nominated poet, children’s book author and community arts educator who creates queer asian immigrant stories that transcend borders, binaries and time.
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جوريما آراوْخو، معلّمة وشاعرة من ريو دي جانيرو. ساهمت في مجلة Urbana التي حرّرها الشاعران برازيل باريتو وسامارال، وفي كتاب Amor e outras revoluções “الحب والثورات الأخرى” مع العديد من الكتّاب الآخرين. بالتعاون مع أنجليكا فيراريس وفابيانا بيريرا، شاركت في تحرير O livro negro dos sentidos “الكتاب الأسود للحواس”، وهو مختارات إبداعية عن الحياة الجنسية للمرأة السوداء في البرازيل. جوريما عمرها 54 سنة. لديها ابنة وثلاثة كلاب وقطة والعديد من الأصدقاء.
مَن يودّ المصّ معي؟
المانغو هي الثمرة المفضّلة عندي.
أفتح ثغري وأمصّها كلّها،
ويعلق لبّها بين أسناني
وأسناني تنعم كي لا تؤذيها.
أضعها بين لساني وسقف حلقي وأضغط عليها
ثم أُخرجها وأمصّ كلَّ شبرٍ منها،
وعصيرُها يسيلُ في فمي وحوله
وأنا أتبلّل وأغرق في رحيقها الساحر.
وأعود وأدخلها كلّها في ثغري،
لأنّ المانغو هي البَذْرَة والعسل
وهي العِرْق والنَكهة.
ولمّا ينتهي الأمر، أجد نفسي منتشية
مُندّية بالرحيق مُحلاة وشفتاي مبلولتان.
المانغو خُلِقَت لمتعة المرغ.
تقديم كتاب الحواس الأسود The Black Book of Senses
يومَ دعتني أنجليكا وفابي لأكون القَيِّمة على تشكيلة نصوص شبقية من تحرير نسوة سود لم أكن أعرف ما يعنيه عملُ القيِّم. الشبق ومشتقاته، هذه فهمتها جيداً، لكن عمل القَيِّم... ابتسمت تحت وطأة الخجل والإطراء. أظن أنّي شكرتهما، على الأقلّ آمل أنّي شكرتهما، وقلت في ذاتي: ماذا تعني هذه الكلمة اللعينة؟! حسناً، سأضطر إلى سَبر معاني هذا اللقب المُبهرَج وأنا أطبّقه.
اليوم، أنا على دراية بما يعينه عمل القيِّم. هو بمثابة ممارسة الحبّ مع نصوص شخصٍ آخر، مع فنّ شخصٍ آخر، بغية تجميع كتاب وتنظيمه. وهذا تماماً ما قمت به. عرّيت بشهوانية أدبية كلّ نصّ لكلٍّ من الكاتبات. تعمّقت في كلمات وحواس الآخرين. ولَجَتني قصائدُ لم أكتبها. حكايات ما كنت لأجرؤ على تخيّلها قلبتني رأساً على عقب وأربكت مشاعري وعبثت بشهوتي الجنسية. وكانت نشوةٌ رائعة وفريدة: سماويّة وجسمانيّة وسامية في آنٍ واحد، فكريّة وحسّيّة.
تنبض هذه النصوص كالبظر المنتصب رغبةً، رطبةٌ، ينسال منها الفرح مع كلّ قراءة. كلمات ابتلعتني بإيحاءتها اللعوبة، تأخذني أعمق فأعمق في هذا العالم الرّطب.
غطست هذه النسوة السود إلى قعرِ هَيْجِهنّ وحوّلن أعمق تخيّلاتهنّ الشبقيّة إلى فنٍّ.
أُخْصِبَت هذه الأعمال بأسلوبِ كلٍّ من الكاتبات الخاصّ في التجربة الجنسانية، بحريّة، بسوداوية، بأنفسنا، بطريقتنا الخاصّة، بتمكّن.
اخترت أن أوزّع هذه النصوص في مختلف أجزاء الكتاب ونظّمتها بحسب محتواها الأكثر رقّة أو انفعالية أو بديهية أو ضمنيّة.
استهلالاً لهذا «اللبّ الأسود المفترج»، تأتي أقسام ’التمهيدات‘ (Preliminaries) بنصوصها التي تقدّم لمحةً للقرّاء عن عالم الأطايب هذا، وهي بمثابة لمسَة شاملة رقيقة تُعرِّف بالمواضيع التي تطرحها النصوص في باقي الكتاب.
يلي ذلك لهيبُ ’اللمس‘ (Touch) وهو جزءٌ يُعنى بكلّ ما تشعر به البشرة. تلك الطاقة التي تحرق أو تُثلِج أجسادنا، التي تفجّر هُرموناتنا وتوقظ حواسنا الأخرى. صحيحٌ أنّ كثيرين بيننا يستمتعون بشهوة التلصُّص، لكنّ ملامسة البشرة بالفم الدافئ والرّطب مثيرٌ، وهو كالتطواف في نعومة الآخر. تُغرينا اللمسة اللطيفة أو الحازمة وتجتاحنا القشعريرة، وذلك التوتّر الجميل الذي يسري من العنق إلى الظهر ولا يختفي إلا اليومَ التالي. ودفء الشفاه والفم واللسان الرّطب على البشرة، آه من حلاوة لسانٍ ينساب داخل الأذن، أو احتكاك الجلد بالجلد، والملابس تتموّج على الجسد وكأنّها امتدادٌ لليدّ. ولمّا يكون التروّي جزءاً من المتعة، وتعصف بك الإثارة بفعل قبضة مُحْكَمة وبعضٍ من الألم – أو الكثير منه، من يدري؟
أمّا ’الصوت‘ (Sound) – أو اللحن؟ – فيبيّن لنا أنّ الانجذاب يحصل أيضاً عبر حاسّة السمع: صوت الشخص، الهمسات، الموسيقى التي تشعل التواصل بين جسدٍ وآخر وقد تمسي محورَ الرغبة. فبالنسبة لبعضٍ منّا، لا يتطلّب الأمر إلّا الأوتار الصوتية لشخصٍ ذي صوتٍ جميل، فذاك الصوت الأجشّ أو العميق أو الرخيم يكون كممارسة الجنس سمعياً. أن نسمع سِبابَهم الصارخ أو كلامهم المعسول همساً في الأذن يكفي لتجتاحنا قشعريرة الإثارة من الرأس إلى أخمص القدميْن.
في ’المذاق‘ (Flavor)، نأتي إلى اللسان وهو الخبير في استكشاف الخبايا يجول هائماً على جسد الآخر ويتلذّذ. وأحياناً يُقحَم اللسان قحماً لتذوُّق رحيق الآخر. فكرة أن يُشاركنا أحدٌ فراولته أو مانغته الشهيّة الملأى، بالعضّ واللحس، أو اللحس ثم العضّ، فكرةٌ كفيلة بإذابتنا. لكن لا شيء يعلو على حلاوة تذوُّق جسد الآخر بكهوفه وتلاله. إقحامُ اللسان في العمق لتذوُّق الثمرة، أو قضاءُ ساعاتٍ في تذوُّق رأس القضيب في الفم، أو رضعُ ثدي شهيّ لتذوُّق الحلمة... كلّها أفعال تسعى إلى حفظ ’مذاق‘ الآخر في الذاكرة.
نجد أيضاً نصوصاً تصف كيف تُستثار الرغبة عبر الأنف. ’الرائحة‘ (Smell)، أعزائي القرّاء، قد توقظ فينا شهوات الرغبة. أحياناً نلتقي شخصاً رائحته عبقة لدرجة أننا نودّ التهامه بأنفنا. يريد الأنف أن يجول في أنحاء الجسد ويبدأ من العنق وآهٍ من الرعشة الحلوة التي تصيبنا وتعرّي الروح! يقلّ حياء الأنف فيتعمَّق ويلفّ حول العنق ليلتقط عَبَق رائحة الآخر فيحفظها. وفي غياب هذا الشخص، إن إلتقط الأنف رائحة شبيهة يحضر الشخص في ذاكرتنا، أو إن استحضرته الذاكرة تجتاحنا الرائحة والإثارة.
نصل إلى ’النظر‘ (Look)، وهو برأيي غدّار الحواس، ومن خلاله ندرك الرغبة من وجهة «نظر». هنا النصوص تصف الرغبة والإثارة عبر حاسة النظر التي توقظ باقي الحواس. أحياناً، ابتسامةٌ تكفي لِنُصاب بالجنون. تبادُل النظرات؟ تلك النظرة التي تقول «أريدك الآن». نظرة التملّك تلك التي لا تنكسر إلا مع انتهاء المضاجعة، وقد تدوم بعدها. هذه نظرة فريدة من نوعها، تجذب الآخر فيعجز عن إشاحة نظره لوقتٍ طويل. والنظرات المُسترَقة حيث يشيح واحدٌ بنظره ما أن يلتفت إليه الآخر كأنّهما في مطاردة كالقط والفأر. وما أن تلتقي الأعين وينفضح أمرنا جُلّ ما يمكننا فعله هو أن تنفرج أساريرنا بابتسامة فاغرة.
ختاماً، يأتي الانفجار في جزء ’الحواس كافة‘ (All Senses) حيث النصوص تمزج المشاعر لتبدو كحالة تأهّب لنصل إلى اللذة القصوى، إلى النشوة.
طبعاً، لا شيء يفصل بوضوح بين هذه القصائد والحكايات. بعضها رقيقٌ بتلميحه. الإثارة تُشغِل الحواس كافّة، والأهمّ أنّها تُشغِل الرأس، فهُنا مقام كلّ ما يحدث والجسد بكامله يستجيب. لقد نظَّمتُ القصائد وفقاً لما أثارته فيّ عند قراءتها، ولكم الحريّة في مخالفة رأيي هذا. لكن بالنسبة لي، الرغبة تنبع من حاسّة معيّنة ومن ثم تنفجر، وثمّة لذّة في تتبّع مسار الرغبة وتحديد أيٍّ من الحواس استقلّت.
إنّ القدرة على تحويل الإثارة إلى فنّ تعني تحرير أنفسِنا من الأحكام المسبقة والسجون ووصمات العار كلّها التي حبَسَنا فيها هذا المجتمع المُتمَحوِر حول العرق الأبيض.
كلّما تقوم كاتبة سوداء بتحويل الشبقيّ إلى فنّ فهي تخلع السلاسل العنصرية المؤذية التي تشلّ جسدها وتقمع جنسانيتها وتجعل منّا غرضاً لجشع الآخرين. إنّ كتابة الشعر الشبقيّ هي استعادة لسلطتها على جسدها وهي التنقّل بلا خوف بين ملذّات الرغبة من أجل ذاتها ومن أجل الآخرين ومن أجل الحياة.
الكتابات الأدبية الشبقيّة هي نحن عندما نتّخذ الشكل الفنّي. الشكل الذي يتيح لنا إظهار أفضل ما لدينا وآرائنا في الحبّ الملأى لذّة والمتبّلة بشهوة أجسادنا والتي تُترجَم عبر وَعْينا الفنّي. نحن متنوّعات، وهنا نشارككم هذا التنوّع في الأحاسيس عبر الكلمات المُشبَعَة إثارة. صحيح، حتّى كلماتنا ترشَح برغبتنا الجنسية وترطّب آياتنا وتجعل من شهواتنا قصائدَ. النشوة، بالنسبة لنا، إنجاز.
أن تكون عقولنا وأجسادنا وجنسانياتنا سوداء هو أمرٌ ضروري لاستئناف لذّتنا واستعادة نشوتنا. عندها فحسب نصير أحراراً. هذه العملية برمّتها إنجازٌ وهي لا تخلو من الألم. لكنّه من المفرح أن نجد أنفسنا في مكان مختلف جداً عن حيث تمّ وضعنا.
أشعر أنّي لكنّ/لكم، أنّي لنا. تذوّقوا هذه الكلمات العذبة معنا، تلذّذوا بها، ولْتَكُن وليمة.
This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
Women human rights defenders (WHRDs) worldwide defend their lands, livelihoods and communities from extractive industries and corporate power. They stand against powerful economic and political interests driving land theft, displacement of communities, loss of livelihoods, and environmental degradation.
Why resist extractive industries?
Extractivism is an economic and political model of development that commodifies nature and prioritizes profit over human rights and the environment. Rooted in colonial history, it reinforces social and economic inequalities locally and globally. Often, Black, rural and Indigenous women are the most affected by extractivism, and are largely excluded from decision-making. Defying these patriarchal and neo-colonial forces, women rise in defense of rights, lands, people and nature.
Critical risks and gender-specific violence
WHRDs confronting extractive industries experience a range of risks, threats and violations, including criminalization, stigmatization, violence and intimidation. Their stories reveal a strong aspect of gendered and sexualized violence. Perpetrators include state and local authorities, corporations, police, military, paramilitary and private security forces, and at times their own communities.
Acting together
AWID and the Women Human Rights Defenders International Coalition (WHRD-IC) are pleased to announce “Women Human Rights Defenders Confronting Extractivism and Corporate Power”; a cross-regional research project documenting the lived experiences of WHRDs from Asia, Africa and Latin America.
We encourage activists, members of social movements, organized civil society, donors and policy makers to read and use these products for advocacy, education and inspiration.
AWID acknowledges with gratitude the invaluable input of every Woman Human Rights Defender who participated in this project. This project was made possible thanks to your willingness to generously and openly share your experiences and learnings. Your courage, creativity and resilience is an inspiration for us all. Thank you!
"Overcoming adversity and healing the pain" - Iniobong Usanga
Iniobong, an AWID member since January 2015, is an Irish citizen with Nigerian roots. In 2001, she migrated to Ireland because she was forced to leave Nigeria after experiencing domestic, sexual and reproductive abuse.
“I don’t think anyone should be put in that situation where they are a slave to someone…. It shouldn’t happen to anyone”, she says.
Her arrival to Ireland as an asylum seeker and a single mother was extremely difficult at the beginning.
“People judge you even without knowing your situation”, she says. But due to her determination, Iniobong completed post-secondary education and has since worked in different paid and voluntary positions.
For years Iniobong kept her experience of abuse and forced migration to herself. She feared her family’s reactions and did not want to be judged, pitied or labelled.
In 2014, Iniobong chose to break her silence.
She spoke out for herself but also “for people who are currently experiencing what I had gone through, for survivors, for those who have given up hope and those who want to make a fresh start.”
“I am grateful because I have a voice and I can use it freely.”
Iniobong also uses her voice to advocate for the rights of women and children who are facing different kinds of violence.
With the help of some friends, she founded Love and Care for People Worldwide, a non-governmental organisation that supports women, children and youth affected by abuse, poverty and other forms of social exclusion. “I wanted to offer people hope and make them know their determination combined with some support.” The organisation offers diverse activities to help strengthen children’s and women’s self-confidence, learning and vocational skills.
“I would not sell my happiness for anyone. I have to be happy for me. And not continue living my life to please every other person but me.”
"Superando la adversidad y sanando el dolor" - Iniobong Usanga
Iniobong es una ciudadana irlandesa con raíces nigerianas, que forma parte de AWID desde enero de 2015. Llegó a Irlanda en 2001 tras ser obligada a abandonar Nigeria por sufrir violencia doméstica, sexual y reproductiva.
“Nada justifica que una persona sea puesta en la situación de ser esclava de otra. Es algo que no debería sucederle a nadie, declara.
Su llegada a Irlanda como solicitante de asilo y madre soltera fue muy difícil al principio. Las personas te juzgan incluso sin conocer tu situación, afirma. Con determinación, Iniobong completó sus estudios superiores y ha realizado numerosos trabajos, tanto remunerados como voluntarios.
Durante varios años, guardó silencio sobre sus experiencias de abuso y migración forzada. Sentía temor de la reacción de su familia y no quería ser juzgada, etiquetada o que sintieran lástima por ella. En 2014, Iniobong decidió romper el silencio, lo hizo por ella misma, pero también por aquellas personas que ahora están sufriendo lo que yo sufrí, por las supervivientes, por quienes han perdido la esperanza y por quienes desean comenzar de nuevo.
“Agradezco tener voz y poder usarla con libertad."
Iniobong también usa su voz para defender los derechos de aquellas mujeres, niñas y niños que están viviendo algún tipo de violencia. Con la ayuda de algunas amistades, fundó Love and Care for People Worldwide (Amor y protección para las personas de todo el mundo), una organización no gubernamental que apoya a las mujeres, niñas y niños afectados por el abuso, la pobreza y otras formas de exclusión social. Quería dar esperanzas a la gente, que conocieran su valor y que tuvieran cierto apoyo. La organización ofrece distintas actividades para ayudar a fortalecer la confianza de las mujeres, las niñas y niños, sus habilidades para aprender y sus destrezas vocacionales.
“No vendería mi felicidad por nadie. Es por mí que debo ser feliz y no dejar de vivir mi vida por complacer a nadie que no sea yo.”
Escuche la historia de Iniobong con sus propias palabras. (en inglés)
« Surmonter l'adversité et guérir de la douleur » - Iniobong Usanga
Iniobong, membre de l’AWID depuis janvier 2015, est citoyenne irlandaise et d’origine nigérienne. En 2001, elle est arrivée en Irlande après avoir été forcée de quitter le Nigéria suite à des violences domestiques, sexuelles et reproductives.
« Je pense que personne ne mérite d’être l’esclave de quelqu’un. Cela ne devrait arriver à personne. » dit-elle.
Au début, son arrivée en Irlande, comme demandeuse d’asile et fille mère, a été très difficile : « les gens vous jugent sans vraiment connaître votre situation », commente-t-elle. A force de détermination, Iniobong a achevé ses études secondaires et a occupé de nombreux postes rémunérés et bénévoles.
Pendant des années, Iniobong a gardé toute cette histoire d’abus et de départ forcé pour elle. Par crainte des réactions de sa famille et aussi parce qu’elle ne voulait pas qu’on la juge, qu’on la plaigne ou lui mette une étiquette. En 2014, Iniobong a choisi de rompre la loi du silence, pour elle, et aussi « pour toutes celles et ceux qui endurent ce qu’elle a vécu, pour les survivant-e-s, pour les personnes qui n’ont plus d’espoir et celles qui veulent prendre un nouveau départ.»
« Je suis reconnaissante d’avoir une voix et de pouvoir m’exprimer librement. »
Iniobong fait aussi entendre sa voix pour militer pour les droits des femmes et des enfants qui subissent eux-mêmes différentes formes de violence. Avec l’aide de quelques ami-e-s, elle a fondé “Amour et attention aux gens du monde entier” (Love and Care for People Worldwide), une organisation non-gouvernementale qui aide les femmes, les enfants et les jeunes ayant subi des abus, et souffrant de pauvreté et d’autres formes d’exclusion sociale. “Je voulais apporter de l’espoir aux gens et leur faire savoir que nous soutiendrons leur détermination.” L’organisation propose différentes activités qui permettent de renforcer la confiance en soi des enfants et des femmes, de les éduquer et de développer leurs compétences professionnelles.
« Je ne pourrais jamais brader mon bonheur. C’est mon bonheur. Je continuerai de vivre pour moi-même et non pour satisfaire les autres. »
Ecoutez Iniobong raconter son histoire avec ses propres mots (en anglais)
The Abortion Rights Campaign "Breaking the Silence" in Ireland
The Abortion Rights Campaign (ARC) - advocating for free, safe, and legal abortion in Ireland - has been an AWID member since May 2015. It is a grassroots, non-hierarchical, all-volunteer organization and is autonomous in its pro-choice activism.
ARC partners with numerous social justice, human rights and gender equality groups working on issues that intersect with and are impacted by Ireland’s failure to support full sexual and reproductive health and rights (SRHRs) for women since the 1983 8th Amendment of the Irish Constitution.
Although ARC only formed in January 2013, it currently actively partners with over 15 organizations throughout Ireland and internationally including the women’s councils, transgender, immigrant, traveler and regional/rural groups.
The march is part of ARC’s wider mission to secure access to free, safe, and legal abortion, while challenging the restrictive, stigmatized, and patriarchal environment surrounding SRHRs in Ireland.
Cathie Doherty, one of the co-conveners of ARC tells us, “There is an appetite in Ireland for real change, contrary to the statement from the Minister for Health and the Taoiseach. We need to end the hypocrisy of travel and the hypocrisy which forces women who cannot travel to carry pregnancies or to break the law by importing the abortion pill. We can change Ireland. We can have a society which treats us as the valuable human beings that we are.”
ARC works closely with women who have had abortions to tell their stories. They create a safe space where women can speak and be listened to. Ireland’s ‘Speak-Out’ organized in 2013 and again in 2014 gave a platform to women to talk about their abortions and reproductive health experiences abroad or illegally in Ireland. Some women have shared their stories with the press.
The Comedian and writer Tara Flynn recently spoke publicly about her experience in the Irish Times and said about the March for Choice that she will also MC for, “It’s time to acknowledge real women’s stories – women we all know – and actual facts: hundreds of thousands of women have had to travel and will continue to travel for healthcare they need, or put themselves at risk. Silence has got us nowhere. It’s time to talk.”
Dismantling Myths Through Social Media
For ARC, social media is an effective platform to campaign for and highlight bodily autonomy issues which often more traditional media fail to engage with.
“We strive to incorporate the use of new media and technologies into all of our advocacy work, with the aim of engaging as wide an audience as possible,” ARC said.
Ahead of International Women's Day in 2014, ARC ran the '8 days, 8 myths' campaign, dismantling the stigma and falsehoods surrounding abortion.
La Campaña por el Derecho al Aborto «Rompiendo el Silencio» en Irlanda
Abortion Rights Campaign [Campaña por el Derecho al Aborto, ARC] — que aboga por el aborto libre, seguro y legal en Irlanda — se afilió a AWID en mayo de 2015. Se trata de una organización de base, no jerárquica y formada por personal voluntario, que actúa de forma autónoma en su activismo por el derecho a decidir.
ARC trabaja en conjunto con numerosos grupos de justicia social, derechos humanos e igualdad de género en temáticas relacionadas entre sí y que se ven afectadas por el hecho de que desde 1983, cuando se aprobó la octava enmienda a la Constitución irlandesa, el país no ha brindado un apoyo pleno a la salud y los derechos sexuales y reproductivos de las mujeres.
Aunque la ARC se creó recién en enero de 2013, ya trabaja activamente con más de 15 organizaciones de toda Irlanda y también a nivel internacional, entre las que se cuentan Consejos de Mujeres y grupos trans*, de inmigrantes, de simpatizantes, regionales y rurales.
Marcha por el Derecho a Decidir
En el marco del Día de Acción Global por un Aborto Legal, Seguro y Gratuito, la ARC organizó su Cuarta Marcha Mundial por el Derechoa Decidir, el 26 de septiembre de 2015. La marcha es parte de la misión de ARC que incluye tanto garantizar el acceso al aborto libre, seguro y legal, como cuestionar el ambiente restrictivo, estigmatizado y patriarcal que rodea a la salud y los derechos sexuales y reproductivos en Irlanda.
Cathie Doherty, una de los co-convocantes de ARC afirma: «En Irlanda hay ganas de que se produzca un cambio real, en contra de lo que sostienen el Ministro de Sanidad y del Primer Ministro. Tenemos que acabar con la hipocresía de los viajes al exterior, que obliga a las mujeres que no pueden viajar a continuar con sus embarazos o a incumplir la ley importando píldoras para abortar. Podemos cambiar Irlanda. Podemos tener una sociedad que nos trate como seres humanos valiosos, que lo somos».
«Alza la voz» – Romper el silencio y acabar con el estigma
La ARC trabaja en estrecha colaboración con las mujeres que han abortado para que cuenten sus historias, creando un espacio seguro donde las mujeres pueden hablar y ser escuchadas. La acción «Speak Out» [Alza la voz] organizada en 2013 y nuevamente en 2014 facilitó una plataforma a las mujeres para que pudieran hablar sobre sus experiencias de abortos y atención a la salud reproductiva en el extranjero o ilegalmente en Irlanda.
Algunas mujeres compartieron sus historias con la prensa. La actriz y escritora Tara Flynn habló recientemente en público sobre su experiencia a través del periódico The Irish Times, en declaraciones sobre la Marcha por el Derecho a Decidir en la que se dispone a participar: «Es hora de admitir las historias de las mujeres reales — las mujeres que todo el mundo conoce — y los hechos concretos: cientos de miles de mujeres han tenido que viajar y continuarán viajando para obtener la atención médica que necesitan, o han puesto en riesgo su vida. El silencio no nos ha llevado a ninguna parte. Es hora de alzar la voz".
Desmontando mitos a través de las redes sociales
Para la campaña ARC, las redes sociales son una plataforma eficaz para hacer campaña y poner de relieve cuestiones que tienen que ver con la autonomía corporal, de las que no se ocupan los medios de comunicación más tradicionales.
«Nos esforzamos por incorporar el uso de los nuevos medios y las tecnologías en todo nuestro trabajo de incidencia, con el objetivo de involucrar a un público lo más amplio posible», afirmó una portavoz de la ARC.
En 2014, en la semana previa al Día Internacional de las Mujeres, ARC organizó la campaña «8 días, 8 mitos», para acabar con el estigma y las mentiras que rodean al aborto.
Cuarta Marcha Anual por el Derecho a Decidir (en inglés)
En Irlande, le « silence est rompu » : La Campagne pour le droit à l’avortement
Abortion Rights Campaign (ARC – Campagne pour le droit à l’avortement) – qui milite pour que l’avortement devienne gratuit, sûr et légal en Irlande – est membre de l’AWID depuis le mois de mai 2015. Cette organisation de base, non hiérarchique et entièrement composée de bénévoles mène son action en faveur de l’avortement en toute indépendance.
Elle collabore avec de nombreux groupes de défense de la justice sociale, des droits humains et de l’égalité de genre qui, tous, travaillent sur des thèmes liés à l’incapacité de l’Irlande à garantir pleinement la santé et les droits sexuels et reproductifs (SDSR) des femmes, notamment depuis l’adoption en 1983 du 8e amendement de la Constitution irlandaise. L’ARC n’existe que depuis janvier 2013, mais elle collabore déjà activement avec plus de 15 organisations basées dans toute l’Irlande ou d’envergure internationale, parmi lesquelles des conseils de femmes, des groupes de défense des droits des personnes transgenres, des migrant-e-s, des gens du voyage mais aussi des organisations régionales / rurales.
Marcher pour le droit de choisir
Dans le cadre de la Journée mondiale d’action pour l’accès à l’avortement sûr et légal, l’ARC a organisé sa 4e Marche annuelle pour l’avortement (site en anglais) le 26 septembre. Cette marche est une partie intégrante de la mission de l’ARC, une mission qui consiste d’une part à lutter pour que les femmes puissent avorter légalement, gratuitement et en toute sécurité et, d’autre part, à remettre en cause le contexte restrictif, stigmatisant et patriarcal dans lequel la SDSR est mise en œuvre en Irlande.
Selon Cathie Doherty, l’une des co-organisatrices de l’ARC, « l’Irlande aspire actuellement à un vrai changement, contrairement à ce que prétendent le ministre de la Santé et le Premier ministre. Nous devons cesser de prétendre que les femmes irlandaises ne vont pas à l’étranger pour avorter. Cette hypocrisie contraint les femmes qui ne peuvent pas adopter cette solution à mener à leur terme des grossesses non désirées ou à importer illégalement des pilules abortives. Nous pouvons faire évoluer l’Irlande. Nous pouvons également vivre dans une société qui nous traite comme les êtres humains estimables que nous sommes.»
Prendre la parole pour rompre le silence et mettre fin à la stigmatisation
L’ARC collabore étroitement avec de nombreuses femmes qui ont avorté, et ce dans le but de faire connaître leur histoire. Elle met à leur disposition un espace sûr au sein duquel elles peuvent parler et être écoutées. Des séances de prise de parole (« Speak-out ») ont été organisées en 2013 puis en 2014, dans le but d’offrir à ces femmes la possibilité de parler de l’avortement ou des soins de médecine procréative dont elles ont pu bénéficier à l’étranger ou, illégalement, en Irlande.
Certaines des participantes ont confié leur témoignage à des journalistes. L’écrivaine et comédienne Tara Flynn a récemment évoqué sa propre expérience dans un article de l’Irish Times (site en anglais). Elle a notamment affirmé qu’elle participerait à la Marche pour le droit de choisir, poursuivant en ces termes : « il est temps de reconnaître le vécu réel de toutes ces femmes – que nous connaissons – et d’admettre les faits tels qu’ils sont : des centaines de milliers de femmes ont été contraintes de prendre des risques ou d’aller à l’étranger pour recevoir les soins de santé dont elles avaient besoin. Le silence ne nous a mené à rien. Il est temps de parler. »
Mettre à bas les mythes grâce aux médias sociaux
L’ARC considère les médias sociaux comme une plateforme efficace pour mener son action et mettre en lumière les questions relatives à l’autonomie corporelle, un sujet que les médias traditionnels n’abordent généralement pas.
« Pour atteindre le public le plus large possible, nous [l’ARC] nous efforçons d’intégrer l’utilisation des nouveaux médias et des nouvelles technologies à tous les niveaux de notre travail de plaidoyer. »
En préparation de la Journée internationale des femmes 2014, l’ARC a mené la campagne « 8 days, 8 myths » (« 8 jours, 8 mythes »), dans le but de saper les fondements de la stigmatisation et des préjugés dont sont victimes les femmes qui avortent.
Présentation de la 4e Marche annuelle pour le droit de choisir (en anglais)
The conversation title "Pansexual, Gynasexual or Abrosexual? A dive into queerness, pleasure and sex positivity" gives one much to think about. Tiffany Kagure Mugo, author, educator and curator of HOLAAfrica, begins the discussion with a reading from Touch, a recently published collection of fiction and non-fiction essays on sex, sexuality and pleasure. In this excerpt, the author puts forward the idea that pleasure is constant and ongoing, it is to be found in everyday activities and is not confined to sexual intercourse.
This idea, that pleasure is as much a part of daily life as anything else, runs through the discussion, which also covers topics of desire, attraction and sexual orientation.
Early on, there is this sense of hope and possibility. Tiffany presents options and explains alternatives, giving us new language to speak about who we are, what we like, and how we want it. This is about desire and sex, but mostly it is about self-knowledge and empowerment. Tiffany speaks passionately about making decisions from a place of power: learning your own identity so that you are able to make the best choices for yourself.
In a conversation that is open and free, representing the attitude that Tiffany would have us all adopt, we learn that knowledge about sex and sexuality is ever-changing, the boundaries are shifting. What we may have learned or, more importantly, been kept away from as children or adults is exactly where we should start unlearning and reprogramming. Tiffany notes that young people these days need tools to understand the experiences they are already having, a reminder to never underestimate what children and teenagers know about the kind of pleasure(s) they want to pursue in life.
The conversation opened my mind to something: knowing myself will help to build my confidence; I will be able to approach relationships with care not only for myself but for others, too. Learning the language of orientation, attraction, desire and pleasure will go towards deepening my future connections. I appreciated the space to think about this aspect of my life -- the private, intimate parts that I don’t access often. Tiffany’s enthusiasm about pleasure and identity pushed my own boundaries, allowing me to entertain new personal possibilities.
The idea of learning how to make holistic connections is still not common. Largely, we live in a culture of instant and fleeting connections. There is hardly any time to truly reflect on how and why we are seeking relationship or partnership -- at least, not until a moment of crisis.
Of course, there are selected spaces that welcome questions and discussions, such as the AWID Crear Résister Transform Festival and other free-thinking online platforms or publications -- but access to information from a helpful, non-judgemental source is something people are still trying to figure out. This may be in part because people are not confident in the language of sexuality and pleasure.
The notion of language and tools repeats itself throughout Tiffany’s presentation. Tiffany and her colleagues are doing the work of talking, teaching and nurturing. Seeing what people need, where they are, what they want for themselves, and walking alongside them as they build their ideal worlds. Giving them new words and definitions to help give shape to their identities at different stages of their lives.
These are the kinds of conversations that are necessary, even in a society that has myriad healthcare messages broadcast with varying degrees of details at any given moment. Sometimes people need to be brought back from the big picture moments and encouraged to learn about their individual opinions and desires. This is what Tiffany’s talk does: it gives people a space in the larger puzzle.
A highlight of Tiffany’s talk was the section on the different types of attraction.
Sexual -- as in, the express desire to have intercourse with a person or people Sensual -- the desire to touch a person or people, to be physically close without necessarily including intercourse Romantic -- the desire to date or be in a relationship with a person or people Platonic -- the desire to build close friendships Aesthetic -- the desire to look at and be pleased by the appearance of a person or people
These five types or levels of attraction offer a shorthand for desire and pleasure, and help to contextualise the different kinds of pleasure people can experience.
Thinking of attraction beyond the physical or sexual offers a new perspective on connection. It is a chance to take the pressure off relationships, which opens up opportunities for different, more enlightened and fulfilling partnerships.
This freedom and knowledge that Tiffany presents is a roadmap to the future. The presentation offered a new perspective on what is possible.
As the opening excerpt states, pleasure is ongoing. In light of Tiffany’s discussion, it is also clear that it is dynamic and exciting. There is always more to know.
This may be daunting at first, but on the other side of hesitation is hope, potential and freedom.
We’re beginning a new year--2023. COVID-19 continues to infect and re-infect many, many people around the world. We are witnessing the resurgence of right-wing and fascist governments, even in places we may not have expected like Sweden. War, armed conflict, and dramatic increase in militarization, militarism, and military spending are enabling the unbridled capital accumulation by the few, with participation of seemingly “strange” alliances locking arms, both visibly and invisibly, where economic and political elites of the Global North and Global South are benefitting beyond our wildest imagination. In the meanwhile, our people and the natural environment pay enormous costs and suffer all the expected and unexpected consequences.
As all of you and all of us at AWID know, feminists in multiple movements around the world are resisting and organizing against multiple faces of tyranny, creating alternative structures, implementing grassroots strategies, and building transnational alliances. We are generating joy, inspiring one another, singing, and dancing within and against the prevailing culture of killing and cynicism that seems to have engulfed so much of the world.
We--Staff and Board--of AWID are prepared and inspired more than ever before to face challenges by strengthening our relationships with our members and organizational partners, meeting and getting to know those who we are yet to meet and do what we do best: support the global feminist movements. Although we were sad facing the departures of our beloved former Co-Eds Cindy and Hakima, our wonderful new Co-EDS Faye and Inna along with committed and creative staff have embraced the moment that encapsulates both opportunities and threats.
For sure, all of us at AWID and all our movement folks know: As the Caribbean US poet and activist June Jordan wrote to the South African women activists during the height of the apartheid regime, “We are the ones we have been waiting for”!
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Except as explained below, AWID will not disclose any of your personally identifiable information, and will not sell or rent lists containing your information to third parties. AWID may disclose information when it has your permission to do so or under special circumstances, such as when it believes in good faith that the law requires it.
6. Information security
We are continuously implementing and updating administrative, technical, and physical security measures to help protect your information against unauthorized access, loss, destruction, or alteration. Some of the safeguards we use to protect your information are firewalls and data encryption, and information access controls. If you know or have reason to believe that your AWID membership credentials have been lost, stolen, misappropriated, or otherwise compromised or in case of any actual or suspected unauthorized use of your AWID membership account, please contact us through on Contact Us.
7. Changes to this policy & Contacting us
This policy may change from time to time. The changed policy will be posted on this website and Last updated date at the end of the policy will be updated. There will be an email update sent to you for the revised policy and if you do not agree with the revised policy, you will have the option to cancel you registration(s) with us. You can also write to us here. We welcome your feedback!
