On Wednesday a note arrives
with an address on the back.

    5 pm, tonight.

The handwriting on the invitation—
coily and brusque—
I’ve seen it five times in five years.

My body rouses,
feverish.

I need to fuck myself first.

The tide is high tonight and
I get 
off.

I want to slow everything down,
taste time and space, etch them 
into memory.

*

I’ve never been to this part of town before.
Unknown places excite me,
the way limbs and veins and bones
resist decay, 
their fate uncertain.

At the door, I think twice.
The hallway is pitch black 
and it makes me pause.

On the other side,
a portal of smell and color 
opens like a curse,  
into a sunny afternoon.

The breeze
makes my hair dance,
piques its curiosity,
compels it to move.

I hear the wheelchair whirring, 
shaping the shadows.
Then I see them:
a lynx face
and a body like mine
and I find myself desiring both
again.
 
The creature motions me closer.

Their gestures write a sentence;
as I move toward them,
I notice its details:

    wither, flesh, bliss

On their command, the vine that covers the hallway
hugging warm stones,
snakes up the wall.

It becomes a verb,
“to climb,”
and I’m reorientated when their claws point 
to the vine-bed in the center.

I hear the wheels behind me, 
then that sound. 
It reverberates
like no other.
Their long black wings
elevate toward the ceiling
then they lunge forward.

The feline vision scans every detail,
every change,
every longing.

Can desire liquefy your muscles? 

    Can it act sweeter than the strongest 
of tranquilizers?

A lynx sews the world
across our differences,
weaving lace around my knees.

Can desire crush the distance of the world, 
compressing the seconds?

They come closer still,
lynx eye meeting human eye,
sniffing the air,
turning body into
urgency.

They beat down their wings.
Stirred,
the vines tangle around my waist/waste.

Their tongue thins time,
shifting grounds,
soothes, with their magic,
what stirs beneath.

    I see the world in you, and the 
world is exhausted.

Then they plead:

    Let me feast on you. 
 

Development financing has specific threats and opportunities for women's and all people’s human rights. Transformative development financing and policies can make an important contribution to the systemic changes that are needed to ensure the respect, protection and fulfillment of women’s human rights.

2015 is an important year for the FfD process. The Third International Conference on FfD took place from 13-16 July 2015 in Addis Ababa, Ethiopia and governments are finalising the post-2015 development agenda including agreements on how the new Sustainable Development Goals will be financed. 

The current stage of the FfD process is an important opportunity to establish a financing framework that will ensure effective financing for the implementation of the post 2015 agenda and the Sustainable Development Goals (SDGs). It is also an opportunity to address the structural conditions, and systemic changes needed, for the full implementation of other agendas and commitments such as Human Rights Conventions, and the Beijing Platform for Action.

Over the last 13 years, women’s rights and feminist organizations have actively engaged in the FfD process.

The call for session proposal is now closed.

We launched a Call for Activities on November 19 2019 and the last date to receive proposals was February 14, 2020. 

Find other ways to engage with the Forum

Moving Conversation

"We were finally experiencing that other form of love – that pleasure of being together and listening to each other. For me, these kinds of chats are among the expressions of love that life had only recently allowed me to enjoy..."

Read more

We will announce this soon. Stay tuned!

No, you don't have to be an AWID member to participate but AWID members receive a discounted registration fee as well as a number of other benefits.

Learn more on how to become an AWID member

For additional questions, please use our contact form, and select “14th AWID Forum" from the dropdown menu.

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Pleasure Garden

The artwork is a photography and illustration collaboration between Siphumeze and Katia during lockdown. The work looks at black queer sex and plesure narratives, bondage, safe sex, toys, mental health and sex and many more. It was created to accompany the Anthology Touch.

Pleasure Garden Exhibition

We see Taipei as the location in the Asia Pacific region that will best allow us to build that safe and rebelious space for our global feminist community.

Taipei offers a moderate degree of stability and safety for the diversity of Forum participants we will convene. It also has strong logistical capacities, and is accessible for many travellers (with a facilitated e-visa process for international conferences).

The local feminist movement is welcoming of the Forum and keen to engage with feminists from across the globe.

Read more about our considerations when choosing Taipei

 As we are submitting the application almost one year before the actual event. 

Yes! Currently the form requests to list presenters even if they are not confirmed yet. We understand that changes are likely to occur within a year.