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Helen Bamber
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AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
To date, 467 feminists and WHRDs are featured.
กำหนดเส้นตายในการปิดรับรายละเอียดกิจกรรมใหม่ : 1 กุมภาพันธ์ 2567
ด้วยเจตนารมณ์ของประเด็นสาระหลักของเวทีนี้ เราจึงขอเชิญท่านร่วมเสนอหัวข้อและรูปแบบของกิจกรรม อันหลากหลายซึ่งจะ
Louise Malherbe is a film programmer/curator and a film critic based in Berlin. She worked as a film programmer for the Metropolis Cinema Association in Beirut and is now coordinating the Reel Streams project aiming at supporting the dissemination of independent cinema in the Arab region. She is Head of Programming for Soura Film Festival, a queer film festival focusing on the S.W.A.N.A. region, writes film critics for Manifesto XXI, and recently started curating films and festivals for Cinema Akil.
A los seis años, me enteré de que mi abuelo tenía una sala de cine. Mi madre me contó que la había abierto a principios de la década de 1960, cuando ella también tenía unos seis años. Recordaba que la primera noche proyectaron La novicia rebelde / Sonrisas y lágrimas...
Más que una divertida excentricidad para explorar las sensaciones, el BDSM puede ser una forma de abordar el dolor y el trauma emocionales. Ha sido un medio de sanación sexual para mí, pues me ha permitido una forma radical de liberación.
El Foro de AWID siempre ha sido un espacio que no elude las conversaciones difíciles y muy necesarias. Aceptaremos estas propuestas si lxs organizadorxs pueden garantizar un espacio respetuoso y seguro para quienes participen.
5 pm, tonight.
The handwriting on the invitation—
coily and brusque—
I’ve seen it five times in five years.
My body rouses,
feverish.
I need to fuck myself first.
The tide is high tonight and
I get
off.
I want to slow everything down,
taste time and space, etch them
into memory.
*
I’ve never been to this part of town before.
Unknown places excite me,
the way limbs and veins and bones
resist decay,
their fate uncertain.
At the door, I think twice.
The hallway is pitch black
and it makes me pause.
On the other side,
a portal of smell and color
opens like a curse,
into a sunny afternoon.
The breeze
makes my hair dance,
piques its curiosity,
compels it to move.
I hear the wheelchair whirring,
shaping the shadows.
Then I see them:
a lynx face
and a body like mine
and I find myself desiring both
again.
The creature motions me closer.
Their gestures write a sentence;
as I move toward them,
I notice its details:
wither, flesh, bliss
On their command, the vine that covers the hallway
hugging warm stones,
snakes up the wall.
It becomes a verb,
“to climb,”
and I’m reorientated when their claws point
to the vine-bed in the center.
I hear the wheels behind me,
then that sound.
It reverberates
like no other.
Their long black wings
elevate toward the ceiling
then they lunge forward.
The feline vision scans every detail,
every change,
every longing.
Can desire liquefy your muscles?
Can it act sweeter than the strongest
of tranquilizers?
A lynx sews the world
across our differences,
weaving lace around my knees.
Can desire crush the distance of the world,
compressing the seconds?
They come closer still,
lynx eye meeting human eye,
sniffing the air,
turning body into
urgency.
They beat down their wings.
Stirred,
the vines tangle around my waist/waste.
Their tongue thins time,
shifting grounds,
soothes, with their magic,
what stirs beneath.
I see the world in you, and the
world is exhausted.
Then they plead:
Let me feast on you.
Contenu lié
Huffington Post: Mort de Simone Veil: l'ancienne ministre de la Santé est décédée ce vendredi
Le Monde: Mort de Simone Veil, icône de la lutte pour les droits des femmes
In order to achieve our mission, AWID works through multi-year interconnected programs which encompass a variety of strategies including knowledge production and dissemination, action-research, advocacy, alliance building, and convening strategic dialogues.
Our 2011 Annual Report provides key highlights of our work during the year to contribute to the advancement of women’s rights and gender equality worldwide.
Oui, tout à fait. Le formulaire actuel vous demande d’énumérer les noms des personnes qui interviendront sur l’activité, même si elles ne sont pas encore confirmées. Nous comprenons bien que des changements peuvent se produire au cours de l’année.
Ce qui m’a aidée, c’est que j’adorais le travail qui consiste à aller dans les terres et à documenter les connaissances des gens. Donc j’ai quitté le confort...
She also served as an organiser of urban poor communities in Cebu Province, and worked with Desaparecidos, an organization of families of the disappeared.
Elisa and two of her colleagues were killed on November 28, 2017 by two unidentified men at Barangay San Ramon, Bayawan city in the Negros Oriental province during a mission to investigate alleged land rights abuses in the area.
She is survived by four children.