Conseil des Droits de l'Homme (CDH)
Le Conseil des droits de l'homme (CDH) est un organe intergouvernemental clé du système des Nations Unies, responsable de la promotion et la protection des droits humains autour du globe. Il se réunit trois fois par an en session ordinaire, en Mars, Juin et Septembre. Le Bureau du Haut-Commissariat des Nations Unies aux Droits de l’Homme (HCDH) constitue le secrétariat pour le CDH.
Le CDH :
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Débat et adopte des résolutions sur les questions globales des droits humains ainsi que sur la situation des droits humains dans des pays particuliers
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Examine les plaintes des victimes de violations des droits humains et des organisations activistes, au nom des victimes de violations des droits humains
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Nomme des experts indépendants (que l'on connaît sous le nom de « Procédures Spéciales ») pour réviser les cas de violation des droits humains dans des pays spécifiques, ainsi que pour examiner et suivre des questions globales relatives aux droits humains
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Prend part à des discussions avec les experts et les gouvernements sur les questions de droits humains
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Évalue les bilans des États membres de l'ONU en matière de droits humains tous les quatre ans et demi, dans le cadre de l'examen périodique universel.
Session actuelle: CDH 44
La prochaine session du CDH a lieu à Genève, en Suisse, du 30 juin au 17 juillet 2020.
AWID travaille avec des partenaires féministes, progressistes et du domaine des droits humains pour partager nos connaissances clé, convoquer dialogues et évènements avec la société civile, et influencer les négociations et les résultats de la session.
Avec nos partenaires, notre travail consiste à :
◾️ Suivre, surveiller et analyser les acteurs, discours et stratégies anti-droits et leur impact sur les résolutions du CDH.
◾️ Co-développer un plaidoyer collectif pour contrer les acteurs anti-droits et discuter plus en détails les résultats du Rapport de tendances 2017 du OURs
◾️ Soutenir, coordoner et développer de manière collaborative le Caucus féministe qui émerge au CDH.
Contenu lié
Snippet - WITM to claim - AR

لتجسيد قوتكم/ن كخبيرات عن وضع التمويل للحركات النسوية
Snippet FEA Union Otras Photo 1 (ES)

Anna Campbell (şehid Hêlîn Qerecox)
Anna a grandi à Lewes, dans le Sussex (Royaume-Uni). Après avoir décidé de ne pas poursuivre sa licence d’anglais à l'Université de Sheffield, elle a déménagé à Bristol et est devenue plombière.
Elle a passé une grande partie de son temps à défendre les personnes marginalisées et défavorisées, à assister à des rassemblements antifascistes et à offrir son soutien aux femmes de la Dale Farm lorsqu'elles furent menacées d'expulsion. Végétalienne et amie des animaux, elle a participé à des missions de sabotage de chasses et son nom est honoré sur le monument commémoratif « Arbre de vie » de l’organisation PETA. Anna s'est rendue à Rojava en mai 2017 pour lutter en faveur du renforcement du pouvoir des femmes, de la pleine représentation de toutes les ethnies et de la protection de l'environnement.
Anna est décédée le 15 mars 2018, après avoir été atteinte par une frappe aérienne turque dans la ville d'Afrin, dans le nord de la Syrie. Anna se battait auprès des forces de protection des femmes (YPJ) quand elle a été tuée.
Download your faciliation guide:
"A Feminist Approach to Understanding Illicit Financial Flows and Redirecting Global Wealth"
Download your facilitation guide in English
This Guide is also available in Spanish and Russian
Thanks to the co-creators of this facilitation guide:
- Daniela Fonkatz and Ana Ines Abelenda (AWID)
- Zenaida Joachim (Mesoamericanas en Resistencia - El Salvador)
- Olga Shnyrova (Ivanovo Center for Gender Studies - Russia)
- Leah Eryenyu (Akina Mama Wa Afrika - Uganda)
- Daryl Leyesa (Oriang and PKKK/National Rural Women Congress - the Philippines)
Our values - Justice and systemic change
Justicia y cambio sistémico
Trabajamos por un mundo basado en la justicia social, ambiental y económica; y por la interdependencia, la solidaridad y el respeto. Trabajamos para desmantelar los sistemas de poder opresivo y contra todas sus manifestaciones, incluidos el patriarcado, los fundamentalismos, los militarismos, los fascismos y el poder corporativo que amenazan nuestras vidas y nuestro mundo. Queremos un mundo justo en el que los recursos y el poder sean compartidos en formas que permitan que todas las personas prosperen.
Snippet - WITM Survey will remain open - RU
Опрос будет открыт до 31 июля 2024 года
Пожалуйста выберите язык, на котором вы хотите отвечать на вопросы в правом верхнем углу страницы
Если вы хотите узнать больше, присоединяйтесь к нашей встрече участников исследования «Где деньги?», которая пройдет 27 мая, понедельник, в 9:00 UTC – с синхронным переводом на французский и английский языки. 14:00 UTC – с синхронным переводом на испанский и английский языки.
Становиться участником (in English).
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Membres du syndicat OTRAS
Elena Gastaldo
Kagendo Murungi
Kagendo is remembered fondly by family and friends as a fierce African feminist activist, artist, and filmmaker.
She dedicated over 20 years to advocate for the rights and dignity of African LGBTIQ and gender non conforming people.
Kagendo’s colleagues remember her as someone with a jovial personality, fierce conviction, and love for life. Kagendo died due to natural causes at her home in Harlem on December 27th, 2017.
On Kagendo’s passing Kenyan writer and activist Shailja Patel noted “Kagendo's lifelong commitment to connecting the dots between all oppressions, showing how colonialism fostered homophobia on the African continent, making Kenya a country where queer Kenyans and free women could live and thrive.”
Holding up the Skies
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Register here to watch this film from June 18-22
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
Follow us on Social Media to receive news about upcoming events and screenings:
Facebook: @AWIDWomensRights
Instagram: @awidwomensrights
Twitter ENG: @awid
Twitter ES: @awid_es
Twitter FR: @awid_fr
LinkedIn: Association for Women's Rights in Development (AWID)
Join the Feminist Realities journey (Forum page)
Rejoignez l'aventure des réalités féministes
Le Forum de l’AWID n’est qu’une étape dans l’aventure des Réalités féministes. Parcourons ce chemin ensemble et explorons notre pouvoir en action !
Snippet - WITM Acknowledgements - PT
Agradecimentos
A AWID agradece sinceramente às várias pessoas cujas ideias, análises e contribuições moldaram a pesquisa e a defesa do “Onde está o dinheiro” ao longo dos anos.
Em primeiro lugar, os nossos mais sinceros agradecimentos aos membres da AWID e às ativistas que participaram nas colaborações com o WITM e testaram este questionário connosco, ao partilhar tão generosamente o seu tempo, análise e espírito.
Agradecemos aos movimentos feministas, aos aliados e aos fundos feministas, incluindo, mas não se limitando ao Black Feminist Fund, Pacific Feminist Fund, ASTREA, FRIDA Young Feminist Fund, Purposeful, Kosovo Women's Network, Human Rights Funders Network, CEECCNA Feminist Fund e PROSPERA, pelas suas investigações rigorosas sobre o estado de financiamento, pela análise perspicaz e pela defesa contínua de mais recursos de melhor qualidade e poder para a organização feminista e de justiça de género em todos os contextos.
Junte-se à comunidade global de feministas que se manifestam sobre o estado de financiamento, e exigem mais recursos de melhor qualidade e poder para feministas globalmente.
Snippet FEA Principles of Work Antiracism (EN)

ANTIRACISM
Adelinda Gomez
Benoîte Groult
Benoîte fue una periodista, escritora y activista feminista francesa.
Benoîte publicó más de 20 novelas y numerosos ensayos sobre feminismo.
En 1975 se publicó su primer libro, Ainsi Soit-Elle (que podría traducirse «Como ella es»). En él analizaba la historia de los derechos de las mujeres, así como la misoginia y la violencia contra las mujeres.
En su último libro, Ainsi Soit Olympe de Gouges, analizaba los derechos de las mujeres durante la Revolución Francesa, centrándose en la pionera feminista francesa. Olympe de Gouges fue guillotinada en 1793 por desafiar la autoridad masculina; dos años antes había publicado una declaración sobre los derechos de las mujeres («Déclaration Des droits de la Femme et de la Citoyenne»).
#MeToo in China
En China, el movimiento #MeToo [«Yo También»] se encendió en enero de 2018, empujado por el ímpetu del movimiento #MeToo de todo el planeta. Fue una respuesta a los problemas culturales y sistémicos relacionados con el género y el poder dentro de China. Las bases del movimiento habían sido establecidas durante décadas, y los muchos años de debate y promoción de la igualdad de género, finalmente, hicieron erupción con tremenda fuerza en toda la sociedad. El movimiento #MeToo fue impulsado fundamentalmente por jóvenes, que incluyen a innumerables mujeres anónimas y sus aliadxs, en busca de oportunidades para hacer realidad el principal «sueño chino»: transformar a China en un país con igualdad de género.
En China, el contexto para el movimiento #MeToo es extremadamente adverso: el Estado de derecho, la justicia y la transparencia de las acciones gubernamentales y la libertad de expresión no pueden darse por descontados, pero estos son precisamente los objetivos por los cuales lucha el movimiento. Ha sido, desde el principio, una lucha intensa, y cada víctima o activista que se visibiliza corre enormes riesgos: desde ser silenciadx o humilladx o de sufrir represalias hasta poner en peligro su seguridad. Todos los éxitos del movimiento #MeToo han sido logrados por quienes son lo suficientemente valientes como para asumir los costos de manifestarse y desafiar la censura.
La exhibición «#MeToo in China» fue inaugurada en 2019 y recorrió cinco ciudades. Su objetivo es dar mayor prominencia a las experiencias personales de lxs víctimas y lxs activistas, para inspirar al público a unirse a la lucha a través del contacto con estas historias. La exposición misma se ha convertido en parte de la lucha #MeToo: ha debido enfrentar desafíos en su itinerario por toda China y, en más de una ocasión, fue amenazada con la clausura.


