Women Human Rights Defenders
WHRDs are self-identified women and lesbian, bisexual, transgender, queer and intersex (LBTQI) people and others who defend rights and are subject to gender-specific risks and threats due to their human rights work and/or as a direct consequence of their gender identity or sexual orientation.
WHRDs are subject to systematic violence and discrimination due to their identities and unyielding struggles for rights, equality and justice.
The WHRD Program collaborates with international and regional partners as well as the AWID membership to raise awareness about these risks and threats, advocate for feminist and holistic measures of protection and safety, and actively promote a culture of self-care and collective well being in our movements.
Risks and threats targeting WHRDs
WHRDs are exposed to the same types of risks that all other defenders who defend human rights, communities, and the environment face. However, they are also exposed to gender-based violence and gender-specific risks because they challenge existing gender norms within their communities and societies.
By defending rights, WHRDs are at risk of:
- Physical assault and death
- Intimidation and harassment, including in online spaces
- Judicial harassment and criminalization
- Burnout
A collaborative, holistic approach to safety
We work collaboratively with international and regional networks and our membership
- to raise awareness about human rights abuses and violations against WHRDs and the systemic violence and discrimination they experience
- to strengthen protection mechanisms and ensure more effective and timely responses to WHRDs at risk
We work to promote a holistic approach to protection which includes:
- emphasizing the importance of self-care and collective well being, and recognizing that what care and wellbeing mean may differ across cultures
- documenting the violations targeting WHRDs using a feminist intersectional perspective;
- promoting the social recognition and celebration of the work and resilience of WHRDs ; and
- building civic spaces that are conducive to dismantling structural inequalities without restrictions or obstacles
Our Actions
We aim to contribute to a safer world for WHRDs, their families and communities. We believe that action for rights and justice should not put WHRDs at risk; it should be appreciated and celebrated.
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Promoting collaboration and coordination among human rights and women’s rights organizations at the international level to strengthen responses concerning safety and wellbeing of WHRDs.
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Supporting regional networks of WHRDs and their organizations, such as the Mesoamerican Initiative for WHRDs and the WHRD Middle East and North Africa Coalition, in promoting and strengthening collective action for protection - emphasizing the establishment of solidarity and protection networks, the promotion of self-care, and advocacy and mobilization for the safety of WHRDs;
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Increasing the visibility and recognition of WHRDs and their struggles, as well as the risks that they encounter by documenting the attacks that they face, and researching, producing, and disseminating information on their struggles, strategies, and challenges:
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Mobilizing urgent responses of international solidarity for WHRDs at risk through our international and regional networks, and our active membership.
Related Content
Yamile Guerra
Yamile Guerra was a well-known lawyer, community leader and political activist in the Santander region of Colombia.
She was actively working to resolve disputes between local communities and developers, advocating against illegal land appropriation. Yamile had occupied various political posts, including as the Secretary General for the Santander government in Bogota and also aspired for the Mayor’s Office of Bucaramanga. In the last few years of her life, Yamile became increasingly active in environmental causes, particularly in the defense of the biodiverse wetlands of Santurbán against development, a region which supplies nearly 2 million people with freshwater.
According to her family and friends, Yamile received daily threats against her life and had asked the authorities for protection.
“She was very very aware of this issue [land litigation] and she said many times that she felt insecure.” - Alixon Navarro Munoz, journalist and friend of Guerra family
On July 20, 2019 Yamile was shot to death by two men in Floridablanca, Santander. She had just finished discussing a land dispute with them. A suspect was later arrested for her murder and admitted to being paid to carry out her assassination. According to reports, Yamile was the third member of her family to have been killed in relation to land disputes. Her father, Hernando Guerra was murdered several years previously.
Yamile’s assassination is part of a wave of violence and systematic killing of hundreds of social activists and human rights defenders in Colombia. According to the Institute for Development and Peace Studies (INDEPAZ), at the time of Yamile’s death, over 700 community leaders and human rights activists had been killed since the country signed a peace agreement in August 2016. Most were murdered for confronting illegal drug trafficking and mining operations, with indigenous people, Afro-Colombians and women human rights defenders being most at risk.
Less than a week after Yamile’s death, thousands of Colombians marched all over towns and cities, holding up black and white photos of activists who had been killed, with signs that read: "Without leaders there can be no peace" and "No more bloodshed”.
Yamile Guerra was only 42 years old at the time of her assassination.
Snippet - AWID Community - EN
AWID Community
AWID Community is an online social networking platform for specifically for AWID members. It’s a feminist space for connection, resistance and celebration. A space for critical feminist conversations, collective power and solidarity. It is also a space for post-event dialogues, navigating difficult political learnings and community care
Snippet FEA Principles of Work (ES)
Principios
DE TRABAJO
1. Gather your resources
This section highlights key resources recommended by AWID so you can conduct your own WITM research.
In this section
People needed
- 1 or more person(s) to lead overall implementation of research methodology and ensure all key pieces are on track (Sections 2-11)
- 1 or more person(s) to conceptualize the key research objectives and guiding questions
- 1 or more person(s) to refine and conduct the research methodology, including collecting data
- 1 or more person(s) to conduct relevant qualitative and quantitative analysis of collected data
- 1 or more person(s) to document and package research findings for desired audience(s)
- 1 or more person(s) to serve as an editor to your final products
- 1 or more person(s) to conduct outreach to spread the word about your survey and advocacy using your research results
Potential expenses
- Staff and/or consultant salaries
- Data analysis software if conducting analysis of large dataset in-house. Options:
- SPSS
- Stata
- R (this is free) - Cost of producing publications and research products
- If desired, incentive prize that survey participants can win if they complete the survey
- If desired, incentives to offer your advisors
Estimated time
- For research process: 6 to 18 months, depending on size of dataset(s) and staff capacity
- For advocacy: 1-2 years, as determined by your organizational goals
Resources needed
- List of advisor organizations, donors and activists
- List of online spaces and events/networks to distribute your survey and present your survey results
- List of donors, activists, and women’s rights organizations to interview
- Prepared interview questions
- List of publication sources to use for desk research
Resources available
- Sample 1 of Research Framing
- Sample 2 of Research Framing
- Example: 2011 WITM Global Survey
- Sample WITM Global Survey
- Sample letter to grantmakers requesting access to databases
- AWID Sample Interview Questions: Donors
- AWID Sample Interview Questions: Activists & Women’s Rights Organizations
- Sample Advocacy Plan
Online tools
- Survey Monkey: Free
- Survey Gizmo: Converts to SPSS for analysis very easily
- Tutorial: Gentle Introduction to Cleaning Data
- Visualization Tools
- “Ready to Go?” Worksheet
Once you gather these resources, you can estimate the costs for your research using our “Ready to Go? Worksheet”
Previous step
Next step

Previous step
Next step
The Ready to Go? Worksheet helps you estimate resources, staff and budget needed for your research
Questions (Forum page)
¿Preguntas?
¿Tienes preguntas sobre el Foro de AWID o sobre las actividades relacionadas? ¡Tenemos respuestas!
Angiza Shinwari
Binta Sarr
Binta Sarr fue una activista por la justicia social, económica, cultural y política, y una ingeniera hidráulica en Senegal. Después de 13 años en la administración pública, Binta dejó ese camino para trabajar con mujeres rurales y marginadas.
Fue de este compromiso que surgió la Association for the Advancement of Senegalese Women [Asociación para el Avance de las Mujeres Senegalesas] (APROFES, por sus siglas en inglés), un movimiento y organización de base que Binta fundó en 1987. Uno de sus principales enfoques fue la formación de dirigentes, en relación no solo con las actividades económicas, sino también con los derechos de las mujeres y el acceso a los puestos de toma de decisiones.
"Las poblaciones de base deben organizarse, movilizarse, asumir el control ciudadano y exigir la gobernabilidad democrática en todos los sectores del espacio público. La prioridad de los movimientos sociales debe ir más allá de la lucha contra la pobreza y debe centrarse en programas de desarrollo articulados y coherentes en consonancia con los principios de los derechos humanos, teniendo en cuenta al mismo tiempo sus necesidades y preocupaciones tanto a nivel nacional como subregional y desde una perspectiva de integración africana y mundial". - Binta Sarr
Partiendo de la convicción de Binta de que el cambio fundamental de la condición de la mujer requiere una transformación de las actitudes masculinas, APROFES adoptó un enfoque interdisciplinario, al utilizar la radio, los seminarios y el teatro popular, además de proporcionar una educación pública innovadora y brindar apoyo cultural a las acciones de sensibilización. Su compañía de teatro popular representó piezas originales sobre el sistema de castas en el Senegal, el alcoholismo y la violencia conyugal. Binta y su equipo también analizaron la conexión crucial entre la comunidad y el mundo en general.
"Para APROFES, se trata de estudiar y tener en cuenta las interacciones entre lo micro y lo macro, lo local y lo global y también, las diferentes facetas del desarrollo. Desde la esclavitud hasta la colonización, el neocolonialismo y la mercantilización del desarrollo humano, la mayor parte de los recursos de África y del Tercer Mundo (petróleo, oro, minerales y otros recursos naturales) están todavía bajo el control de carteles financieros y las otras multinacionales que dominan este mundo globalizado". - Binta Sarr
Binta fue una de las integrantes fundadoras de la sección femenina de la Asociación Cultural y Deportiva Magg Daan. Recibió distinciones del Gobernador Regional y del Ministro de Hidrología por su "devoción por la población rural".
Nacida en 1954 en Guiguineo, un pequeño pueblo rural, Binta falleció en septiembre de 2019.
Tributos:
"La pérdida es inconmensurable, el dolor es pesado y profundo, pero resistiremos para no llorar a Binta; no lloraremos a Binta, mantendremos la imagen de su amplia sonrisa en todas las circunstancias, para resistir e inspirarnos en ella, para mantener, consolidar y desarrollar su obra..." - Página de Facebook de Aprofes, 24 de septiembre de 2019.
"¡Adiós Binta! Creemos que tu inmenso legado será preservado." - Elimane FALL , presidente de ACS Magg-Daan
What Our Members Say - ES
Lo que dicen nuestrxs miembrxs
Snippet FEA Principles of work Education and Learning (FR)

ÉDUCATION ET APPRENTISSAGE CONSTANT
5. Conduct interviews
Interviews produce in-depth information that you cannot easily obtain from surveys. While surveys focuses mainly on quantifiable data and closed questions, interviews allow for expert opinions from activists and donors, and open-ended questions which can provide context to survey data results.
In this section
- General tips
1. Before conducting your interviews
2. During the interviews- Specialized interviews
1. Donor interviews
2. Women’s rights organizations and activists interviews- Preliminary findings
General tips
1. Before conducting your interviews
Send the interviewees a concept note with your objectives for the interview and for your overall research, as well as a list of questions.
This allows them to prepare answers for more complicated questions and look up information that they may not have immediately on hand.
2. During the interviews
- You can conduct interviews while your survey is running, in order to save time.
- Try to keep your interviews as consistent as possible in order to facilitate systematic analysis of results. This means asking the same questions. Coding identical responses to each question will allow you to uncover hidden trends.
- The interviews can also be used to flesh out some of the survey findings
Do not base your questions on assumptions about your interviewees’ knowledge.
Instead, first clarify what they know – this will reveal information as well.
- DON’T: “Given the current funding trends in Switzerland, do you know of any opportunities for collaboration? This question assumes that the interviewee knows current funding trends and that their understanding of funding trends matches yours.
- DO: First ask “What is your understanding of current funding trends in Switzerland?”, followed by “Do you know of any opportunities for collaboration?” This will reveal what their understanding is, giving you even more information than the first question.
Specialized interviews
1. Donor interviews
Interviews with donors will allow you to build deeper relationships with them, which will be useful when you conduct post-research advocacy. They will also provide you with deeper insight into funders’ decision-making processes.
Suggested topics of focus for donor interviews:
- What are their funding priorities? Why and how did they select those priorities? For example, why do they choose project-funding over core support or vice versa?
- What are annual amounts allocated to the advancement of women’s human rights? This will strengthen overall reliability of data collected.
- Have they noticed any funding trends, and what do they believe are the origins and politics behind these trends?
- What is their theory of social change and how does that impact their relationships with women’s rights organizations?
View samples of donor interviews
2. Women’s rights organizations and activists interviews
Interviews with women’s rights organizations and activists will provide you with insight into their on-the-ground realities. Again, these interviews will allow you to build deeper relationships that can be incorporated into your advocacy, particularly to encourage collaboration between donors and activists.
Suggested topics of focus for women’s rights organizations and activist interviews:
- Long-term funding priority trends noted by women’s organizations and their impact.
- Successful examples of feminist and collaborative resource mobilization strategies that build strong and complementary movements.
- “Making the case” for why it is important to support women’s organizations and organizing.
- How different actors understand the social change process and their role in advancing/achieving gender equality and women’s rights.
View samples of women’s organizations and activists interviews
Preliminary findings
Through the course of your WITM research, we recommend analyzing your preliminary findings. Presenting your preliminary findings opens up opportunities to conduct more interviews and get feedback on your research process and initial results. This feedback can be incorporated into your final research.
AWID conducts “WITM convenings” to share preliminary results of survey data and interviews. These gatherings allow participants (activists, women’s rights organizations, and donors) to debate and discuss the results, clarifying the context, creating more ownership amongst members of the movement, and providing more input for final research.
For example, the Resource Mobilization Hub for Indigenous Women’s Rights at the World Summit on Indigenous Philanthropy was used as a space to debut preliminary results.
Previous step
4. Collect and analyze your data
Next step

Estimated time:
• 1.5 - 3 months
People needed:
• 1 or more research person(s)
Resources needed:
• List of donors and women’s rights organizations and activists to interview
• Prepared interview questions
• Concept Note (You can use the research framing you created in the “Frame your research” section)
Resources available:
• AWID Sample Interview Questions: Donors
• AWID Sample Interview Questions: Activists & Women’s Rights Organizations
Previous step
4. Collect and analyze your data
Next step
Ready to Go? Worksheet
FRMag - Editors Note
Note éditoriale
Les Réalités féministes consistent en une invitation chaleureuse et bienveillante, une sorte d’acte de préservation et de soins massifs (versus un soin individuel), une invitation à archiver et à faire l’inventaire de tout le travail réalisé, sous peine de le voir disparaître. (...)
Ruby Montour
Laurie Carlos
Laurie Carlos était une comédienne, réalisatrice, danseuse, dramaturge et poétesse aux États-Unis. Artiste hors pair et visionnaire, c’est avec de puissants modes de communication qu’elle a su transmettre son art.
« Laurie entrait dans la pièce (n’importe quelle pièce/toutes les pièces) avec une perspicacité déroutante, un génie artistique, une rigueur incarnée, une féroce réalité – et une détermination à être libre... et à libérer les autres. Une faiseuse de magie. Une devineresse. Une métamorphe. Laurie m’a dit un jour qu’elle entrait dans le corps des gens pour trouver ce dont ils et elles avaient besoin. » - Sharon Bridgforth
Elle a employé plusieurs styles de performance alliant les gestes rythmiques au texte. Laurie encadrait les nouveaux·elles comédien·ne·s, performeur·euse·s et dramaturges, et a contribué à développer leur travail dans le cadre de la bourse Naked Stages pour les artistes émergent·e·s. Associée artistique au Penumbra Theatre, elle a participé à la sélection de scripts à produire, dans l’objectif « d’intégrer des voix plus féminines dans le théâtre ». Laurie faisait également partie des Urban Bush Women, une compagnie de danse contemporaine reconnue qui contait les histoires de femmes de la diaspora africaine.
Elle fit ses débuts à Broadway dans le rôle de Lady in Blue, en 1976, dans la production originale et primée du drame poétique For colored girls who have considered suicide / when the rainbow is enuf de Ntozake Shange. L’oeuvre de Laurie inclut White Chocolate, The Cooking Show et Organdy Falsetto.
« Je raconte les histoires à travers le mouvement – les danses intérieures qui se produisent spontanément, comme dans la vie – la musique et le texte. Si j’écris une ligne, ce n’est pas forcément une ligne qui sera dite ; ce peut être une ligne qui sera bougée. Une ligne à partir de laquelle de la musique est créée. Le geste devient phrase. Tant de ce que nous sommes en tant que femmes, en tant qu’êtres, tient aux gestes que nous exprimons les un·e·s par rapport aux autres, tout le temps, et particulièrement dans les moments d’émotion. Le geste devient une phrase, ou un état de fait. Si j’écris “quatre gestes” dans un script, cela ne signifie pas que je ne dis rien;cela veut dire que j’ai ouvert la voie à ce que quelque chose soit dit physiquement. » Laurie Carlos
Laurie est née et a grandi à New York, a travaillé et vécu à Minneapolis-Saint-Paul. Elle est décédée le 29 décembre 2016, à l’âge de 67 ans, après un combat contre le cancer du côlon.
Hommages :
« Je pense que c’était exactement l’intention de Laurie. De nous sauver. De la médiocrité. De l’ego. De la paresse. De la création artistique inaboutie. De la paralysie par la peur.
Laurie voulait nous aider à briller pleinement.
Dans notre expression artistique.
Dans nos vies. » - Sharon Bridgforth pour le Pillsbury House Theatre
« Quiconque connaissait Laurie aurait dit que c’était une personne singulière. Elle était sa propre personne. Elle était sa propre personne, sa propre artiste ; elle mettait en scène le monde tel qu’elle le connaissait avec un vrai style et une compréhension fine, et elle habitait son art. » – Lou Bellamy, Fondatrice de la Penumbra Theatre Company, pour le Star Tribune
Lire un hommage complet par Sharon Bridgforth (seulement en anglais)
Snippet - CSW69 Image - FR

Snippet FEA We are living in a world left (EN)
We are living in a world where the destruction of Nature fuels our current global economy.
Gracias por participar en la creación de nuestros Futuros Feministas
¡Gracias por haber sido parte del Foro AWID 2016!
AWID agradece enormemente a todxs ustedes que han compartido con nosotrxs estos últimos cuatro días de aprendizaje, celebraciones, ideaciones, sueños y la construcción conjunta de nuestros futuros feministas en el Foro AWID 2016.
Nos sentimos muy inspiradxs, maravilladxs y llenxs de energía con todo el trabajo colectivo que hemos hecho para crear nuestros diversos futuros feministas.

Para más imagen, blogues y recursos:
FRMag - Roots of Love and Resilience
Kunyit Asam: The Roots of Love and Resilience
by Prinka Saraswati
The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation. (...)
< artwork: “Feminist Movement” by Karina Tungari