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AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Memory as Resistance: A Tribute to WHRDs no longer with us

AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us. 


In 2020, we are taking a turn

This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.

49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.

This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.

The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.

Visit the online exhibit

The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman

AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.

“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb 


The Tribute was first launched in 2012

It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.

To date, 467 feminists and WHRDs are featured.

Visit the online exhibit

Related Content

Do I have to be an AWID member to participate in the Forum?

No, you don't have to be an AWID member to participate but AWID members receive a discounted registration fee as well as a number of other benefits.

Learn more on how to become an AWID member

Snippet - WCFM Airtable iFrame - EN

Explore the Database now!

Don't know where to start? Let's try understanding the filters.

 

Juli Dugdale

Juli Dugdale was an Australian feminist who practiced intergenerational leadership rooted in principles of feminism, inclusion and equality. She was a leader, peer and mentor for many women and especially young women around the world. 

Juli was a dedicated staff member, volunteer and fervent advocate for young women’s leadership with the Young Women's Christian Association (YWCA) movement for over 30 years.

She offered a strong link between the Australian movement and the World YWCA Office. Her trust in the leadership capacity of young women led to a multi-year partnership with the Australian Department of Foreign Affairs and Trade and the creation of the Rise Up manual, a global guide for young women’s transformative leadership, launched in 2018.

Juli passed away in Geneva on 12 August 2019.


Tributes:

“For those who got to work with Juli, it was a privilege. For those who didn’t, be assured that her legacy continues in the work we do every day and in the mission of the YWCA movement.” - YWCA Australia

“Juli Dugdale will forever hold a deep place in many people's hearts in the YWCA movement, especially here in Aotearoa and across the Pacific. Juli had a special relationship with the Pacific and was an incredible supporter of the young women there. She was humble, gracious, loving, caring, dedicated, passionate and had a generous heart. She embodied the YWCA's vision of 'transformative leadership' with extraordinary vision and foresight, and helped empower generations of young women leaders around the world.” - YWCA New Zealand

CREDITS | Content Snippet EN

Credits

Editorial Team 
Co-editors
Chinelo Onwualu
Ghiwa Sayegh (Kohl)

Design and Illustration
Sophia Andreazza

Communications Strategist
Zuhour Mahmoud (Kohl)


Arabic Editor
Sabah Ayoub (Kohl)

Translation Manager
Maya Zebdawi (Kohl)

AWID’s Team
Nana Darkoa Sekyiamah
Lola Silva
Kamee Abrahamian
Tanya Lallmon
Maria Olivo
Marianne Asfaw
Ana Abelenda

Arabic Translators
Lina Yahya
Marina Samir
Maya Zebdawi
Nidal Majeed
Rania El Ghazal
Rola Alaeddine
Viviane Akiki    

English to Spanish
Translators 

Gabriela Adelstein
Maria Luisa Peralta
Alejandra Sarda
Gabby De Cicco

Proofreaders
Alejandra Sarda
Gabby De Cicco
María Eugenia Martí
                
English to French
Translators 
Camille Dufour
Morgane Boëdec

Proofreaders
Nathalie Thériault

Portuguese to English
Translator
Luiza Martello

Proofreader
Shaina Greiff

 

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For additional questions, please use our contact form, and select “14th AWID Forum" from the dropdown menu.

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Contact Us

If your funding institution is already a part of the Database and you would like to contact us to update your record, or if you would like to leave some feedback for us, please use the form above.

Sarah Maldoror

«No adhiero al concepto de “Tercer Mundo”. Hago películas para que las personas (no importa de qué raza o color sean) puedan entenderlas. Para mí, solamente existen explotadores y explotadxs, eso es todo. Hacer una película significa tomar una posición.» - Sarah Maldoror

Sarah Maldoror, una cineasta francesa descendiente de una familia de las Indias Occidentales, fue una pionera del cine panafricano. Sus inquietudes políticas ocupaban el centro de su trabajo, junto con su permanente involucramiento en los movimientos de descolonialización.

La innovadora Sambizanga (1972), su «película revolucionaria», sigue la lucha de liberación anticolonial de lxs militantes de Angola y capta la perspectiva de una mujer en el momento histórico en que se encuentra.

«Para muchxs cineastas africanxs, el cine es una herramienta revolucionaria, una educación política para crear consciencia. Se inscribe en la evolución de un Tercer Cine,  que se orienta a descolonizar el pensamiento y promover cambios radicales en la sociedad.» - Sarah Maldoror

A lo largo de su carrera, Sarah (junto con otrxs artistas africanxs y caribeñxs) cofundó, en 1956, la primera troupe de teatro negra de Francia. Realizó alrededor de cuarenta películas, incluidos importantes documentales que difundieron la vida y la obra de artistas negrxs, entre lxs cuales se encuentra su amigo y poeta, Aimé Césaire, quien le escribió:

«A Sarah Maldo
que, cámara en mano,
lucha contra la opresión, la alienación
y se planta de cara
frente a la estupidez humana.»

Sarah estaba también dedicada a lograr que las mujeres africanas se apropiaran más del proceso de filmación. En una entrevista, señaló:

«Las mujeres africanas deben estar en todos lados. Deben estar en las imágenes, detrás de la cámara, en la sala de edición, y participar en todas las etapas de la realización de una película. Ellas deben ser quienes hablen sobre sus problemas.»

Sarah dejó un legado formidable para que sea continuado.

Nacida el 19 de julio de 1929, Sarah falleció el 13 de abril de 2020 debido a complicaciones por el coronavirus.


Mira Sambizanga y lee una reseña de la película en un artículo del New York Times de 1973 (solo en ingles)
 

Communicating Desire | Small Snippet AR

التعبير عن الرغبة وغ

وغيرها من الممارسات السياسيّة الأيديولوجيّة المجسَّدة

المضيفة: نحن نميل إلى الاعتقاد أنّ التعبير عن الرغبة يقتصر على العلاقة الحميمة داخل غرفة النوم وعلى علاقاتنا الشخصيّة. ولكن هل يمكننا أيضًا اعتبار هذا النوع من التعبير كبُنية، أو ممارسة أيديولوجيّة توجّه عملنا، وما نحن عليه، وكيف سنكون في هذا العالم؟

اقرأ أكثر

Why did AWID choose Taipei as the location for the Forum?

We see Taipei as the location in the Asia Pacific region that will best allow us to build that safe and rebelious space for our global feminist community.

Taipei offers a moderate degree of stability and safety for the diversity of Forum participants we will convene. It also has strong logistical capacities, and is accessible for many travellers (with a facilitated e-visa process for international conferences).

The local feminist movement is welcoming of the Forum and keen to engage with feminists from across the globe.

Read more about our considerations when choosing Taipei

Clone of Snippet - WITM About the survey - FR

In 2023, feminist and 
women's rights organizations 
had a median annual budget of $22,000

In contrast, over $1 billion went to three anti-rights groups 2021-2022, with funding for anti-gender networks still rising.1

1 Global Philanthropy Project, 2024

María Digna Montero

María Digna Montero était une défenseuse Garifuna (d’origine africaine et autochtone) du droit à la terre et membre de l’Organisation fraternelle noire hondurienne (OFRANEH), une organisation communautaire oeuvrant à protéger les communautés Garifunas, leurs droits, leur culture, leurs ressources et leur territoire ancestraux.

María a également enseigné dans l'école locale et été membre du groupe de travail sur l'éducation bilingue interculturelle de l'OFRANEH.

Le 12 octobre 2019, jour de la Résistance autochtone, des inconnus ont tiré à plusieurs reprises sur María, alors qu’elle se trouvait dans l’arrière-cour de sa maison. 

Elle est l'une des six défenseuses Garifunas à avoir été assassinées entre septembre et octobre 2019 et selon OFRANEH, ces crimes n’ont fait l’objet d’aucune enquête de la part des autorités. Dans une déclaration officielle, l'organisation a également souligné le lien entre la violence à l’encontre des dirigeants Garifunas et le développement des industries extractives qui exploitent les ressources naturelles de leurs communautés, affirmant que cette violence s’inscrivait dans une "stratégie d'intimidation et d'expulsion systématique" menée par l'État hondurien. 

“La tension accrue et les risques croissants pour la sécurité et les droits humains des dirigeants des communautés et des territoires ancestraux sont le résultat de la dépossession, du déplacement et de la criminalisation des communautés et des mégaprojets d'extraction promus par l'État en collaboration avec les entreprises nationales et internationales". - Communiqué de l'OFRANEH, 12 octobre 2019 

#5 - Sexting like a feminist Tweets Snippet AR

تقديم تحليل كفء للأجساد البحثيّة، يستوجب بالضرورة تسخيرًا شاملا لكافّة الأدوات الحميميّة…

Image of a tweet. Text says: I prefer an intersectional approach, namely the tongue and finger method.

أفضّل المقاربة التقاطعيّة لما تشتمل عليه من مداعبة ممنهجة باللسان والأصابع

WITM - Refreshed INFOGRAPHIC 3 ES

¿Cómo se autofinancian las organizaciones feministas?

Las organizaciones feministas y por los derechos de las mujeres no solo dependemos del financiamiento institucional, también nos autofinanciamos. Son la pasión, el compromiso político, la solidaridad y el cuidado colectivo lo que empuja a nuestras organizaciones.
Estos recursos se autogeneran y son autónomos y, aunque a menudo no se reflejan en nuestros presupuestos, son la columna vertebral de las organizaciones.

Consulta los datos sobre la gestión autónoma de recursos

Lorena Borjas

Lorena Borjas, a trans Latina woman and activist, lived and worked in the Jackson Heights neighborhood of Queens, New York City. In those streets, she looked after her community for years, advocating for trans and immigrant rights, supporting survivors of human trafficking and abuse, campaigning for sex workers’ rights and those of people living with HIV and AIDS.

Lorena was strong and tireless in her fight to support, defend, and have the back of those most marginalized and discriminated by transphobia, misogyny and racism. 

“She pushed us to shine authentically, to become a scream of subversion that says, ‘I am here, and I deserve happiness, too.’” - Cecilia Gentili, a trans activist and Lorena’s friend

Having faced numerous traumas and hardships herself, as a trans immigrant woman and victim of human trafficking, Lorena pulled knowledge and emotional memory from the well of her experiences in order to help build and strengthen the community she was part of and which was part of her. Some of the ways she did this was to organize and mobilize support ranging from providing condoms and connecting trans women to different services, to setting up an HIV testing clinic in her own home. 

"She was such a beautiful soul who helped others when her journey was difficult and painful as an immigrant, as a trans immigrant. She believed the trans community needed love, acceptance, and compassion, and she gave it all.” - Luchia Dragosh, QPTV Supervising producer of a documentary about Lorena 

In more than 25 years of activism, she also founded the Lorena Borjas Community Fund together with Chase Strangio (lawyer and trans rights activist). The Fund helps the many different members of her community (and especially trans persons) dealing with immigration challenges to avoid the cycle of arrest-jail-deportation. 

Lorena passed away in March 2020 of complications from COVID-19. 

Her enormous and beautiful legacy will be taken forward through the streets of Queens by the network and community she co-created. 

“We will pick up her work where she left it, work that is essential to the well-being of “mis pajaras” as she called the trans girls of Queens under her wing.” - Cecilia Gentili 


Tributes: 

"Lorena brought light to us when we were living through a very dark time here in New York. She brought us light when we were dealing with the crack epidemic, when we were dealing with the AIDS crisis, dealing with changes in immigration policies." - Cristina Herrera, founder and CEO of Translatina Network and Lorena’s friend

"Lorena has done more than anyone else I know to shine a light on the epidemic of trafficking in transgender communities and to help other trans women escape exploitation."  - Lynly Egyes (represented Borjas on behalf of the Transgender Law Center)

Watch a documentary about Lorena Borjas 

Read a postscript in The New Yorker about Lorena Borjas 

Read an opinion piece in the New York Times by Cecilia Gentilin

Colectivo Morivivi Snippet FR

Colectivo Morivivi

Moriviví est un collectif de jeunes femmes artistes qui travaille sur l'art public depuis Avril 2013. Basé·e·s à Porto Rico, nous sommes reconnu·e·s pour la création de fresques et d'arts dirigés par la communauté.

Visiter l’exposition