Dolorosa Mubvumbi
Conseil des Droits de l'Homme (CDH)
Le Conseil des droits de l'homme (CDH) est un organe intergouvernemental clé du système des Nations Unies, responsable de la promotion et la protection des droits humains autour du globe. Il se réunit trois fois par an en session ordinaire, en Mars, Juin et Septembre. Le Bureau du Haut-Commissariat des Nations Unies aux Droits de l’Homme (HCDH) constitue le secrétariat pour le CDH.
Le CDH :
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Débat et adopte des résolutions sur les questions globales des droits humains ainsi que sur la situation des droits humains dans des pays particuliers
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Examine les plaintes des victimes de violations des droits humains et des organisations activistes, au nom des victimes de violations des droits humains
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Nomme des experts indépendants (que l'on connaît sous le nom de « Procédures Spéciales ») pour réviser les cas de violation des droits humains dans des pays spécifiques, ainsi que pour examiner et suivre des questions globales relatives aux droits humains
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Prend part à des discussions avec les experts et les gouvernements sur les questions de droits humains
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Évalue les bilans des États membres de l'ONU en matière de droits humains tous les quatre ans et demi, dans le cadre de l'examen périodique universel.
Session actuelle: CDH 44
La prochaine session du CDH a lieu à Genève, en Suisse, du 30 juin au 17 juillet 2020.
AWID travaille avec des partenaires féministes, progressistes et du domaine des droits humains pour partager nos connaissances clé, convoquer dialogues et évènements avec la société civile, et influencer les négociations et les résultats de la session.
Avec nos partenaires, notre travail consiste à :
◾️ Suivre, surveiller et analyser les acteurs, discours et stratégies anti-droits et leur impact sur les résolutions du CDH.
◾️ Co-développer un plaidoyer collectif pour contrer les acteurs anti-droits et discuter plus en détails les résultats du Rapport de tendances 2017 du OURs
◾️ Soutenir, coordoner et développer de manière collaborative le Caucus féministe qui émerge au CDH.
Contenu lié
Ȃurea Mouzinho
Biography
Ȃurea Mouzinho is a feminist economic justice organizer from Luanda, Angola, with a 10-year career in research, grant-making, advocacy, and movement-building for women's rights and economic justice across Africa and the global south. Currently the Program Manager for Africa at Thousand Currents, she also serves on the Feminist Africa Editorial Board and is a member of Ondjango Feminista, a feminist collective she co-founded in 2016. A new mom to a Gemini boy, urea enjoys slow days with her young family and taking long strolls by the beach.
She occasionally tweets at @kitondowe.
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Pleasure Garden
Pleasure Garden
The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.
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If you’re looking to have an impact through your work in feminist, social justice and other non-profit organizations, we hope this page provides a start.
Here you will find open vacancies and call for applications from AWID and the Alliance for Feminist Movements, when available. Follow us on social media to be in the loop.
Sara Hegazy
Sara Hegazy, a bold Egyptian LGBTQI+ rights activist, lived in a society where the members of her community, their bodies and lives often face lethal prejudice. The roots of Sara’s resistance were in the deconstruction of a dominant, oppressive and patriarchal system, and its anti-rights actors.
"[In Egypt], every person who is not male, Muslim, Sunni, straight, and a supporter of the system, is rejected, repressed, stigmatized, arrested, exiled, or killed. This matter is related to the patriarchal system as a whole, since the state cannot practice its repression against citizens without a pre-existing oppression since childhood." - Sara Hegazy wrote on March 6, 2020
The suppression of Sara’s voice by the Egyptian government reached its violent peak in 2017, when she was arrested for raising a rainbow flag at the Mashrou’ Leila (Lebanese band whose lead vocalist is openly gay) concert in Cairo. What followed were charges of joining an illegal group along with “promoting sexual deviancy and debauchery”.
"It was an act of support and solidarity — not only with the [Mashrou' Leila] vocalist but for everyone who is oppressed...We were proud to hold the flag. We wouldn't have imagined the reaction of society and the Egyptian state. For them, I was a criminal — someone who was seeking to destroy the moral structure of society." - Sara Hegazy
Sara was jailed for three months, where she was tortured and sexually assaulted. In January 2018, after being released on bail, she sought asylum in Canada where she was safe but imprisoned by the memories of the abuse and violence her body and soul had gone through.
"I left this experience after three months with a very intense, serious case of PTSD [post-traumatic stress disorder]. Prison killed me. It destroyed me." - Sara Hegazy told NPR
Sara took her own life on 14 June 2020, leaving a handwritten note in Arabic:
“To my siblings – I tried to find redemption and failed, forgive me.”
“To my friends – the experience [journey] was harsh and I am too weak to resist it, forgive me.
“To the world – you were cruel to a great extent, but I forgive.”
Her legacy and courage will be carried forward by those who love her and believe in what she fought for.
Tributes:
“To Sarah: Rest, just rest, spared from this relentless violence, this state-powered lethal patriarchy. In rage, in grief, in exhaustion, we resist.” - Rasha Younes, an LGBT rights researcher at Human Rights Watch. Read the complete text
Mashrou’ Leila’s lead vocalist sings tribute to Sara Hegazy
Simone Jagger
Biography
Simone a 20 ans d’expérience dans le soutien à la gestion et l’administration dans des organisations à but non lucratif, en particulier dans l’enseignement médical post universitaire et la formation aux Technologies de l'Information et de la Communication. Elle possède des qualifications en soutien à la gestion et en études parajuridiques. Elle est basée en Afrique du Sud, aime voyager et agit en tant que généalogiste amatrice.
Position
Assistante Exécutive
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Martha Araceli Chagoy Valdes
Nicole Barakat Snippet ES
Nicole Barakat
Nicole Barakat es una artista femme queer de SWANA, que nació y vive en las tierras de Gadigal (llamadas Sydney) en Australia. Trabaja con procesos intuitivos y de escucha profunda, con la intención de transformar las condiciones de la vida cotidiana. Su obra se desarrolla a través de métodos artísticos no convencionales, creando objetos intrincados que plasman el amor y la paciencia característicos de las prácticas textiles tradicionales.
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With smart filtering for Who Can Fund Me? Database, you can search for funders based on:
Nana Abuelsoud
Biography
Nana is a feminist organizer and a reproductive rights and population policy researcher based in Egypt. She is a member of Realizing Sexual and Reproductive Justice (RESURJ), a member of the Advisory Board of the A Project in Lebanon, and a member of the Community Committee of Mama Cash. Nana holds an MSc in Public Health from KIT Institute and Vrije University in Amsterdam. In her work, she follows and contextualizes national population policies while building evidence that addresses modern eugenics, regressive international aid, and authoritarianism. Previously, she was part of the Geneva Foundation for Medical Education and Research, the Egyptian Initiative for Personal Rights, and Ikhtyar Feminist Collective in Cairo.
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Ana Lilia Gatica Romulo
Nos partenaires
Ce projet est le fruit d’une collaboration avec :
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DATA SNAPSHOTS
Where is the money for feminist organizing?
1,174 feminist, women's rights & LGBTQI+ organizations
from 129 countries participated in AWID's 2024 survey.
The data reveals the state of resourcing for feminist movements between 2021-2023, amid current major defunding trends in aid and philanthropy.
Our collective power knows no boundaries, but our bank accounts do.
How did AWID get started?
AWID began in 1982 and has grown and transformed since then into a truly global organization.
Find out more:
Read From WID to GAD to Women's Rights: The First 20 Years of AWID
Berta Cáceres Flores
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How funding falls short for feminist movements
Feminist movements need core and long-term funding - including savings and reserves - to stay focused on systemic change. Reserves aren’t extras; they're essential for sustainability.
¿En qué temas trabaja AWID?
AWID trabaja para lograr la justicia de género y la realización de los derechos de las mujeres de todo el mundo.
Trabajamos para fortalecer las voces y el impacto de lxs activistas, organizaciones y movimientos por los derechos de las mujeres.
Las áreas prioritarias de AWID se relacionan con temas estrechamente vinculados con tendencias globales dominantes. Estos temas reflejan los crecientes desafíos que afectan negativamente a los derechos de las mujeres en todo el mundo.
- Justicia Económica
- Recursos para los Derechos de las Mujeres
- Desafiando los Fundamentalismos Religiosos
- Defensoras de los Derechos Humanos
- Activismo Joven Feminista
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Asamblea Placentera: Tejiendo Proyectos Feministas ColaborativosGhiwa Sayegh, Kohl: A Journal for Body and Gender Research De brujeria, chamanismo y otros conocimientos insurrectos contra el patriarcadoSofía Blanco Sixtos, Colectiva Feminista MAPAS |
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Súmate al movimiento feminista abocado a recuperar la acción por el clima del control corporativo
Con 1773 cabilderos de los combustibles fósiles presentes en la COP29 del año pasado, nos dirigimos, junto con otres feministas a Belém (Brasil) del 10 al 21 de noviembre de 2025. Allí continuaremos denunciando las soluciones falsas, llamando la atención sobre la captura corporativa, y exigiendo que los Estados cumplan sus compromisos bajo las Responsabilidades Comunes pero Diferenciadas y las Capacidades Respectivas (en inglés) para impulsar las alternativas económicas feministas.
USD 2,7 billones para gasto militar. USD 300.000 millones para la justicia climática. Estamos aquí para dar vuelta el relato.