Philippe Leroyer | Flickr (CC BY-NC-ND 2.0)

Women Human Rights Defenders

WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.

WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.

The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.


Risks and threats targeting WHRDs  

WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.

By defending rights, WHRDs are at risk of:

  • Physical assault and death
  • Intimidation and harassment, including in online spaces
  • Judicial harassment and criminalization
  • Burnout

A collaborative, holistic approach to safety

We work collaboratively with international and regional networks and our membership

  • to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
  • to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk

We work to promote a holistic approach to protection which includes:

  • emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
  • documenting the violations targeting WHRDs using a feminist intersectional perspective;
  • promoting the social recognition and celebration of the work and resilience of WHRDs ; and
  • building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles

Our Actions

We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.

  • Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to  strengthen  responses concerning safety and wellbeing of WHRDs.

  • Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa  Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;

  • Increasing the visibility and recognition of  WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:

  • Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.

Related Content

Curatorial Note by Rula Khoury

Feminist Art Walk

Curatorial Note by Rula Khoury

As part of our commitment to engage more deeply with artists and the practice of co-creating Feminist Realities, AWID collaborated with an Artist Working Group to advance and strengthen feminist agendas and realities in their communities and movements through their creative expression. Our intention here is to bring feminist creatives together in a powerful and brave space where they grow and live freely, and where they shatter toxic narratives to replace them with transformative alternatives.

This exhibition gathers the work of artists and collectives from across the globe, those who are actively creating the difference that we want to see in the world. These feminist creatives include Upasana Agarwal, Nicole Barakat, Siphumeze Khundayi, Katia Herrera, Ali Chavez Leeds, Colectivo Morivivi, Ika Vantiani, and the curators behind the #MeToo in China exhibition. Their voices stand strong in their refusal to accept the limitations imposed by patriarchy, and amplify their commitments to the communities they are working in and with. In their own way, each artwork represents daily acts of resistance, untold stories and identities, connections to land and ancestry, and most importantly, the solidarity that exists within and amongst feminist movements and struggles. These artists are both inspired by and inspire creative strategies of feminist resistance and initiatives that show us how we can all live in a more just world - a world that centers care and healing.

Demo WYSIWYG page for testing

In a context like Colombia’s, the work of imagining, dreaming and even creating processes of transformation so we can live in worlds that are decent, just, careful, and affectionate is worthy of admiration. It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

  1. It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

Privacy is a fundamental right not just for the most powerful and privileged

In a context like Colombia’s, the work of imagining, dreaming and even creating processes of transformation so we can live in worlds that are decent, just, careful, and affectionate is worthy of admiration. This is an emboldened paragraph.

We are thinking of them and of all the women leaders who are continuing the fight, having gained consciousness, from their respective ethnic, political, cultural, and identity locations and from their work, of their selves and the social problems facing their communities.

This link goes somewhere, but this sentence doesn't, it only exists to show how a link works. Lorem Ipsum is simply dummy text of the printing and typesetting industry.

£2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.

Find out how links are made into buttons

Header Level 2

In a context like Colombia’s, the work of imagining, dreaming and even creating processes of transformation so we can live in worlds that are decent, just, careful, and affectionate is worthy of admiration.

We are thinking of them and of all the women leaders who are continuing the fight, having gained consciousness, from their respective ethnic, political, cultural, and identity locations and from their work, of their selves and the social problems facing their communities.

Header Level 3

Women leaders and human rights defenders in Colombia: A legacy of dreams, struggles and affection that we will not silence

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

These are hyperlinks in paragraphs where they're needed the most, right in a demo page.

£2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.

Header Level 4

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated. These are hyperlinks in paragraphs where they're needed the most, right in a demo page.

£2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.

Header Level 5

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated. These are hyperlinks in paragraphs where they're needed the most, right in a demo page.

£2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page. Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.

Header Level 6

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

These are hyperlinks in paragraphs where they're needed the most, right in a demo page. £2600 is an amount of money that I've wrapped some <strong> tags around, while 4 weeks – a length of time – also has had the same treatment for the purposes of just testing how typography appears on the page.

Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.

Blockquotes

Standard

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

Master Quotation Writer, Head of Placeholder Typography

Short (Big)

It is an attack on life itself.

Master Quotation Writer, Head of Placeholder Typography

Long (Small)

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated. It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated. It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

Master Quotation Writer, Head of Placeholder Typography

Bordered

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

Master Quotation Writer, Head of Placeholder Typography

Boxed (white)

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

Master Quotation Writer, Head of Placeholder Typography

Boxed (primary theme)

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

Master Quotation Writer, Head of Placeholder Typography

Boxed (secondary theme)

It is an attack on life itself. Not just on the life of one official, but an attack on the soul, on the spirit of an entire people who feels frustrated.

Master Quotation Writer, Head of Placeholder Typography

 

Stephanie Bracken

Biography

Stephanie Bracken is a feminist who is dedicated to building and supporting strong systems that meet the needs of the moment and the people who interact with them, and serve principles of justice. She holds a Master of Human Rights from the University of Sydney and a BA in Gender Studies, History, and Philosophy from McGill University, and has experience working with feminist and social justice organizations on monitoring, evaluation & learning, strategic work planning, governance, project management, and building operational systems and processes. Stephanie is based in Tiohtià:ke/Montreal, where she enjoys singing with others, camping, fiber arts, and spending time with her kids and community.

Position
Operations Manager
Add to stories
Off

Corporalidades Transnacionales | Small Snippet ES HOME

Explora
Corporalidades Transnacionales

Esta edición en alianza con Kohl: una publicación para Body and Gender Research analizará soluciones, propuestas y realidades feministas para transformar nuestro mundo actual, nuestros cuerpos y nuestras sexualidades.

Explorar

#MeToo in China


The #MeToo movement in China was ignited in January 2018, impelled by the momentum of the #MeToo movement around the globe. The movement was a response to cultural and systemic problems in relation to gender and power within China. The foundation of the movement was laid over decades, with many years of debate and advocacy for gender equality finally erupting into a tremendous force across society. #MeToo has been driven mainly by young people, among whom are countless anonymous women and their allies, and they search for opportunities to realize the ultimate “Chinese Dream”: to transform China into a country with gender equality.
 
The environment for #MeToo movement is extremely adverse in China: the rule of law, the fairness and transparency of government action, and freedom of speech cannot be taken for granted by the movement in China but are the very goals it fights for. From the beginning, it has been an intense struggle, with every victim or activist who comes forward running tremendous risks. From being silenced, humiliated, or retaliated against, to having their safety jeopardized, every success of the #MeToo movement has been won by those who are courageous enough to bear the costs of speaking out and defying censorship.
 
#MeToo in China Exhibition was first held in 2019 and toured in 5 cities. The aim of the exhibition is to bring the personal experiences of the victims and activists to greater prominence and, through engagement with these stories, to inspire our audience to join in the fight. The exhibition has itself become a part of the #MeToo struggle—the exhibition has been beset by challenges on its tour throughout China, on more than one occasion even facing closure.

#MeToo China Image
#MeToo China Image
#MeToo China Image

Margarita Salas Guzmán

Biography

Margarita es una feminista y activista por los derechos de las personas LGBTIQA de América Latina. Sus pasiones son la transformación social y el bienestar colectivo. Posee títulos en Psicología, Comunicaciones y Administración Pública, y varias certificaciones en Política Pública, Liderazgo, Gestión y Toma de Decisiones. Como profesional, ha tenido una dilatada experiencia con organizaciones de base, ONG nacionales y regionales, universidades y el sector público, en los que se ha abocado a la facilitación, la capacitación, la incidencia política, las comunicaciones y la evaluación de políticas.

Position
Gerente de Proyectos Especiales
Add to stories
Off

Ajoutez vos propres propositions

Merci de bien vouloir parcourir les propositions existantes avant de soumettre vos idées. Quelqu'un pourrait déjà avoir pensé à une proposition similaire! Envoyez votre proposition à contribute@awid.org.

Nous examinerons et inclurons les nouvelles propositions qui nous parviendront au fur et à mesure sur cette page Web.

Nicole Barakat

nicole barakat -verge exhibition april 2018
“We transcend time and place” [«Trascendemos el tiempo y el lugar»], papel recuperado cortado a mano (2017)
nicole barakat -verge exhibition april 2018
“We will remember who we are and we will persist” [«Recordaremos quiénes somos y persistiremos»], lamé cortado a mano bordado en algodón sobre seda de lana (2018)
nicole barakat -verge exhibition april 2018
“We will return home” [«Regresaremos a casa»], lamé cortado a mano bordado en seda sobre terciopelo de algodón (2018)
verge march 18 - document photography
“We will heal in the now” [«Sanaremos en el ahora»], seda cortada a mano, lana, lamé, algodón, impresión digital directa de satén sobre tela de lino (2018)

somos infinitxs 

Una exposición de Nicole Barakat que encarna su reconexión con los objetos de la diáspora de sus tierras ancestrales en la región del Sudoeste Asiático y África del Norte (SWANA, por sus siglas en inglés).
 
Barakat presenta una colección de obras textiles como manifestaciones de su práctica de conectarse con los objetos desplazados, y a menudo robados, que son exhibidos en colecciones de museos occidentales que incluyen  el Museo del Louvre de París, el Museo Británico de Londres y el Nicholson Museum de Sydney.
 
Para burlar a los guardianes y fisurar las vitrinas que retienen estos objetos ancestrales, Barakat recupera formas de conocimiento precoloniales, no lineales y receptivas que son, a menudo, devaluadas y desestimadas por las instituciones coloniales y patriarcales, utilizando la adivinación con la borra del  café, el trabajo con los  sueños, la escucha intuitiva y las conversaciones con los objetos mismos (fuente).

Sobre Nicole Barakat

Nicole Barakat portrait
Nicole Barakat es una artista femme queer de SWANA, que nació y vive en las tierras de Gadigal (llamadas Sydney) en Australia. Trabaja con procesos intuitivos y de escucha profunda, con la intención de transformar las condiciones de la vida cotidiana. Su obra se desarrolla a través de métodos artísticos no convencionales, creando objetos intrincados que plasman el amor y la paciencia característicos de las prácticas textiles tradicionales.
 
Sus trabajos incluyen dibujos en papel y en tela cortados y cosidos a mano, esculturas realizadas con su propio cabello, tela y materiales vegetales, así como obras en vivo en las que utiliza su voz como material.
 
La práctica creativa de Nicole está arraigada en el re-cuerdo y la re-colección de sus conocimientos ancestrales, incluyendo la adivinación con la borra del café y, más recientemente, el trabajo con esencias de plantas y flores para el cuidado y la sanación comunitaria.

Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing. 

Si la langue des signes utilisée pour l’activité n’est pas la langue des signes internationale, y aura-t-il un appui en interprétation dans d’autres langues des signes ?

Si votre activité est acceptée, l’équipe de l’AWID vous contactera pour évaluer et répondre aux besoins d’interprétation et d’accessibilité pour votre activités.

Sara AbuGhazal

Biography

Sara AbuGhazal est une féministe palestinienne vivant à Beyrouth. Elle est Co-fondatrice de Sawt al-Niswa, un collectif qui produit des connaissances à Beyrouth. Elle est co-directrice de The Knowledge Workshop, une organisation féministe basée à Beyrouth qui travaille sur l'histoire orale et l'archivage féministes. Sara est actuellement coordonnatrice régionale de la Regional Coalition for Women Human Rights Defenders in the Middle East and North Africa.

Sara s'efforce de contribuer à la création d'espaces de transformation et de solidarité féministes. Son travail est principalement axé sur la création de mouvements durables dans la région Moyen-Orient et de l'Afrique du Nord Elle est investie dans la production de connaissances, la transformation féministe et la Palestine. Elle publie régulièrement dans sawtalniswa.org et ses œuvres de fiction apparaissent également dans le magazine électronique Romman

 

Add to stories
Off

Snippet From the Heart of the Commune_Fest (EN)

Storytelling: From the Heart of the Commune

by María Bonita 

mariabonita

watch storytelling

Les tendances antidroits au sein des systèmes régionaux des droits humains

Chapter 6

À la Commission africaine et au Système interaméricain, les antidroits promeuvent les notions essentialistes de culture et de genre pour miner les avancées en matière de droits et décrédibiliser la redevabilité. Les antidroits gagnent en influence dans les systèmes de protection des droits humains régionaux et internationaux.

2019 JUN 27 Meeting of the Summit Implementation Review Group in Colombia
© Juan Manuel Herrera/OAS/Flickr
2019 JUIN 27 Réunion du Groupe d'examen de la mise en œuvre du Sommet en Colombie

La Commission africaine des droits de l’Homme et des peuples commence à présenter les droits des femmes et droits sexuels comme mettant en danger sa capacité à adresser les « droits réels » et contraires aux « valeurs africaines », un précédent inquiétant à l’égard des droits. Le retrait de son statut d’observatrice à la Coalition des lesbiennes africaines est un exemple de cette tendance, et traduit la répression de l’engagement féministe panafricaniste.

Au sein de l’Organisation des États américains (OEA) et du Système interaméricain de protection des droits humains, les stratégies antidroits incluent l’ONGisation de groupes religieux, l’adoption d’un langage séculier et la prise de contrôle de cadres discriminatoires. L’influence antidroits a pris plusieurs formes, et notamment l’intimidation d’activistes trans et l’entrave à l’introduction d’un langage progressif dans les résolutions.

Sommaire

  • Réduire les féministes au silence au sein du Système africain de protection des droits humains
  • Les groupes antidroits en Amérique latine : l’Assemblée générale de l’Organisation des États américains (OEA) et le Système interaméricain de protection des droits humains

Lire le chapitre complet

ทำไมจึงเป็นกรุงเทพ

ฟอรัมแต่ละครั้งถูกจัดขึ้นในภูมิภาคต่างๆทั่วโลก และครั้งนี้ AWID ฟอรัมกลับมาจัดที่เอีเชียอีกครั้ง! เราได้ผ่านการไปเยี่ยมเยือนประเทศต่างๆในเอเชียเพื่อหารือกับขบวนการเฟมินิสต์เพื่อประเมินรายละเอียดด้านโลจิสติกส์ การเข้าถึงง่าย ความปลอดภัย วีซ่า และความพร้อมด้านอื่นๆ โดยคณะกรรมการ AWID ของเรา อนุมัติให้จัดที่กรุงเทพอย่างกระตือรือร้นในฐานะทางเลือกที่ดีที่สุด เราตื่นเต้นที่ได้กลับมากรุงเทพที่ที่เราเคยได้จัด AWID ฟอรัมในปีพ.ศ. 2548

Juhi

Biography

Juhi is a tech enthusiast with a Bachelor's degree in Computer Engineering from Gujarat Technological University and a postgraduate background in Wireless Telecommunications and Project Management from Humber College. With a passion for problem-solving and a love for staying ahead in the ever-evolving tech landscape, Juhi has found herself navigating through various industries as an IT Technician. to the nurturing environment of the School Board, Juhi has had the opportunity to apply her technical skills in diverse settings, always embracing new challenges with enthusiasm. Beyond the code and circuits, Juhi loves life's adventures. Exploring new places and cultures is like a breath of fresh air to her. Whether it's discovering hidden gems in the city, trying out exotic cuisines, or embarking on thrilling adventure sports, Juhi is always up for new experiences.

Position
IT Support Coordinator
Add to stories
Off

Snippet Organising to Win_Fest (ES)

Sesión plenaria:

Organizarse para vencer

Margarita Salas, AWID
Nazik Abylgaziva, Labrys
Amaranta Gómez Regalado, Secretariado Internacional de Pueblos Indígenas frente al VIH/sida, la Sexualidad y los Derechos Humanos
Cindy Weisner, Grassroots Global Justice Alliance
Lucineia Freitas, Movimento Sem Terra

ver plenaria (inglés)