The Human Rights Council (HRC) is the key intergovernmental body within the United Nations system responsible for the promotion and protection of all human rights around the globe. It holds three regular sessions a year: in March, June and September. The Office of the UN High Commissioner for Human Rights (OHCHR) is the secretariat for the HRC.
The HRC works by:
Debating and passing resolutions on global human rights issues and human rights situations in particular countries
Examining complaints from victims of human rights violations or activist organizations on behalf of victims of human rights violations
Appointing independent experts (known as “Special Procedures”) to review human rights violations in specific countries and examine and further global human rights issues
Engaging in discussions with experts and governments on human rights issues
Assessing the human rights records of all UN Member States every four and a half years through the Universal Periodic Review
AWID works with feminist, progressive and human rights partners to share key knowledge, convene civil society dialogues and events, and influence negotiations and outcomes of the session.
With our partners, our work will:
◾️ Monitor, track and analyze anti-rights actors, discourses and strategies and their impact on resolutions
Si quieres esta concha, déjame ver ese papel (En serio, ¿dónde está el resultado de tu prueba? En versión digital está bien)
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📰 Solidaridad Feminista Transnacional: un Antídoto contra el Ecocidio
Esta publicación (zine) colaborativa surgió de una serie de círculos de intercambio que reunieron a feministas de todo el mundo durante 2022. El propósito fue intercambiar ideas y aprender mutuamente de qué manera las comunidades responden a la crisis climática en diversos contextos locales.
Pensamos que la economía, el mercado, el sistema financiero y las premisas sobre las que se basan son todas áreas fundamentales para la lucha feminista.
Por eso, nuestra visión de una economía justa va más allá de promover los derechos y el empoderamiento de las mujeres en una economía de mercado, sino que busca evaluar el rol que juegan las opresiones de género en dar forma al modelo económico y ver como podemos transformarlo para garantizar la justicia de género y económica.
El proceso
No estamos comenzando de cero ni estamos solas en nuestro intento de presentar propuestas feministas para una economía justa. Muchas de nuestras propuestas ya han sido presentadas o existen en la práctica de las diversas comunidades que confrontan y desafían a los sistemas económicos dominantes basados en el mercado y el crecimiento.
También somos concientes de las limitaciones que algunas alternativas presentan para abordar las injusticias del actual sistema capitalista a escala global. No siempre las propuestas a nivel micro son la respuesta a los problemas macro, si bien representan espacios importantes de resistencia y construcción de movimientos.
Metas
Sin embargo, las alternativas feministas para una economía justa son fundamentales para socavar el sistema y para aprender a generar cambios transformadores y sistémicos. No podemos presumir de ofrecer un relato exhaustivo ni completo acerca de cómo crear un modelo económico feminista justo, o varios modelos de esa clase. Lo que sí podemos hacer es recoger elementos de diálogos con otros movimientos (sindicales, ambientales, rurales y de campesinxs) para formular propuestas que nos permitan acercanos a esa visión.
¿Qué queremos cambiar?
El modelo neoliberal que dirige la economía global ha demostrado una y otra vez su incapacidad para hacer frente a las causas estructurales de la pobreza, las desigualdades y la exclusión. Lo que en realidad ha hecho el neoliberalismo ha sido contribuir a crear y exacerbar esas injusticias.
En estas últimas tres décadas, las políticas dominantes para el desarrollo se han caracterizado por la globalización, liberalización, privatizaciones, financialización y ayudas condicionadas, y han destrozado los medios de vida de la población. El recorrido de estas políticas también ha estado marcado por la profundización de desigualdades, las injusticias con marca de género y la destrucción ambiental que el mundo ya no puede continuar soportando.
Hay quienes no dudan en sostener que el crecimiento económico, que debe ser facilitado dando plena libertad a las grandes corporaciones y empresas, puede generar y sostener una una marea alta que (con el tiempo) levante todos los barcos.
Sin embargo, la noción de desarrollo que ha prevalecido durante las últimas décadas, construida sobre la premisa de un crecimiento económico ilimitado, está atravesando una crisis ideológica.
El mito del crecimiento económico como panacea para todos nuestros problemas está perdiendo cada vez más prestigio.
« La sexualité est fluide, et là mon vagin aussi. »
#FeministFestival #SextLikeAFeminist
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COP30: Reclaim climate action from corporate capture
As world leaders gather in Brazil, feminist movements are advocating, gathering and disrupting the status quo- at COP30 and beyond! We're heading alongside other feminists to Belém, Brazil for COP30, from 10 November – 21 November 2025, where we will continue to denounce false solutions.
La recherche de moyens alternatifs de production alimentaire fondés sur la durabilité environnementale gagne du terrain dans toutes les régions du monde. Cette quête mondiale présente une caractéristique centrale : la nécessité de mobiliser les populations rurales, en particulier les femmes, tenant compte de leurs priorités et de leurs connaissances locales par le truchement de l’agroécologie.
Définition
L’agroécologie est une façon de pratiquer l'agriculture ou de faire appel aux technologies qui ne nuit pas à l'environnement. Cette approche propose de rompre avec le modèle de développement rural hégémonique reposant sur les grandes exploitations et la monoculture qui profitent essentiellement aux entreprises agricoles et renforcent l'exclusion sociale.
Dans le contexte de l'agriculture familiale, l'agroécologie représente une forme de résistance au modèle de développement actuel et aux problèmes sociaux, culturels, environnementaux et économiques que ce modèle implique. L’agroécologie se pose en alternative face au manque d'autonomie financière des agriculteur-trice-s et symbolise une résistance face au modèle d'agroentreprises actuel.
Perspective féministe
Il se pourrait que les efforts uniquement axés sur l'agroécologie ne suffisent pas à résoudre tous les problèmes de la marginalisation et de l'invisibilité des femmes. Il est alors crucial d’adopter une perspective féministe afin d'analyser les normes associées à la notion de famille telle qu'actuellement constituée en tant qu'institution parfaite, ainsi que les normes relatives à la condition de subordination des femmes.
Plus simplement, il importe d'inclure une réflexion sur les rôles de genre socialement construits pour faire avancer le potentiel émancipateur de l'agroécologie dans ce débat.
Host: We tend to think about communicating desire as something that is limited to the private intimacy of the bedroom and our personal relationships. But can we also think of this kind of communication as a structure, a praxis that informs our work, and how we are, how we do in the world?
Lindiwe
I believe that unfortunately in the past, expressing your sexuality has been limited. You were allowed to express it within the confines of your marriage, which was permitted, there have always been taboo and stigmas attached to expressing it any other way. When it comes to communicating, obviously the fact that certain stigmas are attached to expressing your sexuality or expressing your desire makes it a lot harder to communicate that in the bedroom or intimately with your partner. From my personal experience, I do believe that obviously if I feel more comfortable expressing myself outside of the bedroom on other matters or other topics, it’s easier for me to build that trust, because you understand conflict resolution with that particular person, you understand exactly how to make your communication special towards that particular person. It’s not easy. It’s something that is consistently done throughout whatever your engagement is, whether it’s your relationship or whether it’s casual and just in the moment. But I believe that confidence outside can definitely translate to how you communicate your desire.
Manal
Since childhood, a woman is raised with that, “you’re not allowed to talk about your body, you’re not allowed to talk about your desire,” which puts a heavy responsibility on women, especially girls in their teens when they need to express themselves and talk about these issues. So for me I think this is a big problem. You know, I have been married for more than 25 years, but still, until now, I cannot talk about my desires. I cannot say what I want or what I prefer, because it’s like I’m not allowed to go beyond this line. It’s like haram, despite it being my right. This is the case for all my friends, they just can’t express themselves in the right way.
Louise
Personally, I find that expressing our desires, my desires, however that expression comes in hand, has to do with the other, and the gaze that the other would have on me. So this is also something that we can link to cinema. And the gaze I would have on myself as well: what I think I am as an individual, but also what society expects of me and my sexuality. In the past, I somehow did the analogy between what happens in the bedroom and what happens in the workplace, because there is sometimes this dynamic of power, whether I want it or not. And oftentimes, verbal communication is harder than we think. But when it comes to representation in film, that’s a totally different game. We are very far away from what I guess all of us here would like to see on screen when it comes to just communicating sexual desires inside or outside the bedroom.
Online and Embodied
Host: We can think about the digital world as embodied: while it might be virtual, it is not less real. And this was made clear in the context of AWID’s feminist realities festival, which took place entirely online. What does it mean then to talk about sexuality, collectively, politically, in online spaces? Do we navigate virtual spaces with our bodies and affects, and in this case, what are the different considerations? What does it do to communication and representation?
Lindiwe
Social media makes you feel community-based. When you express what it is that you want or like, there is someone who’s either going to agree or disagree, but those who do agree make you feel that you belong to a community. So it’s easier to throw it out into the universe, or for others to see, and potentially not get as much judgment. And I say this very loosely because sometimes, depending on what it is that you’re expressing, it either will get you vilified or celebrated. But when it comes to the bedroom, there is an intimacy and almost a vulnerability that is exposing you and different parts of you that is not as easy to give your opinion on. When it comes to expressing your desire, speaking it and saying it and maybe putting a Tweet or a social media post, or even liking and reading other communities that are same-minded is a lot easier than telling your partner, “this is how I want to be pleasured” or “this is how what I want you to do next,” because of the fear of rejection. But not only that, just the vulnerability aspect – allowing yourself to be bare enough to let the other person see into what you are thinking, feeling, and wanting – I think this is where the difference would come in for me personally. I feel it is a lot more community-based on social media, and it’s easier to engage in discourse. Whereas in the bedroom, you don’t want to necessarily kill the moment. But I think that also kind of helps you understand going forward, depending on the relationship with the person, how you would engage thereafter. So I always know that if I try to communicate something and I fail to do so in the moment, I can always try to bring it up outside of that moment and see what the reaction would be so I know how to approach it going forward.
Louise
You know the question in films is, I don’t know if the male gaze is done intentionally or not. Like we don’t really know that. What we know is that the reason why sexuality in general has been so heternormative and focused on penetration and not giving any space for women to actually ask for anything in films, is because most of the people who have been working in this industry and making decisions in terms of, you know, storytelling and editing have been white men. So rape revenge is this very weird film genre that was birthed in the 70s, and half of the story would be that a woman is being raped by one or multiple people, and in the other half, she would get her revenge. So usually she would murder and kill the people who have raped her, and sometimes other people next to them. At the beginning of the birth of this genre and for 30 years at least, those films were written, produced, and directed by men. This is why we also want so much representation. A lot of feminists and pioneers in queer filmmaking also used the act of filming in order to do that and to reclaim their own sexuality. I’m thinking about Barbara Hammer, who’s a feminist and queer pioneer in experimental cinema in the U.S. where she decided to shoot women having sex on 16mm, and by doing so reclaimed a space within the narrative that was exposed in film at that time. And there is also then the question of invisibilization: we know now, because of the internet and sharing knowledge, that women and queer filmmakers have been trying and making films since the beginning of cinema. We only realize it now that we have access to databases and the work of activists and curators and filmmakers.
Resisting Colonization
Host: And this opens up the conversation on the importance of keeping our feminist histories alive. The online worlds have also played a crucial role in documenting protests and resistance. From Sudan to Palestine to Colombia, feminists have taken our screens by storm, challenging the realities of occupation, capitalism, and oppression. So could we speak of communicating desire – the desire for something else – as decolonization?
Manal
Maybe because my village is just 600 residents and the whole village is one family – Tamimi – there are no barriers between men and women. We do everything together. So when we began our non-violent resistance or when we joined the non-violent resistance in Palestine, there was no discussion whether women should participate or not. We took a very important role within the movement here in the village. But when other villages and other places began to join our weekly protests, some men thought that if these women participate or join the protests, they will fight with soldiers so it will be like they’re easy women. There were some men who were not from the village who tried to sexually harass the women. But a strong woman who is able to stand in front of a soldier can also stand against sexual harassment. Sometimes, when other women from other places join our protest, they are shy at first; they don’t want to come closer because there are many men. If you want to join the protest, if you want to be part of the non-violent movement, you have to remove all these restrictions and all these thoughts from your mind. You have to focus on just fighting for your rights. Unfortunately, the Israeli occupation realizes this issue. For example, the first time I was arrested, I wear the hijab so they tried to take it off; they tried to take off my clothes, in front of everybody. There were like 300-400 people and they tried to do it. When they took me to the interrogation, the interrogator said: “we did this because we want to punish other women through you. We know your culture.” So I told him: “I don’t care, I did something that I believe in. Even if you take all my clothes off, everybody knows that Manal is resisting.”
Lindiwe
I think even from a cultural perspective, which is very ironic, if you look at culture in Africa, prior to getting colonized, showing skin wasn’t a problem. Wearing animal skin and/or hides to protect you, that wasn’t an issue and people weren’t as sexualized unless it was within context. But we conditioned ourselves to say, “you should be covered up” and the moment you are not covered up you are exposed, and therefore it will be sexualized. Nudity gets sexualized as opposed to you just being naked; they don’t want a little girl to be seen naked. What kind of society have we conditioned ourselves to be if you’re going to be sexualizing someone who is naked outside of the context of a sexual engagement? But environment definitely plays a big role because your parents and your grannies and your aunts say “no, don’t dress inappropriately,” or “no, that’s too short.” So you hear that at home first, and then the moment you get exposed outside, depending on the environment, whether it’s a Eurocentric or more westernized environment to what you are used to, then you are kind of free to do so. And even then, as much as you are free, there’s still a lot that comes with it in terms of catcalling and people still sexualizing your body. You could be wearing a short skirt, and someone feels they have the right to touch you without your permission. There is so much that is associated with regulating and controlling women’s bodies, and that narrative starts at home. And then you go out into your community and society and the narrative gets perpetuated, and you realize that you get sexualized by society at large too, especially as a person of color.
Resistance as Pleasure
Host: And finally, in what ways can our resistance be more than what we are allowed? Is there a place for pleasure and joy, for us and our communities?
Louise
Finding pleasure as resistance and resistance in pleasure, first for me there is this idea of the guerrilla filmmaking or the action of filming when you’re not supposed to or when someone told you not to, which is the case for a lot of women and queer filmmakers in the world right now. For example, in Lebanon, which is a cinema scene that I know very well, most of the lesbian stories that I’ve seen were shot by students in very short formats with “no production value” as the west would say – meaning with no money, because of the censorship that happens on an institutional level, but also within the family and within the private sphere. I would think that filming whatever, but also filming pleasure and pleasure within lesbian storytelling is an act of resistance in itself. A lot of times, just taking a camera and getting someone to edit and someone to act is extremely hard and requires a lot of political stance.
Lindiwe
I have a rape support group. I’m trying to assist women to reintegrate themselves from a sexual perspective: wanting to be intimate again, wanting to not let their past traumas influence so much how they move forward. It’s not an easy thing, but it’s individual. So I always start with understanding your body. I feel the more you understand and love and are proud of it, the more you are able to allow someone else into that space. I call it sensuality training, where I get them to start seeing themselves as not sexual objects, but as objects of pleasure and desire that can be interchangeable. So you’re worthy of receiving as well as giving. But that’s not only from a psychological point of view; it is physical. When you get out of the shower, you get out of the bath, and you’re putting lotion on your body, look at every part of your body, feel every part of your body, know when there are changes, know your body so well that should you get a new pimple on your knee, you are so aware of it because just a few hours ago it wasn’t there. So things like that where I kind of get people to love themselves from within, so they feel they are worthy of being loved in a safe space, is how I gear them towards claiming their sexuality and their desire.
Manal
You know we began to see women coming from Nablus, from Jerusalem, from Ramallah, even from occupied 48, who have to drive for 3-4 hours just to come to join the protests. After that we tried to go to other places, talk with women, tell them that they don’t have to be shy, that they should just believe in themselves and that there is nothing wrong in what we are doing. You can protect yourself, so where is the wrong in participating or in joining? Once I asked some women, “why are you joining?” And they said, “if the Tamimi women can do it, we can do it also.” To be honest I was very happy to hear this because we were like a model for other women. If I have to stand for my rights, it should be all my rights, not just one or two. We can’t divide rights.
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Les Etats membres et les défenseur-e-s et organisations des droits des femmes se réuniront au siège des Nations Unies à New York du 13 au 24 mars pour la 61ème édtion de la Commission de la condition de la femme, afin d’aborder le thème de l’« autonomisation économique des femmes » dans le cadre de l'objectif 5 pour le développement durable.
Alors que nous avons hâte de retrouver quelques un-e-s d'entre vous à New-York, nous souhaitons aussi impliquer celles et ceux qui ne peuvent pas être présent-e-s à la CSW et être votre porte-voix dans les espaces pertinents.
Poursuivez votre lecture pour savoir comment participer à la CSW aux côtés de l’AWID, que vous soyez sur place ou non.
Participez à une prise de contrôle artistique !
C'es un plaisir pour nous que Nayani Thiyagarajah, membre de l’AWID, assistera à la CSW cette année et qu’elle sera en charge du compte Instagram de l’AWID.
Là-bas, elle sera disponible pour rencontrer d’autres membres qui pourront éventuellement figurer sur notre Instagram. Elle explorera par ailleurs les possibilités d’inclure certain-e-s membres de l’AWID dans un court-métrage sur le thème ‘le privé est politique’, qui retracera l’histoire de la participation de Nayani à la CSW de cette année.
Nayani Thiyagarajah
Qui est Nayani?
Nayani Thiyagarajah est une directrice, productrice et écrivaine qui se consacre à porter des histoires à l’écran. Fille de la diaspora tamoule, elle appelle désormais Toronto sa ville. Pendant plus de 10 ans, Nayani a travaillé dans l’industrie des arts et de la culture. Son premier long-métrage documentaire indépendant, Shadeism: Digging Deeper (2015), fut présenté en première au Festival international du film de Zanzibar, où il obtint le Prix spécial du jury. Avec son partenaire de production Camaro West, Nayani a récemment lancé [RE]FRAME, une compagnie de production basée à Atlanta et à Toronto qui s’attache à reformuler les récits concernant les noir-e-s, les autochtones et d’autres personnes de couleur à travers des narrations portées à l’écran.
Plus sérieusement, il convient de mentionner que Nayani a un rire étrange, qu’elle est assez maladroite et qu’elle a toujours la tête dans les nuages. Pour elle, c’est une chance incroyable d’inventer des histoires pour l’écran et de s’amuser à faire croire, et de pouvoir en vivre. Elle croit en l’amour par-dessus tout.
Vous avez envie de rencontrer Nayani et d’être pris-e en compte pour figurer dans son film ?
Envoyez un e-mail à membership@awid.org en précisant dans la ligne d’objet « CSW: Prise de contrôle artistique »
Avant le 13 mars 2017
Merci d’inclure votre nom complet et votre lieu de résidence.
Vous ne pouvez pas assister à la CSW ? Exprimez-le !
Si vous êtes dans l’incapacité d’assister à la CSW61 en raison d’une interdiction de voyager, qu’elle ait été imposée par l’administration Trump ou par votre propre gouvernement, n’hésitez pas à nous faire part de votre histoire.
Envoyez-nous les messages que vous voulez voir diffusés dans les espaces des Nations Unies autour du financement, de l’impact du rétablissement de la règle du bâillon mondiale (Global Gag Rule) et de la nécessité de rejeter les fondamentalismes religieux. Vous pouvez adresser vos messages sous les formats suivants :
vidéo : elle ne devra pas durer plus de deux minutes et devra être envoyée via un partage de fichier en ligne (par exemple dropbox, google drive)
audio : il ne durera pas plus de deux minutes et sera envoyé via un partage de fichier en ligne (par exemple dropbox, google drive)
image : vous pouvez partager une photo ou une affiche de votre message
texte : il ne pourra pas faire plus de 200 mots et devra être intégré dans le corps d’un e-mail ou dans un document word
Envoyez-nous votre message !
Envoyez un e-mail à membership@awid.org, en précisant en ligne d’objet « CSW: Exprimez-le ! »
Avant le 15 mars 2017
Rencontrez d’autres membres à la CSW61
Les membres de l’AWID nous disent combien les rencontres qui se font entre membres à la CSW sont précieuses. Dans un lieu de plaidoyer tellement immense, il est utile de rencontrer et d’échanger avec les autres, y compris avec des activistes travaillant sur des questions semblables, ou venant du même pays ou de la même région. Nous reconnaissons que les rencontres sont fondamentales dans la construction des mouvements.
Vous souhaitez être mis-e-s en contact avec d’autres membres à la CSW61 ?
Envoyez un e-mail à membership@awid.org, en précisant en ligne d’objet « CSW: Membres de l’AWID »
NOTE : Veuillez nous transmettre vos coordonnées complètes (nom, pays) et nous indiquer si vous nous autorisez à communiquer votre adresse mail aux autres membres qui souhaiteraient entrer en contact à la CSW.
Prenez une photo !
Si vous participez à la CSW, partagez-nous ce que vous y voyez ! Montrez-le nous en capturant un instant qui reflète l'energie de l'espace de la CSW, que ce soit lors d'une conférence ou en dehors. Nous avons l'intention de publier vos images usr nos réseaux sociaux et de les partager sur notre site.
Vous pouvez nous envoyer :
des photographies en couleur ou en noir & blanc
avec leur titre (si vous souhaitez)
et une légende (pas plus de 100 mots) qui raconter l'histoire de votre photo.
Veuillez aussi inclure :
votre nom complet et votre pays d'origine
faites-nous aussi savoir si vous nous autorisez à partager tout ou partie de ces informations
Partagez vos images !
Envoyez un e-mail à membership@awid.org en précisant en ligne d’objet « CSW: Prenez une photo ! »
Pendant toute la CSW ou rapidement après, jusqu'au jeudi 28 mars 2017.
