Análisis Especiales

AWID es un organización feminista internacional de membresía, que brinda apoyo a los movimientos que trabajan para lograr la justicia de género y los derechos de las mujeres en todo el mundo.

Confrontando al extractivismo y al poder corporativo

Defensoras de derechos humanos de todo el planeta defienden sus tierras, medios de subsistencia y sus comunidades ante las industrias extractivas y el poder corporativo. Ellas hacen frente a fuertes intereses económicos y políticos que promueven el robo de tierras, el desplazamiento de comunidades, la pérdida de los medios de subsistencia y la degradación del medioambiente.


¿Por qué resistir a las industrias extractivas?

El extractivismo es un modelo económico y político de desarrollo que mercantiliza la naturaleza y prioriza la ganancia por sobre los derechos humanos y el medioambiente. Arraigado en la historia colonial, refuerza las desigualdades sociales y económicas tanto a nivel local como global. Muchas veces, las mujeres negras, rurales e indígenas son las más afectadas por el extractivismo, y además son notablemente excluidas de la toma de decisiones. Desafiando estas fuerzas patriarcales y neocoloniales, las mujeres se alzan en defensa de los derechos, las tierras, las personas y la naturaleza.

Riegos críticos y violencia específica de género

Las defensoras que enfrentan a las industrias extractivas, experimentan una diversidad de riesgos, amenazas y violaciones, incluidas la criminalización, la estigmatización, la violencia y laintimidación. Sus historias dan cuenta de marcados aspectos de violencia sexual y de género. Entre los perpetradores se incluyen autoridades estatales y locales, las corporaciones, la policía, el ejército, las fuerzas paramilitares y de seguridad privada, y en algunos casos, sus propias comunidades.

Actuar juntxs

AWID y la Coalición Internacional de Mujeres Defensoras de Derechos Humanos (WHRDIC por su sigla en inglés) tienen el placer de anunciar «Defensoras de derechos humanos confrontado al extractivismo y al poder corporativo»; un proyecto interregional de investigación que documenta las experiencias vividas por las defensoras de Asia, África y América Latina.

Alentamos a activistas, integrantes de movimientos sociales, la sociedad civil organizada, donantes y responsables de políticas públicas, a leer y utilizar estas producciones para el trabajo de incidencia, con fines educativos y como fuente de inspiración:

¡Comparte tu experiencia y tus preguntas!

Cuéntanos cómo estás utilizando la herramienta sobre las defensoras que confrontan a las industrias extractivas y al poder corporativo.

◾️ ¿De qué manera estos recursos pueden ayudarte en tu activismo y tu trabajo de defensa?

◾️ ¿Qué informaciones o conocimientos adicionales necesitas para la mejor utilización de estos recursos?

Comparte tus comentarios


¡Gracias!

AWID reconoce con gratitud las invaluables contribuciones de cada Defensora de Derechos Humanos que ha sido parte de este proyecto. Esta guía ha sido posible gracias su generosidad y apertura al compartir sobre sus experiencias y lecciones. Su coraje, creatividad y resiliencia son una inspiración para todxs nosotrxs. ¡Muchas gracias!

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هل يمكن أن تعبئ مجموعة واحدة الاستطلاع أكثر من مرة واحدة؟

كلا. نطلب فقط تعبئة استطلاع واحد لكل مجموعة.

Body

Snippet FEA lines of work Against (EN)

Illustration of a pink book that says “labor rights” and has a red X on it,

LABOR RIGHT VIOLATIONS

Teresia Teaiwa

Retratada en The Guardian como uno de los íconos nacionales de Kiribati, Teresia fue una valiente activista.

Trabajó estrechamente con los grupos feministas en Fiji y que puso sus investigaciones al servicio de las cuestiones feministas y de género en el Pacífico. Además, fue coeditora de la publicación International Feminist Journal of Politics. Su influencia se extendió desde la frontera académica hasta los movimientos por la justicia social en la región de Oceanía.


 

Teresia Teaiwa, Fiji

Our neighbourhood, our network, our strength

by Marta Plaza Fernández, Madrid, Spain (@gacela1980)

The feminist reality that I want to share is about weaving networks in which we uphold one another. Networks which come together in different ways, which emerge from our shared vulnerability, and which make all of us stronger.

 

The streets of Chamberí, my neighbourhood in Madrid, became much more of a home following the gatherings in the plazas organized by the citizens movement that originated in a rally on May 15, 2011. I think about how, during those years, we met each other and were able to associate faces, voices, smiles with so many neighbours who previously were only silhouettes without names or pasts, and who we passed by without seeing or hearing each other. I think about how we’ve become involved and dedicated; how we’ve woven a palpable, tangible community; how we’ve been advancing hand in hand towards building a new more inhabitable world, which we want and that we urgently need to create.

A group of activists and utopian neighbours, (in the best sense of the word utopian) – that moves us to action to do something real – that group for me was practically the first that reacted differently when I shared a part of my history and identity with them. With these women I shared my psychiatric diagnosis, my multiple hospital stays, the number of daily pills that accompanied me, my disability certificate, my difficulty in preserving that vital link that periodically disintegrates in my hands.

These neighbours, friends, comrades, links, loves –did not only not distance themselves from me once they got to know someone who many others had labelled as problematic, manipulator, egotistical – but became my principal network of affection and mutual support. They decided to navigate with me when the sea became agitated with storms. These people have given a different meaning to my days.

Building our feminist reality also encompasses carrying the “I believe you, sister” that we use when a friend has suffered a macho attack to the violence experienced by psychiatrized women at the hands of the very psychiatric system and institutions that are supposed to help us (and instead are often the new abuser who traumatizes and hurts us all over again). And this reality must include respect for our decisions, without taking away our agency and capacity to direct our own steps to one space or another; to listen to our narratives, desires, needs…without trying to impose others that are alien to us. It means not delegitimizing our discourse, not alluding to the label of our diagnosis, nor our madness.

With these transformation, each stay in the psychiatric institute did erase the ties that we had been able to build, but instead this network stayed by my side, its members took turns so that each day there would be no lull in calls, in visits, so that I could feel them as close as one can feel another person separated by locked doors (but unfortunately open for abuse) within the confines of the psychiatric ward. Through the warmth and kindness from my people I could rebuild that vital link that had once again been broken.

The even bigger leap happened when I was already aware of the numerous violent acts and abuse (where among other assaults, I spent days strapped to a bed, relieving myself where I lay),  I decided that I would not go back to being interned.

This network of care, these women neighbours-friends-loves-comrades, they respected my refusal to return to the hospital and supported me through each crisis I’ve been through since then. Without being interned, without violence.

They took turns accompanying me when my link to life was so broken that I felt such a huge risk which I couldn’t handle on my own. They organized WhatsApp group check-ins. They coordinated care and responsibilities so that no one would feel overwhelmed - because when an individual feels overloaded, they make decisions based on fear and the need for control instead of prioritizing accompaniment and care.

That first crisis that we were able to surmount together in this way – without being admitted to the psychiatric institute, represented a dramatic change in my life. There were months when my life was at risk, of intense suffering and of so much fear for my people and for me. But we overcame it together, and all that I thought was that if we could get over that crisis, then we could also find ways to face all the difficulties and crises that may come.

These feminist realities that we’re building day by day keep expanding, growing and taking different forms. We’re learning together, we’re growing together. Distancing ourselves from a welfare mentality, one of the first lessons was that, in reality, there wouldn’t be anyone receiving care (because of a psychiatric label) or anyone helping, from the other side of the sanity/insanity line. We learnt – we’re learning – to move to a different key – that of mutual support, of providing care and being cared for, of caring for each other.

We’ve also explored the limits of self care and the strength of collectivizing care and redistributing it so it’s not a burden that paralyzes us; we learnt – and we keep learning today – about joy and enjoying care that is chosen.

Another recent learning is about how difficult it was to start integrating money as another component of mutual support that we all give and receive. It was hard for us to realize how internalized capitalism kept on reverberating in our relationship with money, and that even though no one expected any payment for the containers of lentils we cooked amongst us when eating and cooking were difficult tasks, our expectation regarding money was different. Phrases like “how much you have is how much you’re worth” become stuck inside of us without critically analyzing them. It’s easy to keep thinking that the money each one has is related to the effort made to earn it, and not due to other social conditioning distant from personal merit. In fact, within this well-established mutual support network – redistributing money based on needs without questioning – was still a remote reality for our day to day. That’s why this is something that we’ve recently started to work on and think through as a group.

We want to get closer to that anti-capitalist world where mutual support is the way that we have chosen to be in the world; and that entails deconstructing our personal and collective relationship with money and internalized capitalism.

In these feminist realities we also know that learning never stops, and that the road continues to be shaped as we travel upon it. There is still much to do to keep caring for ourselves, to keep expanding perspectives and to make ourselves more aware of the persistent power imbalances, of privileges that we hold and continue to exercise, without realizing the violence that they reproduce.

Though we’ve already travelled so far, we still have a long way to go to get closer to that new world that we hold in our hearts (and for some within our crazy little heads too). Racism, classism, adult-centrism, fat-phobia, and machismo that persists among our partners.

Among the pending lessons, we’ve needed for a long time already to build a liveable future in which feminism is really intersectional and in which we all have space, in which the realities and oppressions of other sisters are just as important as our own. We also need to move forward horizontally when we build collectively – getting rid of egos, of protagonisms, to live together and deal with the need for recognition in a different way. And to also keep making strides grounded in the awareness that the personal is always, always political.

How we relate to and link with each other cannot be relegated to the private domain, nor kept silent: other loves are possible, other connections and other families are necessary, and we are also inventing them as we go.

This new world which we want to create, and that we need to believe in – is this kind world – in which we can love, and feel pride in ourselves – and in which all worlds will fit. We’ll keep at it.

 


“Healing Together”

by Upasana Agarwal, Kolkata, India (@upasana_a)

Looking at activists and feminists as healers and nourishers of the world, in the midst of battling growing right wing presence, white supremacy and climate change. This piece highlights how our feminist reality puts kindness, solidarity, and empathy into action by showing up and challenging the status quo to liberate us all. 

Upasana Agarwal (@upasana_a)

 

Могу ли я пройти опрос со своего телефона?

Да, доступ к опросу можно получить с помощью смартфона.

Snippet FEA Wage Parity (ES)

Ilustración de dos un par de personas de piel blanca con anteojos, a la izquierda en el fondo hay un mando y a la derecha al frente hay una mujer. El fondo es turquesa.

PARIDAD SALARIAL

Reason to join 2

Encuentra y crea conexiones. AWID cuenta con más de 9000 afiliadxs, todxs dedicadxs a abordar cuestiones complementarias e interconectadas. En esta diversidad se apoya la sostenibilidad de los movimientos y actorxs feministas.

Stella Mukasa

Stella a commencé sa carrière au ministère du Genre et du Développement communautaire en Ouganda. Elle œuvrait auprès des décideurs-euses politiques, pour encourager des réformes législatives, dont celle de la Constitution ougandaise en 1995 qui a entériné certaines des réformes les plus progressives pour les femmes dans la région.

Elle était adorée dans la région tout entière pour ses incessants efforts pour la création et l’application de lois et politiques sensibles au genre. Elle a joué un rôle clé dans l’ébauche de la loi sur les violences domestiques en Ouganda. Elle a aussi contribué à une mobilisation importante en faveur de Constitutions sensibles au genre à la fois en Ouganda et au Rwanda.

Par son travail au Centre international de recherches sur les femmes (International Center for Research on Women, ICRW), elle a abordé les thématiques de la violence à l’égard des enfants. Stella s’est attachée à renforcer les organisations locales qui luttent contre les violences basées sur le genre. Conférencière en Droits genrés et loi à l’université Makerere, elle a également siégé aux conseils d’administration d’Akina Mama wa Afrika, ActionAid International Uganda et l’Open Society Initiative for Eastern Africa.


 

Stella Mukasa, Uganda

Exposition Pleasure Garden

Cette œuvre est la collaboration photographique et illustrative réalisée par Siphumeze et Katia pendant le confinement. Elle se penche sur les récits de sexe et de plaisir des queers noirs, le bondage, le sexe protégé, les jouets, la santé mentale et le sexe et bien d'autres choses encore. Elle a été créée pour accompagner l'anthologie Touch.

Mental Health
Mental Health (Santé mentale)
Sex and Spirtuality
Sex and Spirtuality (Sexe et spiritualité)
Orgasm
Orgasm (Orgasme)

À propos des artistes

Siphumeze Khundayi portrait

Siphumeze Khundayi est une créatrice d'art, photographe et animatrice qui s'intéresse aux moyens créatifs de réunir le dialogue et la pratique artistique en relation avec l'identité queer africaine. 

Elle est directrice créative de HOLAAfrica!, un collectif panafricaniste féministe en ligne.

Ses travaux de performance en solo et collaboratifs ont été présentés dans un certain nombre de festivals et d'espaces théâtraux tels que le festival Ricca Ricca au Japon.

Elle a mis en scène deux productions nominées aux Naledi Awards en 2017 et 2018. Elle a aussi mis en scène un spectacle qui a remporté un prix Standard Bank Ovation en 2020.
En tant que photographe, elle a participé à une exposition de groupe intitulée Flowers of my Soul (Fleurs de mon âme) en Italie, organisée par le Misfit Project. Elle a produit trois publications pour HOLAAfrica et a été publiée dans le deuxième volume, pour lequel elle a fourni la couverture: As You Like des Gerald Kraak Anthologies.

katia portrait

Katia Herrera est une artiste visuelle numérique de 21 ans originaire de la ville bruyante de Saint-Domingue, en République dominicaine. Bien que Herrera soit une introvertie autoproclamée, ses œuvres d'art sont remarquablement fortes dans un monde qui tente de faire taire les voix des personnes noires. Avec des titres comme Black Woman (Femme Noire), You Own the Moon (La Lune t’Appartient), Earth Goddess (Déesse de la Terre), Forever (Pour Toujours) et Universe Protector (Protecteur.rice de l’Univers), l'héritage de Herrera sera marqué par sa volonté passionnée de mettre en lumière l'endurance et la persévérance des Noir·e·s d'hier et d'aujourd'hui, afin de contrer le discours selon lequel la peau noire ne devrait être associée qu'à l'esclavage.

L'une de ses œuvres la plus belle et la plus vivante, Universe Protector, dépeint l'âme noire comme une entité divine pleine de force, de puissance et de grandeur. C’est dans sa jeunesse que son amour du graphisme a été stimulé grâce à l'art de ses parents et le Photoshop qu'ils avaient téléchargé sur leur ordinateur pour leur photographie professionnelle.

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AWID-CSW_header.png
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Snippet FEA Map of Spain Union Otras (FR)

Fond moutarde avec une carte rose de l'Espagne et une épingle jaune de l'emplacement de Sindicato Otras ;

Solidarity: membership why page

Solidarité

nous prenons position en solidarité les un·e·s avec les autres ainsi qu’avec différentes luttes en défense de la justice et des libertés. Nous nous efforçons de mobiliser et renforcer l’action collective et de pratiquer des méthodes significatives de collaboration.

Selena “Rocky” Malone

Rocky showed inspirational leadership and direction in working with Lesbian, Gay, Bisexual, Transgender, Intersex, Queer, Brotherboy and Sistergirl (LGBTIQBBSG) youth at risk.

Rocky started her career with the Queensland Police Service as a Police Liaison Officer. Making a difference was important to her. She led an impressive career working with young LGBTIQBBSG people as the Manager of Open Doors Youth Service.

Rocky worked through complex situations with clients relating specifically to gender and sexual identity. She was a natural in this line of work - a strong community leader, a quiet achiever, a loyal friend, a compassionate nurturer, and a change maker. Rocky was a founding member of IndigiLez Leadership and Support Group.

In 2016 at the Supreme Court in Brisbane, Former High Court Justice Michael Kirby mentioned Rocky by name when praising the work of the LGBTI Legal Service over the years. Rocky fought extremely hard for the human rights of the LGBTIQBBSG community, pushed boundaries and created change in a respectful, loving way.  


 

Rocky Malone, Australia

Nicole Barakat

nicole barakat -verge exhibition april 2018
We transcend time and place, Hand cut found paper (2017)
nicole barakat -verge exhibition april 2018
We will remember who we are and We will persist Cotton embroidered hand cut lamé on wool silk cloth (2018)
nicole barakat -verge exhibition april 2018
​​We will return home, Silk embroidered hand cut lamé on cotton velveteen (2018)
verge march 18 - document photography
We will heal in the now, Hand cut silk, wool, lamé, cotton, direct digital print silk satin on linen (2018)


we are infinite

An exhibition by Nicole Barakat, embodying her reconnection with the diaspora of objects from her ancestral homelands in the South West Asia and North Africa (SWANA) region.
 
Barakat presents a collection of textile works as manifestations of her practice of engaging with displaced, and often stolen objects held within Western museum collections including the Louvre, British Museum and Nicholson Museum. 
 
To by-pass the gatekeepers and breach the vitrines holding these ancestral objects, Barakat reclaims pre-colonial, non-linear, receptive forms of knowing that are often devalued and dismissed by colonial and patriarchal institutions - engaging with coffee cup divination, dream-work, intuitive listening and conversations with the objects themselves (source).

About Nicole Barakat

Nicole Barakat portrait
Nicole Barakat is a queer femme, SWANA artist born and living on Gadigal Country (so-called Sydney, Australia). She works with deep listening and intuitive processes with intentions to transform the conditions of everyday life. Her work engages unconventional approaches to art-making, creating intricate works that embody the love and patience that characterises traditional textile practices. 

Her works include hand-stitched and hand-cut cloth and paper drawings, sculptural forms made with her own hair, cloth and plant materials as well as live work where she uses her voice as a material. 

Nicole’s creative practice is rooted in re-membering and re-gathering her ancestral knowing, including coffee divination and more recently working with plants and flower essences for community care and healing.