WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
Physical assault and death
Intimidation and harassment, including in online spaces
Judicial harassment and criminalization
Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
documenting the violations targeting WHRDs using a feminist intersectional perspective;
promoting the social recognition and celebration of the work and resilience of WHRDs ; and
building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Related Content
Y a-t-il une préparation particulière à suivre avant de répondre aux questions de l’enquête?
L’enquête WITM portant sur les réalités du financement des organisations féministes, la plupart des questions traitent du financement de votre groupe entre 2021 et 2023. Vous aurez besoin de disposer de ces informations pendant que vous répondez aux questions de l’enquête (vos budgets annuels et principales sources de financement, par exemple)
We believe that for feminist movements to be transformative and strong we must continue to work across our similarities and differences. We also must interrogate power and privilege both within and outside our movements.
Al momento de su muerte, luego de una corta pero denodada batalla contra el cáncer, Deborah era la Jefa de Comunicaciones y Participación en la Women’s Funding Network (WFN, Red de financiamiento para mujeres).
Deborah también trabajó para el Fondo Global de Mujeres entre 2008 y 2017. Era sumamente querida y respetada por el consejo asesor, el personal y lxs colaboradorxs de la organización.
Kavita Ramdas, anterior directora ejecutiva del Fondo, acertadamente señaló que Deborah era un «pequeño paquete que explotaba de calidez, generosidad, inteligencia, estilo y un apasionado compromiso por unir la belleza con la justicia. Ella entendía el poder de las historias. El poder de la voz de las mujeres. El poder de la experiencia vivida. El poder de levantarse de las cenizas y decirle a otrxs que era posible. Y todavía nos levantamos».
Musimbi Kanyoro, actual directora ejecutiva del Fondo Global de Mujeres, añadió: «Hemos perdido a una hermana y su vida ilumina valores que nos unen y nos inspiran. Al reunirnos para llorar el fallecimiento de Deborah, recordemos y celebremos su notable, audaz y apasionada vida».
Why are you asking for the name of the group, organization and/or movement completing the survey and our contact information?
We are asking for this data to facilitate the review of responses, avoid duplication and be able to contact your group in case you have been unable to complete the questionnaire and/or you have doubts or further questions. You can learn more about how we use the personal information we collect through our work here.
Download your faciliation guide:
"A Feminist Approach to Understanding Illicit Financial Flows and Redirecting Global Wealth"
Carmen dirigeait le Construction Resource and Development Collective et a joué un rôle de premier plan en faveur de la participation des femmes dans l’industrie de la construction en Jamaïque.
Elle a également œuvré à la préparation aux catastrophes de femmes rurales et urbaines. Elle a travaillé en étroite collaboration avec les femmes (en particulier les mères célibataires) pour leur apprendre à utiliser les sangles anti-ouragan ainsi que d’autres technologies pour sécuriser leur foyer. Elle a travaillé dans le domaine de l’eau et de l’assainissement et a été une ardente défenseure d’une gestion durable de l’environnement et du développement.
Elle faisait partie de la Commission Huairou et plaidait en faveur des femmes de la base sur des questions telles que le logement, l'énergie et les moyens de subsistance durables.
La encuesta permanecerá abierta hasta fines de agosto de 2024. Te pedimos que la respondas dentro de dicho lapso para asegurarte de que tus respuestas se incluyan en el análisis.
Holding up the Skies
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
Follow us on Social Media to receive news about upcoming events and screenings:
Nous vous présentons Sabrina Sanchez, incroyable femme trans, migrante, travailleuse du sexe, organisatrice, transféministe et l'une des fondatrices du syndicat OTRAS.
Originaire de Mexico, elle a émigré en Espagne il y a 17 ans après avoir obtenu son diplôme en communication et a commencé à travailler comme travailleuse du sexe.
Il ne fallut pas longtemps avant qu'elle ne s'implique dans l'activisme trans et l'activisme des travailleur·euses du sexe à Barcelone. Après avoir rejoint l'Association des Professionnel·les du Sexe (Asociación de Profesionales del Sexo, Aprosex), elle a commencé à travailler dans son secrétariat et a fondé le syndicat espagnol des travailleur·euses du sexe OTRAS.
Ottilie was a Namibian feminist activist, educator and politician.
Ottilie was one of the founders of the South West African People's Organisation (SWAPO), the Yu Chi Chan Club (an armed revolutionary group); and the South West African National Liberation Front (SWANLIF). She was also a founder of the Namibian Women’s Association and Girl Child Project.
Throughout her life, Ottilie argued for the right to argue, think, contest, and demand. She mobilized women, organized students and teachers and criticized other comrades for their elitism and their corruption.
Ottilie worked ferociously to dismantle patriarchy, and to create a concrete transformative, liberatory, feminist participatory democracy.
