UN Women / Flickr (CC BY-NC-ND 2.0)
Guatemala - Rural Women Diversify Incomes and Build Resilience
Left
Half
Left

Priority Areas

Supporting feminist, women’s rights and gender justice movements to thrive, to be a driving force in challenging systems of oppression, and to co-create feminist realities.

Building Feminist Economies

Building Feminist Economies is about creating a world with clean air to breath and water to drink, with meaningful labour and care for ourselves and our communities, where we can all enjoy our economic, sexual and political autonomy.


In the world we live in today, the economy continues to rely on women’s unpaid and undervalued care work for the profit of others. The pursuit of “growth” only expands extractivism - a model of development based on massive extraction and exploitation of natural resources that keeps destroying people and planet while concentrating wealth in the hands of global elites. Meanwhile, access to healthcare, education, a decent wage and social security is becoming a privilege to few. This economic model sits upon white supremacy, colonialism and patriarchy.

Adopting solely a “women’s economic empowerment approach” is merely to integrate women deeper into this system. It may be a temporary means of survival. We need to plant the seeds to make another world possible while we tear down the walls of the existing one.


We believe in the ability of feminist movements to work for change with broad alliances across social movements. By amplifying feminist proposals and visions, we aim to build new paradigms of just economies.

Our approach must be interconnected and intersectional, because sexual and bodily autonomy will not be possible until each and every one of us enjoys economic rights and independence. We aim to work with those who resist and counter the global rise of the conservative right and religious fundamentalisms as no just economy is possible until we shake the foundations of the current system.


Our Actions

Our work challenges the system from within and exposes its fundamental injustices:

  • Advance feminist agendas: We counter corporate power and impunity for human rights abuses by working with allies to ensure that we put forward feminist, women’s rights and gender justice perspectives in policy spaces. For example, learn more about our work on the future international legally binding instrument on “transnational corporations and other business enterprises with respect to human rights” at the United Nations Human Rights Council.

  • Mobilize solidarity actions: We work to strengthen the links between feminist and tax justice movements, including reclaiming the public resources lost through illicit financial flows (IFFs) to ensure social and gender justice.

  • Build knowledge: We provide women human rights defenders (WHRDs) with strategic information vital to challenge corporate power and extractivism. We will contribute to build the knowledge about local and global financing and investment mechanisms fuelling extractivism.

  • Create and amplify alternatives: We engage and mobilize our members and movements in visioning feminist economies and sharing feminist knowledges, practices and agendas for economic justice.


“The corporate revolution will collapse if we refuse to buy what they are selling – their ideas, their version of history, their wars, their weapons, their notion of inevitability. Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing”.

Arundhati Roy, War Talk

Related Content

ما هي المعايير اختيار الأنشطة؟

يرجى الرجوع إلى فتح باب التقديم للحصول على هذه المعلومات، بما في ذلك قسم "ما تحتاج/ين إلى معرفته".

Our values - esponsibility, Accountability, and Integrity

Responsibility, Accountability, and Integrity

We strive for transparency, responsible use of our resources, fairness in our collaborations and accountability and integrity with our members, partners, funders and the movements with(in) which we work. We are committed to reflecting on our experiences, sharing our learnings openly, and striving to change our practices accordingly.

Dorothy Masuka

“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)

Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.

One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa. 

Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.

Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”. 

On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health. 


Watch Dorothy Masuka in an interview with Mail & Guardian

Listen to some of her music:

Hamba Nontsokolo
El Yow Phata Phata
 

ฉันไม่เคยเดินทางมาก่อน ฉันควรทำอย่างไร

เราทราบดีว่าการเดินทางครั้งแรกอาจจะน่าตื่นเต้นและบางครั้งอาจสร้างความกังวล จากการตระหนักถึงข้อท้าทายต่างๆต่อเรื่องนี้ เราจะจัดเตรียมข้อมูลมากขึ้นกว่านี้สำหรับการเดินทางมายังกรุงเทพฯเมื่อมีการเปิดรับลงทะเบียนในปีหน้า

FRMag - United against violence

United against the violence

by Karina Ocampo

In a hidden corner of Chiapas, Mexico, women and sexual dissidents have come to organize our actions. (...)

Read

< artwork by Sonia Carolina Madrigal Loyola

CFA FAQ - Other questions - AR

اسئلة أخرى

FRMag - Ghosts Of Girlhood

Ghosts Of Girlhood

by Akua Antiwiwaa

There is an old, hazy picture laying in front of me. In it I am dressed in all white, from the pearl beads fastened into my hair and tucked against my ears, to the ones that trail loosely around my tiny wrists. (...)

Read

artwork: “Cultura Negra” [Black Culture] by Astrid Milena González Quintero

Snippet - CSW68 - March 13 - EN

Day 3

13th March

ours chapter 4

Chapter 4
Anti-Rights Actors

A complex and evolving network of anti-rights actors is exerting increasing influence in international spaces as well as domestic politics. Often backed by obscure funding, these actors build tactic alliances across issues, regions, and faiths to increase their impact.

Read more

Snippet - WITM Start the survey 1 - EN

 

Globe

 The survey is available in: Arabic, English, French, Portuguese, Russian and Spanish!

 

Snippet Kohl - Panel: Pleasure Across Borders

Panel Pleasure Across Borders

with Lindiwe Rasekoala, Lizzie Kiama, Jovana Drodevic, and Malaka Grant.

YOUTUBESOUNDCLOUD

Who should participate in the survey?

Groups, organizations and/or movements working specifically or primarily for women, girls, gender justice, LBTQI+ and allied people’s rights in all regions and at all levels, both newly formed and long-standing.

Intro to tweets snippet

As these tweets show, it turns out that sexting like a feminist is sexy, funny – and horny. Yet, it never loses sight of its commitment to equity and justice.

Our group did not receive external funding between 2021 and 2023, should we still fill out the survey?

Yes, we still want to hear from you regardless of whether you received funding in all three, two or only one of the years between 2021 and 2023.

Louise Malherbe | Title Snippet AR

About the authors

Portrait of Louise Malherbe

لويز ماليرب، مبرمجة أفلام وقيّمة معارض وناقدة أفلام مقيمة في برلين. عملت كمبرمجة أفلام لجمعية متروبوليس للسينما في بيروت. حاليا تنسق لويز مشروع ريل ستريمز الذي يهدف إلى دعم نشر السينما المستقلة في المنطقة العربية. هي رئيسة قسم البرمجة لمهرجان صورة السينمائي، وهو مهرجان أفلام كويرية يركز على منطقة جنوب غرب آسيا وشمال أفريقيا. تكتب لويز النقد السينمائيين لـ مانيفستو XXI، وقد بدأت مؤخرًا تنظيم الأفلام والمهرجانات لسينما عقيل.

Snippet - Intro WITM - AR

نكمل مشوار بناء الحشد الذي بدأناه قبل 20 عاماً لموارد أفضل وأكبر لحركات التغيير الاجتماعي بقيادة نسوية، تدعوكم/ن جمعية حقوق المرأة في التنمية لاستكمال استطلاعنا

" "أين التمويل للتنظيمات النسوية" (WITM)

لتعبئة الاستطلاع Tutorial

الرجاء اختيار اللغة المفضلة للإجابة على الاستطلاع في أقصى يمين الصفحة

 

Disintegration | Content Snippet

On Wednesday a note arrives
with an address on the back.

    5 pm, tonight.

The handwriting on the invitation—
coily and brusque—
I’ve seen it five times in five years.

My body rouses,
feverish.

I need to fuck myself first.

The tide is high tonight and
I get 
off.

I want to slow everything down,
taste time and space, etch them 
into memory.

*

I’ve never been to this part of town before.
Unknown places excite me,
the way limbs and veins and bones
resist decay, 
their fate uncertain.

At the door, I think twice.
The hallway is pitch black 
and it makes me pause.

On the other side,
a portal of smell and color 
opens like a curse,  
into a sunny afternoon.

The breeze
makes my hair dance,
piques its curiosity,
compels it to move.

I hear the wheelchair whirring, 
shaping the shadows.
Then I see them:
a lynx face
and a body like mine
and I find myself desiring both
again.
 
The creature motions me closer.

Their gestures write a sentence;
as I move toward them,
I notice its details:


    wither, flesh, bliss

On their command, the vine that covers the hallway
hugging warm stones,
snakes up the wall.

It becomes a verb,
“to climb,”
and I’m reorientated when their claws point 
to the vine-bed in the center.

I hear the wheels behind me, 
then that sound. 
It reverberates
like no other.
Their long black wings
elevate toward the ceiling
then they lunge forward.

The feline vision scans every detail,
every change,
every longing.

Can desire liquefy your muscles? 

    Can it act sweeter than the strongest 
of tranquilizers?

A lynx sews the world
across our differences,
weaving lace around my knees.

Can desire crush the distance of the world, 
compressing the seconds?

They come closer still,
lynx eye meeting human eye,
sniffing the air,
turning body into
urgency.

They beat down their wings.
Stirred,
the vines tangle around my waist/waste.

Their tongue thins time,
shifting grounds,
soothes, with their magic,
what stirs beneath.

    I see the world in you, and the 
world is exhausted.

Then they plead:

    Let me feast on you. 
 

Snippet - WITM To make - RU

Сделать видимой сложность обеспечения ресурсами различных феминистских организаций

Moving Conversation | Small Snippet AR

عودةٌ إلى ذواتنا

بالنسبة إليّ، هذه الأنواع من الدردشات كانت ضمن تعابير الحبّ التي أتاحت لي الحياة أن أستمتع بها حديثًا فقط. ما كنت أعرف أن هذه الأشكال الأخرى ممكنة – تلك التي توجَد خارج نطاق ورشات العمل، أو أماكن الناشطين أو غرف الصفّ أو أماكن العمل.

اقرأ أكثر

Snippet - WITM Survey will remain open - AR

سيبقى الاستطلاع مفتوحاً حتى 31 يوليو (تموز) 2024

لتعبئة الاستطلاع

الرجاء اختيار لغتك في الزاوية اليمنى الرجاء اختيار اللغة المفضلة للإجابة على الاستطلاع في أقصى يمين الصفحة

 ذا كنت ترغب في معرفة المزيد، انضم إلى لقاء للأعضاء/ العضوات: أين المال؟ يوم الاثنين 27 مايو (أيار) الساعة 9:00 بالتوقيت العالمي - مع ترجمة
 فورية باللغتين الفرنسية والإنجليزية.
14:00 بالتوقيت العالمي - مع ترجمة فورية باللغتين الإسبانية والإنجليزية
سنستمع إلى فريق الحركات النسوية لتوفير الموارد التابع لجمعية حقوق المرأة في التنمية (جمعية حقوق المرأة في التنمية) حول خصوصيات وعموميات تمويل التنظيمات النسوية.

انضم/ي إلينا كعضو/ة في وكن/وني جزءًا من جلسة التواصل هذه.
الرد على الدعوة هنا

(Registration only available in English)