Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.
While we dream of a feminist world, there are those who are already building and living it. These are our Feminist Realities!
What are Feminist Realities?
Feminist Realities are the living, breathing examples of the just world we are co-creating. They exist now, in the many ways we live, struggle and build our lives.
Feminist Realities go beyond resisting oppressive systems to show us what a world without domination, exploitation and supremacy look like.
These are the narratives we want to unearth, share and amplify throughout this Feminist Realities journey.
Transforming Visions into Lived Experiences
Through this initiative, we:
Create and amplify alternatives: We co-create art and creative expressions that center and celebrate the hope, optimism, healing and radical imagination that feminist realities inspire.
Build knowledge: We document, demonstrate & disseminate methodologies that will help identify the feminist realities in our diverse communities.
Advance feminist agendas: We expand and deepen our collective thinking and organizing to advance just solutions and systems that embody feminist values and visions.
Mobilize solidarity actions: We engage feminist, women’s rights and gender justice movements and allies in sharing, exchanging and jointly creating feminist realities, narratives and proposals at the 14th AWID International Forum.
The AWID International Forum
As much as we emphasize the process leading up to, and beyond, the four-day Forum, the event itself is an important part of where the magic happens, thanks to the unique energy and opportunity that comes with bringing people together.
We expect the next Forum to:
Build the power of Feminist Realities, by naming, celebrating, amplifying and contributing to build momentum around experiences and propositions that shine light on what is possible and feed our collective imaginations
Replenish wells of hope and energy as much needed fuel for rights and justice activism and resilience
Strengthen connectivity, reciprocity and solidarity across the diversity of feminist movements and with other rights and justice-oriented movements
AWID honors feminists and Women Human Rights Defenders (WHRDs) who have died and whose contributions to the advancement of human rights are very much missed.
Celebrating Activists and WHRDs
AWID’s WHRD Tribute is a photo exhibition featuring feminist, women’s rights and social justice activists from around the world who are no longer with us.
The Tribute was first launched in 2012, at AWID’s 12th International Forum, in Turkey. It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away. The initiative was described by Forum participants as being a unique, moving and energizing way to commemorate our collective history.
At the 13th International Forum in Brazil, we honored activists and WHRDs with a mural unveiling ceremony in four languages, a dance performance and a Brazilian ritual.
Since 2012, through our annual Tribute to Women Human Rights Defenders (WHRDs) no longer with us, over 400 feminists and WHRDs from 11 regions and 80 countries have been featured.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these women and forging efforts to ensure justice is achieved in cases that remain in impunity.
In addition to paying homage to these incredible activists, the Tribute particularly sheds light on the plight of WHRDs who have been assassinated or disappeared.
One third of those featured in the Tribute were activists who have been murdered or disappeared in suspicious circumstances. They were specifically targeted for who they were and the work they did to challenge:
State power
Heteronormativity
Fundamentalisms
Corporations
Patriarchy
Organized Crime
Corruption
Militarization…
Women like Agnes Torres, from Mexico, was killed because of her gender identity and sexual orientation; or Cheryl Ananayo, an environmental activist from the Philippines was assassinated as she struggled against a mining company; or Ruqia Hassan, a Syrian independent journalist and blogger killed for her criticism of ISIS. And so many others.
With the WHRD Tribute, we bring them all into our collective memory and carry their legacy of struggle as our torch in the feminists’ and women’s rights movements. We recognize that security, safety and self-care must be a priority in all our political agendas. And we call on to governments and international bodies to collectively address violence against feminists and WHRDs.
We believe this is a critical step to ensure the sustainability of our movements for gender equality, women’s rights, and justice for all.
When: 2–5 December 2024 Where: Bangkok, Thailand; and online Who: Approximately 2,500 feminists from all over the world participating in- person, and 3,000 participating virtually
With a legal career spanning more than 30 years, Oby was known across Africa and around the world as a champion for gender justice and human rights.
She founded and served as Executive Director of the Civil Resource Development and Documentation Centre (CIRDDOC), a Nigerian NGO which sponsors trainings and network-building activities for members of civil society, parliamentarians and other key stakeholders to promote human rights, good governance and access to justice and rule of law.
Oby is remembered fondly by activists in Nigeria as an “extraordinary activist who displayed energy and passion towards the fight for gender equality and gender justice in Nigeria and across Africa.”
Advancing Movements
6 Women Human Rights Defenders (WHRDs) across Western and Southeastern Europe have in their lifetime researched, campaigned, participated in and advanced peace and women’s rights movements be it through political and social activism or through dance. We are grateful for the legacy they have left. Please join AWID in honoring these women, their activism and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days.
Please click on each image below to see a larger version and download as a file
Sue was an artist, activist and teacher born in 1936 in Maryland, USA.
Sue created art for women, about women. As a lesbian feminist, and for a time, a separatist, she was committed to creating women-only spaces. In 1976 she purchased land that is still held by women who visit to make art. Sue took a fierce stand on the protection of women and girls.
With her groundbreaking futuristic, classical and anthropological approach, she filled any room she entered with intellect, authentic eccentricity, unforgiving wit, and humor. Her ideas about consciousness and creativity continue to inspire many people.
Where does the project come from?
We believe that the economy, the market, the financial system and the premises upon which they are built are critical areas of feminist struggle. Thus, our vision for a just economy goes beyond promoting women’s rights and empowerment in the market, to evaluating the role of gendered oppressions in shaping economic arrangements and transforming these to ensure gender and economic justice.
Process
We are neither starting from zero, nor alone in this attempt to put forward feminist propositions for a just economy. Many of the propositions herein have been advanced or exist in practice within diverse communities challenging and resisting the mainstream market and growth-based economic systems.
It is also very important to note that there is growing awareness of the fact that micro solutions are not always the answer to macro problems, even if they represent important spaces for resistance and movement building and that there may be limitations to particular alternatives to address the injustices of the current capitalist system at a global scale.
Goals
However, feminist alternatives for a just economy are critical to create dents in the system and draw lessons for transformative systemic change. Here we cannot presume to offer a comprehensive nor a complete account on how to create a just feminist economic model, or even models. But we can, but rather draw from cross-movement dialogue with trade unions, environmental, rural and peasants movements, to articulate the propositions for the journey towards this vision.
What do we want to change?
The neoliberal model driving the global economy has repeatedly demonstrated its inability to address the root causes of poverty, inequalities, and exclusion. Neoliberalism, and has in fact contributed to the very creation and exacerbation of these injustices.
Characterized by globalisation, liberalization, privatisation, financialisation and conditional aid, mainstream development policies over the past 3 decades have wreaked havoc on livelihoods over the past 3 decades. These policies have also sustained a trajectory of deepening inequalities, gendered injustices, and environmental destruction that the world can no longer afford to endure.
While there are people those who assert that economic growth, facilitated by giving free reign to corporations and businesses, can sustain a tide that will (eventually) raise all boats.
However, the notion of development that has prevailed for the past decades, built for the most part upon the premise of limitless economic growth, is going through an ideological crisis.
The myth of economic growth as a panacea for our problems is being debunked.
سيتم إعطاء الأولوية للأنشطة التي تسهل وتشجع الاتصال والتفاعل بين المشاركين/ات.
إذا كان من الممكن إجراء نشاطك عبر الإنترنت أو بشكل هجين (ربط المشاركين/ات في الموقع وعبر الإنترنت)، يرجى النظر في كيفية توليد مشاركة حقيقية ومشاركة نشطة من المشاركين/ات عبر الإنترنت.
نشجع اللقاءات والحوارات والتبادلات بين الحركات والأقاليم وبين الأجيال.
يرجى تصميم النشاط بطريقة تسمح بالمرونة في عدد المشاركين/ات. في حين أن بعض الأنشطة قد تقتصر على مجموعات أصغر، إلا أن الأغلبية ستحتاج إلى استيعاب أعداد أكبر.
إذا كان نشاطك يناسب عددًا من أشكال التقديم أو لا يناسبه أي شيء، فستتمكن من الإشارة إلى ذلك في نموذج الطلب.
اللغات التي يمكنك إرسال طلبك بها
لغات تقديم الطلبات: سيتم قبول الطلبات باللغات الإنجليزية والفرنسية والإسبانية والتايلاندية والعربية.
لغات المنتدى: سيتم توفير الترجمة الفورية في الجلسات العامة للمنتدى باللغات الإنجليزية، الفرنسية، الإسبانية، التايلاندية والعربية، بالإضافة إلى لغة الإشارة الدولية (ISL)وربما أكثر. بالنسبة لجميع الأنشطة الأخرى، سيتم توفير الترجمة الشفوية في بعض هذه اللغات، ولكن ليس جميعها، وربما بلغات أخرى، مثل اللغة السواحيلية والبرتغالية.
AWID Members Engaging at CSW61
Member states and women's rights advocates and organisations are gathering at the United Nations Headquarters in New York from 13 - 24 March for the 61st Commission on the Status of Women to address ‘women’s economic empowerment’ in the context of Sustainable Development Goal 5.
Whilst AWID is looking forward to physically meeting those of you who will be in New York, we want to engage with all those who cannot attend CSW, and as much as possible, amplify your voices in relevant spaces.
Continue reading to find out how to engage with AWID around CSW, whether you are attending physically or not.
Participate in an artistic takeover!
We are thrilled that AWID member Nayani Thiyagarajah is attending CSW this year and will take over the AWID Instagram. She will be available onsite to connect with other members for a possible feature on our Instagram. She will also explore possibilities of including some AWID members in a short film on the theme, ‘The personal is political’, a story of Nayani’s participation in this year’s CSW.
Nayani Thiyagarajah
Who is Nayani?
Nayani Thiyagarajah is a director, producer, and writer, dedicated to stories for the screen. A daughter of the Tamil diaspora, she calls Toronto home. For over 10 years, Nayani has worked in the arts and cultural industries. Her first independent feature documentary Shadeism: Digging Deeper (2015) had its World Premiere at the 2015 Zanzibar International Film Festival, where it won a Special Jury Prize. Nayani recently launched [RE]FRAME, with her producing partner Camaro West, a production company based out of Atlanta and Toronto, focused on re-framing the narratives around Black, Indigenous, and other people of colour through storytelling on screen.
On a more serious note, it should be noted that Nayani has a strange laugh, she's quite awkward, and her head is always in the clouds. She feels blessed beyond belief to create stories for the screen and play make believe for a living. Above all else, she believes in love.
Interested in meeting Nayani and being considered for inclusion in the film?
Send an email to membership@awid.org with the subject line “CSW Artistic Takeover”
By 13 March 2017
Please include your full name and country information.
Can't attend? Voice it!
If you are not able to attend CSW61 because of a travel ban, either due to the one imposed by the Trump administration or one you are facing from your own government, please share your story with us.
Send us messages you want heard in the United Nations spaces concerning funding, the impact of the reinstatement of the Global Gag Rule, and the need to push back against all types of religious fundamentalisms. You can send these in the following formats:
Video: no longer than two minutes and sent through a file sharing folder (for example dropbox, google drive)
Audio: no longer than two minutes and sent through a file sharing folder (for example dropbox, google drive)
Image: you can share a photo or a poster of your message
Text: no longer than 200 words and sent in the body of an email or in a word document
AWID members tell us that connecting with other members at CSW is valuable. In such a huge advocacy space, it is useful to connect with others including activists working on similar issues, or originating from the same country or region. Recognising the importance of connecting for movement building, we invite you to:
Interested in connecting with other members @CSW61?
If you are attending the CSW, we’d love to see what’s going on through your eyes!
Show us by capturing a moment you find speaks to the energy in the CSW space, be it on or off site. We hope to publish some of your ‘images’ on our social media channels and share on awid.org.
You can send us:
colour and/ or black and white photographs with a title (if you wish) and
a caption (no longer than 100 words) about the story your image tells.
Please also include:
your full name and country of origin and
let us know if we can publish the information you shared (in part or in full).
Ana was a strong advocate of women’s rights and worked with a broad cross-section of women, from those in grassroots networks to those in the private sector.
She believed in building bridges across sectors. Ana was a member of the National Network for the Promotion of Women (RNPM), and was active in developing many social programs that address issues such as sexual and reproductive health and rights.
Defending human rights at the UN
Keeping an eye on anti-rights actor at the Human Rights Council
Anti-rights mobilization at the United Nations constitutes a response to the significant feminist and progressive organizing. It involves a constant threat for women's rights, especially when it comes to sexual and reproductive rights and an open door to racism, xenophobia and all kinds of discrimination.
Get to know all their tactics and discourses worldwide.
Main resolutions and organizations to follow on the 38th session
We’re looking at an attack on the human rights system, and all of these fundamentalisms are coming together to try to weaken the fabric of multilateralism, and that’s happening in large part at the expense of marginalized groups of people. It’s happening at the expense of women, and it’s happening through tactics that are often about gender and sexuality.
Cynthia Rothschild
Independent human rights expert, OURs member
We’ve experienced a lot of pushback from different states, from different civil society actors, from private corporations and large donors who are funding the activities of these anti-rights actors.
Meghan Doherty
Director of Global Policy and Advocacy with Action Canada
ILGA's Gender Identity and Gender Expression Senior Programme Officer
Paola Salwan Daher
Global Advocacy Adviser at the Center for Reproductive Rights
ما هو منتدى جمعية حقوق المرأة في التنمية الدولي؟
كل ثلاث إلى أربع سنوات، تستضيف جمعية حقوق المرأة في التنمية حدثها الدولي الرئيسي. إنه أكبر حدث في العالم يركز بكل طاقته على الحركات النسوية والعدالة الجندرية بكل تنوعها. إنه تجمع عالمي للناشطين/ات النسويين/ات والحركات المتحالفة والباحثين/ات والممولين/ات وصانعي/ات السياسات. ويتنقل المنتدى بين مناطق وبلدان مختلفة في الجنوب العالمي.
“But when was the master
ever seduced from power?
When was a system ever broken
by acceptance?
when will the BOSS hand you power with love?
At Jo’Burg, at Cancun or the U.N? – Molara Ogundipe
In an interview at the 2010 Ghana International Book Fair, Molara Ogundipe introduced herself with the words: “...I’m a Nigerian. I’ve lived possibly all over the world except for the Soviet Union and China.”
Across the different continents and countries, Professor Ogundipe taught comparative literature, writing, gender, and English studies using literature as a vehicle for social transformation and re-thinking gender relations.
A feminist thinker, writer, editor, social critic, poet, and activist Molara Ogundipe succeeded in combining theoretical work with creativity and practical action. She is considered to be one of the leading critical voices on African feminism(s), gender studies and literary theory.
Molara famously coined the concept of “stiwanism’ from the acronym STIWA – Social Transformations in Africa Including Women recognizing the need to move “away from defining feminism and feminisms in relation to Euro-America or elsewhere, and from declaiming loyalties or disloyalties.”
In her seminal work ‘Re-creating Ourselves’ in 1994, Molara Ogundipe (published under Molara Ogundipe-Leslie) left behind an immense body of knowledge that decolonized feminist discourse and “re-centered African women in their full, complex narratives...guided by an exploration of economic, political and social liberation of African women and restoration of female agency across different cultures in Africa.”
In speaking about the challenges she faced as a young academic she said:
”When I began talking and writing feminism in the late sixties and seventies, I was seen as a good and admirable girl who had gone astray, a woman whose head has been spoilt by too much learning".
Molara Ogundipe stood out for her leadership in combining activism and academia; in 1977 she was among the founding members of AAWORD, the Association of Women in Research and Development. In 1982 she founded WIN (Women In Nigeria) to advocate for full “economic, social and political rights” for Nigerian women. She then went on to establish and direct the Foundation for International Education and Monitoring and spent many years on the editorial board of The Guardian.
Growing up with the Yoruba people, their traditions, culture, and language she once said :
“I think the celebration of life, of people who pass away after an achieved life is one of the beautiful aspects of Yoruba culture.”
Molara’s Yoruba ‘Oiki’ praise name was Ayike. She was born on 27 December 1940 and at the age of 78, Molara passed away on 18 June 2019 in Ijebu-Igbo, Ogun State, Nigeria.
When you do a search for “Female Genital Mutilation” or “FGM” online, an image of four line-drawings of the female anatomy pop up next to its Wikipedia entry. It illustrates four types of violence. The first being a partial cut to the clitoris. The second, a more invasive cut with the entire clitoris removed. The third is progressively worse with the removal of the clitoris, labia majora and minora. And the fourth box illustrates a series of hash marks to symbolize stitches over the vaginal opening to allow only for urination and menstruation.
As a survivor of FGM, most questions about my story fixate on the physical. The first question I usually get asked is what type of FGM I underwent. When I told a journalist once that I went through Type 1, she said “oh, that’s not so bad. It’s not like type three which is far worse.” She was technically right. I had the least invasive form. And for many years, I gaslighted myself into feeling a sense of relief that I was one of the lucky ones. I comforted myself noting that I could have been less fortunate with all of my genitalia gouged out, not just the clitoral tip. Or worse I could have been one of the ones who didn’t survive at all. Like Nada Hassan Abdel-Maqsoud, a twelve year old, who bled to death on a doctor’s operating table earlier this year in Upper Egypt. Nada is a reminder to me that for every data point -- 200 million women and girls who live with the consequences of FGM globally -- there is a story. Nada will never be able to tell hers.
As much as I find the label “survivor” suffocating at times -- I also realize there is privilege embedded in the word. By surviving, you are alive. You have the ability to tell your story, process the trauma, activate others in your community and gain insights and a new language and lens to see yourself through.
The act of storytelling can be cathartic and liberating, but it can also shatter the storyteller in the process.
Without integrating the psychosocial support of trained clinicians into storytelling and healing retreats, well-intentioned interventions can result in more trauma. This is all the more important as FGM survivors navigate the double pandemic of their own PTSD from childhood trauma, and the indefinite COVID-19 global shutdown.
In many anti-FGM advocacy spaces, I have seen this insatiable hunger to unearth stories -- whatever the cost to the storyteller. The stories help activate funding and serve as a data point
for measuring impact.
Survivor stories then become commodities fueling a storytelling industrial complex. Storytellers, if not provided proper mental health support in the process, can become collateral damage.
My motivation in writing this piece is to flip the script on how we view FGM survivors, prioritizing the storyteller over the story itself.
FGM survivors are more than the four boxes describing how the pieces of our anatomy were cut, pricked, carved, or gouged out. In this essay, I’ll break down the anatomy of an FGM survivor’s story into four parts: stories that break, stories that remake, stories that heal, and stories that reveal.
Type 1: Stories that break
I was sitting in the heart of Appalachia with a group of FGM survivors, meeting many for the first time. As they shared their traumas, I realized we all belonged in some way or another to the same unenviable club. A white Christian survivor from Kentucky - who I don’t think I would have ever met if we didn’t have FGM survivorship connecting us - told the contours of her story.
There were so many parallels. We were both cut at seven. She was bribed with cake after her cut. I was bribed with a jumbo-sized Toblerone chocolate bar when mine was over. Absorbing her trauma overwhelmed me. And I imagine when I shared my story, others in the circle may also have been silently unraveling. We didn’t have a clinician or mental health professional in a facilitation role and that absence was felt. The first night, I was sharing a room with six other survivors and tried hard to keep the sounds of my own tears muffled. By the last day, I reached breaking point. Before leaving for the airport, my stomach contracted and I convulsively vomited. I felt like I was purging not only my pain, but the pain of the others I’d absorbed that week. We all dutifully produced our stories into 90 second social media friendly soundbites with narration and photos. But at what cost?
Type 2: Stories that remake
On February 6, 2016, the Guardian published my story as a survivor. The second it was released, I was remade. My identity transformed from nondescript, relatively invisible mid-level Foreign Service Officer to FGM survivor under a public microscope. That same day, then-U.S. Ambassador to the United Nations Samantha Power tweeted my story with the introduction: “I was seven years old” before linking to the article. The tweet symbolized a moment for me where my personal and professional worlds collided. Since then, they have been forever intertwined.
Even though I spent ten years of my career as a diplomat focused on other issues -- I lived in Cairo during the early days of the Arab Spring in 2011 and served in Baghdad and Erbil when the Syrian revolution turned from an uprising to civil war -- all of those past experiences that began to make mefeel erased. When I spoke on panels, my identity would be reduced to “survivor.” Like other survivors, I have worked hard to rewrite the script on how others see me.
I reinsert pieces of my other identities when speaking to underscore to the broader public that while yes, I am a survivor of childhood trauma and while my FGM story may have remade a part of my identity, it doesn’t define me.
Type 3: Stories that heal
With the guidance of a mental health expert, I have spent the last few months doing a deep dive into my FGM survivor story. I have told and retold my story over dozens of times in public venues. My goal is to break the culture of silence and inspire action. At this point, the telling of my story has almost become mechanized, as though I am reciting a verse from the Quran I memorized as a kid. I would always start with: “I was sitting an anthropology class when a fellow student described her research project on Female Genital Mutilation. And that’s when I had the memory jolt. A memory I had suppressed since childhood came flooding to the foreground.” I go into the details of what happened in granular detail -- the color of the floor, the feelings of confusion and betrayal in the hazy aftermath. And then I go on to talk about the afternoon I confronted my mother about the summer she and my father shipped my brother and off to India to stay with my aunt. The summer it happened. I later found out my aunt cut me without my parents’ consent. In my years of telling and retelling this story, I would have moments I felt nothing, moments I would break down, and moments of relief. It was a mixed bag, often contradictory emotions happening all at once.
When I began to take apart the story, I discovered the core moment where I felt most gutted. It wasn’t the cut itself. It was the aftermath. I remember sitting in a corner alone, feeling confused and ashamed. When I looked at my aunt on the other side of the room, she was whispering to my cousin and they both pointed and laughed at me. Unearthing the moment of shame - the laughter - has haunted me since childhood. The piece that was carved out of me is called “haram ki boti” which translates into sinful flesh. Over time, the physical scar healed. But for many FGM survivors, the psychological wounds remain
Type 4: Stories that reveal
Last year, I decided to take a sabbatical from the Foreign Service. I was burning out on both ends -- I had just completed a really tough assignment in Pakistan and was also doing anti-FGM
advocacy in my personal capacity. When I came home, an acquaintance from graduate school approached me to capture my story on film. As part of the process, she would send a camera
crew to shadow me. Sometimes while giving speeches, other times filming mundane interactions with friends and family. On a visit to my home in Texas, I’ll never forget the moment where my mom told me her story of survival. As part of the film, we went on a roadtrip to Austin to visit the university where I first had the memory jolt. My mom is patiently waiting for the cameraman to set up his tripod. My father is standing next to her.
In the end, we eventually had the conversation I never had the courage to have with either of my parents face to face. Looking them both in the eye, retelling my story with a camera as witness, we discussed how FGM ripped our family apart (specifically my dad’s relationship with his sister). For the first time, I heard my mom talking about her own experience and the feeling of betrayal when she discovered my aunt cut me without her consent. When I later told her that FGM was actually indigenous to the U.S. and Europe and that it was a cure for hysteria (prescribed by doctors) up until the 19th century, my mother exclaimed “that’s crazy to me, this was a cure for hysteria. I’m going to educate other doctors to speak out.” And in that moment, my mother, a survivor who had never shared her story before, became an activist.
My story, intertwined with her story, revealed a tightly woven fabric of resistance. With our voices, we were able to break the cycle of intergenerational structural violence. We were able to rewrite the stories of future generations of girls in our own family and hopefully one day, the world.
This is a woman breaking free from her mundane reality, devoid of color. She dreams in a colorful, "nonsensical" way that people in her life would not understand. She could be considered insane, yet her dreams are more vivid and imaginative than actual life. This is frequently how schizophrenia occurs to me, more engaging and exciting than real life.
Maritza Quiroz Leiva was an Afro Colombian social activist, a community leader and women human rights defender. Among the 7.7 million Colombians internally displaced by 50 years of armed conflict, Maritza dedicated her advocacy work to supporting the rights of others, particularly in the Afro Colombian community who suffered similar violations and displacement.
Maritza was the deputy leader of the Santa Marta Victim's Committee, and an important voice for those seeking justice in her community, demanding reparations for the torture, kidnapping, displacement, and sexual violence that victims experienced during the armed conflict. She was also active in movement for land redistribution and land justice in the country.
On 5 January 2019, Maritza was killed by two armed individuals who broke into her home. She was 60 years old.
Maritza joined five other Colombian social activists and leaders who had been murdered just in the first week of 2019. A total of 107 human rights defenders were killed that year in the country.
Upasana Agarwal
Forgotten SongOde to the MoonVapour and Fire
About Upasana Agarwal
Upasana is a non binary illustrator and artist based out of Kolkata, India. Their work explores identity and personal narratives by using a visual remnant or evidence of the contexts they work with. They are especially drawn to patterns which to them communicate complex truths about the past, present and future. When Upasana is not illustrating they organise and run a queer and trans community art centre in the city.