Jean-Marc Ferré | Flickr (CC BY-NC-ND 2.0)
A general view of participants at the 16th session of the Human Rights Council in Geneva, Switzerland.

Special Focus

AWID is an international, feminist, membership organisation committed to achieving gender equality, sustainable development and women’s human rights

Human Rights Council (HRC)

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The Human Rights Council (HRC) is the key intergovernmental body within the United Nations system responsible for the promotion and protection of all human rights around the globe. It holds three regular sessions a year: in March, June and September. The Office of the UN High Commissioner for Human Rights (OHCHR) is the secretariat for the HRC.

The HRC works by:

  • Debating and passing resolutions on global human rights issues and human rights situations in particular countries

  • Examining complaints from victims of human rights violations or activist organizations on behalf of victims of human rights violations

  • Appointing independent experts (known as “Special Procedures”) to review human rights violations in specific countries and examine and further global human rights issues

  • Engaging in discussions with experts and governments on human rights issues

  • Assessing the human rights records of all UN Member States every four and a half years through the Universal Periodic Review

Learn more about the HRC

AWID works with feminist, progressive and human rights partners to share key knowledge, convene civil society dialogues and events, and influence negotiations and outcomes of the session.

With our partners, our work will:

◾️ Monitor, track and analyze anti-rights actors, discourses and strategies and their impact on resolutions

◾️ Raise awareness of the findings of the 2017 and 2021 OURs Trends Reports.

◾️Support the work of feminist UN experts in the face of backlash and pressure

◾️Advocate for state accountability
 
◾️ Work with feminist movements and civil society organizations to advance rights related to gender and sexuality.
 

Related Content

Type

Snippet FEA Metzineres activists (FR)

A crowd of people sitting in front of a banner which says ‘support, don't punish”;
Photo of two women talking to each other, one of them is holding a handheld fan.
Crowd of people with a black banner that says Metzineres in yellow.
Photo of four people sitting on the ground and talking
Photo people with plants around them, most of them sitting and clapping to a person who is walking in the middle

 

Des militants de Metzineres en action

Binta Sarr

Read in: English French Spanish
Category
Economic, Social and Cultural Rights
Region
Africa
Sub Sahara Africa
Date of birth
Date of death / disappearance
Cause of death / disappearance

Natural

Binta Sarr was an activist for social, economic, cultural and political justice, and a hydraulic engineer in Senegal. After 13 years in civil service, she left this path to work with rural and marginalized women. 

Out of this engagement grew the Association for the Advancement of Senegalese Women (APROFES), a grassroots movement and organization Binta founded in 1987. One of her main approaches was leadership training, relating not only to economic activities but also to women's rights and access to positions of decision-making. 

“Grassroots populations must organize, mobilize, assume citizen control and demand democratic governance in all sectors of public space. The priority of social movements must go beyond the fight against poverty and must be focused on articulated and coherent development programs in line with human rights principles, while taking into account their needs and concerns both at the national and sub-regional levels and from a perspective of African and global integration.” - Binta Sarr

Rooted in Binta’s conviction that fundamental change in women’s status requires transformation in male attitudes, APROFES took an interdisciplinary approach, using radio, seminars and popular theatre, as well as providing innovative public education and cultural support for awareness-raising actions. Its popular theatre troupe performed original pieces on the caste system in Senegal, alcoholism, and conjugal violence. Binta and her team also looked at the crucial connection between the community and the broader world.

“For APROFES, it is a question of studying and taking into account the interactions between the micro and the macro, the local and the global and also, the different facets of development. From slavery to colonization, neocolonialism and the commodification of human development, most of the resources of Africa and the Third World (oil, gold, minerals and other natural resources) are still under the control of financial cartels and other multinationals that dominate this globalized world.” - Binta Sarr

Binta was one of the founding members of the female section of the Cultural and Sports Association Magg Daan. She received commendations from the Regional Governor and the Minister of Hydrology for her "devotion to rural people."

Born in 1954 in Guiguineo, a small rural town, Binta passed away in September 2019.

Tributes:

“The loss is immeasurable, the pain is heavy and deep but we will resist so as not to mourn Binta; we will not mourn Binta, we will keep the image of her broad smile in all circumstances, to resist and be inspired by her, maintain, consolidate and develop her work…” - Aprofes Facebook page, September 24, 2019

"Farewell Binta! We believe your immense heritage will be preserved." - Elimane FALL, president of ACS Magg-Daan 
 

Feminist Realities Magazine

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Feminist realities are the living, breathing examples of the worlds we know are possible.
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What is the 14th AWID Forum theme?

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The 14th Forum theme is “Feminist Realities: our power in action”. 

We understand Feminist Realities as the different ways of existing and being that show us what is possible, despite dominant power systems, and in defiance and resistance to them.  We understand these feminist realities as reclamations and embodiments of hope and power, and as  multi-dimentional, dynamic and rooted in specific contexts and historical moments.

Read more about Feminist Realities

 

Snippet - CSW69 - Feminist Solidarity Space 12 - FR

Espace de solidarité féministe

✉️ Sur inscription pour les grands groupes. Espace ouvert pour les petits groupes. Inscrivez-vous ici

📅 Mercredi 12 mars 2025
🕒 14.00h-16.00h EST
🏢 Chef's Kitchen Loft with Terrace, 216 East 45th St 13th Floor, New York 

Organisé par : AWID

Snippet FEA Get Involved 2 (EN)

While in Sao Paulo, Brazil, you can visit the Ocupação 9 de Julho and have a collaborative meal. You can buy their products in their online store from abroad.

Visit the Association of Afro-Descendant Women of the Northern Cauca’s online store where you can find beautiful handcrafted products.

There are several ways to support Metzineres: you can make a financial donation, donate materials and services, or propose a training course, workshop, or activity (for more information, see here).

Laurie Carlos

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Category
Derechos económicos, sociales y culturales
Region
Norte América
Date of birth
Date of death / disappearance
Cause of death / disappearance

Enfermedad

Laurie Carlos fue una actriz, directora, bailarina, dramaturga y poeta estadounidense, una artista y visionaria extraordinaria que tenía un poderoso don para hacer surgir el arte en otras personas.

«Laurie entraba en una habitación (cualquier habitación/todas las habitaciones ) con  clarividencia arremolinada, con genio artístico, rigor corporizado, con un realismo feroz— y con la determinación de ser libre... y de liberar a otrxs. Una hacedora de magia. Una vidente. Alguien que cambiaba de formas. Laurie me dijo una vez que entraba en los cuerpos de las personas para descubrir qué necesitaban.» - Sharon Bridgforth

Combinaba estilos de actuación tales como gestos rítmicos y texto. Laurie era mentora de nuevxs actorxs, performers y escritorxs, y ayudaba a difundir su trabajo a través de «Naked Stages», una beca para artistas emergentes. Integraba el Penumbra Theater, con el que colaboraba mediante guiones que produjeran identificaciones, a fin de «traer más voces femeninas al teatro». Laurie integraba también Urban Bush Women, una compañía de danza contemporánea prestigiosa que relata historias sobre mujeres de la diáspora africana.

En 1976, como Lady in Blue, hizo su debut en Broadway, en la producción original galardonada del drama poético de Ntozake Shange For colored girls who have considered suicide / when the rainbow is enuf. La obra de Laurie incluye White Chocolate, The Cooking Show y Organdy Falsetto.

«Cuento las historias en el movimiento (las danzas internas que surgen espontáneamente, como en la vida), la música y el texto. Si escribo una línea, no necesariamente tiene que ser una línea que es hablada; puede ser una línea que es movida. Una línea a partir de la cual se crea música. El gesto se convierte en la oración. Gran parte de quienes somos como mujeres, como personas, tiene que ver con los gestos que hacemos entre nosotrxs todo el tiempo, y en particular, durante momentos emotivos. El gesto se convierte en una oración o una declaración de hechos. Si pongo en un guión “cuatro gestos”, eso no quiere decir que no estoy diciendo nada; significa que lo he abierto para que algo sea dicho físicamente.» - Laurie Carlos

Laurie nació y creció en la ciudad de Nueva York, trabajó y vivió en Twin Cities. Falleció el 29 de diciembre de 2016 a la edad de 67 años, luego de una batalla contra el cáncer de colon.

Tributos:

 «Creo que esa era exactamente la intención de Laurie. Salvarnos. De la mediocridad. Del ego. De la pereza. De la producción de arte a medias. De estar paralizadxs por el miedo. Laurie quería ayudarnos a Brillar plenamente. En nuestra producción artística. En nuestras Vidas.» - Sharon Bridgforth para Pillsbury House Theatre

«Nadie que conociera a Laurie dejaría de definirla como una persona original. Era su propia persona. Era su propia persona, su propia artista; ponía en escena el mundo tal como lo conocía, con verdadero estilo y comprensión, y vivía su arte.» - Lou Bellamy, fundador de Penumbra Theater Company, para Star Tribune

Leer un tributo completo de Sharon Bridgforth (solo en ingles)

Who we are & what we do

Strategic Plan 2023-2027

Fierce Feminisms: Together We Rise

We are excited to share our new Strategic Plan (2023-2027) with the world.

Fierce Feminisms is our way forward, acknowledging both the multiplicity of feminisms and the value of fierce and unapologetic drive for justice. The state of the world and of feminist movements calls for brave conversations and action. We look forward to working together with our members, partners and funders in creating the worlds we believe in, celebrating the wins and speaking truth to power in service of feminist movements globally.

Download: Fierce Feminisms: Together We Rise

The Association for Women's Rights in Development (AWID) is a global, feminist, membership, movement-support organization.

For 40 years, AWID has been a part of an incredible ecosystem of feminist movements working to achieve gender justice and women’s human rights worldwide.

Our vision

GGAADD | Flickr (CC BY-SA 2.0) - modified

AWID envisions a world where feminist realities flourish, where resources and power are shared in ways that enable everyone, and future generations, to thrive and realize their full potential with dignity, love and respect, and where Earth nurtures life in all its diversity.

Our mission

Our mission is to support feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Our tactics

We advance our work through these tactics:

Influencing, advocacy and campaigning

We collaboratively leverage our access, power, resources and relationships to strategically influence policy and practice. We aim to advance feminist agendas through our work with policy makers, funders and activists in regional and global spaces. We also work to influence feminist and women’s rights movements to centre historically oppressed movements as part of efforts to strengthen our collective power and influence.

Convening and connecting

We use our convening power to facilitate dialogue and strategize on key issues. We connect our members and allies with one another, sharing and exchanging resources, ideas and action across relevant issues. We organize and facilitate spaces to strengthen and engage across movements, to imagine and envisage new futures, to develop effective influencing tactics and to co-create powerful agendas and processes.  

Solidarity and bridge-building

We work to mobilize our members and the movements we support to strengthen collective action in solidarity with feminist causes and defenders at risk. We build partnerships, engage in active listening and ongoing, long-term, solidarity. We work with defenders to build a body of knowledge and support networks of solidarity on protection and wellbeing.

Arts and creative expression

We recognize the unique and strategic value of cultural and creative strategies in the struggle against oppression and injustice. We work with artists who centre feminist voices and the narratives of historically oppressed communities. In this emerging tactic, we see art and creative expression helping us envision a world where feminist realities continue to flourish and be celebrated. 

Marcha da Mulheres negras - 2016

Our initiatives

Our initiatives work at the intersections of the sites of change we work to address, the movements we prioritize, and the tactics we use​:

Advancing Universal Rights and Justice

We monitor, document and make visible how anti-rights actors are operating and colluding in multilateral spaces and support feminist, women’s rights and gender justice movements and allies to counter their influence and impact.

Building Feminist Economies

Working on extractivism, tax justice and corporate accountability, we build knowledge on corporate power and influence; advocate for corporate accountability and equitable distribution of wealth; and amplify feminist proposals for just economies. 

Resourcing Feminist Movements

We develop accessible, action-oriented analysis on the state of resourcing for feminist movements. We aim to influence funders’ policies and practices, deepen and sustain funding for feminist social change, and support movements’ needs and strategies. 

In addition to the impact we aim to have in the world, AWID is expressly committed to strengthening our own organizational learning and resilience in order to further strengthen global feminist movements. 

Our donors

Thank you!

Without the generous funding and support from our donors, our work would not be possible

Wellspring Philanthropic Fund
Ford Foundation
Open Society Foundations
  
Sida
Government of The Netherlands
Foundation For A Just Society
  
 
Disability Rights Advocacy Fund
    

What will be different about this Forum?

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We have always worked towards ensuring that our Forums are co-developed with partners, movements and our priority constituencies.

For our upcoming Forum, we aim to deepen and strengthen that spirit and practice of co-creation and collaboration. We also recognize the need to improve the balance between the inclusion of many voices and experiences with room for participants and staff to breathe, take pause and enjoy some downtime.

This Forum will be different in the following ways: 

  • We will have far less organized Forum activities because we want people to have time to engage, experience, process, talk to each other, etc.  This is key to communicate: you can come to the Forum, be very engaged and active and not facilitate any organized activity (or “session”).
  • We will have Open Spaces - at least one whole afternoon without any organized activities - but also physical spaces available throughout the Forum for people to self-organize meetings, etc.
  • We have a Content and Methodology Committee made up of feminists from different regions with expertise on participatory methodologies to support us and all those leading activities at the Forum to use creative and engaging  formats for the Forum activities. 

 

Snippet - WCFM Content Body - EN

Feminist and gender justice movements continue to be chronically underfunded in the face of global funding cuts and freezes, and rising fascisms. Growing resource scarcity has impacted the most vulnerable communities, particularly in Global South regions with progressively closing civic spaces. 

 

In response to these challenges, we collaborated with Impactmapper to co-create a comprehensive resource that combines two powerful tools to strengthen the funding ecosystem for social justice movements.

Snippet FEA EoS The Ivy (EN)

An illustration of a vine with vine like leaves in neon with purple background

The Ivy
Community and neighborhood

Fadila M.

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Category
Droits économiques, sociaux et culturels
Region
Afrique
Afrique du Nord
Date of death / disappearance
Cause of death / disappearance

Assassinat probable

Fadila M. était une activiste “tribale” Soulaliyate d’Azrou, dans la province marocaine d’Ifrane. Elle s'est battue contre une forme spécifique de discrimination à l'égard des femmes “tribales” liée à la propriété foncière.

Dans le cadre du Mouvement en faveur des droits fonciers des femmes Soulaliyates, elle a travaillé pour la révision de la législation-cadre relative à la gestion des biens communautaires, avec l'adoption en 2019 de trois projets de lois garantissant l'égalité des femmes et des hommes. 

Selon le droit coutumier en vigueur, les femmes n'avaient pas le droit de bénéficier de la terre, surtout celles qui étaient célibataires, veuves ou divorcées. Au Maroc, les droits à la terre collective se transmettaient traditionnellement entre les membres masculins de plus de 16 ans issus d’une même famille. Depuis 2007, Fadila M. faisait partie du mouvement des femmes, à savoir la première mobilisation populaire nationale de revendication de leurs droits fonciers. Parmi leurs victoires, citons le fait qu'en 2012, les femmes Soulaliyates ont pu, pour la première fois, s'inscrire sur les listes de bénéficiaires et disposer d'une indemnisation liée à la cession des terres. Le mouvement a également réussi à faire modifier le dahir de 1919 (décret du roi du Maroc) de façon à garantir aux femmes le droit à l'égalité.

Fadila M. s’est éteinte le 27 septembre 2018. Les circonstances de sa mort, survenue alors qu’elle participait à une marche de protestation sur la question des terres collectives, ne sont pas claires. Si les autorités déclarent que sa mort est accidentelle et qu'elle a fait un arrêt cardiaque sur le chemin de l'hôpital, la section locale de l'Association marocaine des droits de l'homme (AMDH), affirme quant à elle que Fadila a été étouffée par un membre des forces policières arborant un drapeau marocain. Sa famille a demandé qu’une enquête soit menée mais les résultats de l'autopsie n'ont pas été communiqués.

Apprenez-en davantage sur le Mouvement en faveur des droits fonciers des femmes Soulaliyates 

Veuillez noter: Nous n'avons pu trouver aucune photo de Fadima M. C'est pourquoi cette illustration (au lieu d'un portrait) représente ce pour quoi elle s'est battue et a travaillé : la terre et le droit d'y vivre et d'avoir accès à cette terre et ce qui y pousse.

Recordando a lxs defensorxs que ya no están con nosotrxs

AWID honra a lxs feministas y defensoras de los derechos humanos que han muerto y cuyas contribuciones al progreso de los derechos humanos se echa mucho en falta. 

Celebrando a lxs activistxs y las defensoras de derechos humanos 

El Tributo de AWID a las defensoras de derechos humanos es una exhibición fotográfica que presenta a activistxs del feminismo, de los derechos de las mujeres y de la justicia social de todo el mundo que ya no están con nosotrxs. 

El Tributo fue lanzado por primera vez en 2012, en el 12º Foro Internacional de AWID, en Turquía. Tomó la forma de una exposición física de retratos y biografías de feministas y activistxs que fallecieron. La iniciativa fue descrita por lxs participantes del Foro como una manera única, emotiva y energizante de conmemorar nuestra historia colectiva.  

En el 13º Foro Internacional, en Brasil, honramos a lxs activistas y a las defensoras de derechos humanos con una ceremonia de inauguración de un mural en cuatro idiomas, un espectáculo de danza y un ritual brasileño.

Entre los eventos, el Tributo permanece como una galería en línea que se actualiza cada año como parte de la Campaña de los 16 Días de Activismo Contra la Violencia de Género (25 de noviembre al 10 de diciembre).

Contribuciones de todo el mundo

Desde 2012, a través de nuestro Tributo anual a las defensoras de derechos humanos que ya no están con nosotrxs, hemos presentado más de 400 feministas y defensorxs de 11 regiones y 80 países.

AWID quiere agradecer a las familias y organizaciones que compartieron sus historias personales y contribuyeron a este homenaje. Nos unimos a ellxs para continuar con el notable trabajo de estas mujeres y redoblar esfuerzos para asegurar que se logre justicia en los casos que permanecen en la impunidad.

Visite la exhibición en línea del Tributo a las Defensoras de Derechos Humanos

La violencia y las amenazas contra las defensoras de derechos humanos persisten

Además de rendir homenaje a estxs increíbles activistas, el Tributo arroja luz sobre la gravedad de la situación de las defensoras de derechos humanos que han sido asesinadas o están desaparecidas.

 Un tercio de las personas presentadas en el Tributo fueron activistas asesinadxs o están desaparecidxs en circunstancias sospechosas. Fueron atacadxs específicamente por ser quiénes eran y por haber desafiado:

  • El poder del Estado
  • La heteronormatividad
  • Los fundamentalismos
  • Las corporaciones
  • El patriarcado
  • La delincuencia organizada
  • La corrupción
  • La militarización…

Mujeres como Agnes Torres, de México, fueron asesinadas debido a su identidad de género y orientación sexual; o Cheryl Ananayo, una activista ambientalista de Filipinas que fue asesinada mientras luchaba contra una compañía minera; o Ruqia Hassan, una periodista y bloguera independiente siria asesinada por sus críticas al Estado Islámico de Iraq y Levante (EIIL, ISIS en inglés). Y muchas otras.

Con el Tributo a las defensoras de derechos humanos lxs traemos a todxs a nuestra memoria colectiva y llevamos su legado de lucha como nuestra antorcha en los movimientos feministas y por los derechos de las mujeres. Reconocemos que la seguridad y el autocuidado deben ser una prioridad en todas nuestras agendas políticas. Y hacemos un llamamiento a los gobiernos y a los organismos internacionales para que aborden colectivamente la violencia contra lxs feministas y las defensoras de derechos humanos.

Creemos que este es un paso crítico para asegurar la sostenibilidad de nuestros movimientos por la igualdad de género, por los derechos de las mujeres y por justicia para todxs.

Visite la exhibición en línea del Tributo a las Defensoras de Derechos Humanos

How can I fund my participation in the AWID Forum? Many activists will not be able to afford the cost of the Forum – is AWID doing anything to provide assistance?

Read in: English French Spanish

Please visit the "Funding ideas" page to get some ideas and inspiration for how you can fund your participation at the next Forum, including the limited support AWID will be able to provide.

Snippet2 - WCFM Registration status - EN

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Registration status:

Search for funders based on their requirements for groups to be registered.

Snippet FEA Ecofeminism (ES)

África del Oeste

NOUS SOMMES LA SOLUTION
Somos la Solución

 

ECOFEMINISMO:

El respeto por todo lo que nos rodea

Dorothy Masuka

Read in: English French Spanish
Category
Civil & Political Rights
Region
Africa
Sub Sahara Africa
Date of birth
Date of death / disappearance
Cause of death / disappearance

Natural

“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)

Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.

One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa. 

Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.

Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”. 

On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health. 

Watch Dorothy Masuka in an interview with Mail & Guardian

Listen to some of her music:

Hamba Nontsokolo
El Yow Phata Phata