With up to 2,500 participants on-site and 3,000 virtual/hybrid participants, it will be the largest AWID Forum ever. We envision multiple spaces for meaningful connection, learning, exchange, strategic conversations, healing and celebration. It is the first time we gather in this space since the pandemic, and we can’t wait.
Florence was a disability rights activist who worked with several disabled women’s organizations in Uganda.
She also held the position of Chairperson of the Lira District Disabled Women Association, as well as the Lira District Women Councilors’ caucus. Trained as a counsellor for persons with disabilities and parents of children with disabilities, she supported many projects that called for greater representation of persons with disabilities.
She died of a motorcycle accident.
Known as the New York Drag queen of color, Silvia was fierce and tireless in her advocacy, in defense of those who were marginalized and excluded as the “gay rights” movement mainstreamed in the United States in the early 1970’s.
In a well-known speech on Christopher Street Day in 1973, Sylvia, shouted through a crowd of LGBT community members:
“You all tell me, go and hide my tail between my legs.
I will no longer put up with this shit.
I have been beaten.
I have had my nose broken.
I have been thrown in jail.
I have lost my job.
I have lost my apartment.
For gay liberation, and you all treat me this way?
What the fuck’s wrong with you all?
Think about that!”
In 1969, at age 17, Silvia took part in the iconic Stonewall Riots by allegedly throwing the second Molotov cocktail to protest the police raid of the gay bar in Manhattan. She continued to be a central figure in the uprisings that followed, organizing rallies and fighting back police brutality.
In 1970, Sylvia worked together with Marsha P. Johnson to establish Street Transvestite Action Revolutionaries (S.T.A.R.), a political collective and organisation that would set up projects of mutual support for trans people living on the streets, those struggling with drug addiction and in prisons and in particular for trans people of color and those living in poverty.
Defiant of labels, Silvia lived life in a way that challenged people in the gay liberation movement to think differently. She said:
“I left home at age 10 in 1961. I hustled on 42nd Street. The early 60s was not a good time for drag queens, effeminate boys or boys that wore makeup like we did. Back then we were beat up by the police, by everybody. I didn't really come out as a drag queen until the late 60s. when drag queens were arrested, what degradation there was. I remember the first time I got arrested, I wasn't even in full drag. I was walking down the street and the cops just snatched me. People now want to call me a lesbian because I'm with Julia, and I say, "No. I'm just me. I'm not a lesbian." I'm tired of being labeled. I don't even like the label transgender. I'm tired of living with labels. I just want to be who I am. I am Sylvia Rivera.
Through her activism and courage, Sylvia offered a mirror that reflected all that was wrong within society, but also the possibility of transformation. Sylvia was born in 1951 and passed away in 2002.
In order to achieve our mission, AWID works through multi-year interconnected programs which encompass a variety of strategies including knowledge production and dissemination, action-research, advocacy, alliance building, and convening strategic dialogues.
Our 2011 Annual Report provides key highlights of our work during the year to contribute to the advancement of women’s rights and gender equality worldwide.
Laurie Carlos was an actor, director, dancer, playwright, and poet in the United States. An extraordinary artist and visionary with powerful ways of bringing the art out in others.
“Laurie walked in the room (any room/every room) with swirling clairvoyance, artistic genius, embodied rigor, fierce realness—and a determination to be free...and to free others. A Magic Maker. A Seer. A Shape Shifter. Laurie told me once that she went inside people’s bodies to find what they needed.” - Sharon Bridgforth
She combined performance styles such as rhythmic gestures and text. Laurie mentored new actors, performers, writers and helped amplify their work through Naked Stages, a fellowship for emerging artists. She was an artistic fellow at Penumbra Theater and supported with identifying scripts to produce, with a goal of “bringing more feminine voices into the theater”. Laurie was also a member of Urban Bush Women, a renowned contemporary dance company telling stories of women of the African diaspora.
In 1976, as Lady in Blue, she made her Broadway debut in Ntozake Shange’s original and award-winning production of the poetic drama For colored girls who have considered suicide / when the rainbow is enuf. Laurie’s own works include White Chocolate, The Cooking Show, and Organdy Falsetto.
“I tell the stories in the movement—the inside dances that occur spontaneously, as in life—the music and the text. If I write a line, it doesn’t necessarily have to be a line that is spoken; it can be a line that’s moved. A line from which music is created. The gesture becomes the sentence. So much of who we are as women, as people, has to do with how we gesture to one another all the time, and particularly through emotional moments. Gesture becomes a sentence or a state of fact. If I put on a script ‘four gestures,’ that doesn’t mean I’m not saying anything; that means I have opened it up for something to be said physically.” Laurie Carlos
Laurie was born and grew up in New York City, worked and lived in Twin Cities. She passed away on 29 December 2016, at the age of 67, after a battle with colon cancer.
“I believe that that was exactly Laurie’s intention. To save us. From mediocrity. From ego. From laziness. From half-realized art making. From being paralyzed by fear.
Laurie wanted to help us Shine fully.
In our artistry.
In our Lives.” - Sharon Bridgforth for Pillsbury House Theatre
“There’s no one that knew Laurie that wouldn’t call her a singular individual. She was her own person. She was her own person, her own artist; she put the world as she knew it on stage with real style and understanding, and she lived her art.” - Lou Bellamy, Founder of Penumbra Theater Company, for Star Tribune
ประเด็นหลักของเวที – ลุกขึ้นพร้อมกัน (Rising Together) เป็นการเชิญชวนให้ทุกคนกลับมาอยู่กับตัวเองเพื่อเชื่อมต่อซึ่งกันและกันอย่างมีสมาธิ เอาใจใส่ และกล้าหาญ เพื่อให้เราสามารถรู้สึกถึงจังหวะการเต้น ของหัวใจของการเคลื่อนไหวทั่วโลก และลุกขึ้นมารับมือกับความท้าทายในยุคนี้ไปด้วยกัน
นักสตรีนิยม นักปกป้องสิทธิสตรี ความยุติธรรมทางเพศ LBTQI+ และขบวนการพันธมิตรทั่วโลกกำลังอยู่ ในช่วงหัวเลี้ยวหัวต่อที่สำคัญ คือเผชิญกับแรงตอบโต้สิทธิเสรีภาพที่เคยได้รับก่อนหน้านี้ ช่วงไม่กี่ปีที่ผ่านมา ลัทธิอำนาจนิยมเติบโตอย่างรวดเร็ว การปราบปรามภาคประชาสังคมอย่างรุนแรง และการทำให้สตรีและ นักปกป้องสิทธิมนุษยชนที่มีความหลากหลายทางเพศกลายเป็นอาชญากร สงครามและความขัดแย้งที่ ทวีความรุนแรงขึ้นในหลายส่วนของโลก ความอยุติธรรมทางเศรษฐกิจยังคงดำเนินต่อไป รวมทั้งวิกฤตการณ์ ด้านสุขภาพ นิเวศวิทยาและสภาพภูมิอากาศ
การเคลื่อนไหวของเรากำลังสั่นคลอน และในขณะเดียวกันเราก็พยายามสร้างและดำรงความเข้มแข็งและ อดทนเพื่องานข้างหน้า เราไม่สามารถทำงานนี้โดยลำพังในห้องเล็กๆของเราได้ การเชื่อมต่อและ การเยียวยาจึงเป็นสิ่งสำคัญในการปรับเปลี่ยนความไม่สมดุลของพลังงานและข้อบกพร่องภายในการเคลื่อน ไหวของเราเอง เราต้องทำงานและวางยุทธศาสตร์ในลักษณะที่เชื่อมโยงกัน เพื่อที่เราจะสามารถเติบโต ไปด้วยกันได้ เวที AWID จะส่งเสริมองค์ประกอบสำคัญของการเชื่อมโยงถึงกันกับพลังความสามารถ การเติบโต และการสร้างความเปลี่ยนแปลงของนักสตรีนิยมทั่วโลก
Stephanie Bracken is a feminist who is dedicated to building and supporting strong systems that meet the needs of the moment and the people who interact with them, and serve principles of justice. She holds a Master of Human Rights from the University of Sydney and a BA in Gender Studies, History, and Philosophy from McGill University, and has experience working with feminist and social justice organizations on monitoring, evaluation & learning, strategic work planning, governance, project management, and building operational systems and processes. Stephanie is based in Tiohtià:ke/Montreal, where she enjoys singing with others, camping, fiber arts, and spending time with her kids and community.
Esther Mwikali’s home was in Mithini village, Murang’a County, Kenya. A prominent and valued land rights activist, she looked into abuses against squatters who are living on land claimed by tycoons. The investigation Esther was part of also involved land rights’ violations in Makuyu by powerful individuals.
After failing to attend a village meeting, a search party went looking for Esther. On 27 August 2019, two days after her disappearance, her body was found on a farm near her homestead, displaying signs of torture. She was brutally murdered.
“Esther was renowned for her work to prevent community members being evicted from land claimed by tycoons. Local activists had no doubt her murder was related to the area’s ongoing land struggles, a tragic reminder of the alarming regularity with which extra-judicial killings are routinely carried out in Kenya,” - Global Witness Report, July 2020
“We associate Mwikali’s death with land struggles around here. We are asking the Government to investigate the matter without delay.” - James Mburu, spokesperson for the squatters
“Action should be taken on individuals who are alleged to have threatened the squatters including Mwikali's family.” - Alice Karanja, National Coalition of Human Rights Defenders
“The impact of her work and tenacity will remain alive in Kenya for decades. CJGEA consoles with the bereaved and it calls for justice.” - Center for Justice and Governmental Action (CJGEA) Press Release, 13 September 2019
Salome is a feminist activist from Tbilisi, Georgia, devoted to social and gender justice. She holds a Master's degree in gender studies, and has been engaged in feminist, queer and green movements for over twelve years, working amongst others on issues of gender based violence, domestic violence, sexual and reproductive health and rights, LGBTIQ rights, [women’s] Labor Rights, Healing Justice and holistic and digital security and rights.
Since 2014 she has been actively working on safety and security issues of activists and Women Human Rights Defenders, providing integrated security and digital security workshops specifically for activists from under-privileged groups (queer persons, ethnic and religious minorities, rural women and girls, etc) as well as bigger feminist organisations. Salome is a member of the Independent Group of Feminists - a non-formal, non-hierarchical and non-registered initiative that unites feminists with diverse backgrounds in Georgia. Currently, she is the Executive Director of the Women's Fund in Georgia, fully engaged in women's/feminist movement building, providing feminist funding, and encouraging local feminist philanthropy.
If your activity is accepted, you will be contacted by the AWID team to assess and respond to interpretation and accessibility needs.
Caroline has periodically been with AWID, previously organized the 2005 and 2008 forums in Bangkok and Cape Town, and served in other roles organizationally. Prior to joining AWID, she taught undergraduate English, then left Academia to run the Toronto Reel Asian International Film Festival and work on other projects. Most recently, she served as Operations Lead at Spring Strategies. Outside of work, Caroline can usually be found in her garden, communing with her beloved plants, and making peace with the insects and visiting rodents.
سنعيد التواصل مع الشركاء/ الشريكات السابقين/ات لضمان احترام الجهود السابقة. إذا تغيرت معلومات الاتصال الخاصة بك منذ آخر عملية للمنتدى، فيرجى تحديثنا حتى نتمكن من الوصول إليك.
Rachel is a financial professional with over two decades of experience. She has overseen financial affairs and projects for private and public entities, non-profits, and international non-governmental organizations. A Chartered Accountant with a Global Master’s in Business Administration, she is also a member of the South African Institute of Chartered Accountants. In her spare time, Rachel designs typography art, enjoys traveling and spending time with family and friends over a bottle of wine.
إذا كانت مجموعتك أو مؤسستك تتلقى تمويلًا، فقد ترغب في مناقشة الأمر مع الممول/ة الخاص بك الآن إذا كان قادرًا على دعم سفرك ومشاركتك في المنتدى. تخطط العديد من المؤسسات لميزانياتها للعام المقبل في وقت مبكر من عام 2023، لذا من الأفضل عدم تأخير هذه المحادثة للعام المقبل.
The AWID international Forum is a gathering of 2,000 women’s rights leaders and activists from around the world. The AWID Forum is the largest recurring event of its kind, and every Forum takes place in a different country in the global South.
The AWID International Forum is both a global community event and a space of radical personal transformation. A one-of-a-kind convening, the Forum brings together feminist, women’s rights, gender justice, LBTQI+ and allied movements, in all our diversity and humanity, to connect, heal and thrive.
When people come together on a global scale, as individuals and movements, we generate a sweeping force.
Join us in Bangkok, Thailand and online in December 2024.
ليس هناك اختلاف، نفس الطريقة ونفس الموعد النهائي. يرجى استخدام نفس النموذج لإرسال مقترحك سواء كان ذلك شخصيًا أو عبر الإنترنت أو كليهما (هجين).
Release of the Zero-Draft Outcome Document, March 2015