Doris Viloria Palomares
Advancing Universal Rights and Justice
Uprooting Fascisms and Fundamentalisms
Across the globe, feminist, women’s rights and gender justice defenders are challenging the agendas of fascist and fundamentalist actors. These oppressive forces target women, persons who are non-conforming in their gender identity, expression and/or sexual orientation, and other oppressed communities.
Discriminatory ideologies are undermining and co-opting our human rights systems and standards, with the aim of making rights the preserve of only certain groups. In the face of this, the Advancing Universal Rights and Justice (AURJ) initiative promotes the universality of rights - the foundational principle that human rights belong to everyone, no matter who they are, without exception.
We create space for feminist, women’s rights and gender justice movements and allies to recognize, strategize and take collective action to counter the influence and impact of anti-rights actors. We also seek to advance women’s rights and feminist frameworks, norms and proposals, and to protect and promote the universality of rights.
Our actions
Through this initiative, we:
- Build knowledge: We support feminist, women’s rights and gender justice movements by disseminating and popularizing knowledge and key messages about anti-rights actors, their strategies, and impact in the international human rights systems through AWID’s leadership role in the collaborative platform, the Observatory on the Universality of Rights (OURs)*.
- Advance feminist agendas: We ally ourselves with partners in international human rights spaces including, the Human Rights Council, the Commission on Population and Development, the Commission on the Status of Women and the UN General Assembly.
- Create and amplify alternatives: We engage with our members to ensure that international commitments, resolutions and norms reflect and are fed back into organizing in other spaces locally, nationally and regionally.
- Mobilize solidarity action: We take action alongside women human rights defenders (WHRDs) including trans and intersex defenders and young feminists, working to challenge fundamentalisms and fascisms and call attention to situations of risk.
Related Content
Promouvoir les programmes féministes : principales avancées en matière de genre et de sexualité
Chapitre 1
Alors que les fondamentalismes, les fascismes et autres systèmes d’oppression se métamorphosent et trouvent de nouvelles tactiques et stratégies pour consolider leur pouvoir et influence, les mouvements féministes persévèrent et célèbrent leurs victoires nationales, régionales et internationales.
Un groupe de femmes reconstitue la marche des femmes de 1956 à Pretoria pour protester contre les lois sur les laissez-passer.
La reconnaissance en 2019 par le Conseil des droits de l’Homme du droit à l’intégrité et à l’autonomie corporelles, par exemple, a marqué une étape cruciale. Des résolutions du Conseil sur la discrimination envers les femmes et les filles admettent cependant un recul lié à des groupes de pression rétrogrades, des conceptions idéologiques ou un détournement de la culture ou la religion pour s’opposer à l’égalité de leurs droits. Des avancées féministes sont aussi notées dans le travail des Procédures spéciales, qui soulignent notamment l’obligation des États de contrer les doctrines de l’idéologie du genre, rappellent à l’ordre les antidroits qui détournent des références à la « culture », et signalent que les convictions religieuses ne peuvent pas servir à justifier la violence ou la discrimination.
Sommaire
- Niveau national
- Sphères mondiales
- Exercice : Cartographions et célébrons nos victoires!
CFA 2023 - breadcrumbs Menu _ awid-forum-thai
A Collective Love Print
The Circle’s Conspiracy of Writers | Wazina Zondon
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| Also known as the Teta Research Network, The Conspiracy of Writers was founded in 2021 in the context of Kohl’s weekly writing circles. The Network is a transnational group of queer and feminist writers who engage in collective writing, thinking, and world-making. | Wazina Zondon is an Afghan raised in New York City. Her storycollecting and storytelling work centers collective memories and rites of passage in the diaspora. Currently, she is working on Faith: in Love/faith in love which (re)traces her parent’s love story and family’s inherited love print. |
Love is a contraband in Hell,
cause love is acid
that eats away bars.
But you, me, and tomorrow
hold hands and make vows
that struggle will multiply.
The hacksaw has two blades.
The shotgun has two barrels.
We are pregnant with freedom.
We are a conspiracy.
It is our duty to fight for freedom.
It is our duty to win.
We must love each other and support each other.
We have nothing to lose but our chains.
- “Love” by Assata Shakur
“If we can inherit trauma, can we inherit an imprint related to love?”
That is the question Wazina Zondon asks in her collective memoir Loveprint. Loveprint is a wandering, an overlap, a deviation that (re)creates, at the intersection of interviews and personal essays, our family’s stories and insights on love, partnership and romance. Under Wazina’s guidance, the circle’s conspiracy of writers came together and attempted to reproduce this literal blueprint in the form of collective writing, where our different stories, our genders and sexual identities complement and contradict each other. With our voices overlapping, we complete each other’s sentences to create a conversation, a memorial, pieces of ourselves that speak to a “we.”
What are the origins of your love print?
I am a so-called “happy accident.” There is much narration about this – an accidental life, one that is entirely wanted at the same time. I feel this shaped my way of loving, I don’t just fall in love; I risk the slips that lead to the fall. Perhaps it made me an amor fati kind of person.
I was told that I was an unwanted child. So I grew up to become an unwanted adult. The origins of my love print are based on being eternally unwelcomed. I am not a fruit of love or any happy feelings but rather one pain and burden. I don’t have a love print – at least not in this sense.
I know for a fact that both my parents were in love at some point, but mental health is such a demon, and until one confronts their demons, there is no winning.
I will never associate “love” with my parents or normative family. Love growing up was full of violence and responsibilities I didn’t sign up for or was even ready for. For the longest time, it felt like life and love were about carrying a big rock uphill. While my parents “loved each other,” it was a toxic ethos of violence, jealousy, and insecurity to grow up in. I grew up wanting to crave stability, and this is what is me now. I am a risk taker, but never in my “love space.”
I don’t know why my mother chose to host a child (me) within her.
She does not love in this form.
My mother tells me that if I have to think about “finding” love, I should never look at her marriage as a template. My love print comes instead from my raising dogs for the last two decades (18 years to be precise). The other way around is true as well – they raised me. I understand more and more about love and its many layers in their company.
I haven’t known love from a “print.” In our household we don’t talk about love. I had to teach myself how to love. It was hard work. Still, I fail and still, I keep on trying and I fail everyday. Perhaps failure is my love print.
My love print is the care, warmth, and understanding I give to others
surrounding me, whether a stranger, a friend, a relative, a lover.
My love print is political – uncalculated and unthought of.
I was born under heavy shelling.
My love print is the negative
print of that.
Lessons learned about love
I know more about what love is not than I know about what love is.
Love is neither anxiety nor panic.
Love is not asking permission to live or breathe. It is always about love and there is no love without freedom.
Everything you do is about using your heart except love. Love is about using your mind.
Sometimes I fear that my love language is lost in translation.
--- There are many ways
to map the origins
of how to
how not to
love
not love
love just enough
love far too much
some love
some loss
to love
to love lost ---
I cannot stand the idea of the couple. I cannot stand the idea of living alone while aging either. I am tired of doing the chores alone, moving houses alone, paying rent and bills alone... I imagine getting a stroke alone, and it scares me. I have no plan of “partnering up.” I want a world where I can get married to a friend, buy a house with a friend, not have sex.
Loving many does not corrupt a love shared between two, and whether love is romantic or not is really not that important.
When I reflect on the shoddy state of my relationships, I realize that I am in the relationship I was trained to be in. With all my “radicalness” I have not yet unlearned shitty gendered norms.
My need for stability feels “not radical” enough. I want to get out of this labeling. I want something I never had. I want to make it beautiful. I want to feel beautiful and safe – and only stability makes me feel that. Safe, sound, knowing home is neither about violence nor strife.
--- Love print – love to smell the books to see
where they were printed
I try to think of the origin of my
understanding and practice of love
Do we need origin, it is not the same as purity?
No purity or origin of love.
Why is it understanding and practice,
and not “emotion” that comes to mind? ---
When I call my parents, I don’t hang up the phone after we’ve said
goodbye, so I can hear the sounds of home.
What do we need to be/feel loved in death?
During my Sunni burial, I want all the women and men to come together for my burial. What’s with not being able to go say goodbye to dead people from a different sex? It will be Sunni because my mother would want it to be. It will be eco-friendly; no need for the headstone. I love all burial rituals. Quran is good, but I also want music. I really like Asmahan, Um Kulthum, and The Stone Roses.
I have a Monday-Friday playlist and two different ones for the weekend: one for Saturday and one for Sunday playlist. I would like those who loved me to play the music that I used to listen to, respecting the days – with some margin of tolerance as long as they stick to the playlists.
I want to be surrounded by the one(s) who have loved me, even for a moment. And in music and embowered in fresh cut flowers. I don’t want to be discovered dead; I want to pass away mid-laugh with loved ones.
I want to be remembered as someone who loved.
I don’t need to feel loved in death. I need the people around me to feel I loved them, even after I die. Being loved in death is about those who are alive. So I think more about how we come together as a living and loving community in the death of those we love and live with. How we take their memories with us. How we become archives of their lives.
--- Sometimes, you can only love people in their death. ---
I have to think back to the body being connected to a space. My family is very tiny and although we come from different places, it is as if every generation moved somewhere new. Perhaps this is the reason why death is not connected to a special place, a cemetery. It is common in our family to bury the dead without names or gravestones, or to distribute the ashes in the wind. I feel at peace with this kind of spaceless remembrance. The idea that my ashes fertilize new life gives me the sense of being loved, being remembered through recreation. My grandmother died earlier this year due to complications after the vaccination. Two hours after she died, my family sat laughing tears about her jokes, her hilarious way to tell stories. We laughed and loved, and it was as though she sat with us again. This is what would make me feel at peace – fertilizing soil, fertilizing conversations, and collective remembrance.
--- There were
Two streets that I used
To walk
To run
To play
To stay
There were
Five hours when the sun
Was hot
The sky was blue
The earth was green
There was
A flower I could
Smell
Touch
Squeeze
Crush
There were
The friends I could
Caress
The food
I could
inhale
The language
That would roll off my
lips
There might still be
Those many places
And things
And people
After me ---
Perhaps a promise that I will be “spatially commemorated” as a plant and taken care of in turns until it becomes a tree is enough. No name, no plaques – just the plant/tree, and knowing that it will be cared for. As for my body, I want to be cremated without any rituals and my bone ashes set free in the Arabian sea.
I need my body to be treated as subversively as it’s lived.
I do not want to be buried next to my family. In this tiny drawer next to all of the people who never knew me. Trapped in death as I was in life. I want to be cremated, and my ashes finally set free.
I want to be allowed to pass, not hang in the in-between, so it is a presence, an active process, a trespassing.
I will ask of you:
- To release me and let me pass
- To not let nostalgia muddy this moment because I will ask only for the normalcy of your expressions
- I have snuck the gentle glimpses and hoarded away the already small and large ways you loved me in order to be sustained. I kept myself alive on these
- To set a finite amount of time to grieve
- To be be reminded there is no separation in the beauty of loving; it is infinite and it regenerates without the body
I want to be remembered for the love I put into the world.
I want my body to be given away, and my organs
to further fuel love in (an)other live(s).
--- The smell of jasmine ---
Explore Transnational Embodiments
This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.
التجسيدات العابرة للحدود
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
Kate Millett
Related content
The Guardian: Kate Millett Obituary
New York Times: Kate Millett, Ground-Breaking Feminist Writer, Is Dead at 82
The New Yorker: A Last Interview with Kate Millett
CFA 2023 - Tiytle Hybrid like never before: in person - EN
Hybrid like never before
For the first time, the AWID Forum offers three modes of participation
إلى مجموعتي النسوية،
إلى مجموعتي النسوية،
تحذير: عنف ضد المرأة و البنت (لانو في فرق بيناتهم) ، اعتداء.
لطالما كنت جزء منك. لما كنت صغيرة لم أكن أعرف أن كلمة - نسوية - مقصودة لنا نحن ، الي نطمح إلى التغلب على النظام الأبوي وتفكيكه ، الي نلتمس اللجوء في أحضان الشمول والنسوية التقاطعية ، الي يعاملو الناس على قدم المساواة بغض النظر عن جنسهم ، عرقهم، توجهاتهم الجنسية أو دينهم ، الي يحبو يكونوا أفضل ويستخدموا صلاحياتهم لرفع مستوى الآخرين.
كان عمري 14 سنة ،لما اعتدى مدرس اللغة الفرنسية في المدرسة الإعدادية على طالبة في صفي ، رجل يبلغ طوله ستة أقدام و عمره ثلاثين عامًا. ذهبت مع الطالبة ، التي كانت صديقة طفولتي ، والعديد من الفتيات في صفي إلى مدير المدرسة للإبلاغ عنه ، وشهد الفصل بأكمله المكون من 30 طالبًا عن الاعتداء. لكن كل محاولاتنا لمحاسبته باءت بالفشل ، وغطت الإدارة قصة الفتاة ولم يُطرد مدرس الفرنسية. أنا والفتيات في صفي شعرنا بغضب كبير، لذلك فعلنا ما كانت ستفعله كل ناشطة نسوية في مراهقته:رمينا بيض علي سيارته! وعلى الرغم من أن البيض بيتغسل بسهولة ، إلا أن الطلاء الذي استخدمناه في كتابة "خنزير" و "خماج" بقى. لن أنسى أبدًا كيف شعرنا بهداك الوقت. متحررات ، غاضبات ، سعيدات ، متماسكات ، وجبارات.منذ ذلك الحين، نفس الشعور يتكرر في كل بيئة نسوية كان لي الشرف ان احضر فيها. نشأت الناشطة النسوية في داخلي لتنضم إلى Women Deliver ، و AWID ، و Unootha ، ولتنسق ورش نسوية في الجامعة ، بل وتتعرض للاضطهاد بسبب انتمائي النسوي في سن التاسعة عشرة ، لكن هذه قصة أخرى لرسالة أخرى.
توفر لي المساحات النسوية الأمان والتمكين. تلك المساحات هن الأمهات اللواتي تمنينهم والرابط الذي كنا بحاجة إليه للتواصل مع بعضنا وتنظيم أنفسنا على الرغم من خلافاتنا ضد عدو مشترك، الباترياركية. من خلالك تعلمت أن أجمع نقاط قوتي ومهاراتي وأوجههم نحو النهوض بالآخرين وإبراز المهمشين وإعطاء صوت لمن لا صوت لهم.
أكثر ما أحبه فيك ، هو أنك تخطئين أحيانًا ، وتتجاهلين وتهمشين أيضًا ، ولديك تحيزات كما لدى كل حركة أخرى ، لكن ما يجعلك مختلفًتن هو أنكي تسعين دائمًا إلى أن تكوني أفضل. المساءلة ليست شيئًا يرعبكي وأنت حركة دائمة التغير تعكسين كيف يتغير العالم والعمل الخيري في جهود المساواة مع مرور الوقت.
أتمنى أن تنمي دائمًا ، أن تفعلي ما هو أفضل ، وأن تغضبي دائمًا ، وأن تزأري دائمًا ، وأن تحبي دائمًا ، أن تتحدثي بلغات مختلفة ، وأن تكوني دائمًا في السلطة.
كل حبي ونوري وغضبي لكي ،
لينة
Deborah Holmes
At the time of her death, following a short but aggressive battle with cancer, Deborah was the Chief Communication and Engagement Officer at the Women’s Funding Network (WFN).
Deborah also worked for the Global Fund for Women from 2008 to 2017. Deborah was extremely loved and respected by board, staff, and partners of Global Fund for Women.
Kavita Ramdas, former CEO of the Global Fund for Women aptly noted that Deborah was “a small package exploding with warmth, generosity, intelligence, style, and a passionate commitment to fusing beauty with justice. She understood the power of story. The power of women’s voice. The power of lived experience. The power of rising from the ashes and telling others it was possible. And, still we rise.”
Musimbi Kanyoro, the present CEO of the Global Fund for Women, added, “We have lost a sister and her life illuminates values that unite and inspire us all. As we all come together to mourn Deborah’s passing, let us remember and celebrate her remarkable, bold, and passionate life.”
CFA 2023 - Call for Activities is live- ar
فتح باب الدعوة للأنشطة!
الموعد الأخير لتقديم المقترحات: 1 فبراير/ شباط 2024
انطلاقًا من روح موضوع المنتدى، ندعو إلى التقديم على مجموعة متنوعة من الموضوعات وأشكالها التي:
- تسهل الاتصال والتفاعل الحقيقي بين المشاركين/ات
- تعزز الشفاء والتجديد بأشكال مختلفة، كأفراد ومجتمعات وحركات
- تلهمنا وتتحدانا لنزدهر معًا كمجتمعات وحركات
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Cookies used by this site
Annaliza Dinopol Gallardo Capinpin
Known as “Ate Liza,” Annaliza was the president of the Agrarian Reform Council for Mindanao Pioneers, an umbrella group in Tacurong City, Philippines.
A loved mother of four, teacher and community leader, Annaliza is remembered by her community as “she who leads when no one wants to lead, she who talks when no one wants to talk, she who stood with courage to help the agrarian reform beneficiaries to own lands.”
Annaliza was shot dead by unknown assailants in front of the Sultan Kudarat State University (SKSU) while on her way to Salabaca National High School in Esperanza.
Her family have said “Naghihintay pa rin kami ng hustisya para sa kanya” (we are still waiting justice for her).
Forum 2024 - FAQ - Registration EN
Registration
2025 AWID Feminist Calendar
This calendar is a gift to our global feminist community. It is our promise of future connection and movement moments in the year to come. This past year has seen unspeakable injustices. We welcome a new year full of powerful movement spirit, of hopeful solutions and strategies. For a more just world for all.
As you flip through the pages note the diversity of art from our artist members who use their work to amplify and interlink our different movements under the feminist umbrella. Do you see yourself, your movement, your communities in these pages? We encourage you to use this calendar as a practical tool to mark time and space, but also to pencil in occasions to connect with feminists and activists.
Use it, print it, share it. Let this calendar be a daily companion in your journey, a constant reminder of our interconnectedness and our shared visions for a better world. Let it inspire you, as it inspires us, to keep moving forward together.
This calendar invites us to immerse ourselves in the inspiring world of feminist artistry. Each month, as it gently unfolds, brings forth the vivid artwork of feminist and queer artists from our communities. Their creations are not mere images; they are profound narratives that resonate with the experiences of struggle, triumph, and undying courage that define our collective quest. These visual stories, bursting with color and emotion, serve to bridge distances and weave together our diverse experiences, bringing us closer in our shared missions.
Get it in your preferred language!
Mariam Uy Acob
Mariam was a paralegal at the Kawagib Moro Human Rights Alliance.
Mariam was a staunch critic of militarization in Moro communities, and consistently denounced aerial bombardment and encampment. She had to seek sanctuary after exposing and calling out the injustices committed against Muslim communities in the Philippines.
She is believed to have been killed by suspected military agents because of her work as a WHRD. The assailants who killed Mariam waited for her, caught up with the vehicle she was using and shot her seven times.
Will there be accessibility measures at the Forum?
In short, yes! AWID is currently working with an Accessibility Committee to ensure that the Forum is as accessible as possible. We are also conducting an accessibility audit of the Forum venue, surrounding hotels and transportation. Detailed information about accessibility at the AWID Forum will be available in this section before the registration opens. Meanwhile, for any questions please contact us.
Sainimili Naivalu
“I’ve witnessed discrimination on the streets, being teased on the streets and verbally abused on the streets. I have also made numerous friends and have met a lot of people. There may be dangers out there but I am a survivor and this is where I will be for now.”
- Sainimili Naivalu
Sainimili Naivalu was a feminist and disability rights activist from the village of Dakuibeqa on Beqa Island, Fiji.
She demanded policy makers and stakeholders provide disability friendly policies and services such as the construction of ramps in towns and cities to increase accessibility. Physical barriers were not the only ones she strived to change. From her own experience, she knew that more difficult changes need to take place in social and economic spheres. Many of the challenges disabled people face are rooted in attitudes that carry discrimination and stigma.
A survivor and a fighter, Sainimili contributed to co-creating feminist realities that foster inclusion and shift attitudes towards disabled people. As a member of the Spinal Injury Association of Fiji (SIA) and through Pacific Disability Forum’s Pacific Enable project she attended the International Labour Organisation “Start Your Business” training in Suva, enabling her to transform her ideas into her own business. She was an entrepreneur at the Suva Market Stall 7, offering manicure services, as well as running SIA’s women’s market stall selling handicrafts, sulus and artifacts. Sainimili’s plan was to expand her business and become a major employer of disabled people.
In addition to her activism, she was also a table tennis medalist and youth champion.
A vivacious personality, Sainimili was one of a kind. You would always know that Sainimili is in a room because her laughter and her stories would be the first thing that you would notice.
- Michelle Reddy
Sainmili passed away in 2019.
أنا ممول/ة أو مانح/ة فردي/ة. كيف يمكنني دعم منتدى جمعية حقوق المرأة في التنمية؟
ندعوك للتواصل معنا بشأن طرق المشاركة الهادفة في المنتدى.
Binta Sarr
Binta Sarr was an activist for social, economic, cultural and political justice, and a hydraulic engineer in Senegal. After 13 years in civil service, she left this path to work with rural and marginalized women.
Out of this engagement grew the Association for the Advancement of Senegalese Women (APROFES), a grassroots movement and organization Binta founded in 1987. One of her main approaches was leadership training, relating not only to economic activities but also to women's rights and access to positions of decision-making.
“Grassroots populations must organize, mobilize, assume citizen control and demand democratic governance in all sectors of public space. The priority of social movements must go beyond the fight against poverty and must be focused on articulated and coherent development programs in line with human rights principles, while taking into account their needs and concerns both at the national and sub-regional levels and from a perspective of African and global integration.” - Binta Sarr
Rooted in Binta’s conviction that fundamental change in women’s status requires transformation in male attitudes, APROFES took an interdisciplinary approach, using radio, seminars and popular theatre, as well as providing innovative public education and cultural support for awareness-raising actions. Its popular theatre troupe performed original pieces on the caste system in Senegal, alcoholism, and conjugal violence. Binta and her team also looked at the crucial connection between the community and the broader world.
“For APROFES, it is a question of studying and taking into account the interactions between the micro and the macro, the local and the global and also, the different facets of development. From slavery to colonization, neocolonialism and the commodification of human development, most of the resources of Africa and the Third World (oil, gold, minerals and other natural resources) are still under the control of financial cartels and other multinationals that dominate this globalized world.” - Binta Sarr
Binta was one of the founding members of the female section of the Cultural and Sports Association Magg Daan. She received commendations from the Regional Governor and the Minister of Hydrology for her "devotion to rural people."
Born in 1954 in Guiguineo, a small rural town, Binta passed away in September 2019.
Tributes:
“The loss is immeasurable, the pain is heavy and deep but we will resist so as not to mourn Binta; we will not mourn Binta, we will keep the image of her broad smile in all circumstances, to resist and be inspired by her, maintain, consolidate and develop her work…” - Aprofes Facebook page, September 24, 2019
"Farewell Binta! We believe your immense heritage will be preserved." - Elimane FALL, president of ACS Magg-Daan
هل تقدم جمعية حقوق المرأة في التنمية منح لحضور المنتدى؟
سيقدم صندوق الوصول الخاص بنا عددًا محدودًا من المنح الدراسية لتمويل مشاركة النشطاء/ الناشطات الذين/ اللواتي لا يستطيعون القيام بذلك، وليس لديهم/ن علاقات مع الممولين/ات الذين/ اللواتي يمكنهم/ن تغطية مشاركتهم/ن. لذلك إذا كان لديك احتمالات أخرى، يرجى استكشافها. سنبذل قصارى جهدنا لتقديم أكبر عدد ممكن من المنح الدراسية، وسنشارك المزيد من المعلومات حول هذه العملية وكيفية التقديم لاحقًا في أوائل العام 2024.
Dorothy Masuka
“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)
Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.
One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa.
Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.
Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”.
On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health.
Watch Dorothy Masuka in an interview with Mail & Guardian
Listen to some of her music:
