Left
Half
Left

Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Memory as Resistance: A Tribute to WHRDs no longer with us

AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us. 


In 2020, we are taking a turn

This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.

49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.

This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.

The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.

Visit the online exhibit

The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman

AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.

“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb 


The Tribute was first launched in 2012

It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.

To date, 467 feminists and WHRDs are featured.

Visit the online exhibit

Related Content

Publications - Homepage - eng

Publications

Kindle for your feminist fire! Browse AWID’s research on funding, WHRDs, movement building, fundamentalisms, economic justice, feminist monitoring & evaluation and more

Read more

Forum Homepage Banner

Inscrivez-vous au Forum !

Se rassembler à l’échelle mondiale, en tant qu’individus et mouvements, nous permet de générer une force considérable. Rejoignez-nous à Bangkok, en Thaïlande et en ligne en décembre 2024.

En savoir plus Inscription

J’essaie de soumettre une proposition mais le formulaire en ligne ne fonctionne pas

Pour toutes questions liées à l’Appel aux propositions d'activités, merci de nous contacter via notre formulaire de contact en choisissant « Proposition d'activité » comme sujet de votre message.

Contactez-nous

Sarah Maldoror

“I’m no adherent to the concept of the ‘Third World’. I make films so that people - no matter what race or color they are - can understand them. For me there are only exploiters and the exploited, that’s all. To make a film means to take a position.” - Sarah Maldoror 

Sarah Maldoror, a French filmmaker of West Indies descent, was a pioneer of Pan-African cinema. At the core of her work, she placed political concerns along with her longstanding involvement in decolonization movements.

Her groundbreaking film and “revolutionary picture” Sambizanga (1972) follows Angolan militants’ anti-colonial liberation struggle, as well as captures a woman’s perspective in a historical moment she finds herself in. 

“For many African filmmakers, cinema is a revolutionary tool, a political education to raise consciousness. It is inscribed in the evolution of a Third Cinema striving to decolonize thought and advocate radical changes in society.” - Sarah Maldoror

Throughout her career, Sarah - together with a number of African and Caribbean artists - co-founded (1956) the first Black theatre troupe in France. She made around 40 films, comprising important documentaries that amplify the lives and work of black artists, including her friend and poet Aimé Césaire who wrote to her: 

“To Sarah Maldo
who, a camera in hand,
fights oppression, alienation
and flies in the face
of human bullshit.”

Sarah was also committed to giving African women more ownership of the filmmaking process. In an interview, she pointed out: 

"African women must be everywhere. They must be in the images, behind the camera, in the editing room and involved in every stage of the making of a film. They must be the ones to talk about their problems." 

Sarah left an incredibly powerful legacy to be carried forward. 

Born 19 July 1929, Sarah passed away on 13 April 2020 from complications of the coronavirus.


Watch Sambizanga and read a film review in a 1973 New York Times article
 

Snippet FEA Audio Story 4 (ES)

Escucha esta historia aquí:

FRMag - Anatomy of a survivor's story

Anatomía de la historia de una sobreviviente

por Maryum Saifee

Cuando se hace una búsqueda en Internet sobre «mutilación genital femenina» o «MGF», junto a la entrada de Wikipedia, aparece una imagen de cuatro dibujos lineales de la anatomía femenina, que ilustran cuatro tipos de violencia. (...)

Leer

arte:  «Dreams» [Sueños], Neesa Sunar >

Snippet - CSW69 - Feminist Solidarity Space - EN

Feminist Solidarity Space

✉️ By registration for larger groups. Drop-ins for smaller groups. Register here

📅 Tuesday, March 11, 2025
🕒 12.00-2.00pm and 4.00-6.00pm EST

🏢 Chef's Kitchen Loft with Terrace, 216 East 45th St 13th Floor New York

Organizer: AWID

Combien coûte l’inscription au Forum ?

Cette information ne sera disponible qu’à l’ouverture de l’inscription. 

 

María Digna Montero

María Digna Montero fue una garífuna (afrodescendiente e indígena) defensora de la tierra e integrante de la Organización Fraternal Negra Hondureña (OFRANEH), una organización de base que trabaja para proteger a las comunidades garífunas, sus derechos ancestrales, su cultura, sus recursos y su territorio.

María también enseñaba en la escuela local, e integraba el grupo de trabajo de Educación Bilingüe Intercultural de OFRANEH.

El 12 de octubre (Día de la Resistencia Indígena) de 2019, sujetos desconocidos le dispararon a María varias veces en el patio de su casa.

Fue una de las seis defensoras garífunas asesinadas entre septiembre y octubre de 2019 y, según OFRANEH, no hubo ninguna investigación de estos crímenes por parte de las autoridades. En un comunicado oficial, la organización también subrayó la conexión entre la violencia contra líderes garífunas y el incremento de las industrias extractivas que explotan los recursos naturales en sus comunidades, y definieron esta violencia como «parte de una estrategia de intimidación y de expulsión sistemática por parte del Estado de Honduras.»

«El recrudecimiento de la tensión y de los riesgos crecientes para la seguridad y derechos humanos de las lideresas en las comunidades y territorios ancestrales es producto del despojo, desplazamiento y criminalización hacia las comunidades, y de los mega proyectos extractivos que impulsa el Estado junto con las corporaciones nacionales e internacionales.» - Pronunciamiento de OFRANEH, 13 de octubre de 2019

Snippet FEA Intro Acknowledgments (FR)

Nous tenons à remercier le collectif Amar.ela de femmes féministes militantes et créatives qui ont rendu cette série possible, et tout particulièrement Natalia Mallo (le poulpe de l'équipe) pour son soutien et son accompagnement dans ce voyage.

Nous exprimons également notre profonde gratitude et notre admiration à tous les groupes et personnes qui ont participé à ce projet, et nous les remercions d'avoir partagé leur temps, leur sagesse, leurs rêves et leurs illusions avec nous. Nous les remercions de faire de ce monde un monde plus juste, féministe et durable.

Nous espérons que leurs histoires inspireront le reste du monde autant qu’elles nous ont inspirés.

FRMag - Esmeralda takes over the Internet

Esmeralda aux contrôles d’Internet : comment les réseaux sociaux aident les femmes roms à gagner en visibilité

par Émilie Herbert-Pontonnier 

Vous vous souvenez d’Esmeralda? Cette héroïne « gitane » et exotique née sous la plume de Victor Hugo, géant de la littérature française, et rendue célèbre par les studios Disney et leur Bossu de Notre-Dame.  (...)

Lire

< illustration : « Si les Marronas le permettent » Nayare Soledad Otorongx Montes Gavilan 

Snippet - Resources to rally - EN

Resources to rally through CSW69 with

En quelles langues les informations seront-elles disponibles sur le Forum ?

Anglais, français, espagnol et chinois mandarin.

Nilcéa Freire

Nilcéa Freire était une activiste, politicienne et universitaire brésilienne. Ardente défenseuse des droits des femmes et des minorités sous-représentées dans le pays, sa vie et son travail ont été marqués par une longue histoire de luttes et de victoires.

"Nous devons, tout en résistant, continuer à chercher à progresser, et ce que nous pouvons accomplir actuellement, je pense que nous le devons à la fantastique organisation des jeunes femmes blanches, et surtout des femmes noires, dans toutes les capitales d’États et les grandes villes brésiliennes.” - Nilcéa Freire

En 1999, elle est devenue la première femme à occuper le poste de doyenne de l'université d'État de Rio de Janeiro. Elle y a dirigé la mise en œuvre de la première politique d'action positive pour les étudiant·e·s des écoles publiques, demandant au sein d’une école publique que des places soient spécifiquement réservées aux étudiant·e·s noir·e·s à faible revenu. Ce système a été adopté dans des dizaines d'autres universités publiques. 

Quelques années plus tard, Nilcéa dirigea le Secrétariat spécial des politiques pour les femmes sous le gouvernement de l'ancien président Luiz Inácio Lula da Silva. C’est à ce titre qu’elle conduisit la première Conférence nationale des femmes. Plus de 12 000 femmes de tout le pays y participèrent et le résultat de ce travail collectif fut incorporé dans le Plan national des politiques pour les femmes. 

Son engagement envers les femmes, les Afro-Brésilien·ne·s et les populations autochtones se reflète aussi fortement dans son travail de défense de leurs droits, qu’elle a mené dans le cadre des initiatives du bureau de la Fondation Ford du Brésil, dont elle était la directrice régionale. 

L’activiste féministe Manoela Miklos a dit de Nilcéa qu'elle était "une femme sans égal·e".

Nilcéa s’est éteinte à Rio de Janeiro à l'âge de 66 ans, le 29 décembre 2019, des suites d’un cancer.


"Je n’ai pas de mots face à l’annonce de la mort de notre chère Nilcéa Freire. Il m’est trop triste de savoir qu’elle est partie si tôt. Elle s’est toujours rangée du côté de celleux qui ne tolèrent pas les injustices de ce monde. Elle était la ministre des femmes, sans cesse engagée dans la cause féministe. Elle nous manquera beaucoup!” - Jandira Feghali, Federal Deputy

Retrouvez sur YouTube la féministe brésilienne Nilcea Freire et pourquoi il importe de se montrer solidaires avec le Brésil

Snippet - GII Download (ES)

About the AWID International Forum

More than an event!

The AWID International Forum is a truly global space that gives participants an opportunity to network, build alliances, celebrate, and learn in a stimulating, emotive and safe atmosphere. 

AWID International Forum in Costa de Sauipe, Brazil, 2016

More and more, we are trying to bring the Forum process outside of the convening’s borders. Engaging with partners and deepening relationships all year round, connecting with local movements to better understand problems and co-create solutions. The Forum event itself, held every three to four years in a different region of the world, is just a crystallization of all these alliances that we are building as part of our work.

The AWID Forum dissolves our inner and external boundaries, fosters deep discussion, personal and professional growth, and strengthens our movements for gender justice and women’s rights.

As a convening, it is a response to the urgency to promote stronger and more coordinated engagement and action by feminists, women’s rights and other social justice advocates, organizations and movements. We also believe that the Forum is more than just an event – it can facilitate a process to influence thinking and set agendas for feminist movements and other related actors.

Evolving from a national conference of around 800 people, the event now brings together around 2000 feminists, community leaders, social justice activists, and donor agencies from around the world. 

The 14th AWID International Forum will take place 11-14 January 2021 in Taipei, Taiwan.

Find out more!


The past Forums

2016 - Feminist Futures: Building Collective Power for Rights and Justice (Costa de Sauipe, Brazil)

Participants at the Black Feminisms Forum in Brazil, 2016

Given the complex world that we face today, the 2016 AWID Forum did not focus on a particular “issue”, but rather on creating more effective ways of working together!

Despite the challenging contexts in which the 2016 Forum took place (the Zika epidemic, a strike by Brazilian foreign-service workers, the impeachment of President Dilma Rousseff and subsequent turmoil), it succeeded in bringing together over 1800 participants from 120 countries and territories across all regions of the world.

What happened at the 13th AWID international Forum:

  • For 96% of participants who responded to the post Forum evaluation survey, the Forum was a major source of inspiration and energy.

  • 98% of participants considered it an important convening space for feminist movements and expressed hope that AWID continues to organize forums.

  • 59% of Forum evaluation survey respondents declared to be very satisfied with the Forum and 34% somewhat satisfied.

  • Over 150 sessions were delivered in different formats on a variety of topics ranging from bodily integrity and freedoms, to gender-based violence in the workplace, to strategies for building collective power.

  • The first-time Black Feminisms Forum (BFF), held just before the main AWID Forum, brought together 250 Black feminists from all over the world to co-create a powerful space to build and strengthen ongoing, intergenerational, transnational connections

Read more about what the 2016 AWID Forum achieved:

Download the Forum evaluation report


2012 - Transforming Economic Power to Advance Women's Rights and Justice (Istambul, Turkey)

AWID International Forum, in Cape Town, South Africa, 2008

The 12th AWID Forum was the largest and most diverse AWID Forum to date, bringing together 2239 women’s rights activists from 141 countries. Of these participants, around 65% were from the Global South and close to 15% were young women under 30, and 75% attended an AWID Forum for their first time.

The Forum program focused on transforming economic power to advance women’s rights and justice and featured over 170 different kinds of sessions including feminist economics toolbox skills-building sessions, breakout sessions representing all 10 Forum themes, in-depth sessions, and solidarity roundtables. 

Building on the momentum of the 2012 Forum, we transformed the website into a resource and learning Hub, which builds on the content generated by participants by featuring multi-media resources on all Forum components. 

Visit the 2012 Forum web archive


All AWID Forums

  • 2016: Feminist Futures: Building Collective Power for Rights and Justice (Costa de Sauipe, Brazil). Read the 2016 Forum Evaluation report
  • 2012: Transforming Economic Power to Advance Women's Rights and Justice (Istanbul, Turkey)
  • 2008: The Power of Movements (Cape Town, South Africa). Read our 2008 Forum Report
  • 2005: How does change happen? (Bangkok, Thailand)
  • 2002: Reinventing Globalization (Guadalajara, Mexico)
  • 1999: Leading Solutions for Equality and Justice (US)
  • 1996: Beyond Beijing From Words to Action (US)
  • 1993: Joining Forces to Further Shared Visions (US)
  • 1991: Working Together/Learning Together: A South North Dialogue (US)
  • 1989/1990: Global Em-Powerment for Women (US)
  • 1987: Moving Forward: Innovations in Development Policy, Action and Research (US)
  • 1985: Women Creating Wealth; Transforming Economic Development (US)
  • 1983: ‘Women in Development’ (Washington D.C, US)

FRMag - Looking at me Looking at Safe Spaces

Looking at me Looking at Safe Spaces

by Judyannet Muchiri

October last year I left for Kenya to begin what I have come to think of as my most important work yet. (...)

Read

artwork: “Healing Together” by Upasana Agarwal >