Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.
The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.
“Protection of the Family” efforts stem from:
rising traditionalism,
rising cultural, social and religious conservatism and
sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.
Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.
This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.
Our Approach
AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.
In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs). OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like “Protection of the Family”.
Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.
The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN. It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”
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The menstrual cycle usually lasts between 27 and 30 days. During this time, the period itself would only go on for five to seven days. During the period, fatigue, mood swings, and cramps are the result of inflammation.
In traditional Javanese culture, this is the moment for women to rest and take care of themselves. During this moment, a woman would take Kunyit Asam, a jamu or herbal drink to soothe the inflammation. This elixir consists of turmeric and tamarind boiled together in a pot.
I still remember my first period - it was one day before graduation day in elementary school. I remember pedaling my bike feeling something warm running between my thighs. When I arrived home I did all I could to clean myself and then put on a menstrual pad. My mother came home from work about four hours later. I told her what had happened. She looked me in the eye and asked how I felt. I told her that it was painful, that my body was swollen in every place. Then she asked me to go with her to the backyard. I followed her to our little jungle, my mother sat down on the soil and smiled.
“See this slender leaf? This is the leaf of Kunyit, *empon-empon that leaves the yellow stain on your fingers. What’s most important is not the leaf, but the roots. You dig the soil and slowly grab the roots.”, my mother showed me how to pick Kunyit or Turmeric roots. Then we went to the kitchen where she boiled water along with some tamarind. While waiting for it to boil, she showed me how to wash and grate the orangey-yellow root. Then, we put the grated turmeric into the boiling tamarind water. “Tomorrow, you can make it for yourself. This will help you to feel better!”.
I remember the first time I tasted it - a slightly bitter taste but also sour. My mother always served it warm. She would also put some in a big bottle which I would place on my stomach or lower back for further relief. For days after, my mother’s hands and mine were yellow. My friends could always tell every time I got period because my hands would be yellow.
A year after my first period, I found out that you could get the bottled version in convenience stores. Still, I made my own Kunyit Asam every time I had my period because the one in the convenience stores was cold. It did not smell of wet soil and warm kitchen.
Fast forward, I am a 26 year old woman who casually makes this drink for friends when they have their periods. I’ve made some for my housemates and I’ve delivered some for friends who live in different towns. I do not grow turmeric roots in my garden, but I have grown and shared the love from my mom. What was once from garden to cup is now from *pasar to cup.
A couple of days ago, I asked my mother who taught her how to make the jamu.
“Who else? Yang Ti*! Your grandmother was not just a teacher”, said my mom. I was never close to my grandmother. She passed away when I was eight. All I knew from my mom was that she was a math teacher who had to teach courses after work. I had this image of my grandmother as a hard worker who was kind of distant with her children. My mom did not disagree with that but explained it came from her survival instinct as a mother. “She tried to make time. She tried. She taught me how to make jamu so I could take care of myself and my sisters”.
My mother is the second child out of seven, six of whom are girls. The reason my grandmother taught her is so that all of her children could take care of each other. While my mother was taught how to make the drink, my mother’s older sister was taught how to plant turmeric. Yang Ti knew which one loved the smell of soil more and which one loved the smell of the kitchen. My mother was the latter. She learned how to plant from my aunt, her older sister.
My grandfather worked in a bank but he got laid off when he was in his 40s. So, my grandmother had to do a side-hustle to support their children. My mother was in high school at that time when Yang Ti woke her and her older sister up at dawn. “Would you help me to pick some roots?”. Of course nobody said no. Especially if it was your mother, especially if you were born in Javanese culture where saying “no” sounded like a bad word. Together, the three of them went to the backyard, and they harvested empon - empon, rhizome, that was buried inside the soil. She grew many kinds of rhizome; temu lawak, temu putih, ginger, galangal, kunci, kencur, and kunyit. That was the day where my mother realized that her mother was never far away from her.
That was the day where she could spend more time with her mother. There, in the garden. There, in the kitchen.
“We’re sending these for Ibu Darti, the lady who lives across the river. Kunyit Asam for her and her daughters.”, said my grandmother to my mother and my aunt that day. They poured the Turmeric-Tamarind warm drink into a tall thermos and later my grandmother would deliver it on the way to school.
Over time, my grandmother got more orders for jamu. Everybody in the family helped her to make and deliver her jamu. The small business lasted only a few years, but that was what paid for my mother and her siblings’ education.
Today, my mother, who got laid off just a few days before I wrote this piece, harvested Turmeric and other roots. She’s making her Turmeric Tamarind drink from her kitchen.
My phone rang in the middle of this afternoon, a couple minutes after I boiled the rest of my grated turmeric. Today is one day after my period.
“Ingka, have you washed your pot after boiling those turmeric? It would forever be yellow if you don’t wash it right away!”
*empon-empon = roots like ginger, turmeric, etc. coming from the Javanese word “Empu” which means, something or someone that has deep knowledge.
*jamu = Indonesia’s traditional elixir made of roots, barks, flowers, seeds, leaves, and fruits.
*Yang Ti = Javanese term for grandmother, taken from the term “Eyang Putri” the female you look up to.
*pasar = the word for traditional market in Indonesian.
Un juego práctico con el que los colectivos pueden analizar las alternativas económicas feministas y los sistemas de cuidados como respuesta a las crisis. Destinado a todos los movimientos que trabajan en torno a la crisis climática mundial mediante una estrategia basada en escenarios de la vida real. Una vía creativa para elaborar estrategias en reuniones, talleres y encuentros comunitarios.
Pour réaliser sa mission, l’AWID travaille par la voie de programmes pluriannuels et interreliés.
Chaque programme comporte plusieurs volets, y compris le développement et la diffusion de connaissances, la recherche-action, les plaidoyers, l’établissement d’alliances et l’organisation de dialogues stratégiques.
Notre Rapport Annuel 2011 vous proposent un sommaire des principales réalisations pendant l'année, dans le cadre de chacune des programmes de l’AWID.
Pleasure Garden Exhibition
The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.
Mental HealthSex and SpirtualityOrgasm
About the Artists:
Siphumeze Khundayi is an art-maker, photographer and facilitator interested in creative ways of bringing together dialogue and artistic practice in relation to African Queer identity.
She is creative director of HOLAAfrica! a pan-Africanist womanist online collective.
Her solo and collaborative performance work has been featured in a number of festivals and theatre spaces such as Ricca Ricca Festival in Japan
She directed two Naledi nominated productions in 2017 and 2018. She directed a show that won a Standard Bank Ovation award in 2020.
As a photographer she was part of a group exhibition titled Flowers of my Soul in Italy organised by the Misfit Project. Produced three publications for HOLAAfrica and was published in and provided the cover for volume two: As You Like of the Gerald Kraak Anthologies.
Katia Herrera is a 21-year-old Digital visual artist from the noisy city of Santo Domingo in the Dominican Republic. Despite Herrera being a self-proclaimed introvert, her artwork is remarkably loud in a world trying to quiet black voices. With titles like Black Woman, You Own the Moon, Earth Goddess, Forever, and Universe Protector, Herrera’s legacy will be marked by her passion for highlighting the endurance and perseverance of black folks of old and present to contrast the narrative that black skin should only be associated with slavery.
One of her most lovely and vivaciously titled works, Universe Protector, portrays the black soul as a divine entity full of strength, power, and greatness. In her youth, her love of graphic design was stimulated by her parents’ artistry and the Photoshop they had downloaded on their computer for their professional photography.
Lxs feministas de verdad no critican a nadie por ser rarx
La revolución en tus calzones no la pasarán por la tele… a menos que eso sea lo que te gusta; lo podemos hablar… ¡viva! [carita con lágrimas de placer]
WITM - Refreshed Intro Text (FR)
Où est l’argent ? Un plaidoyer documenté pour soutenir les organisations féministe
Ce rapport révèle la réalité du financement des organisations féministes et de défense des droits des femmes dans un contexte de bouleversements politiques et financiers. S’appuyant sur plus de dix ans d’analyse depuis la dernière étude Où est l’argent ? de l’AWID (Arroser les feuilles, affamer les racines), il dresse un bilan des progrès réalisés, des lacunes persistantes et des menaces croissantes dans le domaine du financement féministe.
Le rapport salue le pouvoir des initiatives menées par les mouvements pour façonner le financement selon leurs propres conditions, tout en alertant sur les coupes massives dans l’aide au développement, le recul de la philanthropie et l’escalade des offensives anti-droits.
Il appelle les bailleurs de fonds à investir massivement dans l’organisation féministe, infrastructure essentielle pour la justice et la libération, et invite les mouvements à réimaginer des modèles de financement audacieux et autodéterminés, fondés sur le soin, la solidarité et le pouvoir collectif.
2016 was an incredible year for AWID, we convened the 13th International AWID Forum in Bahia, Brazil, a space for strategizing and alliance building with feminists and other justice movements, which was attended by over 1800 participants from 120 countries and territories across the globe.
We know that women’s rights and feminist movements are key actors in creating sustainable transformative change. Within our movements, organizing, resisting and responding to the challenging context is sharpening, and in our increasingly connected world, the potential for collective action across diverse movements has dramatically grown.
This is the crucial work that AWID seeks to amplify and support every day.
What we achieved in 2016
We expanded solidarity and joint action across diverse movements
A highlight of 2016 was our ground-breaking 13th International Forum with the theme: “Feminist Futures: Building Collective Power for Rights and Justice”, where we harnessed the thinking and energy of nearly 500 partners, presenters, panelists, moderators, artivists, writers, facilitators, IT innovators, and performers, many of them leaders in their movements. We also supported the convening of the first and historical Black Feminisms Forum (BFF) organised by a working group of Black Feminists from across the world.
We strengthened knowledge of issues and strategies
On feminist economies - we released ‘Feminist Propositions for a Just Economy’ with the Center for Women’s Global Leadership (CWGL) and the African Women’s Development and Communication Network FEMNET.
AWID, in partnership with other feminist and women’s rights organisations, engaged in advocacy and dialogue to explore better solutions for women’s rights agendas including our work with the Count Me In! consortium .
We increased the visibility of movements
The experiences of women with disabilities, Black and Afro-descendant women, sex workers, Indigenous women, trans and intersex people, domestic workers and how their lives are impacted by multiple oppressions and violence were placed front and center of the Forum process.
We also launched the 2016 WHRD Tribute to commemorate defenders who are no longer with us, during the 16 Days of activism, and thanks to the contributions from our members,
We drove attention to groups and issues that do not usually receive adequate mainstream media coverage through our partnership with The Guardian and Mama Cash.
Our members
Colectivo Morivivi
El Colectivo Moriviví es una colectiva de solo mujeres. Nuestra producción artística consiste en muralismo, muralismo comunitario y acciones/performances de protesta. Nuestro trabajo tiene como objetivo democratizar el arte y llevar a la esfera pública las narrativas de las comunidades de Puerto Rico, para generar espacios en donde sean validadas. Creemos que, a través del artivismo, podemos promover conciencia sobre temas sociales y fortalecer nuestra memoria colectiva.
“Cacibajagua” 2017, proyecto de mural, Jiangxi, China“Cacibajagua” 2017, proyecto de mural, Jiangxi, China“Paz para la Mujer” 2015, colaboración con la organización Coordinadora Paz para la Mujer, Santurce, Puerto Rico
“Paz para la Mujer” 2015, colaboración con la organización Coordinadora Paz para la Mujer, Santurce, Puerto Rico
En el marco de su participación en el Grupo de Trabajo Artístico de AWID, el Colectivo Moriviví convocó a un grupo diverso de afiliadxs, asociadxs y personal de AWID y facilitó un proceso colaborativo de imaginación, configuración y decisión sobre el contenido para la creación de un mural comunitario, a través de un proceso de creación conjunta en múltiples etapas. El proyecto comenzó con una conceptualización remota con feministas de diferentes zonas del planeta reunidxs por AWID, y luego evolucionó hacia su recontextualización y realización en Puerto Rico. Nos honra haber contado con la contribución de las artistas locales Las Nietas de Nonó (@lasnietasdenono), la participación de mujeres locales en la Sesión de Pintura Comunitaria, el apoyo logístico de la Municipalidad de Caguas, y el apoyo adicional al colectivo, brindado por FRIDA Young Feminist Fund.
El mural explora la trascendencia de las fronteras, al presentar cuerpos como un mapa en un abrazo que realza la intersección de las distintas manifestaciones, prácticas y realidades feministas.
Agradecemos también a Kelvin Rodríguez, quien documentó y captó las diferentes etapas de este proyecto en Puerto Rico:
Sobre el Colectivo Moriviví
Moriviví es un colectivo de jóvenes artistas mujeres que trabajan en arte público desde abril de 2013. Con sede en Puerto Rico, hemos obtenido reconocimiento por la creación de murales y de arte comunitario.
El grupo se inició en festivales locales de arte urbano. A medida que nuestro trabajo se fue haciendo más conocido, algunas organizaciones y líderes comunitarias comenzaron a contactarnos. Al principio éramos solo ocho estudiantes de secundaria que querían pintar juntas un mural. Y en estos ocho años de duro trabajo hemos enfrentado muchos desafíos. Ahora estamos en un período de transición. Queremos reestructurar internamente el colectivo durante el próximo año. Nuestro objetivo es abrir nuevas oportunidades de colaboración y respaldar nuestro proceso de toma de decisiones con un nuevo sistema de evaluación. Aspiramos, en el largo plazo, a convertirnos en una escuela alternativa para la práctica artística, destinada a aquellas personas interesadas en sumergirse en la producción de arte comunitario.
CFA 2023 - Themes - ar
المواضيع
نرحب بالطلبات عبر مجموعة كاملة من المواضيع والتقاطعات المهمة للحركات النسوية وحركات العدالة الجندرية. في نموذج الطلب، ستتمكن/ين من تحديد أكثر من موضوع يناسب نشاطك.
أجساد حرة، أرواح حرة: كل ما يتعلق بالاستقلالية الجسدية، الجندر والجنسانية، الصحة والحقوق الإنجابية، التحرر من العنف القائم على النوع الاجتماعي، وحرية العيش بأمان، المتعة والفرح في أجسادنا وهوياتنا ومجتمعاتنا المتنوعة، وأكثر من ذلك بكثير .
مقاومة محاربة الحقوق: محليًا وعالميًا، تقود النسويات والنسويون الطريق في مقاومة جميع أشكال الاضطهاد المتعدد الجوانب، بما في ذلك الفاشية والأصولية والأنظمة الاستبدادية؛ لدينا الكثير لمشاركته ووضع الاستراتيجيات مع بعضنا البعض.
الحركات والتنظيم: دعونا نتعرف على حركات بعضنا البعض. من التنقل في السلطة (الداخلية والخارجية) إلى استراتيجيات الحماية في مواجهة قمع المرأة والمدافعين/ات عن حقوق الإنسان المتنوعي/ات الجندر، ومن بناء التحالفات إلى الأشكال الإبداعية والناجحة للتنظيم، دعونا نتعلم ونستلهم من بعضنا البعض.
العدالة الاقتصادية والاقتصاد النسوي: يشمل هذا الموضوع جميع الجهود النسوية لتحويل اقتصاداتنا، من تحدي النماذج الاستخراجية السائدة والدفاع عن حقوق العمل إلى تجسيد وعيش الممارسات والبدائل الاقتصادية النسوية في الحياة اليومية.
تمويل /توفير الموارد للنشاطات: يمثل تأمين التمويل الذي تشتد الحاجة إليه تحديًا مشتركًا للحركات في جميع أنحاء العالم؛ دعونا نفكك معًا نظام التمويل النسوي، بدءًا من التحليل النقدي وحتى التجارب المباشرة والطرق العملية لتمويل العمل النسوي.
المناخ، العدالة البيئية، الأرض والمياه: للعدالة البيئية والمناخية جذور عميقة في العديد من حركاتنا ومجتمعاتنا؛ من التقاليد القديمة إلى الرؤى المستقبلية، ومن القرى البيئية إلى الحملات لإنهاء الاستخراج وترقية العدالة الصحية، ندعو إلى نطاق كامل من الأنشطة المتعلقة بجميع جوانب العدالة المناخية والبيئية.
العسكرة، الحرب والصراع: نهدف إلى تسليط الضوء على تنظيم وتحليل التجارب النسوية في كثير من الأحيان في الجبهة الأمامية للاستجابة للأزمات والمساعدة في الحفاظ على الحياة والمجتمع والعدالة في أقسى أوقات الحرب والصراع الذي طال أمده.
إنهاء الاستعمار: يعتبر إنهاء الاستعمار أمرًا أساسيًا في كل موضوع من موضوعاتنا، ولكنه يقف أيضًا بمفرده، كأجندة نسوية رئيسية للمقاومة وبناء العالم في العديد من الحقائق الاستعمارية وما بعد الاستعمارية.
الواقع الرقمي والتكنولوجيا النسوية: نرحب بفرصة الاحتفاء بالمبادرات النسوية المذهلة التي تحول العوالم الرقمية، وتتحدى هياكل السلطة التكنولوجية الكبيرة، وتضفي الطابع الديمقراطي على التكنولوجيا من خلال الناس ومن أجلهم حقًا.
العدالة الشفائية: هناك تنوع مذهل في أساليب الرعاية الجماعية والعدالة الشفائية. في جميع أنحاء العالم، يستعيد المشافين/ات والحركات العدالة الشفائية كمبدأ سياسي، ومجموعة من الممارسات، ورحلة تعليمية، وأسلوب حياة، والكثير غير ذلك.