WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
Physical assault and death
Intimidation and harassment, including in online spaces
Judicial harassment and criminalization
Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
documenting the violations targeting WHRDs using a feminist intersectional perspective;
promoting the social recognition and celebration of the work and resilience of WHRDs ; and
building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
“I want to tell all Tunisians: We have to unite to say no to censorship and opinion trials.” - Lina Ben Mhenni (2013 interview)
Lina Ben Mhenni was a Tunisian blogger, activist and linguistics lecturer. She was vocal against internet censorship, defended the freedom of expression and was an advocate for women’s and human rights. Lina also fought for the release of students arrested under former President Zine El Abidine.
“It’s true that information and the internet are important but being on the ground is crucial for a revolution. Some people here in Tunisia think that change can occur just by clicking like on the internet. I believe you have to be active on the ground. And of course, join actions on the field with the action on the web.” - Lina Ben Mhenni (Interview in POCIT)
In 2010, she co-organized a protest that challenged the government suppression of media and internet censorship. Lina was widely known for her blog “A Tunisian Girl” and recognized for her work during the Tunisian revolution in 2011. In her blog, she reported on the news from the uprising, shared images documenting protests and was among the few voices who spoke about the killings and crackdown on protesters in Sidi Bouzid. Lina blogged using her real name instead of a pseudonym to protect her identity, one of only a few bloggers to do so.
“Our freedom of expression is in real danger. I am afraid that we are losing the unique fruits of the revolution: the disappearance of fear and our freedom of speech. We have to keep on fighting to protect and preserve this right.” — Lina Ben Mhenni (2013 interview)
Lina was only 36 years old when she passed away on 27 January 2020, as a result of complications from an autoimmune disease.
"Freedom, better education and health - that's all we wanted. When we failed, she pushed us." Lina’s school teacher Hala.
FRMag - Our neighbourhood, our network
Nuestro barrio, nuestras redes, nuestra fuerza
por Marta Plaza Fernández
Tejer redes en las que nos sostenemos unas a otras: esa potencia es la realidad feminista que quiero compartirles. (...)
Anti-rights actors adopt a double strategy. As well as launching outright attacks on the multilateral system, anti-rights actors also undermine human rights from within. Anti-rights actors engage with the aim of co-opting processes, entrenching regressive norms, and undermining accountability.
Anti-rights actors’ engagement in international human rights spaces has a principal purpose: to undermine the system and its ability to respect, protect and fulfill human rights for all people, and to hold member states accountable for violations. Some anti-rights tactics operate from outside the UN and include delegitimization and political pressure to defund the UN, or to withdraw from international human rights agreements. In recent years, anti-rights actors have also gained increasing influence inside the UN. Their inside tactics include training of delegates, distortion of human rights frameworks, watering down human rights agreements, infiltrating NGO committees, applying for ECOSOC status under neutral names, infiltrating youth spaces, and lobbying to place anti-rights actors in key positions.
Table of Contents
Institutionalization of Anti-rights Actors in UN Mechanisms
What does an AWID Forum mean to those who have been there? What is this magic that happens when feminists from around the world gather to celebrate, strategize, learn and share joy?
AWID spoke to over forty Forum participants to hear their stories of the transformations that happened to them as activists, to their organizations and to the movements they are part of. We also learned about what we should keep and build on that makes an AWID Forum different and how we can improve.
This report holds lessons and advice invaluable to anyone planning in-person regional and thematic convenings and for us as we plan for the 15th AWID International Forum.
Gloria Chicaiza, una activista social y ambiental ecuatoriana, fue una ferviente defensora de la tierra y el agua. Desafió el statu quo, al luchar contra un modelo de desarrollo basado en la extracción, y trabajó incansablemente por la justicia ecológica y los derechos de las comunidades afectadas por la minería.
Gloria participó en las acciones de resistencia para la protección del ecosistema en distintas áreas de Ecuador. Con pasión y dedicación, Gloria apoyó al movimiento indígena y ambiental, a sus comunidades y a las organizaciones que se oponen a los proyectos de minería y protegen sus territorios y sus proyectos de vida colectivos. En foros locales e internacionales, se pronunció contra la criminalización del disenso y la resistencia, contra la presión y la violencia ejercidas contra lxs activistas comunitarixs (y, en particular, contra las defensoras de derechos humanos), y a favor de los esfuerzos comunitarios por la soberanía alimentaria y la sustentabilidad.
Fue Coordinadora del Área de Justicia Minera de Acción Ecológica, participó en la Red Latinoamericana de Mujeres Defensoras de Derechos Sociales y Ambientales, e integró la Junta Directiva del Observatorio de Conflictos Mineros de América Latina (OCMAL).
En 2014 Gloria apoyó la coordinación de una delegación a la Conferencia Internacional sobre Cambio Climático (COP 20) de la ONU. El grupo estuvo integrado por veinticinco mujeres indígenas de América Latina.
Gloria falleció el 28 de diciembre de 2019 por complicaciones de un trasplante de pulmón. Es recordada por su resistencia y su incansable trabajo.
«El camino más rápido para llegar a la sustentabilidad sigue siendo la resistencia.» - Gloria Chicaiza (entrevista de 2010)
«Gracias Glorita, por sostener la esperanza, por mantener el tejido fuerte, por conectar la comunidad, por las manos unidas, por la solidaridad, gracias Glorita por acompañarnos en los momentos más difíciles. Gracias por enseñarnos que, a lo largo de la vida, nadie se cansa.» - Chakana News
«Fue más intrépida, más audaz y más generosa que su cuerpo; ese cuerpo que enfrentó toletes y bombas lacrimógenas, que paseó bajo la cadencia de los tambores y las batucadas, que incubó otra vida, hermosa y digna, como la suya. Haz dejado de toser, querida amiga, pero hoy, más que nunca, tu voz me quema adentro.» - Pablo Ospina Peralta
«Gloria Chicaiza valoraba ser una de muchxs, y así prosperaba. Y, humilde como era, tenía una extraordinaria capacidad para llevar y mantener un ritmo sostenido y estruendoso, un pulso de afirmación de la vida que guiaba, movilizaba e inspiraba a las comunidades y a las redes para la protección de la Madre Tierra. Se oponía a toda forma de violencia contra los cuerpos-territorios. Apoyaba el buen vivir.» - Gabriela Jiménez, Coordinadora de Asociaciones para América Latina, KAIROS
«Gracias Gloria Chicaiza, desde el infinito estamos seguros de que seguirás apoyando nuestra lucha.. Tú, que continuaste acompañándonos en la lucha a pesar de que tu salud fallara. Vivirás en los bosques y en el agua que defendiste con tanta valentía, vivirás en nuestros corazones.» - Comunidad de Intag, Ecuador
Recherche sur les espaces sécurisés : une prise de perspective
par Judyannet Muchiri
Je suis partie pour le Kenya en octobre de l'année dernière, pour entamer ce que j'en suis venue à considérer comme mon travail le plus important à ce jour. (...)
La historia de Crear, Résister, Transform por Coumba Toure
Una experiencia mágica de narración feminista conducida por la feminista panafricana Coumba Toure, quien actuará en la antigua tradición de lxs griots de África Occidental.
Y nos reunimos nuevamente
Juntamos nuestras historias, nuestra fuerza
nuestras canciones
nuestras lágrimas
nuestra ira
nuestros sueños
nuestro éxito
nuestros fracasos
Y lo colocamos todo junto
en un gran cuenco para compartir
durante una luna de pensamientos
Y nos mantenemos en contacto
nos sacudimos las mentes unas a otras
nos acariciamos las almas
mientras nuestras manos siguen atadas
y nuestros besos y abrazos están prohibidos
Sin embargo, nos hacemos más fuertes cada hora
entretejiendo juntas nuestras voces
cruzando las barreras del sonido
mientras hablamos en lenguas
Nuestras voces son cada vez más altas
Sabemos lo que nos diferencia de otras personas
y entre nosotras, de modo que
estamos bordando nuestras bellezas en un mosaico de pensamientos
desde nuestros aprendizajes más profundos, desde nuestros poderes
A veces nos rodea el terror
la confusión, la deshonestidad
pero nos lavamos en el océano de amor
Somos tejedoras de sueños
para vestir nuestro nuevo mundo
hilo por hilo
tan pequeñas como somos
como pequeñas hormigas construyendo nuestro movimiento
comopequeñas gotas construyendo nuestros ríos
Damos pasos hacia adelante y pasos hacia atrás
bailando nuestro camino de vuelta a la cordura
Sostenemos el ritmo de nuestros corazones: sigan
latiendo, por favor, no se detengan
Y aquí estamos, transmisoras de generosidad olvidada
gota tras gota creciendo como el océano
creciendo como el río que fluye de nuestras almas
mostrando nuestra fuerza para ser el agua
que limpiará este mundo
y nos estamos reuniendo nuevamente ¿pueden sentirnos?
Mentiría si dijera que para mí
está bien no verlas, extraño a mi gente
Extraño su contacto y
sus voces sin filtro y sin registro
Extraño nuestros susurros y nuestros alaridos
nuestros gritos de la revolución abortada
Solo queremos parir nuevos mundos
Entonces luchemos para borrar las fronteras entre nosotras
Por favor, no se detengan
Alors que les dirigeant·es du monde se réunissent au Brésil, il est vital que les mouvements féministes, en particulier les pays de la Majorité globale, aient des espaces indépendants pour se rassembler, mettre au point des stratégies et bouleverser le cours des choses.
Ces pôles remettent en cause l’élitisme des discussions climat, se concentrent sur les expériences vécues et entendent construire le pouvoir collectif au-delà des frontières. Ils constituent un contrepoids critique aux négociations internationales verticales et souvent excluantes. Les pôles visent à encourager des solutions pilotées par la communauté, amplifier les revendications féministes et veiller à ce que les principes féministes de soin et de solidarité façonnent l’agenda climat. Il ne s’agit pas seulement d’être présentes à la COP30, il faut redéfinir la conversation sur la justice climatique, dans des termes féministes.
Snippet Watch Stories (EN)
En savoir plus sur l'impact du forum à travers ces histoires.
Lorena Borjas, femme trans et activiste latino-américaine, travaillait et vivait dans le quartier de Jackson Heights dans le Queens, à New York. Dans ces rues, pendant des années, elle s’est occupée de sa communauté à plaider en faveur des droits des personnes trans et immigrées, soutenir les individus ayant survécu à la traite des êtres humains et à la maltraitance et défendre les droits des travailleures du sexe et des personnes vivant avec le VIH et le sida.
Lorena se battait avec force, sans relâche, afin d’aider, de défendre et de soutenir les personnes les plus marginalisées et discriminées par la transphobie, la misogynie et le racisme.
« Elle nous a poussé·e·s à briller avec authenticité, à devenir le cri subversif qui affirme “ je suis là et je mérite moi aussi d’être heureux·se ” » - Cecilia Gentili, activiste trans et ami·e de Lorena
Ayant elle-même fait face à de nombreux traumatismes et difficultés en tant qu'immigrée transgenre et victime de la traite des êtres humains, Lorena a puisé dans le puits de ses expériences des connaissances et d’une mémoire émotionnelle afin d'aider à construire et à renforcer la communauté dont elle faisait partie, et qui faisait partie d'elle. Pour ce faire, elle a notamment organisé et mobilisé des aides allant de la fourniture de préservatifs à la mise en relation de femmes trans avec différents services, en passant par la création d'une clinique de dépistage du VIH à son propre domicile.
« C’était une si belle âme qui aidait les autres alors que son parcours d’immigrée, et d’immigrée trans, était difficile et douloureux. Elle était convaincue que la communauté trans avait besoin d’amour, d’acceptation et de compassion, et elle a tout donné. » - Luchia Dragosh, superviseuse de production chez QPTV dans le cadre d’un documentaire sur Lorena
En plus de 25 ans d'activisme, elle a également fondé le Fonds communautaire Lorena Borjas avec Chase Strangio (avocat et activiste des droits des trans), qui aide les nombreux·ses membres de sa communauté (et en particulier les personnes trans) confronté·e·s aux problèmes d'immigration à éviter le cycle arrestation-prison-expulsion.
Lorena est décédée en mars 2020 des suites de complications liées à la COVID-19.
Son oeuvre, gigantesque et merveilleuse, sera poursuivie dans les rues du Queens par le réseau et la communauté qu’elle a cocréés.
« Nous reprendrons son travail là où elle l’a laissé, travail essentiel au bien-être de ses “ pajaras ” (oiselles), comme elle aimait appeler les filles trans du Queens qu’elle avait prises sous son aile. » - Cecilia Gentili
Hommages :
« Lorena nous a apporté de la lumière alors que nous vivions une période très sombre ici à New York. Elle nous a apporté sa lumière alors que nous faisions face à l’ ”épidémie de crack ”, à la crise du sida, aux changements dans les politiques d’immigration. » - Cristina Herrera, fondatrice et directrice générale de Translatina Network et amie de Lorena
« Lorena a fait plus que quiconque pour faire la lumière sur l’épidémie de traite dans les communautés transgenres et permettre à d’autres femmes trans d’échapper à l’exploitation. » - Lynly Egyes (a représenté Borjas pour le compte du Transgender Law Center)
Our first Feminist Film Club program is now available to view: “Tenderness is the Sharpest Resistance” is a film series on Asian/Pacific Feminist Realities curated by Jess X Snow
Jurema Araújo is a teacher-poet from Rio de Janeiro. She contributed to the magazine Urbana, edited by the poets Brasil Barreto and Samaral (RIP) and to the book Amor e outras revoluções (Love and Other Revolutions) with several other writers. In collaboration with Angélica Ferrarez and Fabiana Pereira, she co-edited O livro negro dos sentidos (The Black Book of Senses), a creative anthology on black women’s sexuality in Brazil. Jurema is 54-years-old; she has a daughter, three dogs, a cat, and many friends.
Suck it with me?
Mango is my favorite fruit.
I open my mouth
and suck it all,
Its flesh caught between my teeth
that turn soft not to hurt it
and I press it between my tongue and the roof of my mouth,
then I take it out to suck on every part of it
with the juice running down my mouth
drenching myself in this tasty nectar
and putting it all in my mouth again
because mango is seed and honey;
it is fiber and flavor.
And when it is over, I am entranced,
honeydewed, sweetened,
my lips all wet.
Ohhh, what is mango for if not for smearing.
Chupa Comigo?
A fruta que eu mais gosto é manga!
Porque eu abro a boca
E meto toda pra chupar!
Se os dentes a prendem
Fazem macio para não machucar
E eu pressiono entre minha língua e meu céu
Depois tiro pra sugar cada parte
Sentindo o caldo escorrer boca afora
Me molhando com esse néctar gostoso
E metendo toda na boca de novo
Pois manga é caroço e é mel,
É fiapo e sabor
E quando acaba, estou extasiada
Melada, docinha
Com os lábios molhados!
Aaahhh, manga é pra se lambuzar!
Introducing The Black Book of Senses
I’ll admit it: when Angélica and Fabi invited me to curate a collection of erotic texts by black women, I didn’t know what curatorship was. I understood the erotic well, but curatorship... I smiled, feeling shy and flattered. I think I thanked them – at least I hope I did – and thought to myself: what the fuck is it?! This fancy word I’ll have to learn the meaning of while doing it, what is it?
Now at this point, I know what it is to be a curator: it is making love with someone else’s texts, with someone else’s art, with the intention of putting a book together. And that is exactly what I did. I undressed each text of every author of this book with a literary lasciviousness. And I got involved in the words and senses of others. I was penetrated by poems I didn’t write; tales I didn’t even dare to imagine turned me upside down, messing with my feelings, with my libido. And it was a wonderful and unusual orgasm: ethereal, corporeal, sublime, at once intellectual and sensitive.
These texts pulsated like a clit hardened by desire, drenched, dripping joy in every reading. Words that swallowed me with their naughty significance, making me dive deeper into this wet universe.
These black women went to the bottom of their arousals and turned their deepest erotic fantasies into art. These works are impregnated with each writer’s own way of experiencing sexuality: freely, blackly, for ourselves, in our own way, empowered.
I chose to spread the texts throughout different parts of the book, each one organized according to the most delicate, explosive, evident, or implicit content they presented.
To open the door to this “invulved blackessence,” we have our Preliminaries section, with texts that introduce readers to this world of delights. It is a more general, delicate caress to acknowledge the subjects addressed by the texts in the rest of the book.
Then comes the heat of Touch, addressing what the skin can feel. That energy which burns or freezes our bodies, makes our hormones explode and starts to awaken the other senses. And although there are many of us who are voyeurs, the contact of skin with a wet and warm mouth is exciting, like wandering through the softness of whomever is with you. We are seduced by the firm or gentle touch that gives us goosebumps and that lovely discomfort that runs from the neck down to the back and only stops the next day. And the warmth of the lips, the mouth, the wet tongue on the skin – oh, the tongue in the ear, hmmm – or skin on skin, clothes moving over the body, almost like an extension of the other’s hand. If there is no urgency, that wildest arousal of the pressure of a tight grab, a bit of pain – or a lot, who knows?
The Sound – or melody? – section shows us that attraction also happens through hearing: the voice, the whispers, the music that enables the connection between the bodies and can become the theme of desire. For some of us, someone with a beautiful voice would only need their vocal cords, because that harsh or heavy or melodious sound would be auditory sex. Their loud swearing or sweet words whispered in the ear would be enough to give us hair-raising shivers from neck to coccyx.
In Flavor, we know the tongue does a good job tasting the most hidden places and wandering through the body to delight itself. Sometimes this organ is used, boldly, to taste the other’s nectar. The idea of someone sharing their strawberry or a delicious, juicy mango through bites and licks – or licks and bites – melts us. But nothing is more delicious than tasting the caves and hills of the person you are with. Stick your tongue deep inside to taste a piece of fruit... or spend hours tasting the head of a cock in your mouth, or suck on a delicious breast to taste the nipples. This is all about memorizing someone by their Flavor.
There are texts in which the nose is what triggers desire. The Smell, my dear readers, can awaken us to the delights of desire. Sometimes we meet a person who smells so good, we want to swallow them right through our nose. When you run through the other person’s body with your nose, starting with the neck – wow, that delightfully uncomfortable shiver that runs down the spine and undresses the soul! The shameless nose then moves to the back of the neck and captures the scent of the other in such a way that in the absence of that person, smelling their same scent evokes, or conversely, invades in us olfactory memories that bring the arousing smell of that person back.
We then get to Look – for me, the betrayer of senses – in which we perceive desire from a point of “view.” It is through sight that the texts present desire and arousal, through which the other senses are brought about. Sometimes a smile is all it takes to drive us crazy. The exchange of glances? That look that says “I want you now.” That look of possession that comes to an end when you stop fucking, or not. That one is very particular; it draws the other who won’t be able to look away for long. Or the sidelong glance – when one looks away when the other turns their head, like a cat-and-mouse game? Once we are caught red-handed, there’s nothing else to do besides breaking into a wide smile.
Finally, the explosion. Wandering through All senses, the texts mix feelings that seem like an alert, so there is the greatest pleasure, that orgasm.
Of course, there is nothing explicitly separating these poems and tales. Some are subtle. Arousal engages all our senses and, most importantly, our heads. That’s where it happens, and it connects our whole body. I organized the poems according to how they came to me in each reading. Feel free to disagree! But to me, there is a sense through which desire goes and then explodes. Realizing which one it is, is delightful.
Being able to turn arousal into art means freeing ourselves from all the prejudice, prisons, and stigma this white-centric society has trapped us in.
Every time a black writer transforms the erotic into art, she breaks these harmful racist chains that cripple her body, repress her sexuality, and turn us into the object of another’s greed. Writing erotic poetry is taking back the power over her own body and roaming fearlessly through the delights of desire for herself, for others, for life.
The literary erotic is who we are when turned into art. Here we show the best of us, our views of love drenched by pleasure, seasoned by the erogenous, spread through our bodies, and translated by our artistic consciousness. We are multiple and we share this multiplicity of sensations in words dripping with arousal. Yes, even our words drip with our sexual desire, drenching our verses, turning our sexual urges into paragraphs. To come, for us, is a breakthrough.
It is necessary to make our minds, bodies, and sexuality black, to reestablish our pleasure, and take back our orgasms. Only then will we be free. This whole process is a breakthrough, and it happens painfully. But there is happiness in finding ourselves to be very different from where we had been placed.
I feel like I am yours, I am ours. Taste, delight yourselves, feast on these beautiful words with us.
This text is adapted from the introductions to “O Livro Negro Dos Sentidos” [The Black Book of Senses], an erotic collection of poems by 23 black female writers.
ExploreTransnational Embodiments
This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
📖 Briefing sur les alternatives économiques féministes
Un outil destiné aux militant·es féministes présent·es à la COP30 qui luttent pour des solutions transformatrices, équitables et centrées sur les communautés afin de lutter contre la crise climatique.
Feminist movements have changed and adapted tremendously since we last convened in this way - so to remember why AWID Forums matter, we asked activists from around the world to reflect on and share their stories, impressions and memories. This is what we learned.
Rosane Santiago Silveira was affectionately known as Rô Conceição. A Brazilian environmental and human rights activist, she fervently fought to protect the environment where it was most threatened.
This included defending it on the island of Barra Velha, where it was endangered by oil exploration, as well as safeguarding it by campaigning against land-grabbing and expansion of eucalyptus plantations in Bahia State, where Rosane was a member of the Cassurubá Extractivist Reserve Council.
“Extractive Reserve is a protected area where resident families make their living off natural products extracted from the forest. These activities help maintain the forest integrity.” - Global Justice Ecology Project (original source: Rede Brasil Atual)
She was part of trade union activities, human rights and cultural movements. Rosane dedicated much of herself to causes that were not only close to her but are also of concern to land, forests, rivers, and communities whose rights and lives are continuously at risk.
She was tortured and murdered on 29 January 2019 in Nova Viçosa, a city in southern Bahia.
“Unfortunately, today there is a feeling of total insecurity, because of the State’s absence in prosecuting these crimes. We were with her at Christmas, and everyone realised that she was worried and now we know that she had received three death threats,” - Tuian, Rosane’s son in an interview with Rádio Brasil Atual (original source: Rede Brasil Atual)
Film club - The Turtle's rage
The Turtle’s Rage (2012) Alemán | Árabe con subtítulos en inglés
Esta película cuenta la historia de un hombre misterioso cuya vida ha sido moldeada por la huida, la expulsión, el exilio y el fracasado retorno a Palestina. El film está compuesto por la búsqueda de respuestas que lleva a cabo su hija.
