Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.
While we dream of a feminist world, there are those who are already building and living it. These are our Feminist Realities!
What are Feminist Realities?
Feminist Realities are the living, breathing examples of the just world we are co-creating. They exist now, in the many ways we live, struggle and build our lives.
Feminist Realities go beyond resisting oppressive systems to show us what a world without domination, exploitation and supremacy look like.
These are the narratives we want to unearth, share and amplify throughout this Feminist Realities journey.
Transforming Visions into Lived Experiences
Through this initiative, we:
Create and amplify alternatives: We co-create art and creative expressions that center and celebrate the hope, optimism, healing and radical imagination that feminist realities inspire.
Build knowledge: We document, demonstrate & disseminate methodologies that will help identify the feminist realities in our diverse communities.
Advance feminist agendas: We expand and deepen our collective thinking and organizing to advance just solutions and systems that embody feminist values and visions.
Mobilize solidarity actions: We engage feminist, women’s rights and gender justice movements and allies in sharing, exchanging and jointly creating feminist realities, narratives and proposals at the 14th AWID International Forum.
The AWID International Forum
As much as we emphasize the process leading up to, and beyond, the four-day Forum, the event itself is an important part of where the magic happens, thanks to the unique energy and opportunity that comes with bringing people together.
We expect the next Forum to:
Build the power of Feminist Realities, by naming, celebrating, amplifying and contributing to build momentum around experiences and propositions that shine light on what is possible and feed our collective imaginations
Replenish wells of hope and energy as much needed fuel for rights and justice activism and resilience
Strengthen connectivity, reciprocity and solidarity across the diversity of feminist movements and with other rights and justice-oriented movements
These transgender women were murdered because of their activism and their gender identity. There are insufficient laws recognizing trans* rights, and even where these laws exist, very little is being done to safeguard the rights of trans* people. Please join AWID in honoring these defenders, their activism and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days.
Please click on each image below to see a larger version and download as a file
Thank you for co-creating Feminist Futures with us!
A big THANK YOU for being part of the 2016 AWID Forum!
Thank you to all of you who have joined us, physically or virtually, for the past four days of learning, celebrating, envisioning, dreaming and building our Feminist Futures together at the 2016 AWID Forum!
We are incredibly inspired, amazed, and re-energized by all the collective work we have done together in creating our diverse futures.
AWID’s Tribute is an art exhibition honouring feminists, women’s rights and social justice activists from around the world who are no longer with us.
In 2020, we are taking a turn
This year’s tribute tells stories and shares narratives about those who co-created feminist realities, have offered visions of alternatives to systems and actors that oppress us, and have proposed new ways of organising, mobilising, fighting, working, living, and learning.
49 new portraits of feminists and Women Human Rights Defenders (WHRDs) are added to the gallery. While many of those we honour have passed away due to old age or illness, too many have been killed as a result of their work and who they are.
This increasing violence (by states, corporations, organized crime, unknown gunmen...) is not only aimed at individual activists but at our joint work and feminist realities.
The stories of activists we honour keep their legacy alive and carry their inspiration forward into our movements’ future work.
The portraits of the 2020 edition are designed by award winning illustrator and animator, Louisa Bertman.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these activists and WHRDs and forging efforts to ensure justice is achieved in cases that remain in impunity.
“They tried to bury us. They didn’t know we were seeds.” - Mexican Proverb
The Tribute was first launched in 2012
It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away at AWID’s 12th International Forum, in Turkey. It now lives as an online gallery, updated every year.
WE-Change: faire entendre les voix des femmes LBT dans les Caraïbes
Dans les Caraïbes, le plaidoyer en faveur de la reconnaissance et du respect des droits des personnes lesbiennes, gaies, bisexuelles et trans* (LGBT) s’effectue dans un climat homophobe, transphobe et non-inclusif.
L’organisation Women’s Empowerment for Change - WE-Change (l’autonomisation des femmes pour le changement), membre de l’AWID depuis sa création en mai 2015, œuvre pour sensibiliser et défendre les droits des femmes lesbiennes, bisexuelles et trans* (LBT) en Jamaïque et dans les Caraïbes. Cette organisation communautaire est dirigée par des femmes. Sur la base du constat que la majorité des espaces dédiés à la sensibilisation en faveur des personnes lesbiennes, gaies, bisexuelles et trans* (LGBT) sont dominés par et centrés sur les hommes et que les femmes y sont souvent marginalisées, une vingtaine de femmes LBT ont créé WE-Change, avec l’objectif de renforcer le mouvement des femmes au sein de la communauté LGBT et d’augmenter la participation des femmes LBT aux actions de plaidoyer et de sensibilisation en faveur de la justice sociale en Jamaïque et dans la région.
« De plus en plus de personnes lesbiennes, gaies, bisexuelles et trans* (LGBT) se mobilisent pour faire valoir leurs droits, pour l’égalité devant la loi, pour l’équité en matière de services et de protection sociale et exigent d’être traitées avec la dignité qui leur est due. Je suis une de ces personnes LGBT et je m’engage en faveur de l’élimination de tout forme de stigmatisation et de discrimination contre ma communauté en général et contre les femmes de ma communauté en particulier. » Latoya Nugent, Co-fondatrice et Directrice associée de WE-Change
Deux mois à peine après sa création, le groupe a déjà organisé des ateliers de formation sur les aspects juridiques de la violence domestique, une formation de formatrices sur la manière de traiter et de répondre à la violence basée sur le genre et à la violence dans les relations intimes, ainsi qu’une formation sur la loi relative à la violence domestique. Ces sessions ont été co-organisée avec le Jamaica Forum of Lesbians, All-Sexuals and Gays ou J-FLAG (forum jamaïcain des personnes lesbiennes, bisexuelles et gaies). Découvrez ce que les participantes en ont pensé. (en anglais)
« WE-Change envisage une société où les droits de chaque personne sont reconnus, respectés, et protégés et où les responsables et le personnel soignant s’engagent à créer un environnement propice dans lequel chaque personne peut contribuer au développement durable de la Jamaïque. »
En parallèle de la création d’espaces alternatifs et sécurisants pour que la communauté LBT puisse s’exprimer et pour faire reculer l’homophobie et la transphobie, WE-Change promeut également le souci de soi et le bien-être grâce à des cours de danse, de yoga et des sessions de fitness intensives. Pendant les ‘dancerobics’ par exemple, les participantes ont pu apprendre « des mouvements de danse sur les nouveaux tubes de soca et de dancehall ». Pour célébrer l’amour pendant la #Pride2015, les femmes de WE-Change ont réalisé cette vidéo (en anglais) car #LoveWins (l’amour triomphe) !
Nana Adjoa Sifa Amponsah, une jeune femme ghanéenne, rêve d'une « société dans laquelle les jeunes diplômées seraient fières d'être des agro-entrepreneuses – entrepreneuses du secteur agricole – et où la petite agriculture serait rémunérée à sa juste valeur ». Elle est convaincue de la capacité des agro-entrepreneuses à faire évoluer et à stimuler l'économie du Ghana, qui pourrait ainsi « produire une nourriture saine et un secteur agricole prospère ».
« Je suis convaincue du fait que l'agriculture est un secteur qui, à lui seul, peut apporter beaucoup à la résolution des problèmes mondiaux les plus pressants : le chômage, l'insécurité alimentaire, la pauvreté, la faim et la malnutrition. »
Titulaire d'un diplôme d'entrepreneuse sociale de l'Institute of Social Entrepreneurs (aujourd'hui appelé Kanthari), en Inde, Nana possède une expérience de terrain dans les domaines de la sécurité alimentaire, du management stratégique et de l'agriculture en Afrique, en Asie et en Europe. Aujourd'hui, Nana est une experte de la gestion de projet qui a lancé de nombreux projets et programmes visant à l’obtention de changements durables. Elle est également spécialisée dans les activités de levée de fonds et de planification d'évènements et de projets.
Actuellement, Nana est la présidente de la Direct Impact Foundation, une organisation implantée au Ghana qui vise à combler le fossé entre éducation urbaine et éducation rurale. Elle est également à l’initiative de la création de Guzakuza, une entreprise sociale qui a vocation à concilier agriculture et entrepreneuriat pour favoriser l'épanouissement d'une mentalité agro-entrepreneuriale. Guzakuza est un mot swahili que l’on pourrait traduire par « des pépinières qui changent la vie ». Nana y voit une approche susceptible de résoudre les problèmes les plus pressants, approche qu’elle désigne aussi par l’expression « solution PDF » (Plaidoyer, Coopératives et Formation).
« Je reviens toujours à la même question : quel est véritablement le grand changement que nous devons espérer ? Comment allons-nous nourrir une population qui atteindra les 9 milliards de personnes en 2050 si nous sommes tous et toutes des avocat-e-s, des médecins et des ingénieur-e-s ? »
Nana est membre de l'AWID depuis début 2014. Elle adore voyager, écrire et cuisiner. Ses deux grandes passions sont la photographie et l'agriculture.
Écoutez Nana vous présenter ses rêves.
Vous en apprendrez plus sur la « solution PDF » (en anglais).
Nana Adjoa Sifa Amponsah, a young woman from Ghana, dreams of “a society where young women graduates are proud to be ‘agripreneurs’, agricultural entrepreneurs, and where the smallholder farmer gets value for money”.
She is confident that women agripreneurs will influence and drive Ghana's economy, “grow healthy food and wealthy farmers”.
“I strongly believe that agriculture is one single sector that can help reduce five of the world's most pressing problems which are unemployment, food insecurity, poverty, hunger and malnutrition.”
A certified social entrepreneur from the India-based Institute of Social Entrepreneurs (now called Kanthari), Nana has direct field experience in food security, strategic management and agriculture in Africa, Asia and Europe. Over the years, Nana has become a project management expert and has initiated numerous projects and programs that help create lasting change. Nana is also skilled in fundraising and events and projects planning.
Currently, Nana is the President of Direct Impact Foundation in Ghana, an organization aiming to bridge the gap between rural and urban education. She is also an initiator of Guzakuza, a social enterprise committed to combining agriculture and entrepreneurship to create agrpreneurial mindsets. Guzakuza is a Swahili word meaning ‘grow to touch lives’. She sees it as an approach to tackle the most pressing problems, calling it ‘solution ACT’ which stands for Advocacy, Cooperatives, and Training.
“The big question I keep asking is what would be the greatest change? How do we feed the population on track to 9 billion in 2050 if we are all lawyers, doctors and engineers?”
Nana has been a member of AWID since early 2014. She loves to travel, write and cook and is passionate about photography and farming.
Listen to her “Dream Speech” where you can also find out more about ‘solution ACT’.
Nana Adjoa Sifa Amponsah, una joven de Ghana, sueña con «una sociedad en la que las jóvenes que se gradúan sientan orgullo de ser 'agroemprendedoras' a cargo de emprendimientos agrícolas y en la que haya una buena relación precio-calidad para los productos de la agricultura a pequeña escala».
Nana confía en que las agroemprendedoras lograrán influir sobre la economía de Ghana e impulsarla, «produciendo alimentos saludables y campesinas ricas».
«Creo firmemente que si hay un sector que puede ayudar a reducir cinco de los problemas más urgentes del mundo —desempleo, inseguridad alimentaria, pobreza, hambre y desnutrición— es la agricultura».
Emprendedora social certificada por el Institute of Social Entrepreneurs [Instituto de Emprendedores Sociales, ahora conocido como Kanthari], Nana tiene experiencia directa de campo en seguridad alimentaria, gestión estratégica y agricultura adquirida en África, Asia y Europa. Con los años, Nana se ha convertido en una experta en gestión de proyectos y ha generado muchos proyectos y programas que ayudan a generar cambios duraderos. También está capacitada en movilización de recursos y en planificación de eventos y proyectos.
En la actualidad, Nana es la Presidenta de Direct Impact Foundation [Fundación Impacto Directo], una organización con sede en Ghana que se propone cerrar la brecha educativa entre las zonas rurales y las urbanas. También es la creadora de Guzakuza, un emprendimiento social que combina la agricultura y el espíritu emprendedor para generar mentalidades agroemprendedoras. Guzakuza es una palabra suajili que significa «cultivar para cambiar vidas». Para Nana, se trata de un enfoque para hacer frente a los problemas más urgentes, al que por su sigla en inglés ella llama ‘la solución ACT’ (incidencia , cooperativas y capacitación).
«La pregunta más importante que hago todo el tiempo es ¿cuál sería el cambio más profundo? ¿Cómo vamos a alimentar a una población que se estima será de 9 mil millones en 2050 si somos todas abogadas, médicas e ingenieras?»
Nana está afiliada a AWID desde comienzos de 2014. Le gusta viajar, escribir y cocinar, y le apasionan la fotografía y la agricultura.
Escucha su “Dream Speech” [Discurso sobre mi sueño] (en inglés) en el que podrás encontrar más información sobre la ‘solución ACT’.
"Nuestra voz” para promover el bienestar social, cultural y económico de las mujeres y las niñas
La Floraison fue fundada en 2008 y su misión es movilizar, reunir y brindar apoyo a mujeres jóvenes activistas por los derechos humanos en el territorio de Fizi[1] –un área rural de la provincia de Kivu del Sur en la República Democrática del Congo– con el propósito de fomentar el bienestar social, cultural y económico de estas jóvenes. Su misión forma parte una visión más amplia para el surgimiento de un nuevo grupo de jóvenes preocupadas por su desarrollo y firmemente decididas a convertirse en agentes de progreso sociocultural y económico en su entorno. Así surgió el eslogan “Mujeres jóvenes al servicio de la comunidad”, que ha sido parte de la asociación desde su lanzamiento.
“Sacrifiqué todo mi tiempo para servir a las personas más vulnerables, en especial a las mujeres víctimas de violencia sexual”, Magdeleine Rusia Abwe, asistente psicosocial de uno de los proyectos de La Floraison.
La organización trabaja desde un enfoque al que denomina “Nuestra voz” y que incluye la concienciación y la información a través de una radio, un grupo de teatro y un periódico comunitarios, así como la incidencia y la movilización de recursos para los grupos de mujeres. ‘Nuestra voz’ es prueba de nuestro apoyo y compromiso con la construcción de un mundo sin violencia”, afirma Loy Honore, fundadora de La Floraison.
Un centro de atención para sobrevivientes de violencia sexual y de género
Desde hace tres años, La Floraison apoya la atención psicosocial y la reintegración socioeconómica de las mujeres y las niñas sobrevivientes de violencia sexual y de género en centros de salud de Nemba, Katenga y Rubana, en el territorio de Fizi. A través de los centros de atención, el proyecto busca informar a las comunidades sobre la violencia sexual contra las mujeres y las niñas, los servicios disponibles y los derechos de las mujeres y su implementación legal. La iniciativa se propone también asesorar a las víctimas, derivarlas a servicios médicos y de apoyo legal y asegurar su reintegración económica a través de las Asociaciones Aldeanas de Ahorro y Préstamo, a la vez que fortalece el activismo comunitario contra la violencia de género.
Además de documentar, asesorar, apoyar y derivar a las sobrevivientes de violencia sexual y de género, La Floraison media entre las sobrevivientes que han sido rechazadas y sus familias. Como complemento, el proyecto incluye la divulgación entre la comunidad sobre la violencia sexual y de género a través de la creación de comités de vigilancia y alerta, la resolución de conflictos sociales y comunitarios y la promoción y defensa de los derechos de las mujeres.
“A través del grupo encontré algo más valioso que el dinero: ¡la solidaridad!”
Una joven burundiana de 17 años sobreviviente de violencias y beneficiaria del apoyo de La Floraison, cuenta su historia:
“A los 15 años di a luz a mi primer hijo con un viejo buen cliente que le ofreció una vaca a mi madre. La brutalidad de ese viejo borracho –me propinaba golpizas y amenazas de muerte– no daban un momento de paz en el hogar. Volví a la casa de mi madre, pero ella no aprobó mi comportamiento. En octubre de 2013, un congoleño mucho mayor que yo, de más de 49 años, planteó la necesidad de llevarme con él a la República Democrática del Congo. Mi madre dio su permiso para el matrimonio sin consultarme y el pretendiente entregó 3 cabras y 2 pares de taparrabos[2] como dote.
Cuando llegamos a la RDC, descubrí que él tenía tres esposas y que yo me había converitdo en la cuarta; él tenía hijos mayores que yo. Al cabo de un mes las tres primeras esposas no me querían en la parcela de tierra. El esposo me abandonó sin ningún apoyo. Fui a ver al jefe de la aldea pero estaba la barrera del idioma. Sin comida ni medios de superviviencia, empecé a cultivar para otras personas para poder comer. Cuando mi esposo se enteraba de que yo estaba trabajando para alguien, venía y los amenazaba diciendo que yo era su esposa y que nadie podía usarme sin su consentimiento. Yo no entendía nada porque todo sucedía en un idioma que no comprendo. Muchas personas tenían miedo de darme trabajo. Un día, tres hombres llegaron a mi hogar desprotegido alrededor de la medianoche. Me violaron uno a uno. Uno de ellos oyó mis gritos en kirundi –él también era de Burundi– y le pidió a sus amigos que me dejaran vivir. Me aconsejó que huyera porque mi esposo planeaba matarme. Por la mañana, los vecinos vinieron a rescatarme.
No Ie dije a nadie lo que me había sucedido esa noche –la violación– porque de acuerdo con nuestras costumbres, si los demás saben que has sido violada, ya nadie querrá casarse contigo. A la luz de estas amenazas, el jefe de la aldea me llevó a su casa y la policía empezó a investigar. No era fácil ayudarme porque estaba en la RDC ilegalmente, pero empezaron a buscar a mi esposo. Mi vida se volvió muy difícil porque para sobrevivir había vendido todo lo que tenía, y también las cosas de mi hijo. Le pedí al jefe de la aldea que me enviara a Burundi. Eso costaba más de $30, y no era fácil.
Un día, una mujer que trabajaba en el centro de salud vino a verme y me dijo que fuera al centro de salud para una cita privada. Yo tenía miedo, pero cuando llegué al lugar, ella me recibió con mucha amabilidad, me reconfortó, pero yo estaba muy conmovida y la reunión no pudo tener lugar a causa de mi llanto. Me dio una nueva cita, y esa vez le conté todo lo sucedido desde el principio en Burundi. También me vio la enfermera y fui a Sebele[3] para que me atendieran. Ella me ayudó mucho, con asesoramiento y visitas, aunque yo no hablaba swahili fluidamente. Yo iba a verla al centro de salud y un día fue conmigo a la estación de policía para ver cómo iba mi caso y le pidió al funcionario policial que facilitara mi repatriación a Burundi.
Ella también me recomendó que me uniera a un grupo de ahorro y crédito fundado en la aldea ya que así podría recibir un préstamo y hacer pequeñas transacciones comerciales. A través del grupo encontré algo más valioso que el dinero: ¡la solidaridad! No sabía que podría encontrar personas tan generosas a mi lado, en especial durante momentos tan duros. Recibí un pequeño préstamo de 16.000FC, que me permite vender pescado (12.000FC) y harina de maíz (4.000FC). Ya no moriré de hambre.
Mentalmente me siento bien, pero todavía necesito regresar a mi país a vivir con mi madre”.
[1] El territorio de Fizi incluye cuatro comunidades rurales, 27 grupos, 142 pueblos y 1634 aldeas. La infraestructura es insuficiente, en especial para la educación, la salud, el empleo, el transporte y la recreación. El área carece de electricidad y pocos hogares tienen acceso a agua potable y a saneamiento adecuado.
« Notre voix » pour améliorer le bien-être social, culturel et économique des femmes et des filles
Créée en 2008, La Floraison se donne pour mission de mobiliser, consolider et appuyer les énergies de jeunes femmes activistes des droits humains dans le territoire de Fizi[1], zone rurale de la province du Sud-Kivu en République démocratique du Congo, afin d’améliorer leur bien-être social, culturel et économique. Sa mission s’inscrit dans le cadre d’une vision plus globale de l’éclosion d’une nouvelle catégorie de jeunes femmes soucieuses de leur développement et résolument engagées à être des actrices de progrès socioculturel et économique dans leur environnement. C’est ainsi qu’est né le slogan « Jeunes femmes au service de la communauté », porté par l’association depuis sa création
« Je me suis sacrifiée à passer tout mon temps au service des vulnérables et surtout des femmes victimes de violences sexuelles», Magdeleine Rusia Abwe, assistante psychosociale dans le cadre d’un des projets de La Floraison.
L’organisation utilise une approche qu’elle intitule « Notre voix », qui va de la sensibilisation et l’information via une troupe théâtrale, un journal écrit et des radios communautaires, au plaidoyer et à la mobilisation des ressources de groupements féminins. « « Notre voix » est la preuve de notre souci et de notre engagement vers un monde sans violence », dit Loy Honore, Fondatrice de La Floraison.
Une maison d’écoute pour les survivantes de violences sexuelles et basées sur le genre
Depuis trois ans, La Floraison appuie la prise en charge psychosociale et la réinsertion socioéconomiques des femmes et des filles qui ont survécu aux violences sexuelles et basées sur le genre, dans les aires de santé de Nemba, Katenga et Rubana, en territoire de Fizi. Dans le cadre d’une maison d’écoute, ce projet cherche à informer les communautés sur les violences sexuelles faites aux femmes et aux filles, les services disponibles, les droits des femmes et leur cadre légal d’exécution, ainsi qu’à fournir aux victimes un accompagnement, une orientation vers des services de soutien médical et juridique et assurer leur réinsertion économique à travers des Associations Villageoises d’Epargne et de Crédit (AVEC), tout en renforçant l’activisme communautaire contre les violences basées sur le genre.
En plus des activités d’identification, d’écoute, de soutien et d’orientation des survivantes de violences sexuelles et basées sur le genre, La Floraison assure une médiation entre les survivantes qui ont été rejetées et leurs familles. De façon complémentaire, le projet comprend des activités de sensibilisation communautaire sur les violences sexuelles et basées sur le genre, la création et le renforcement de Comités d’Alerte et de Surveillance, la résolution de conflits sociaux et communautaires et la consolidation d’un plaidoyer en faveur des droits des femmes.
« Au sein du groupe, j’ai trouvé quelque chose qui dépasse même l’argent : la solidarité ! »
Une survivante burundaise de la violence, âgée de 17 ans et bénéficiaire de l’assistance proposée par La Floraison, raconte son histoire :
« A 15 ans, j’ai mis au monde mon premier enfant avec un vieux et fidèle client qui a proposé une vache à ma mère. Le comportement brutal de ce vieux soulard – coups, menaces de mort – n’a pas permis une entente dans le foyer. Je suis rentrée à la maison mais ma mère n’a pas été satisfaite de ma réaction. En octobre 2013, un vieil homme congolais âgé de plus de 49 ans a voulu m’amener avec lui en RDC, ma mère a donné son accord pour me marier sans me demander mon avis et le prétendant lui a remis 3 chèvres et deux paires de pagnes[2] pour ma dot.
Quand nous sommes arrivés en RDC, j’ai trouvé qu’il avait 3 femmes et que j’étais devenue la quatrième ; il avait des enfants plus âgés que moi. Après un mois, les trois premières femmes n’ont pas accepté que je reste dans la parcelle agricole. Le mari m’a abandonnée sans aucun soutien. Je suis allée voir le chef de village mais la communication a posé problème en raison de la différence de langue. Sans ration ni moyen de survie, j’ai commencé à cultiver pour les gens pour que je puisse manger. Quand mon mari apprenait que je travaillais pour quelqu’un, il venait le menacer en disant que j’étais son épouse et que personne ne pouvait m’utiliser sans son consentement. Je ne comprenais rien car tout se passait dans une langue que je ne comprends pas. Plusieurs personnes avaient peur de me faire travailler. Un jour, trois hommes se sont introduits dans ma maison non protégée vers minuit. Ils m’ont violée à tour de rôle. L’un d’eux a entendu mes cris en Kirundi – il était aussi burundais – et a demandé à ses amis de me laisser en vie. Il m’a conseillée de partir car mon mari avait l’intention de me tuer. Le matin, les voisins sont venus à mon secours.
Je n’ai dit à personne ce qui m’est arrivée cette nuit – le viol – car selon nos coutumes, si l’entourage apprend que vous avez subi le viol, personne ne peut plus se marier avec vous. Au vu de ces menaces, le chef de village m’a installée chez lui et la police est venue faire des investigations. Ça n’a pas été facile de m’assister car j’étais installée illégalement en RDC, mais ils ont commencé à chercher mon mari. Ma vie était devenue très difficile car j’avais déjà vendu tous les biens que j’avais pour ma survie et celle de mon enfant. J’ai demandé au chef de village de me faire partir au Burundi, il fallait plus de 30$, ce n’était pas facile.
Un jour, une femme travaillant au centre de santé est venue me chercher et m’a demandé de venir au centre de santé pour un entretien en privé. J’avais peur, mais lorsque je suis arrivée sur le lieu, elle m’a très bien accueillie, elle m’a rassurée, mais l’émotion était si grande que les pleurs n’ont pas permis un entretien libre. Elle m’a donnée un nouveau rendez-vous et cette fois-là, je lui ai révélé tout ce qui m’est arrivée à partir du Burundi. L’infirmier m’a aussi reçu et je suis allée à Sebele[3] pour les soins. Elle m’a beaucoup aidée par des conseils et des visites, même si je ne parle pas convenablement le Swahili. Je passais la voir au centre de santé et un jour elle m’a accompagnée au poste de la police pour suivre le déroulement de mon dossier et a demandé à la police de faciliter mon rapatriement vers le Burundi.
Elle m’a aussi conseillée de rejoindre un groupe d’épargne et crédit créé dans le village pour que je puisse bénéficier du crédit pour me permettre de mener des petites activités commerciales. Au sein du groupe, j’ai trouvé quelque chose qui dépasse même l’argent : la solidarité ! Je ne savais pas que je pouvais trouver des personnes généreuses à mes côtés surtout pendant ces moments de dures épreuves. J’ai eu un petit crédit de 16000FC qui me permet de commercialiser les fretins (12000FC) et la farine de maïs (4000FC). Je ne peux plus mourir de faim.
Mentalement je me sens bien, mais j’ai encore besoin de regagner mon pays pour vivre avec ma mère. »
[1] Le territoire de Fizi comprend quatre collectivités rurales, 27 groupements, 142 localités et 1.634 villages. Ses structures de base sont en mauvais état, notamment pour l’éducation, la santé, l’emploi, les transports et les loisirs. La région n’est pas électrifiée et peu de ménages disposent d’un accès à l’eau potable et aux infrastructures hygiéniques appropriées.
“Our voice” to advance the social, cultural and economic well-being of women and girls
Founded in 2008, La Floraison’s mission is to mobilize, convene and support young women human rights activists in Fizi territory[1], a rural area in the South Kivu province of the Democratic Republic of Congo, to advance their social, cultural and economic wellbeing. Its mission is part of a broader vision for the emergence of a new group of young women concerned about their development and resolutely committed to becoming agents of sociocultural and economic progress within their environment. This brought about the slogan “Young women serving the community” which has been part of the association since its launch.
“I sacrificed all of my time to serve the most vulnerable, especially women victims of sexual violence,” Magdeleine Rusia Abwe, psychosocial assistant of one of the Floraison projects.
The organization uses an approach they call ‘Our Voice’ which ranges from awareness-building and information-sharing via a theatrical troupe, a newspaper and community radio, to advocacy, and mobilizing resources for women’s groups. ‘Our Voice’ is proof of our support and engagement toward a world without violence,” says Loy Honore, founder of La Floraison.
A counseling center for survivors of sexual and gender-based violence
For three years, La Floraison has supported the psychosocial care and socioeconomic reintegration of women and girls who are survivors of sexual and gender-based violence within the Nemba, Katenga and Rubana health centers in Fizi territory. Through the counselling center the project seeks to inform communities about sexual violence against women and girls, available services, and women’s rights and their legal implementation, as well as provide victims with counseling, referral to medical and legal support services and ensure their economic reintegration through Village Saving and Lending Associations (VSLA), while strengthening community activism against gender-based violence.
In addition to documenting, counselling, supporting, and providing referrals to survivors of sexual and gender-based violence, La Floraison mediates between survivors who have been shunned and their families. To compliment, the project includes community outreach on sexual and gender-based violence, creating and strengthening Committees for Surveillance and Alert, social and community conflict resolution, and women’s rights advocacy.
“Through the group, I found something worth more than money: solidarity!”
A 17 year old Burundian survivor of violence, and beneficiary of La Floraison support, tells her story:
“At 15, I gave birth to my first child with an old loyal client who offered a cow to my mother. The brutality of that old drunkard – beatings, death threats – wouldn’t allow for a moment’s peace at home. I came home but my mother wasn’t pleased with my behaviour. In October 2013, an old Congolese man, older than 49, presented the need to bring me to the DRC with him, my mother gave him her permission for marriage without asking me and the suiter gave 3 goats and 2 pairs of loincloths[2] as my dowry.
When we arrived in the DRC, I found out that he had 3 wives and that I had become the fourth; he had children older than me. After a month, the three first wives didn’t want me on the plot of land. The husband abandoned me without any support. I went to see the village chief but there was a language barrier. Without any ration or means of survival, I started to cultivate for people so that I could eat. When my husband learned that I was working for someone, he would come and threaten them by saying that I was his wife and that no one could use me without his consent. I did not understand anything because everything was happening in a language I don’t understand. Many people were scared to give me work. One day, three men came to my unprotected home around midnight. They raped me one by one. One of them heard my screams in Kirundi – who was also Burundian – and asked his friends to let me live. He advised me to leave because my husband was planning to kill me. In the morning, the neighbours came to my rescue.
I didn’t tell anyone what happened to me that night – the rape – because according to our customs, if others find out that you have been raped, no one can marry you any longer. In light of these threats, the village chief brought me to his home and the police came to investigate. It was not easy to help me because I was in the DRC illegally, but they began to look for my husband. My life became very difficult because I had already sold all of the goods I had for survival, and those of my child. I asked the village chief to send me to Burundi. That cost more than $30, it was not easy.
One day, a women working at the health centre came to look for me and asked me to come to the health centre for a private meeting. I was scared, but when I arrived at the location, she welcomed me very kindly, she reassured me, but I was so emotional and the meeting couldn’t take place because of all my crying. She gave me a new meeting, and this time, I told her everything that happened beginning from Burundi. The nurse also saw me and I went to Sebele[3] for care. She helped me a lot, with counselling and visits, even though I don’t speak fluent Swahili. I would go and see her at the health center and one day she came with me to the police station to follow-up on the progress of my case and asked the police officer to facilitate my repatriation to Burundi.
She also recommended that I join a savings and credit group founded in the village so that I could receive a loan to conduct small business transactions. Through the group, I found something worth more than money: solidarity! I didn’t know that I could find such generous people by my side, especially during such hardship. I received a small loan of 16,000FC, which allows me to sell fry (12,000FC) and corn flour (4,000FC). I can’t starve to death anymore.
Mentally, I feel good, but I still need to return to my country to live with my mother.”
[1] Fizi territory includes four rural communities, 27 groups, 142 towns and 1,634 villages. The infrastructure is in poor condition, particularly for education, health, employment, transportation and recreation. The area lacks electricity and few households have access to potable water and proper sanitation.
Ultra conservative actors have developed a number of discourses at the international human rights level that call on arguments manipulating religion, culture, tradition, and national sovereignty in order to undermine rights related to gender and sexuality.
Anti-rights actors have increasingly moved away from explicitly religious language. Increasingly, we see regressive actors - who may previously have derided human rights concepts - instead manipulating and co-opting these very concepts to further their objectives.
Protection of the family
This emerging and successful discourse appears innocuous, but it functions as a useful umbrella theme to house multiple patriarchal and anti-rights positions. The ‘protection of the family’ theme is thus a key example of regressive actors’ move towards holistic and integrated advocacy.
The language of ‘protection of the family’ works to shift the subject of human rights from the individual and onto already powerful institutions.
It also affirms a unitary, hierarchical, and patriarchal conception of the family that discriminates against family forms outside of these rigid boundaries. It also attempts to change the focus from recognition and protection of the rights of vulnerable family members to non-discrimination, autonomy, and freedom from violence in the context of family relations.
The Right to Life
The Holy See and a number of Christian Right groups seek to appropriate the right to life in service of an anti-abortion mission. Infusing human rights language with conservative religious doctrine, they argue that the right to life, as set out in the Universal Declaration of Human Rights and the International Covenant on Civil and Political Rights, applies at the moment of conception.
The discourse has no support in any universal human rights instrument. Yet this is an appealing tactic for anti-rights actors, because the right to life cannot be violated under any circumstances and is a binding legal standard.
Sexual rights
Anti-rights actors use a number of rhetorical devices in their campaign to undermine sexual rights: they argue that sexual rights do not exist or are ‘new rights,’ that they cause harm to children and society, and/or that these rights stand in opposition to culture, tradition or national laws.
Conservative actors engaged in advocacy at the UN attack the right to comprehensive sexuality education from several directions. They claim that CSE violates ‘parental rights’, harms children, and that it is not education but ideological indoctrination. They also claim that comprehensive sexuality education is pushed on children, parents, and the United Nations by powerful lobbyists seeking to profit from services they provide to children and youth.
Attempts to invalidate rights related to sexual orientation and gender identity have proliferated. Ultra conservative actors argue that application of long-standing human rights principles and law on this issue constitutes the creation of ‘new rights’; and that the meaning of rights should vary radically because they should be interpreted through the lens of ‘culture’ or ‘national particularities.’
Reproductive Rights
Christian Right organizations have been mobilizing against reproductive rights alongside the Holy See and other anti-rights allies for several years. They often argue that reproductive rights are at heart a form of Western-imposed population control over countries in the global South. Ironically, this claim often originates from U.S. and Western Europe-affiliated actors, many of whom actively work to export their fundamentalist discourses and policies.
Regressive actors also cite to ‘scientific’ arguments from ultra-conservative think tanks, and from sources that rely on unsound research methodologies, to suggest that abortion causes an array of psychological, sexual, physical, and relational side effects.
Protection of children and parental rights
Just as anti-rights actors aim to construct a new category of ‘protection of the family,’ they are attempting to construct a new category of ‘parental rights,’ which has no support in existing human rights standards.
This discourse paradoxically endeavours to use the rights protections with which children are endowed, as articulated in the Convention on the Rights of the Child, to support the rights of parents to control their children and limit their rights.
Violence against women
Increasingly, anti-rights actors are attempting to infiltrate and subvert standards and discourses developed by women human rights defenders, such as violence against women (VAW).
At the Commission on the Status of Women and other spaces, one rhetorical move is to treat VAW as a concept in which to embed anti-reproductive rights and patriarchal arguments. Ultra conservative actors, for example, have argued that non-heteronormative or traditional intimate partner relationships are a risk factor for violence, and emphasize that fathers are necessary to protect families from violence.
Gender and ‘gender ideology’
The Holy See has set off a sustained critique of gender, ‘gender ideology’, ‘gender radicals,’ and gender theory, and anti-rights actors often read the term as code for LGBTQ rights. Gender is used by the religious right as a cross-cutting concept that links together many of their discourses. Increasingly, the hysteria on this subject fixates on gender identity and trans rights.
Complementarity and human dignity
Complementarity of the sexes is a discourse employed by a number of ultra-conservative actors today. Its rhetoric is structured around an assumption of difference: men and women are meant to have differing but complementary roles in marriage and family life, and with respect to their engagement in the community and political and economic life.
Reference to ‘natural’ roles is meant to fundamentally reject universal human rights to equality and non-discrimination.
It is also used to justify State and non-State violations of these rights, and non-compliance with respect to State obligations to eliminate prejudices and practices based on stereotyped roles for men or women.
National sovereignty and anti-imperialism
This discourse suggests that national governments are being unjustly targeted by UN bodies, or by other States acting through the UN. This is an attempt to shift the subject of human rights from the individual or marginalized community suffering a rights violation to a powerful and/or regressive institution - i.e. the state, in order to justify national exceptions from universal rights or to support state impunity.
Religious freedom
Anti-rights actors have taken up the discourse of freedom of religion in order to justify violations of human rights. Yet, ultra-conservative actors refer to religious freedom in a way that directly contradicts the purpose of this human right and fundamentally conflicts with the principle of the universality of rights. The inference is that religious liberty is threatened and undermined by the protection of human rights, particularly those related to gender and sexuality.
The central move is to suggest that the right to freedom of religion is intended to protect a religion rather than those who are free to hold or not hold different religious beliefs.
Yet under international human rights law, the right protects believers rather than beliefs, and the right to freedom of religion, thought and conscience includes the right not to profess any religion or belief or to change one’s religion or belief.
Cultural rights and traditional values
The deployment of references to culture and tradition to undermine human rights, including the right to equality, is a common tactic amongst anti-rights actors. Culture is presented as monolithic, static, and immutable, and it is is often presented in opposition to ‘Western norms.’
Allusions to culture by anti-rights actors in international policy debates aim to undermine the universality of rights, arguing for cultural relativism that trumps or limits rights claims. Regressive actors’ use of cultural rights is founded on a purposeful misrepresentation of the human right. States must ensure that traditional or cultural attitudes are not used to justify violations of equality, and human rights law calls for equal access, participation and contribution in all aspects of cultural life for all, including women, religious, and racial minorities, and those with non-conforming genders and sexualities.
Subverting ‘universal’
Anti-rights actors in international policy spaces increasingly manipulate references to universal or fundamental human rights to reverse the meaning of the universality of rights.
Rather than using the term universal to describe the full set of indivisible and interrelated human rights, ultra conservative actors employ this term to instead delineate and describe a subset of human rights as ‘truly fundamental.’ Other rights would thus be subject to State discretion, ‘new’ rights or optional. This discourse is especially powerful as their category of the truly universal remains unarticulated and hence open to shifting interpretation.
I pray with my family for the first time in six years while wrapped in a keffiyah I scavenged from a dumpster.
Since coming into myself, I have refused to pray in jamaat with my family. Joining in the ranks of hierarchy, “women” behind “men” irks me. It grates my skin and teeth to the degree where I can’t focus, and the standing, bowing, and kneeling feels like a battle against my true being. Each second listening, a betrayal of my nature. Instead, I pray by myself in my own way.
Yet this Ramadan, I feel different. Back in my childhood home after many years, I am choosing to fast. I choose suhoor with my family, and praying together feels like a natural extension of eating together. After eating, my mother, father, brother and I line up for fajr.
I pray behind Baba, but my prayer is my own. I close my eyes, staying with my breath and my body.
My eyes closed, I open my inner sight to a wide open window on a vista of mountains, bright sun spreading over a light mist of clouds. This was the view I had while praying in jamaat at a queer Muslim wedding I attended in the mountains of the South of France last September.
I lined up with the wedding guests, queer and trans folks of North and West African, Arab, and European descent. Folks of all faiths joined while some chose to stand in respect at the sides or behind. The groups did not fall along fault lines of “Muslim” or “non-Muslim,” “religious” or “non religious.” The two lovers marrying each led us in prayer, and so did the Muslim woman officiating the nikkah. Each of the three led us in two rounds of prayers, two raqat.
I showed up as I was, my body uncovered. I had not washed. I only passed my camera to a friend who chose to stand at the side.
In the first sujood, I broke down crying. I wore a jean dress that loves my body, one found at a thrift store my ex-girlfriend pointed me to.
The sobs come through my whole body during the prayer, and I put my head to the earth with my community like a homecoming. A return to the embrace of love both intensely personal and communal, and I am held.
It feels like swimming in the sea with multiple people: joyful togetherness. But when you go beneath the water, it’s just you and the current.
Like a dozen people buried in the same graveyard. Separate, but sharing the same soil. Becoming one with the growing earth.
That was how it felt to pray in communion at a queer Muslim wedding.
I welcomed the light of acceptance while showing up as myself that day, with a group of people who had also chosen to claim all the parts of themselves in love. That light made a home in me, and it illuminates my heart in the dark living room at fajr this Ramadan morning. Though I pray with my birth family who do not accept all of me, I see myself praying in jamaat at that glorious wedding with all of my queer Muslim ancestors, my queer angels, my lineage, my soul family, my queer Muslim family, all standing in prayer. Bowing as one.
My family’s home does not always feel like my own, though I am here now. I take the bukhoor from room to room, barefoot. Smolder from the censer, an incense that says, “Here I am.” Baraka, blessings from the source of all, Allah and the Goddess to each room in the house, bidding good and dispersing the unbidden.
As I write this the sky turns the same royal blue I am familiar with from exiting the club and pulling all-nighters. It is the gradient of morning I step into as I go to sleep.
Word meanings:
Ramadan: the Muslim holy month, traditionally observed with 29 days of fasting without food or water during daylight hours
Keffiyah: a patterned scarf common in the SWANA region. The black and white version referred to here is associated with the Palestinian liberation movement
Pray in jamaat: Islamic ritual prayer in a group. Participants follow one person, traditionally male, who calls the prayer aloud.
Suhoor: the meal before the fast starts at dawn
Fajr: the dawn prayer
Baba: father
Raqat: one round of prayer consisting of standing, bowing, kneeling, and pressing the head to the ground
Sujood:the prayer position when one presses one’s head to the earth
Nikkah: the religious marriage ceremony
Bukhoor: an Arabic incense, woodchips soaked in resin
Pictures of angels in my life, just some women and non-binary people of color hanging out, taking care of themselves and expressing love to each other. It's these simplest moments that are the most empowering.
We transcend time and place, Hand cut found paper (2017)We will remember who we are and We will persist Cotton embroidered hand cut lamé on wool silk cloth (2018)We will return home, Silk embroidered hand cut lamé on cotton velveteen (2018)We will heal in the now, Hand cut silk, wool, lamé, cotton, direct digital print silk satin on linen (2018)
we are infinite
An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum.
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).
About Nicole Barakat
Nicole Barakat is a queer femme, SWANA artist born and living on Gadigal Country (so-called Sydney, Australia). She works with deep listening and intuitive processes with intentions to transform the conditions of everyday life. Her work engages unconventional approaches to art-making, creating intricate works that embody the love and patience that characterises traditional textile practices.
Her works include hand-stitched and hand-cut cloth and paper drawings, sculptural forms made with her own hair, cloth and plant materials as well as live work where she uses her voice as a material.
Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.
Jurema Araújo is a teacher-poet from Rio de Janeiro. She contributed to the magazine Urbana, edited by the poets Brasil Barreto and Samaral (RIP) and to the book Amor e outras revoluções (Love and Other Revolutions) with several other writers. In collaboration with Angélica Ferrarez and Fabiana Pereira, she co-edited O livro negro dos sentidos (The Black Book of Senses), a creative anthology on black women’s sexuality in Brazil. Jurema is 54-years-old; she has a daughter, three dogs, a cat, and many friends.
Suck it with me?
Mango is my favorite fruit.
I open my mouth
and suck it all,
Its flesh caught between my teeth
that turn soft not to hurt it
and I press it between my tongue and the roof of my mouth,
then I take it out to suck on every part of it
with the juice running down my mouth
drenching myself in this tasty nectar
and putting it all in my mouth again
because mango is seed and honey;
it is fiber and flavor.
And when it is over, I am entranced,
honeydewed, sweetened,
my lips all wet.
Ohhh, what is mango for if not for smearing.
Chupa Comigo?
A fruta que eu mais gosto é manga!
Porque eu abro a boca
E meto toda pra chupar!
Se os dentes a prendem
Fazem macio para não machucar
E eu pressiono entre minha língua e meu céu
Depois tiro pra sugar cada parte
Sentindo o caldo escorrer boca afora
Me molhando com esse néctar gostoso
E metendo toda na boca de novo
Pois manga é caroço e é mel,
É fiapo e sabor
E quando acaba, estou extasiada
Melada, docinha
Com os lábios molhados!
Aaahhh, manga é pra se lambuzar!
Introducing The Black Book of Senses
I’ll admit it: when Angélica and Fabi invited me to curate a collection of erotic texts by black women, I didn’t know what curatorship was. I understood the erotic well, but curatorship... I smiled, feeling shy and flattered. I think I thanked them – at least I hope I did – and thought to myself: what the fuck is it?! This fancy word I’ll have to learn the meaning of while doing it, what is it?
Now at this point, I know what it is to be a curator: it is making love with someone else’s texts, with someone else’s art, with the intention of putting a book together. And that is exactly what I did. I undressed each text of every author of this book with a literary lasciviousness. And I got involved in the words and senses of others. I was penetrated by poems I didn’t write; tales I didn’t even dare to imagine turned me upside down, messing with my feelings, with my libido. And it was a wonderful and unusual orgasm: ethereal, corporeal, sublime, at once intellectual and sensitive.
These texts pulsated like a clit hardened by desire, drenched, dripping joy in every reading. Words that swallowed me with their naughty significance, making me dive deeper into this wet universe.
These black women went to the bottom of their arousals and turned their deepest erotic fantasies into art. These works are impregnated with each writer’s own way of experiencing sexuality: freely, blackly, for ourselves, in our own way, empowered.
I chose to spread the texts throughout different parts of the book, each one organized according to the most delicate, explosive, evident, or implicit content they presented.
To open the door to this “invulved blackessence,” we have our Preliminaries section, with texts that introduce readers to this world of delights. It is a more general, delicate caress to acknowledge the subjects addressed by the texts in the rest of the book.
Then comes the heat of Touch, addressing what the skin can feel. That energy which burns or freezes our bodies, makes our hormones explode and starts to awaken the other senses. And although there are many of us who are voyeurs, the contact of skin with a wet and warm mouth is exciting, like wandering through the softness of whomever is with you. We are seduced by the firm or gentle touch that gives us goosebumps and that lovely discomfort that runs from the neck down to the back and only stops the next day. And the warmth of the lips, the mouth, the wet tongue on the skin – oh, the tongue in the ear, hmmm – or skin on skin, clothes moving over the body, almost like an extension of the other’s hand. If there is no urgency, that wildest arousal of the pressure of a tight grab, a bit of pain – or a lot, who knows?
The Sound – or melody? – section shows us that attraction also happens through hearing: the voice, the whispers, the music that enables the connection between the bodies and can become the theme of desire. For some of us, someone with a beautiful voice would only need their vocal cords, because that harsh or heavy or melodious sound would be auditory sex. Their loud swearing or sweet words whispered in the ear would be enough to give us hair-raising shivers from neck to coccyx.
In Flavor, we know the tongue does a good job tasting the most hidden places and wandering through the body to delight itself. Sometimes this organ is used, boldly, to taste the other’s nectar. The idea of someone sharing their strawberry or a delicious, juicy mango through bites and licks – or licks and bites – melts us. But nothing is more delicious than tasting the caves and hills of the person you are with. Stick your tongue deep inside to taste a piece of fruit... or spend hours tasting the head of a cock in your mouth, or suck on a delicious breast to taste the nipples. This is all about memorizing someone by their Flavor.
There are texts in which the nose is what triggers desire. The Smell, my dear readers, can awaken us to the delights of desire. Sometimes we meet a person who smells so good, we want to swallow them right through our nose. When you run through the other person’s body with your nose, starting with the neck – wow, that delightfully uncomfortable shiver that runs down the spine and undresses the soul! The shameless nose then moves to the back of the neck and captures the scent of the other in such a way that in the absence of that person, smelling their same scent evokes, or conversely, invades in us olfactory memories that bring the arousing smell of that person back.
We then get to Look – for me, the betrayer of senses – in which we perceive desire from a point of “view.” It is through sight that the texts present desire and arousal, through which the other senses are brought about. Sometimes a smile is all it takes to drive us crazy. The exchange of glances? That look that says “I want you now.” That look of possession that comes to an end when you stop fucking, or not. That one is very particular; it draws the other who won’t be able to look away for long. Or the sidelong glance – when one looks away when the other turns their head, like a cat-and-mouse game? Once we are caught red-handed, there’s nothing else to do besides breaking into a wide smile.
Finally, the explosion. Wandering through All senses, the texts mix feelings that seem like an alert, so there is the greatest pleasure, that orgasm.
Of course, there is nothing explicitly separating these poems and tales. Some are subtle. Arousal engages all our senses and, most importantly, our heads. That’s where it happens, and it connects our whole body. I organized the poems according to how they came to me in each reading. Feel free to disagree! But to me, there is a sense through which desire goes and then explodes. Realizing which one it is, is delightful.
Being able to turn arousal into art means freeing ourselves from all the prejudice, prisons, and stigma this white-centric society has trapped us in.
Every time a black writer transforms the erotic into art, she breaks these harmful racist chains that cripple her body, repress her sexuality, and turn us into the object of another’s greed. Writing erotic poetry is taking back the power over her own body and roaming fearlessly through the delights of desire for herself, for others, for life.
The literary erotic is who we are when turned into art. Here we show the best of us, our views of love drenched by pleasure, seasoned by the erogenous, spread through our bodies, and translated by our artistic consciousness. We are multiple and we share this multiplicity of sensations in words dripping with arousal. Yes, even our words drip with our sexual desire, drenching our verses, turning our sexual urges into paragraphs. To come, for us, is a breakthrough.
It is necessary to make our minds, bodies, and sexuality black, to reestablish our pleasure, and take back our orgasms. Only then will we be free. This whole process is a breakthrough, and it happens painfully. But there is happiness in finding ourselves to be very different from where we had been placed.
I feel like I am yours, I am ours. Taste, delight yourselves, feast on these beautiful words with us.
This text is adapted from the introductions to “O Livro Negro Dos Sentidos” [The Black Book of Senses], an erotic collection of poems by 23 black female writers.
ExploreTransnational Embodiments
This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
The space created by this festival has been so necessary. Necessary for the souls of those who are seeking comfort during these bleakest of times. Necessary for those craving community in what feels like an increasingly isolating world and above all, necessary for those fighting against the very systems that have brought many of us to our knees, especially over the past two years.
“Crisis is not new to feminist and social movements, we have a long history of surviving in the face of oppression and building our communities and our own realities.”
Advocating for alternative visions and alternative realities to the one we are currently living in is a fundamental building block of the feminist agenda. So many amazing people are doing the work of exploring different ways for us to exist in this world. These alternatives are people-centred. They are equitable and just. These worlds are filled with love, tenderness and care. The visions outlined are almost too beautiful to imagine, yet we must force ourselves to imagine because this is the only way we can continue.
Over the past 10 months, I have been incredibly fortunate to be working with a feminist collective that is not just imagining an alternative reality but actively living it. We are inspired by the work of so many other feminist movements across the globe who have not let the white supremacist, capitalist patriarchy deter their visions. This collective has held me together when all I wanted to do was fall apart. Much like the story shared by Maria Bonita on Day 4 of the festival, the liberation I have found in feminist movements is far too great to only be experienced by me. This is something we need to share, that we need to shout from the rooftops as we invite others to join.
Day 4 of the festival brought with it a captivating conversation between Felogene Anumo, Dr Dilar Dirik, Nana Akosua Hanson and Vandana Shiva who encouraged festival attendees to believe that not only is an alternative future possible - but that it is indeed urgent. Feminists have been talking about alternative worlds for so many years and hearing about these from the panellists was not just eye-opening but also comforting. Comforting in the sense that it made me feel safe to know that there are indeed strong, global feminist networks working across international and national borders, seeking to decolonise the established frameworks of our current realities.
What does an alternative reality look like?
During the session, Dr Dirik highlighted the fact that belief, sacrifice and patience are most needed to abolish the oppressive systems we currently live in. Collaboration, partnership, creativity, solidarity and autonomy. These are key pillars to building a global feminist society and they should be embraced by all feminist movements around the world.
Practical examples of these realities can be found across the globe, including the Soulaliyate Women's Land-Use Rights Movement. Referring to the tribal women in Morocco who live on collective land, the Soulalyate Women’s Movement is the first grassroots nationwide mobilisation for land rights in Morocco. Whilst initially the movement was quite small, it grew into a nationwide agenda that challenged the gendered nature of laws regulating land in the country. In 2019, the group contributed to overhauling the national framework legislation on the management of community property through the adoption of three sets of laws guaranteeing the equality of women and men.
Knowing about these feminist movements who are doing the work to make alternative futures a reality is incredibly inspiring and just what is needed, especially as I struggle to grapple with the neverending stream of bad news that seems to flow uninterrupted.
“Capitalist patriarchy is like a cancer. It doesn’t know when to stop growing” - Dr Vandana Shiva
AWID has always been a movement inspired by the feminist realities that we can live in. Through their festivals, as well as feminist realities magazine and toolkit, we have been shown a different way of doing things. We can imagine a world where care is prioritised, where feminist economies and gender justice are the norm. Creating alternative futures is how we fight back, it’s how we resist the violence that is perpetrated against our bodies every day.
The Crear | Resister | Transform Festival has allowed me to feel so connected to a global community, many of whom I will never meet. Knowing that we are all working towards and claiming another world has lit a fire in my soul and I cannot wait to see what the next festival will have in store.
If you missed it, make sure to watch the: "She is on her way: Alternatives, feminisms and another world" session from Day 4 of the festival below. And remember, as Dr Shiva said so eloquently: “Women’s energies will continue life on earth. We will not be defeated.”
When thousands of feminists come together, we create a sweeping force of solidarity that has the power to change the world. The AWID Forum will be a moment for us to rest and heal together, connect across borders, and discover brave new strategic directions.
The date and location will be announced next year, as soon as we can. We’re excited and we know you’re excited too. Stay tuned!
