Organizing creatively, facing an increasing threat
Young feminist activists play a critical role in women’s rights organizations and movements worldwide by bringing up new issues that feminists face today. Their strength, creativity and adaptability are vital to the sustainability of feminist organizing.
At the same time, they face specific impediments to their activism such as limited access to funding and support, lack of capacity-building opportunities, and a significant increase of attacks on young women human rights defenders. This creates a lack of visibility that makes more difficult their inclusion and effective participation within women’s rights movements.
A multigenerational approach
AWID’s young feminist activism program was created to make sure the voices of young women are heard and reflected in feminist discourse. We want to ensure that young feminists have better access to funding, capacity-building opportunities and international processes. In addition to supporting young feminists directly, we are also working with women’s rights activists of all ages on practical models and strategies for effective multigenerational organizing.
Our Actions
We want young feminist activists to play a role in decision-making affecting their rights by:
Fostering community and sharing information through the Young Feminist Wire. Recognizing the importance of online media for the work of young feminists, our team launched the Young Feminist Wire in May 2010 to share information, build capacity through online webinars and e-discussions, and encourage community building.
Researching and building knowledge on young feminist activism, to increase the visibility and impact of young feminist activism within and across women’s rights movements and other key actors such as donors.
Promoting more effective multigenerational organizing, exploring better ways to work together.
Supporting young feminists to engage in global development processes such as those within the United Nations
Collaboration across all of AWID’s priority areas, including the Forum, to ensure young feminists’ key contributions, perspectives, needs and activism are reflected in debates, policies and programs affecting them.
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Olajumoke ‘Jay’ Abdullahi and Kym Oliver are revolutionary feminists in more ways than one. (...)
Yamile Guerra était une avocate bien connue, leader communautaire et activiste politique dans la région de Santander en Colombie.
Activement impliquée dans la résolution de litiges entre les communautés locales et les promoteurs immobiliers, elle s’est battue contre l’appropriation des terres illégale. Yamile a occupé plusieurs fonctions politiques, dont celle de secrétaire générale du gouvernement de Santander à Bogota, et s’était également présentée comme candidate à la mairie de Bucaramanga. Au cours des dernières années de sa vie, Yamile s’était de plus en plus impliquée dans les causes environnementales, et particulièrement celle de la défense de la biodiversité des zones humides de Santurbán, une région qui approvisionnait près de deux millions de personnes en eau potable, contre les promoteurs du développement économique.
D’après sa famille et ses ami·e·s, Yamile recevait quotidiennement des menaces de mort et avait demandé la protection des autorités.
« Elle était tout à fait consciente de la question [du litige foncier] et avait à plusieurs reprises mentionné qu’elle se sentait en danger. » - Alixon Navarro Muñoz, journaliste et amie de la famille Guerra
Le 20 juillet 2019, Yamile a été tuée par balles par deux hommes à Floridablanca, Santander. Elle venait de clore une discussion avec eux en lien avec le litige foncier. Un suspect a ensuite été arrêté pour son meurtre, lequel a admis avoir été payé pour organiser son assassinat. Selon des rapports, Yamile est la troisième membre de sa famille a avoir été assassinée, en lien avec des litiges fonciers. Son père, Hernando Guerra, avait lui aussi été assassiné plusieurs années auparavant.
L’assassinat de Yamile s’inscrit dans une vague de violences et de meurtres systématiques de centaines d’activistes sociaux et défenseur·e·s des droits humains en Colombie. L’Institut d’études sur le développement et la paix (INDEPAZ) rapporte qu’au moment du décès de Yamile, plus de 700 leaders communautaires et activistes pour les droits humains ont été tué·e·s depuis la signature en août 2016 d’un traité de paix par la Colombie. La plupart furent assassiné·e·s pour s’être opposé·e·s à des trafics de drogue et des opérations minières; y compris les peuples autochtones, les Afro-Colombiens et les défenseures des droits humains étant les plus exposé·e·s.
Moins d’une semaine après le décès de Yamile, des milliers de Colombien·ne·s ont manifesté dans les petites et grandes villes, brandissant des photos en noir et blanc d’activistes tué·e·s, et sur lesquelles était écrit : « Il ne peut y avoir de paix sans leaders » et « Fini les bains de sang ».
Yamile Guerra n’avait que 42 ans au moment de son assassinat.
Margarita es una feminista y activista por los derechos de las personas LGBTIQA de América Latina. Sus pasiones son la transformación social y el bienestar colectivo. Posee títulos en Psicología, Comunicaciones y Administración Pública, y varias certificaciones en Política Pública, Liderazgo, Gestión y Toma de Decisiones. Como profesional, ha tenido una dilatada experiencia con organizaciones de base, ONG nacionales y regionales, universidades y el sector público, en los que se ha abocado a la facilitación, la capacitación, la incidencia política, las comunicaciones y la evaluación de políticas.
Tshegofatso Senne is a Black, chronically-ill, genderqueer feminist who does the most. Much of their work is rooted in pleasure, community, and dreaming, while being informed by somatic abolitionism and disability, healing, and transformative justices. Writing, researching, and speaking on issues concerning feminism, community, sexual and reproductive justice, consent, rape culture, and justice, Tshegofatso has 8 years of experience theorising on the ways in which these topics intersect with pleasure. They run their own business, Thembekile Stationery, and their community platform Hedone brings people together to explore and understand the power of trauma-awareness and pleasure in their daily lives. Tshegofatso believes deeply in the individual and collective potential of regenerative and sustainable change, pleasure, and care work.
The body. The most permanent home we have.
The body, not the thinking brain, is where we experience most of our pain, pleasure, and joy, and where we process most of what happens to us. It is also where we do most of our healing, including our emotional and psychological healing. And it is where we experience resilience and a sense of flow.
These words, said by Resmaa Menakem in his book My Grandmother’s Hands, have stayed with me.
The body; it holds our experiences. Our memories. Our resilience. And as Menakem has written, the body also holds our traumas. It responds with spontaneous protective mechanisms to stop or prevent more damage. That is the power of the body. Trauma is not the event; it is how our bodies respond to events that feel dangerous to us. It is often left stuck in the body, until we address it. There’s no talking our body out of this response – it just is.
Using Ling Tan’s Digital Superpower app, I tracked how my body felt as I travelled around different parts of my city, Johannesburg, South Africa. The app is a gesture-driven online platform that allows you to trace your perceptions as you move through locations by logging and recording the data. I used it to track my psychosomatic symptoms – physical reactions connected to a mental cause. Whether that be flashbacks. Panic attacks. Tightness in the chest. A fast heartbeat. Tension headaches. Muscle pain. Insomnia. Struggling to breathe. I tracked these symptoms as I walked and travelled to different areas in Johannesburg. And I asked myself.
Where can we be safe? Can we be safe?
Psychosomatic responses can be caused by a number of things, and some are not as severe as others. After experiencing any kind of trauma you may feel intense distress in similar events or situations. I tracked my sensations, ranked on a scale of 1-5, where 1 were the instances I barely felt any of these symptoms – I felt at ease rather than on-guard and jumpy, my breath and heart rate were stable, I was not looking over my shoulder – and number 5 being the opposite – symptoms that had me close to a panic attack.
As a Black person. As a queer person. As a genderqueer person who could be perceived as a woman, depending on what my gender expression is that day.
I asked myself.
Where can we be safe?
Even in neighbourhoods one might consider “safe,” I felt constantly panicked. Looking around me to make sure I wasn’t being followed, adjusting the way my T-shirt sat so my breasts wouldn’t show up as much, looking around to make sure I knew multiple routes to get out of the place I was should I sense danger. An empty road brings anxiety. A packed one does too. Being in an Uber does. Walking on a public road does. Being in my apartment does. So does picking up a delivery from the front of the building.
Can we be safe?
Pumla Dineo Gqola speaks of the Female Fear Factory. It may or may not be familiar, but if you’re someone socialised as a woman, you’ll know this feeling well. The feeling that has you planning every step you take, whether you’re going to work, school, or just running an errand. The feeling that you have to watch how you dress, act, speak in public and private spaces. The feeling in the pit of your stomach if you have to travel at night, get a delivery, or deal with any person who continues to socialise as a cis man. Harassed on the street, always with the threat of violence. Us existing in any space comes with an innate fear.
Fear is both an individual and a socio-political phenomenon. At an individual level, fear can be present as part of a healthy well developing warning system […] When we think about fear, it is important to hold both notions of individual emotional experience and the political ways in which fear has been used in different epochs for control. - Pumla Dineo Gqola, in her book Rape: A South African Nightmare
South African women, femmes, and queers know that every step we take outside – steps to do ordinary things: a walk to the shops, a taxi to work, an Uber from a party – all of these acts are a negotiation with violence. This fear, is part of the trauma. To cope with the trauma we carry in our bodies, we develop responses to detect danger – watching the emotional responses of those around us, reading for “friendliness.” We’re constantly on guard.
Day after day. Year after year. Life after life. Generation after generation.
On the additional challenge of this learned defence system, author of The Body Keeps Score, Bessel Van Der Kolk, has said
It disrupts this ability to accurately read others, rendering the trauma survivor either less able to detect danger or more likely to misperceive danger where there is none. It takes tremendous energy to keep functioning while carrying the memory of terror, and the shame of utter weakness and vulnerability.
As Resmaa Menakem has said, trauma is in everything; it infiltrates the air we breathe, the water we drink, the foods we eat. It is in the systems that govern us, the institutions that teach and also traumatise us, and within the social contracts we enter into with each other. Most importantly, we take it with us everywhere we go, in our bodies, exhausting us and eroding our health and happiness. We carry that truth in our bodies. Generations of us have.
So, as I walk around my city, whether an area is considered “safe” or not, I carry the traumas of generations whose responses are embedded in my body. My heart palpitates, it becomes difficult to breathe, my chest tightens – because my body feels as though the trauma is happening in that very moment. I live hyper vigilant. To the point where one is either too on-guard to mindfully enjoy their life, or too numb to absorb new experiences.
For us to begin to heal, we need to acknowledge these truths.
These truths that live in our bodies.
This trauma is what keeps many of us from living the lives we want. Ask any femme or queer person what safety looks like to them and they’ll mostly share examples that are simple tasks – being able to simply live joyful lives, without the constant threat of violence.
Feelings of safety, of comfort and ease, are spatial. When we embody our trauma, it affects the ways we perceive our own safety, affects the ways we interact with the world, and alters the ways we are able to experience and embody anything pleasurable and joyful.
We have to refuse this burdensome responsibility and fight for a safe world for all of us. Walking wounded as many of us are, we are fighters. Patriarchy may terrorise and brutalise us, but we will not give up the fight. As we repeatedly take to the streets, defying the fear in spectacular and seemingly insignificant ways, we defend ourselves and speak in our own name. - Pumla Dineo Gqola, in her book Rape: A South African Nightmare
Where can we be safe? How do we begin to defend ourselves, not just in the physical sense, but in the emotional, psychological, and spiritual senses?
“Trauma makes weapons out of us all,” adrienne maree brown has said in an interview conducted by Justin Scott Campbell. And her work, Pleasure Activism, offers us multiple methodologies to heal that trauma and ground ourselves in the understanding that healing, justice, and liberation can also be pleasurable experiences. Especially those of us who are the most marginalised, who may have been raised to equate suffering with “The Work.” The Work that so many of us have gone into as activists, community builders and workers, those serving the most marginalised, The Work that we struggle in order to do, burning ourselves out and rarely caring for our minds and bodies. The alternative is becoming more informed about our trauma, able to identify our own needs, and becoming deeply embodied. That embodiment means we are simply more able to experience the world through the senses and sensations in our bodies, acknowledging what they tell us rather than suppressing and ignoring the information it is communicating with us.
Being constantly in conversation with our living body and intentionally practising those conversations connects us to embodiment more deeply; it allows us to make tangible the emotions we feel as we interact with the world, befriend our bodies, and understand all that they try to teach us. When understanding trauma and embodiment paired, we can begin to start the healing and access pleasure more holistically, healthily, and in our daily lives without shame and guilt. We can begin to access pleasure as a tool for individual and social change, tapping into the power of the erotic as Audre Lorde described it. A power that allows us to share the joy we access and experience, expanding our capacity for happiness and understanding that we are deserving of it, even with our trauma.
Tapping into pleasure and embodying the erotic gives us the expansion of being deliberately alive, feeling grounded and stable and understanding our nervous systems. It allows us to understand and shed the generational baggage we’ve been carrying without realising; we can be empowered with the knowledge that even as traumatised as we are, as traumatised as we potentially could be in the future, we are still deserving of pleasurable and joyful lives, that we can share that power with our people. It is the community aspect that is missing from the ways we care for ourselves; self-care cannot exist without community care. We are able to feel a deeper internal trust, safety, and power of ourselves, especially in the face of future traumas that will trigger us, knowing how to soothe and stabilise ourselves. All this understanding leads us to a deep internal power that is resourced to meet any challenges that come your way.
As those living with deep generational traumas, we have come to distrust and perhaps think we are incapable of containing and accessing the power we have. In “Uses of the Erotic: The Erotic as Power,” Lorde teaches us that the erotic offers a source of replenishment, a way to demand better for ourselves and our lives.
For the erotic is not a question only of what we do; it is a question of how acutely and fully we can feel in the doing. Once we know the extent to which we are capable of feeling that sense of satisfaction and completion, we can then observe which of our various life endeavours brings us closest to that fullness.
I don’t say any of this lightly – I know that this is easier said than done. I know that many of us are prevented from understanding these truths, from internalising or even healing them. Resistance comes with acts of feeling unsafe, but is not impossible. Resisting power structures that keep the most powerful safe will always endanger those of us shoved to the margins. Acknowledging the traumas you’ve faced is a reclamation of your lived experiences, those that have passed and those that will follow; it is resistance that embodies that knowledge that we are deserving of more than the breadcrumbs these systems have forced us to lap up. It is a resistance that understands that pleasure is complicated by trauma, but it can be accessed in arbitrary and powerful ways. It is a resistance that acknowledges that our trauma is a resource that connects us to each other, and can allow us to keep each other safe. It is a resistance that understands that even with pleasure and joy, this is not a utopia; we will still harm and be harmed, but we will be better equipped for survival and thrive in a community of diverse care and kindness. A resistance that makes way for healing and connecting to our full human selves.
Healing will never be an easy and rosy journey, but it begins with the acknowledgment of the possibility. When oppression makes us believe that pleasure is not something that we all have equal access to, one of the ways that we start doing the work of reclaiming our full selves — our whole liberated, free selves — is by reclaiming our access to pleasure.
Leah Lakshmi Piepzna-Samarasinha has said in her article in Pleasure Activism (to which she contributed),
I know that for most people, the words “care” and “pleasure” can’t even be in the same sentence. We’re all soaking in ableism’s hatred of bodies that have needs, and we’re given a really shitty choice: either have no needs and get to have autonomy, dignity, and control over your life or admit you need care and lose all of the above.
The power that this has? We understand our traumas, so we understand those of others; we embody the sensations we experience and tend to them rather than distract and avoid. We access pleasure in ways that make us want to share that joy with those in our communities. When we are trauma-informed, we give ourselves more room to experience all this and give ourselves, and others, permission to heal. Imagine, a community in which everyone has access, resources, and time to live pleasurable lives, in whichever way they want and deserve. In which spatial traumas are lessened because the people that occupy them are trauma-aware, are filled with a tender care. Isn’t that healing? Is that not working through generational traumas? Does that not build and sustain healthier futures for us all?
It is time we reconnected with the ancestral knowledge that we deserve to live full lives. We need to get back in touch with our natural right to joy and existing for ourselves. To feel pleasure simply for the sake of it. To not live lives of terror. It sounds radical; it feels radical. In a world where we have been socialised and traumatised to numb, to fear, to feel and remain powerless, to be greedy and live with structural issues that lead to mental illness, what a gift and wonder it is to begin to feel, to be in community with those who feel, to be healthily interdependent in, to love each other boldly. Feeling is radical. Pleasure is radical. Healing is radical.
You have permission to feel pleasure. You have permission to dance, create, make love to yourself and others, celebrate and cultivate joy. You are encouraged to do so. You have permission to heal. Don’t bottle it up inside, don’t try to move through this time alone. You have permission to grieve. And you have permission to live. - adrienne maree brown, “You Have Permission”
Somatic embodiment allows us to explore our trauma, work through it and make meaningful connections to ourselves and the collective. Doing this over time sustains our healing; just like trauma, healing is not a one-time only event. This healing helps move us toward individual and collective liberation.
In “A Queer Politics of Pleasure,” Andy Johnson speaks about the ways in which the queering of pleasure offers us sources of healing, acceptance, release, playfulness, wholeness, defiance, subversion, and freedom. How expansive! When we embody pleasure in ways that are this holistic, this queer, we are able to acknowledge the limitation.
Queering pleasure also asks us the questions that intersect our dreaming with our lived realities.
Who is free or deemed worthy enough to feel pleasure? When is one allowed to feel pleasure or pleased? With whom can one experience pleasure? What kind of pleasure is accessible? What limits one from accessing their full erotic and pleased potential? - Andy Johnson, “A Queer Politics
of Pleasure”
When our trauma-informed pleasure practices are grounded in community care, we begin to answer some of these questions. We begin to understand the liberating potential. As pleasure activists, this is the reality we ground ourselves within. The reality that says, my pleasure may be fractal, but it has the potential to heal not only me and my community, but future bloodlines.
I am a whole system; we are whole systems. We are not just our pains, not just our fears, and not just our thoughts. We are entire systems wired for pleasure, and we can learn how to say yes from the inside out. - Prentis Hemphill, interviewed by Shar Jossell
There’s a world of pleasure that allows us to begin to understand ourselves holistically, in ways that give us room to rebuild the realities that affirm that we are capable and deserving of daily pleasure. BDSM, one of my deepest pleasures, allows me a glimpse into these realities where I can both feel and heal my trauma, as well as feel immeasurable opportunities to say yes from the inside out. While trauma keeps me stuck in a cycle of fight or flight, bondage, kneeling, impact, and breath play encourage me to stay grounded and connected, reconnecting to restoration. Pleasure that is playful allows me to heal, to identify where traumatic energy is stored in my body and focus my energy there. It allows me to express the sensations my body feels through screams of pain and delight, to express my no with no fear and revel in the fuck yes. With a safety plan, aftercare, and a deeper understanding of trauma, kink offers a place of pleasure and healing that is invaluable.
So whether your pleasure looks like cooking a meal at your leisure, engaging in sex, having bed days with your people, participating in disability care collectives, having someone spit in your mouth, going on accessible outings, having cuddle dates, attending an online dance party, spending time in your garden, being choked out in a dungeon,
I hope you take pleasure with you wherever you go. I hope it heals you and your people.
Recognising the power of the erotic within our lives can give us the energy to pursue genuine change within our world. - Audre Lorde, “Uses of the Erotic: The Erotic as Power”
ExploreTransnational Embodiments
This journal edition in partnership with Kohl: a Journal for Body and Gender Research, will explore feminist solutions, proposals and realities for transforming our current world, our bodies and our sexualities.
نصدر النسخة هذه من المجلة بالشراكة مع «كحل: مجلة لأبحاث الجسد والجندر»، وسنستكشف عبرها الحلول والاقتراحات وأنواع الواقع النسوية لتغيير عالمنا الحالي وكذلك أجسادنا وجنسانياتنا.
Binta Sarr was an activist for social, economic, cultural and political justice, and a hydraulic engineer in Senegal. After 13 years in civil service, she left this path to work with rural and marginalized women.
Out of this engagement grew the Association for the Advancement of Senegalese Women (APROFES), a grassroots movement and organization Binta founded in 1987. One of her main approaches was leadership training, relating not only to economic activities but also to women's rights and access to positions of decision-making.
“Grassroots populations must organize, mobilize, assume citizen control and demand democratic governance in all sectors of public space. The priority of social movements must go beyond the fight against poverty and must be focused on articulated and coherent development programs in line with human rights principles, while taking into account their needs and concerns both at the national and sub-regional levels and from a perspective of African and global integration.” - Binta Sarr
Rooted in Binta’s conviction that fundamental change in women’s status requires transformation in male attitudes, APROFES took an interdisciplinary approach, using radio, seminars and popular theatre, as well as providing innovative public education and cultural support for awareness-raising actions. Its popular theatre troupe performed original pieces on the caste system in Senegal, alcoholism, and conjugal violence. Binta and her team also looked at the crucial connection between the community and the broader world.
“For APROFES, it is a question of studying and taking into account the interactions between the micro and the macro, the local and the global and also, the different facets of development. From slavery to colonization, neocolonialism and the commodification of human development, most of the resources of Africa and the Third World (oil, gold, minerals and other natural resources) are still under the control of financial cartels and other multinationals that dominate this globalized world.” - Binta Sarr
Binta was one of the founding members of the female section of the Cultural and Sports Association Magg Daan. She received commendations from the Regional Governor and the Minister of Hydrology for her "devotion to rural people."
Born in 1954 in Guiguineo, a small rural town, Binta passed away in September 2019.
Tributes:
“The loss is immeasurable, the pain is heavy and deep but we will resist so as not to mourn Binta; we will not mourn Binta, we will keep the image of her broad smile in all circumstances, to resist and be inspired by her, maintain, consolidate and develop her work…” - Aprofes Facebook page, September 24, 2019
"Farewell Binta! We believe your immense heritage will be preserved." - Elimane FALL, president of ACS Magg-Daan
Sara AbuGhazal est une féministe palestinienne vivant à Beyrouth. Elle est Co-fondatrice de Sawt al-Niswa, un collectif qui produit des connaissances à Beyrouth. Elle est co-directrice de The Knowledge Workshop, une organisation féministe basée à Beyrouth qui travaille sur l'histoire orale et l'archivage féministes. Sara est actuellement coordonnatrice régionale de la Regional Coalition for Women Human Rights Defenders in the Middle East and North Africa.
Sara s'efforce de contribuer à la création d'espaces de transformation et de solidarité féministes. Son travail est principalement axé sur la création de mouvements durables dans la région Moyen-Orient et de l'Afrique du Nord Elle est investie dans la production de connaissances, la transformation féministe et la Palestine. Elle publie régulièrement dans sawtalniswa.org et ses œuvres de fiction apparaissent également dans le magazine électronique Romman
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40 Years of AWID: The Scrapbook
Gather, Seed, and Disrupt.
In 2022, AWID celebrates 40 years since our founding. We’re using this moment to reflect on our past and learn from the road traveled as we prepare to look forward, and to forge the journey ahead. As we move through cycles of progress and pushback, we know that struggles for women’s rights and gender justice are iterative and non-linear. In collaboration with artist Naadira Patel, we created a scrapbook that highlights a handful of snapshots from AWID’s last four decades of feminist movement support.
We have not done all this on our own. We share this with deep appreciation for the constellation of feminist activists and groups that have made this work possible. In this context of so many converging crises, we embrace the opportunity to celebrate the power and resilience of feminist movements around the world.
« Ashawo Work na Work » : Comment les jeunes féministes ghanéennes transforment des horizons féministes en réalité
par Fatima B. Derby
En 2017, la campagne #ManifestezVotreSolidarité a mis en évidence la manière dont les jeunes féministes pouvaient construire un avenir féministe en étant là les unes pour les autres, en participant à des conversations transrégionales, en marchant en solidarité avec d'autres activistes et en collaborant entre les mouvements. (...)
Laurie Carlos fue una actriz, directora, bailarina, dramaturga y poeta estadounidense, una artista y visionaria extraordinaria que tenía un poderoso don para hacer surgir el arte en otras personas.
«Laurie entraba en una habitación (cualquier habitación/todas las habitaciones ) con clarividencia arremolinada, con genio artístico, rigor corporizado, con un realismo feroz— y con la determinación de ser libre... y de liberar a otrxs. Una hacedora de magia. Una vidente. Alguien que cambiaba de formas. Laurie me dijo una vez que entraba en los cuerpos de las personas para descubrir qué necesitaban.» - Sharon Bridgforth
Combinaba estilos de actuación tales como gestos rítmicos y texto. Laurie era mentora de nuevxs actorxs, performers y escritorxs, y ayudaba a difundir su trabajo a través de «Naked Stages», una beca para artistas emergentes. Integraba el Penumbra Theater, con el que colaboraba mediante guiones que produjeran identificaciones, a fin de «traer más voces femeninas al teatro». Laurie integraba también Urban Bush Women, una compañía de danza contemporánea prestigiosa que relata historias sobre mujeres de la diáspora africana.
En 1976, como Lady in Blue, hizo su debut en Broadway, en la producción original galardonada del drama poético de Ntozake Shange For colored girls who have considered suicide / when the rainbow is enuf. La obra de Laurie incluye White Chocolate, The Cooking Show y Organdy Falsetto.
«Cuento las historias en el movimiento (las danzas internas que surgen espontáneamente, como en la vida), la música y el texto. Si escribo una línea, no necesariamente tiene que ser una línea que es hablada; puede ser una línea que es movida. Una línea a partir de la cual se crea música. El gesto se convierte en la oración. Gran parte de quienes somos como mujeres, como personas, tiene que ver con los gestos que hacemos entre nosotrxs todo el tiempo, y en particular, durante momentos emotivos. El gesto se convierte en una oración o una declaración de hechos. Si pongo en un guión “cuatro gestos”, eso no quiere decir que no estoy diciendo nada; significa que lo he abierto para que algo sea dicho físicamente.» - Laurie Carlos
Laurie nació y creció en la ciudad de Nueva York, trabajó y vivió en Twin Cities. Falleció el 29 de diciembre de 2016 a la edad de 67 años, luego de una batalla contra el cáncer de colon.
Tributos:
«Creo que esa era exactamente la intención de Laurie. Salvarnos. De la mediocridad. Del ego. De la pereza. De la producción de arte a medias. De estar paralizadxs por el miedo. Laurie quería ayudarnos a Brillar plenamente. En nuestra producción artística. En nuestras Vidas.» - Sharon Bridgforth para Pillsbury House Theatre
«Nadie que conociera a Laurie dejaría de definirla como una persona original. Era su propia persona. Era su propia persona, su propia artista; ponía en escena el mundo tal como lo conocía, con verdadero estilo y comprensión, y vivía su arte.» - Lou Bellamy, fundador de Penumbra Theater Company, para Star Tribune
Case study 1 - Three Boats, a Horse and a Taxi: Pacific Feminists at the AWID Forums
This story is about how an increasingly diverse group of feminists from the Pacific organized through the years to attend the AWID Forums and how that process changed them personally, as organizations, and as a movement through what they learned, discovered and experienced. It illustrates the importance of the Forums as a space through which a region that tends to be marginalized or ignored at the global level can build a strong presence in the feminist movement that is then replicated at other international women’s rights spaces.
Juhi is a tech enthusiast with a Bachelor's degree in Computer Engineering from Gujarat Technological University and a postgraduate background in Wireless Telecommunications and Project Management from Humber College. With a passion for problem-solving and a love for staying ahead in the ever-evolving tech landscape, Juhi has found herself navigating through various industries as an IT Technician. to the nurturing environment of the School Board, Juhi has had the opportunity to apply her technical skills in diverse settings, always embracing new challenges with enthusiasm. Beyond the code and circuits, Juhi loves life's adventures. Exploring new places and cultures is like a breath of fresh air to her. Whether it's discovering hidden gems in the city, trying out exotic cuisines, or embarking on thrilling adventure sports, Juhi is always up for new experiences.
