Human Rights Council (HRC)
The Human Rights Council (HRC) is the key intergovernmental body within the United Nations system responsible for the promotion and protection of all human rights around the globe. It holds three regular sessions a year: in March, June and September. The Office of the UN High Commissioner for Human Rights (OHCHR) is the secretariat for the HRC.
The HRC works by:
-
Debating and passing resolutions on global human rights issues and human rights situations in particular countries
-
Examining complaints from victims of human rights violations or activist organizations on behalf of victims of human rights violations
-
Appointing independent experts (known as “Special Procedures”) to review human rights violations in specific countries and examine and further global human rights issues
-
Engaging in discussions with experts and governments on human rights issues
-
Assessing the human rights records of all UN Member States every four and a half years through the Universal Periodic Review
AWID works with feminist, progressive and human rights partners to share key knowledge, convene civil society dialogues and events, and influence negotiations and outcomes of the session.
With our partners, our work will:
◾️ Raise awareness of the findings of the 2017 and 2021 OURs Trends Reports.
◾️Support the work of feminist UN experts in the face of backlash and pressure
◾️Advocate for state accountability
◾️ Work with feminist movements and civil society organizations to advance rights related to gender and sexuality.
Related Content
Snippet FEA HEALTH CONDITIONS (ES)

BUENAS CONDICIONES DE SALUD
На каких языках проводится опрос?
На данный момент опрос в KOBO доступен на арабском, английском, французском, португальском, русском и испанском языках. В начале опроса у вас будет возможность выбрать нужный вам язык.
Maritza Quiroz Leiva
Maritza Quiroz Leiva was an Afro Colombian social activist, a community leader and women human rights defender. Among the 7.7 million Colombians internally displaced by 50 years of armed conflict, Maritza dedicated her advocacy work to supporting the rights of others, particularly in the Afro Colombian community who suffered similar violations and displacement.
Maritza was the deputy leader of the Santa Marta Victim's Committee, and an important voice for those seeking justice in her community, demanding reparations for the torture, kidnapping, displacement, and sexual violence that victims experienced during the armed conflict. She was also active in movement for land redistribution and land justice in the country.
On 5 January 2019, Maritza was killed by two armed individuals who broke into her home. She was 60 years old.
Maritza joined five other Colombian social activists and leaders who had been murdered just in the first week of 2019. A total of 107 human rights defenders were killed that year in the country.
Freeing the Church, Decolonizing the Bible for West Papuan Women
By Rode Wanimbo (@rodwan986), Jayapura, Papua Province of Indonesia
“Lord, we are unworthy. We are the ones who committed sin for Eve ate the fruit in Eden. We are just women who grow sweet potatoes, look after pigs and give birth to children. We believe you died on the cross to set us free. Thank you, In Jesus’s name Amen.”
This is a typical prayer of women I have heard during my visits to ministries in several villages. Even I said the same prayer for many years.
I was born and grew up in Agamua, the Central Highlands of West Papua. My father belongs to the Lani tribe and my mother comes from Walak.
In Lani and Walak languages - languages spoken in the Central Highlands - tiru means a pillar. There are four tiru (pillars) standing firmly in the middle of the Lani roundhouse (honai), around wun’awe or a furnace. Tiru is always made of the strongest type of wood called a’pe (ironwood tree). The longer the wood gets heated and smoked from the fire in the honai, the stronger it becomes. Without tiru, the honai cannot stand firm. West Papuan women are these tiru.
West Papua is located in the western part of the New Guinea island, containing some of the world’s highest mountains, densest jungle, and richest mineral resources. It is home to over 250 groups and has an incredible biodiversity. Due to its natural wealth, West Papua has, over the centuries, been targeted by foreign occupiers. Until 1963, we were colonized by the Dutch. However in 1969, after a manipulative political act, we were transferred from the Dutch to Indonesia.
The first German missionaries arrived in Mansinam Island, Manokwari, in 1855. Then, in the 1950s, Christianity was brought to the Central Highlands of West Papua by Protestant missionaries of European descent from America, Canada, Australia and New Zealand.
According to Scripture in Genesis 1: 26-27, Man and Woman are created in the image of God. It means all humanity is made with the call and capacity to exercise dominion. Radah, the Hebrew word for dominion, means stewardship. Radah is not a call to exercise imperial power as declared by Pope Nicolas V, granting Catholic nations the right to “discover” and claim dominion over non-Christian lands. To diminish the capacity of humans to exercise dominion, is to diminish the image of God on earth (Lisa Sharon Harper, The Very Good Gospel).
The Evangelical Church of Indonesia (GIDI) was established as an institution in 1963. In the Sunday Service liturgy of GIDI, Women are considered unworthy to take any responsibility except collecting offerings. In 2003, after 40 years, the Department of Women was introduced within the structure of the Synod leadership.
In November 2013, I was entrusted to be a chairperson of the Women’s Department of the GIDI Synod.
Together with several other women leaders, we started a cell group that is committed to “decolonizing the Bible.” We learn together how to reconstruct the interpretation of biblical texts to champion women.
A feminist theologian named Elisabeth S Florenza calls it a feminist hermeneutic theory (Josina Wospakrik, Biblical Interpretation and Marginalization of Woman in the Churches of West Papua).
Besides the cell group, we interview our elderly women to collect our ancestors’ wisdom and values. As Bernard Narakobi in his book The Melanesian Way said: “Our history did not begin with contact with the Western explorers. Our civilization did not start with the coming of the Christian missionaries. Because we have an ancient civilization. It is important for us to give proper dignity and place to our history”.
Yum is a knotted net or woven bag handmade from wood fiber or leaves. Yum is highly valued for it symbolizes life and hope. When women of Lani and Walak get married, our maternal aunts put yum on our heads. It means we bear the responsibility for giving life and for providing food. Yum is used to carry garden produce as well as being used as a container to put a baby to sleep in as it gives warmth and a sense of security.
“West Papuan Women are Yum and Tiru” became the prime references as we contextualized women in the eyes of Jesus Christ in seminar and focus group discussions. From 2013 to 2018, we focused on reconstructing the view of women in GIDI and in gaining a healthy self-image. We are still in the process of understanding who we are to Jesus, rather than who we have been told we are by theologians and the fathers of the early Churches. Josina Wospakrik, a West Papuan Theologian said “The Gospel is incredibly rich but it was impoverished due to human ambitions and agendas.”
Since 2018, the GIDI Women Leadership team and I have formulated four priority programs: Decolonizing the Bible, Storytelling in a circle, Training of trainers for Literacy and Gender. The fourth, supported simple bookkeeping and savings groups workshops facilitated by Yapelin and Yasumat, which are faith based organizations established by GIDI leaders to reach the economic, social and health needs of women in the communities.
Storytelling in a Circle
In this programme we create a safe space for women to talk - each woman has a story. We all sit together and learn how to be good listeners.
“I became Christian and was taught that the government is God’s representative. Why did the government do nothing when the army burnt down my village and killed my relatives?” asked one woman in the storytelling circle. “My aunt was raped.” She stopped for a while. Could not talk. She cried. We all did.
The process of storytelling has driven us into deep conversation. We began to contextualize Biblical texts within our daily realities.
We started asking questions amongst ourselves: Where is God in our toughest times? Does the state government truly represent God on earth? Why does the Creator allow privileged people to destroy His own image in the name of Christianity and Development? During the process, I realized that I have been reading the Bible using somebody else’s glasses.
The church has to be a safe place to share stories and be a place of comfort to be still and rest. As we reflect on the testimonies, those who tell their stories begin the process of recovering from wounds and trauma.
Financial Literacy for Women
Culturally, West Papuans invest in relationships. The concept of saving is understood as an investment in relations, not in a bank account. And while the Indonesian central government has granted special autonomy to respond to West Papuans’ demand for self-determination, many government policies harm the quality of family life and they do not account for women’s lives. High illiteracy rates amongst women mean most women do not have access to a bank account. With no money saved, access to medical services becomes a struggle.
Through the priority programmes, Yapelin, with the active involvement and support of women, created saving groups in Bokondini and Jayapura. The saving groups are chaired by women who have access to a bank.
In coordination with Yayasan Bethany Indonesia (YBI) and Yayasan Suluh, a faith-based organization (FBO) based in Jayapura, we facilitated four literacy workshops. The literacy team facilitated the training of trainers in three different dioceses: Merauke, Sentani, and Benawa. We now have 30 facilitators in different congregations who run literacy programs.
Lack of financial support for our programs will not stop us. Being stigmatized as rebels will not stop us from standing up and speaking in church evaluation meetings and conferences. It is stressful but I am committed together with several women leaders to calling on the power-holders within to free the church.
The Gospel known as Good News should become news that liberates women from a very patriarchal circle of power, liberates women from social stigma and returns women to the original purpose of The Creator.
The Gospel must be a mirror to reflect who we are collectively. As Lisa Sharon Harper, in her book The Very Good Gospel said “The Gospel is not only about an individual’s reconciliation with God, self and communities. But also speaks on systemic justice, peace between people groups and freedom for the oppressed”.
Rode Wanimbo is the chairperson of the Women’s Department of Evangelical Church of Indonesia (GIDI).
“Offerings for Black Life”
By Sokari Ekine (@blacklooks), New Orleans
Coming from a place of healing and self-care is a political act that guides us to be focused and to move as one. In New Orleans, we created and will be creating altars in honour of those murdered by police and white supremacists vigilantes!


< Anatomy of a Survivor's Story
Reason to join 3
Comparte tus historias y conoce las de otrxs. Al conectar nuestras experiencias, relatos y propuestas ayudamos a crear en conjunto y amplificar las Realidades Feministas.
Claudia House Morcom
Snippet FEA WE ARE LEGAL AND ALWAYS WERE (FR)
Espagne
Syndicat OTRAS
NOUS SOMMES LÉGAL·ES
ET L’AVONS TOUJOURS ÉTÉ
Devo fazer alguma preparação para responder ao inquérito?
Tendo em conta que o inquérito WITM foca-se nas realidades do financiamento de organizações feministas, a maioria das perguntas aborda o tópico do financiamento do seu grupo entre 2021-2023. Será preciso ter essas informações facilmente acessíveis para preencher o inquérito (por exemplo, os seus orçamentos anuais e as principais fontes de financiamento).
Roxana Reyes Rivas
Roxana Reyes Rivas, filósofa, feminista, lesbiana, poeta, política y activista por los derechos humanos de las mujeres y las personas LGBTI en Costa Rica. Dueña de una pluma afilada y un humor agudo, con la risa a flor de piel. Nació en 1960 y creció en San Ramón de Alajuela, cuando era una zona rural, y su vida entera rompería con los mandatos de lo que significaba ser mujer.
Desde El Reguero (grupo de lesbianas en Costa Rica) organizó festivales lésbicos por más de 10 años, espacios lúdico-formativos de encuentro en momentos donde el gobierno y la sociedad costarricense perseguía y criminalizaba la existencia lésbica. Para cientos de mujeres los festivales lésbicos eran el único lugar donde podían ser ellas mismas y encontrarse con otras como ellas.
Roxana decía que fundar partidos políticos era uno de sus pasatiempos. “Es importante que en Costa Rica la gente entienda que hay otras formas de hacer política, que muchos temas es necesario resolverlos colectivamente”. Fue una de lxs fundadores de los partidos Nueva Liga Feminista y VAMOS, un partido centrado en los derechos humanos.
“El oficio de la filosofía es meter la puya, ayudar a que la gente empiece a preguntarse cosas. La filósofa que no irrita a nadie, no está haciendo bien su trabajo”. Durante 30 años, Roxana fue profesora de filosofía en universidades públicas costarricenses. De su mano generaciones enteras de estudiantes reflexionaron sobre los dilemas éticos en la ciencia y la tecnología.
La herramienta favorita de Roxana era el humor, ella creó el premio del Chiverre Incandescente, un reconocimiento a la estupidez que otorgaba vía redes sociales a diferentes figuras públicas, ridiculizando sus exabruptos y afirmaciones anti-derechos.
Un cáncer agresivo se llevó a Roxana a fines del 2019, antes de que alcanzara a publicar la compilación de sus poemas, un último regalo de la mente creativa de una feminista que siempre levantó la voz para denunciar la injusticia.
Principios de participación para el Festival
¡Bienvenidxs a Crear | Résister | Transform: un festival para movimientos feministas!
Principios de participación para el Festival
AWID está comprometida con la creación de un espacio virtual que nos invite y desafíe a todxs a funcionar desde un lugar de valentía, curiosidad, generosidad y responsabilidad compartida.
Te invitamos a crear conjuntamente con nosotrxs espacios libres de acoso y violencia, donde todas las personas sean respetadas en su identidad y expresión de género, raza, capacidad, clase, religión, idioma, etnia, edad, ocupación, tipo de educación, sexualidad, tamaño corporal y apariencia física. Espacios donde reconozcamos las desigualdades que prevalecen en nuestro mundo, y nos esforcemos por transformarlas.
Queremos crear un espacio donde:
- podamos estar “presentes”:
Esto significa escucharnos, comprendernos y vincularnos. Sentirnos cerca, a pesar de la virtualidad. Para eso, contaremos con interpretación y abriremos canales (como el chat y otras herramientas) para reaccionar y compartir. Para lograr escucharnos mejor, les invitamos a utilizar audífonos o auriculares durante la sesión. Si puedes hacerlo, te sugerimos cerrar tus correos electrónicos y cualquier otra posible distracción mientras estás en la conversación.
- todas las formas de conocimiento son valoradas:
Celebremos los distintos saberes y las múltiples formas en que estos se expresan. Nos acercamos al espacio con curiosidad y apertura para aprender de otrxs y permitiéndonos desaprender y reaprender a partir del intercambio, sentando las posibilidades para la construcción colectiva de conocimiento.
- todxs nos sintamos bienvenidxs:
Estamos comprometidxs con un enfoque holístico de la accesibilidad, conscientes de las diferentes necesidades físicas, mentales, de idioma y de seguridad. Queremos un espacio que acoja a gente de contextos, creencias, capacidades y experiencias diversas. Seremos proactivxs, pero también te pedimos que nos comuniques tus necesidades, para que, dentro de nuestras posibilidades, nos ocupemos de satisfacerlas.
- todxs nos sintamos segurxs y respetadxs:
Asumimos compromisos individuales y colectivos de respetar la privacidad y contar con el consentimiento de otrxs para difundir imágenes o contenido generado durante la conversación.
Crear un ambiente más seguro, respetuoso y disfrutable para las conversaciones es responsabilidad de todxs.
Cómo reportar
Si notas que alguien se está comportando de forma discriminatoria u ofensiva, por favor, contacta a la persona de referencia que se indicará al comienzo de la sesión.
Cualquier participante que se exprese con lenguaje opresivo o imágenes ofensivas será eliminadx de la videoconferencia y no será admitidx nuevamente. No interactuaremos con esa persona de ninguna manera.
Values - intersectionality
Intersectionnalité
nous estimons que pour être transformateurs et forts, les mouvements féministes doivent continuer à travailler au-delà de leurs similitudes et de leurs différences. Nous devons également interroger le pouvoir et les privilèges, tant au sein qu'à l'extérieur de nos mouvements.
Shaimaa El-Shabbagh
Snippet FEA Unio Otras Photo 3 (EN)

هل مشاركتي سريّة؟
أكيد. سيتم محي اجوبتك بعد عملية معالجة المعطيات وتحليلها وسيتم استعمالها لأهداف بحثية فقط. لن تتم أبداً مشاركة المعطيات خارج AWID وسيتم معالجتها فقط عن طريق طاقم AWID والمستشارات/ين اللواتي/ اللذين يعملن/وا في مشروع "أين المال" معنا. خصوصيتكم/ن وسرّيتكم/ن هي في أعلى سلم أولوياتنا. سياسة الخصوصية متواجدة هنا.
Dorothy Masuka
“Je n’avais pas prévu d’être chanteuse; c’est le chant qui avait prévu de m’habiter” - Dorothy Masuka (interview avec Mail & Guardian)
L’une de ses chansons, intitulée "Dr Malan" (du nom de l'homme politique pro-apartheid D.F. Malan) a été censurée. Elle a poursuivi avec l’enregistrement de "Lumumba" (1961), une chanson sur l'assassinat du leader anticolonialiste Patrice Lumumba. Le travail et l'activisme de Dorothy ont alors attiré l'attention de la section spéciale de la police sud-africaine, ce qui la contraignit à un exil politique qui s’étendit sur plus de 3 décennies. Tout au long de cette période, elle travailla avec des groupes pro-indépendantistes, dont le Congrès national africain. En 1992, alors que l'apartheid commençait à s'effondrer et que Nelson Mandela fut libéré de prison, elle retourna en Afrique du Sud.
Parmi ses autres œuvres, on peut citer sa première chanson, enregistrée en 1953 et intitulée "Hamba Notsokolo", qui fut un tube des années 1950 et un grand classique. Elle composa également "El Yow Phata Phata", une chanson adaptée par Miriam Makeba qui contribua à offrir une popularité internationale à "Pata, Pata".
Ancrés dans la résistance, la musique et l’activisme de Dorothy étaient entrelacés et laissent un merveilleux héritage inspirant. Elle était également très connue sous le nom de “Auntie Dot”.
Le 23 février 2019, Dorothy s’est éteinte à Johannesburg à 83 ans des suites d’une maladie.
Regardez l'interview de Dorothy Masuka pour Mail & Guardian (seulement en anglais)
Écoutez sa musique :
Upasana Agarwal



À propos d’Upasana Agarwal
