Better Speak: Solidarity in action, not in words
This is a second interview with Nayani after she participated in CSW. She talks about her experience at CSW, lack of youth representation, and the film she created during CSW, Better Speak.
This is a second interview with Nayani after she participated in CSW. She talks about her experience at CSW, lack of youth representation, and the film she created during CSW, Better Speak.
Donald Trump’s ‘global gag rule’ could align US with Iran, Sudan, Syria and other countries targeted by US travel ban at Commission on the Status of Women.
Question marks over support for short-term projects run by UN population fund prompt concern over future of programmes in Syria, east Africa and beyond.
in partnership with The Guardian
Agreement made at UN’s Commission on the Status of Women overcomes efforts by US and Russia to weaken text on violence, and sexual and reproductive rights.
Indigenous activist Judith LeBlanc calls it the Standing Rock moment and describes it as a historic, “magic movement moment in Indian country.”
Since 1947 the Commission on the Status of Women is a multilateral space for government, NGOs and activists to promote gender equality and women’s rights. But the CSW61 was marred by the spectre of travel bans. The restrictions spurred doubts from a number of human rights organizations about the legitimacy of the US as a venue.
Gender-based violence (GBV) is one of the most prevalent human rights violations in the world—and yet not enough is done to prevent it, especially at the workplace.
For women to enjoy their full human rights, the social, legal and political frameworks must be in place for women’s economic empowerment to make a significant difference in women’s lives.
Women’s economic justice is not just about integrating women in to a given economic model – it is also about improving women’s control over economic r esources, access to decent work and control over their own time; pursuing climate justice, limiting corporate power and resisting austerity ; and promoting self - determination and autonomy for women in economic decision - making at all levels, from t he household to national parliaments to international institutions.
Feminist artists have been invited to participate in a UN Women-organised festival at CSW 61 to produce films around the theme of “The Personal is Political.” What happens when artists enter spaces to which they are not traditionally invited?