None On Record

Young Feminist Activism

Organizing creatively, facing an increasing threat

Young feminist activists play a critical role in women’s rights organizations and movements worldwide by bringing up new issues that feminists face today. Their strength, creativity and adaptability are vital to the sustainability of feminist organizing.

At the same time, they face specific impediments to their activism such as limited access to funding and support, lack of capacity-building opportunities, and a significant increase of attacks on young women human rights defenders. This creates a lack of visibility that makes more difficult their inclusion and effective participation within women’s rights movements.

A multigenerational approach

AWID’s young feminist activism program was created to make sure the voices of young women are heard and reflected in feminist discourse. We want to ensure that young feminists have better access to funding, capacity-building opportunities and international processes. In addition to supporting young feminists directly, we are also working with women’s rights activists of all ages on practical models and strategies for effective multigenerational organizing.

Our Actions

We want young feminist activists to play a role in decision-making affecting their rights by:

  • Fostering community and sharing information through the Young Feminist Wire. Recognizing the importance of online media for the work of young feminists, our team launched the Young Feminist Wire in May 2010 to share information, build capacity through online webinars and e-discussions, and encourage community building.

  • Researching and building knowledge on young feminist activism, to increase the visibility and impact of young feminist activism within and across women’s rights movements and other key actors such as donors.

  • Promoting more effective multigenerational organizing, exploring better ways to work together.

  • Supporting young feminists to engage in global development processes such as those within the United Nations

  • Collaboration across all of AWID’s priority areas, including the Forum, to ensure young feminists’ key contributions, perspectives, needs and activism are reflected in debates, policies and programs affecting them.

Related Content

Snippet - CSW69 On anti-rights resistance - FR

Sur la résistance face aux mouvements anti-droits

What is the United Nations Financing For Development Process?

The United Nations (UN) Financing for Development (FfD) process seeks to address different forms of development financing and cooperation. As per the Monterrey Consensus it focuses on six key areas:

  • Mobilizing domestic financial resources for development
  • Mobilizing international resources for development: foreign direct investment and other private flows
  • International trade as an engine for development
  • Increasing international financial and technical cooperation for development
  • External debt
  • Addressing systemic issues: enhancing the coherence and consistency of the international monetary, financial and trading systems in support of development. 

Snippet title Festival Articles (EN)

Festival Articles

Dorothy Masuka

“Je n’avais pas prévu d’être chanteuse; c’est le chant qui avait prévu de m’habiter”  - Dorothy Masuka (interview avec Mail & Guardian)

Dorothy Masuka, née en 1935 à Bulawayo (alors en Rhodésie du Sud, aujourd’hui le Zimbabwe), a grandi en Afrique du Sud. Elle est devenue une auteure, compositrice, chanteuse de jazz et activiste renommée, et fervente partisane de la lutte contre l’apartheid. Qualifiée d’“architecte du discours de la musique populaire de libération africaine”, Dorothy a souvent chanté la politique dans des langues africaines autochtones et tout au long de son oeuvre, et s’est opposée aux politiques racistes du gouvernement sud-africain. 

L’une de ses chansons, intitulée "Dr Malan" (du nom de l'homme politique pro-apartheid D.F. Malan) a été censurée. Elle a poursuivi avec l’enregistrement de "Lumumba" (1961), une chanson sur l'assassinat du leader anticolonialiste Patrice Lumumba. Le travail et l'activisme de Dorothy ont alors attiré l'attention de la section spéciale de la police sud-africaine, ce qui la contraignit à un exil politique qui s’étendit sur plus de 3 décennies. Tout au long de cette période, elle travailla avec des groupes pro-indépendantistes, dont le Congrès national africain. En 1992, alors que l'apartheid commençait à s'effondrer et que Nelson Mandela fut libéré de prison, elle retourna en Afrique du Sud. 

Parmi ses autres œuvres, on peut citer sa première chanson, enregistrée en 1953 et intitulée "Hamba Notsokolo", qui fut un tube des années 1950 et un grand classique. Elle composa également "El Yow Phata Phata", une chanson adaptée par Miriam Makeba qui contribua à offrir une popularité internationale à "Pata, Pata"

Ancrés dans la résistance, la musique et l’activisme de Dorothy étaient entrelacés et laissent un merveilleux héritage inspirant. Elle était également très connue sous le nom de “Auntie Dot”.   

Le 23 février 2019, Dorothy s’est éteinte à Johannesburg à 83 ans des suites d’une maladie.


Regardez l'interview de Dorothy Masuka pour Mail & Guardian (seulement en anglais)

Écoutez sa musique :

Hamba Nontsokolo
El Yow Phata Phata

Snippet - CSW69 - What’s a feminist like you - EN

What’s a feminist like you doing in a place like this?

A conversation on international advocacy and global governance

✉️ By registration only. Register here

📅 Friday, March 14, 2025
🕒 2.30pm EST

🏢 Blue Gallery, The Blue Building, 222 East 46th Street

🎙️Facilitated by: Anissa Daboussi, Manager, Advancing Universal Rights and Justice team

Organizer: SRI, AWID

Can I submit a session proposal?

The call for session proposal is now closed.

We launched a Call for Activities on November 19 2019 and the last date to receive proposals was February 14, 2020. 

Find other ways to engage with the Forum

Snippet “Gender Ideology” Narratives (EN)

“Gender Ideology” Narratives

For decades, feminist scholars and advocates have articulated important concepts related to gender to understand and challenge oppression and discrimination. Those concepts have now become the target of anti-rights actors who claim that oppressive patriarchal gender roles are “common sense”, strategically painting all other ideas, cultural norms, and forms of social life as a dangerous, conspirative ideology.

Read our Brief  on “Gender Ideology” Narratives: A Threat To Human Rights

Download here 

Leah Tumbalang

Leah Tumbalang was a Lumad woman of Mindanao in the Philippines. The story of Lumad Indigenous peoples encompasses generations of resistance to large-scale corporate mining, protection of ancestral domains, resources, culture, and the fight for the right to self-determination. 

Leah was a Lumad  leader as well as a leader of Kaugalingong Sistema Igpasasindog to Lumadnong Ogpaan (Kasilo), a Lumad and peasant organization advocating against the arrival of mining corporations in Bukidnon, Mindanao province. She was unwavering in her anti-mining activism, fervently campaigning against the devastating effects of mineral extraction on the environment and Indigenous peoples’ lands. Leah was also an organizer of the Bayan Muna party-list, a member of the leftist political party Makabayan.

For almost a decade, Leah (along with other members of Kasilo) had been receiving threats for co-leading opposition against the deployment of paramilitary groups believed to be supported by mining interests. 

“Being a Lumad leader in their community, she is at the forefront in fighting for their rights to ancestral land and self-determination.” - Kalumbay Regional Lumad Organization

Being at the forefront of resistance also often means being a target of violence and impunity and Leah not only received numerous death threats, but was murdered on 23 August 2019 in Valencia City, Bukidnon. 

According to a Global Witness report, “the Philippines was the worst-affected country in sheer numbers” when it comes to murdered environmental activists in 2018. 


Read the Global Witness report, published July 2019

Find out more about Lumad women in the Philippines and their inter-generational struggle for self-determination
 

Snippet - WCFM Preferred languages: - EN

Preferred languages:

Boil them down to communications language preferences

When can I register for the Forum?

We will announce this soon. Stay tuned!

Snippet FEA Title Menu (ES)

Las Economías Feministas

QUE AMAMOS

ECONOMIAS DE CUIDADOSAGROECOLOGÍA Y SOBERANÍA ALIMENTARIACOOPERATIVISMO FEMINISTASINDICALISMO FEMINISTA

Sara Hegazy

Sarah Hegazy, una audaz activista egipcia por los derechos LGBTQI+, vivía en una sociedad en la que lxs integrantes de su comunidad, sus cuerpos y sus vidas, enfrentan prejuicios letales a menudo. La resistencia de Sarah estaba arraigada en la deconstrucción del sistema dominante, opresor y patriarcal, y de sus actores antiderechos.

«[En Egipto], toda persona que no sea varón, musulmán, suní, heterosexual y partidario del sistema, es rechazada, reprimida, estigmatizada, arrestada, exiliada o asesinada. Este problema se relaciona con el sistema patriarcal en su conjunto, ya que el Estado no podría ejercer su represión contra lxs ciudadanxs, si no hubiera una opresión preexistente desde la infancia», escribió Sarah Hegazy el 6 de marzo de 2020

La supresión de la voz de Sarah por parte del gobierno egipcio alcanzó su pico más violento en 2017, cuando fue arrestada por alzar una bandera arcoíris en el recital de Mashrou’ Leila (una banda libanesa cuyo cantante principal es abiertamente gay) en El Cairo. Fue acusada de pertenecer a un grupo ilegal, y de «promover la desviación sexual y el libertinaje».

«Fue un acto de apoyo y solidaridad, no solamente con el cantante [de Mashrou’ Leila] sino con todas las personas oprimidas... Nos enorgulleció alzar la bandera. Nunca nos imaginamos la reacción de la sociedad y del Estado egipcio. Para ellos, yo era una criminal: alguien que buscaba destruir la estructura moral de la sociedad.» - Sarah Hegazy

Sarah estuvo encarcelada por tres meses, durante los cuales fue torturada y agredida sexualmente. En enero de 2018, después de ser liberada bajo fianza, pidió asilo en Canadá, donde estaba segura, pero seguía prisionera de los recuerdos del abuso y la violencia que su cuerpo y su alma habían sufrido.

«Salí de esta experiencia después de tres meses con un caso muy intenso y serio de TEPT [trastorno por estrés postraumático]. La prisión me mató. Me destruyó», dijo Sarah Hegazy a NPR.

Sarah se quitó la vida el 14 de junio de 2020, luego de dejar una nota escrita a mano en árabe:

«A mis hermanxs: traté de encontrar redención y fallé, perdónenme.
A mis amigxs: la experiencia [el viaje] fue muy dura y soy demasiado débil como para resistir, perdónenme.
Al mundo: has sido tremendamente cruel, pero perdono.»

Su legado y su coraje continuarán, llevados adelante por quienes la aman y creen en aquello por lo que Sarah luchó.

Tributos:

«A Sarah: Descansa, solo descansa, libre de esta violencia implacable, de este patriarcado letal impulsado por el Estado. Con rabia, con dolor, con extenuación, resistimos.» - Rasha Younes, investigadora sobre derechos LGBT de Human Rights Watch. Lee el texto completo

El vocalista de Mashrou’ Leila canta un tributo a Sarah Hegazy

Tributos en Twitter

Documental sobre la vida de Sarah Hegazy

Sitio web dedicado a Sarah Hegazy y a quienes (en especial voces LGBTQI) no pueden hacer su duelo en público

Snippet WCFM Title Menu (EN)

wcfm-logo-horizontal

LEARN MORE GET THE USER GUIDEWHO CAN FUND ME DATABASE  JOIN THE DATABASE

Do I have to be an AWID member to participate in the Forum?

No, you don't have to be an AWID member to participate but AWID members receive a discounted registration fee as well as a number of other benefits.

Learn more on how to become an AWID member

Snippet FEA Occupation’s kitchen (FR)

Photo of a wall with a graffiti which says “Luta’
Photo of people in facemasks and aprons cooking together
Photo of a black woman in a red apron and black facemask, holding a book
Photo of a group of 4 of people wearing facemasks, demonstrating food and books

Femmes et collaborateurs à la cuisine de l'Ocupação 9 de Julho

Photo of two black women cooking

Women’s Rights & Gender Equality in focus on TheGuardian.com

The in-focus section features the pressing issues affecting women, girls and transgender people around the world, and shines a spotlight on the critical work being carried out by women's rights movements. 


AWID and Mama Cash are advisory partners who offer ideas to the Guardian editorial team and help link the Guardian team with diverse women’s rights advocates, organizations and movements around the world.

With the Guardian’s global reach of over 82 million unique browsers a month and its position of influence with policy makers, AWID and Mama Cash see this partnership as an important opportunity to:

  • bring a rights based analysis to a broad and powerful audience
  • increase the visibility of diverse women’s rights organizing and make the case for the key role they play in advancing women’s rights
  • raise the visibility of women human rights defenders at risk
  • influence key global development policy processes and debates and support more diverse voices to frame debates and set priorities about women’s, girls and transgender people’s rights and the changes that are needed at global, regional and national levels.

If you would like to share suggestions for women’s rights issues, strategies, process or events that you would like to see covered by the in-focus section, you can pitch your ideas here. All suggestions collected through this online form will be shared directly with the Guardian editorial team.The Guardian is solely responsible for all journalistic output and all editorial content is strictly independent.

If you have questions about this project, email: contact@awid.org and/or hello@mamacash.org. 

View Guardian Hub