Fezekile Ntsukela Kuzwayo
Memory as Resistance: A Tribute to WHRDs no longer with us
AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
In 2020, we are taking a turn
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
The Tribute was first launched in 2012
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
To date, 467 feminists and WHRDs are featured.
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เรายินดีรับข้อเสนอกิจกรรมจากหลากหลายสาขาที่เชื่อมโยงกับแนวคิดสตรีนิยมและความยุติธรรมทางเพศ ในแบบฟอร์มใบสมัครนั้น ท่านจะสามารถทำเครื่องหมายเลือกประเด็นหลักที่เหมาะกับกิจกรรมของท่านได้ มากกว่าหนึ่งหัวข้อ
2022: Transiciones, Inspiración & Poder Colectivo
Nuestro plan estratégico “Realidades Feministas” completó su último año a finales de 2022. Durante los últimos cinco años, este intrépido marco nos empujó a ir más allá de los futuros feministas y a reconocer las soluciones y formas de vida feministas que ya existen aquí y ahora. Realidades que deben ser enaltecidas, celebradas y popularizadas. El proyecto de historias multimedia Las Economías Feministas que Amamos y el centro de conocimiento Our Resource sobre modos autónomos de dotar de recursos al activismo feminista son sólo dos ejemplos de este trabajo visionario, siempre profundamente colectivo y en colaboración con diversos movimientos feministas.
Descargar el informe anual 2022
El 2022 fue un año de transiciones en AWID.
Con la presente reflexión sobre este año, te invitamos a celebrar con nosotrxs hermosos finales y auspiciosos comienzos. El cambio y las transiciones son una parte inseparable de la vida y de los movimientos, que procuramos abrazar con un sentido de responsabilidad y cuidado.
Zuhour Mahmoud | Snippet EN
Zuhour Mahmoud is the Communication Strategist at Kohl. She is a writer and an editor, and an occasional DJ based in Berlin. Her work focuses on critical approaches to music, technology and politics and their life cycles within the digital sphere.
Loretta Saunders
Forum 2024 - FAQ - General Information ES
Información general
Paola Barraza
Isabel Marler
Biography
Isabel is a feminist from the United Kingdom with over a decade of experience in feminist responses to fascisms, fundamentalisms, and anti-rights trends. At AWID, her work centers on knowledge-building and has included leading the production of the Rights at Risk series in collaboration with the Observatory on the Universality of Rights (OURs). She holds a Master’s degree in Gender Studies from the School of Oriental and African Studies (SOAS) and previously worked with Women Living Under Muslim Laws (WLUML). She is passionate about cross-movement work, movement-centered knowledge-building, and the use of creative expression to disrupt systems of oppression. Outside of work, Isabel is active in various disability justice spaces for collective care, learning, and advocacy.
Position
Advancing Universal Rights and Justice Lead
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La comunicación del deseo | Small Snippet ES
La comunicación del deseo
y otras praxis políticas del cuerpo
Tendemos a pensar en la comunicación del deseo como algo circunscrito a la intimidad de la alcoba y nuestras relaciones personales. Sin embargo, ¿podemos también pensar este tipo de comunicación como una estructura, una práctica que nutre nuestro trabajo, y cómo somos, y cómo actuamos en el mundo?
Maya Angelou
Forum 2024 - FAQ - Call for Activities ES
Convocatoria para Actividades
Emilsen Manyoma
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Marianne Mesfin Asfaw
Biography
Marianne Mesfin Asfaw es una feminista panafricana dedicada a la justicia social y la construcción de comunidad. Es Licenciada en Estudios de Género y Relaciones Internacionales de la Universidad de Columbia Británica (UBC) y posee una maestría en Estudios de Género y Derecho de la Escuela de Estudios Orientales y Africanos de la Universidad de Londres. Anteriormente, trabajó en administración académica y apoyo para estudiantes internacionales. Asimismo, se desempeñó como investigadora y facilitadora en espacios feministas y sin fines de lucro. También ha trabajado como voluntaria en organizaciones no gubernamentales, incluida Plan International, donde cumplió funciones administrativas. Antes de asumir sus funciones actuales, se desempeñó en logística y apoyo administrativo para AWID. Marianne nació en Etiopía, se crió en Ruanda y, actualmente, reside en Tkaronto/Toronto (Canadá). Le encanta leer, viajar y pasar el tiempo con su familia y amistades. En los meses más cálidos, se la puede ver paseando por barrios conocidos y buscando cafés y librerías desconocidas donde pasar el tiempo.
Position
Coordinadora, Construcción de Economías Feministas
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Illumination by the Light of the Full Moon | Snippet Small ES
Luz de Plenilunio: Una experiencia BDSM africana
Más que una divertida excentricidad para explorar las sensaciones, el BDSM puede ser una forma de abordar el dolor y el trauma emocionales. Ha sido un medio de sanación sexual para mí, pues me ha permitido una forma radical de liberación.
Clotil Walcott
Y a-t-il des sujets à ne pas aborder, à éviter dans nos propositions ?
Les Forums de l’AWID ont toujours été des espaces où les difficiles mais nécessaires conversations ont lieu. Nous accueillons ces propositions dès lors que la personne ou organisation qui la suggère garantit un espace à la fois respectueux et sûr pour celles et ceux qui y prennent part.
Miriam Rodríguez Martínez
Umyra Ahmad
Biography
Umyra Ahmad est une féministe malaisienne expérimentée en plaidoyer international et régional et en éducation aux droits humains. Au sein de l'AWID, elle travaille à la promotion des droits liés au genre et à la sexualité à l'ONU. Avant de nous rejoindre, elle était chargée de programme à IWRAW Asie-Pacifique, où elle a aidé des organisations de terrain régionales, nationales et locales à utiliser les mécanismes des organes conventionnels de l'ONU comme outils de redevabilité des États et d'accès à la justice. En Malaisie, elle travaille avec des collectifs queer et de réfugié·e·s, et soutient la coordination de diverses initiatives d'entraide.
Position
Responsable de Plaidoyer pour l’initiative de Promotion des Droits Universels et de la Justice
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Disintegration | Content Snippet
On Wednesday a note arrives
with an address on the back.
5 pm, tonight.
The handwriting on the invitation—
coily and brusque—
I’ve seen it five times in five years.
My body rouses,
feverish.
I need to fuck myself first.
The tide is high tonight and
I get
off.
I want to slow everything down,
taste time and space, etch them
into memory.
*
I’ve never been to this part of town before.
Unknown places excite me,
the way limbs and veins and bones
resist decay,
their fate uncertain.
At the door, I think twice.
The hallway is pitch black
and it makes me pause.
On the other side,
a portal of smell and color
opens like a curse,
into a sunny afternoon.
The breeze
makes my hair dance,
piques its curiosity,
compels it to move.
I hear the wheelchair whirring,
shaping the shadows.
Then I see them:
a lynx face
and a body like mine
and I find myself desiring both
again.
The creature motions me closer.
Their gestures write a sentence;
as I move toward them,
I notice its details:
wither, flesh, bliss
On their command, the vine that covers the hallway
hugging warm stones,
snakes up the wall.
It becomes a verb,
“to climb,”
and I’m reorientated when their claws point
to the vine-bed in the center.
I hear the wheels behind me,
then that sound.
It reverberates
like no other.
Their long black wings
elevate toward the ceiling
then they lunge forward.
The feline vision scans every detail,
every change,
every longing.
Can desire liquefy your muscles?
Can it act sweeter than the strongest
of tranquilizers?
A lynx sews the world
across our differences,
weaving lace around my knees.
Can desire crush the distance of the world,
compressing the seconds?
They come closer still,
lynx eye meeting human eye,
sniffing the air,
turning body into
urgency.
They beat down their wings.
Stirred,
the vines tangle around my waist/waste.
Their tongue thins time,
shifting grounds,
soothes, with their magic,
what stirs beneath.
I see the world in you, and the
world is exhausted.
Then they plead:
Let me feast on you.
Margarita Maita Gomez
